17 480 résultats
1929réf. 0001973CHICAGO ILLINOIS IL. Good. 1929. On offer is a fascinating original manuscript Depression Era 5 year diary handwritten by a girl named June b. November 6 1909 whose surname is likely either Hluegner or Kandles as she has mention two Grandmothers with those names. June is a sad girl lonely for friendship even while a member of a sorority and it seems her happiness depends on her self image and body weight: 'Went to sorority. They all talk about their fellows. Oh lord! A perfect body!' Her sadness is also reflected in her nostalgia for a few moments of happiness in her past: 'in 1927 two years before this time I was seeing David Filerman. Wonder what he's doing now.' Home life is difficult too: 'Chas and Yi came over after Church. Dad certainly is unscientific. He's right. The world's crazy. Such a tirade of abuse I never heard. Too glad to go to Helen's.' She has one older sister Ruth who is 25 in 1929 and doesn't get along with her. Ruth seems to get all the guys eventually to get married in 1933. June is interested in gardening studies botany and music. Her basic premise is to find love marriage and to lose weight. In these 5 years she achieves nothing in that regard although she learns to drive a car on July 5 1929. June wonders Feb. 20 1930 "why I shouldn't act like other girls Why keep myself clean No fun like others." June is in turmoil about being able to go to college primarily The Principia A School and College for Christian Scientists to which she was accepted July 8 1929 but her attendance seems delayed due to financial difficulties. She does begin to attend in 1932 and also joins the school Glee Club. Besides attending school June works in an office. June does not have an aptitude for studies i.e. October 20 1931 E-French D-European History C-Geology and English and B-Botany. Every so often June laments the fact that she has no boyfriend no money nothing! She does not get along with her father but loves him dearly. Sometimes there's a reprieve and they have a lovely time together. June loves her mother though her mother has expectations of June i.e. her mother would have a fit if she learned she gained 10 lbs. She hates Chicago and often mentions taking grandparents and going shopping in Chicago. She might be living on the outskirts because one entry observes July 20 1931 that the grain is all cut and stacked. This Depression era diary notes on May 11 1930 "most of the furniture gone from the house couldn't give mother anything for Mother's Day". On March 9 1931 "not much food in the house but will manage - so hungry and cold". Then later that year March 26 the family receives a check for $8870.44 and they in turn are very happy. Some miscellaneous observations include: March 4 1933 President Roosevelt elected and March 8 1933 "House meeting on Death" and May 30 1933 "went to Art Institute and saw period rooms and painting exhibit" and June 22 1933 "Went to World's Fair - Marvellous". The approximately 395 page book is well filled and for researchers and historians of Chicago area Depression Era or women's studies will be hard pressed to find a more interesting peek into the world of this young woman. Overall G.; Manuscript; 24mo - over 5" - 5¾" tall; KEYWORDS: HISTORY OF GRANDMA KANDLES GRANDMA HLUEGNER GRANDMA HANSEN PRINCIPIA JUNE KANDLES JUNE HLUEGNER CHRISTIAN SCIENTISTS THE PRINCIPIA DEPRESSION ERA WOMEN'S STUDIES GENDER STUDIES WEIGHT PROBLEMS SELF IMAGE PROBLEMS CHICAGO AMERICANA HANDWRITTEN MANUSCRIPT AUTOGRAPHED AUTHORS MANUSCRIPT DOCUMENT LETTER AUTOGRAPH KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY ARCHIVE DIARY DIARIES antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito Papel . unknown
1752réf. 129645London : Printed For W. Clarke; And Sold By J. MacE And G. Ferraby At Hull; Mess. Stabler And Barstow And N. Bell At York; And P. Hodges At Hereford 1752. Third Edition. Hardback. Benjamin Chadwick's copy dated. Finely bound in modern speckled calf over marble boards. Raised bands with a dark morocco gilt-blocked label. T.p. in black and red. An exceptional copy - scans and additional bibliographic detail on request. ; 479 pages; Physical desc. : viii 479 1p. ; 8°. Latin text with English prose translation. ESTC citation no.: N19366 London : Printed For W. Clarke; And Sold By J. MacE, And G. Ferraby, At Hull; Mess. Stabler And Barstow, And N. Bell, At York; A hardcover
1518réf. 2304190005Venice: Aldus Manutius and Andrea Soceri 1518. First Edition. Hardcover. Acceptable. First collected edition of Pontano's works - Aldine Imprint Later leather binding. Rebacked. Red leather spine label gilt. 4 326 pages. Early ink inscription on title page acid stain. Colophon page lacking bottom third blank park. Aldine printer's device dolphin and anchor on title. Brunet IV 808; Riccardi I 303; Olschki 12243; Ahmanson-Murphy 168; Adams P1860. Venice: Aldus Manutius and Andrea Soceri hardcover
1989réf. 13825ABBasel, Michael Jsingrin, 1989. Folio. Lederband in Leinenschuber.
réf. 5361Denver: Henrietta Bromwell. Original Painting. Oil on Canvas Framed. Painting Fine within a Very Good Ornate Frame. Original oil painting framed depicting a disused pioneer cabin amid a forest clearing blue sky and pink clouds overhead. Exposed painting measures 9.75 x 8 inches; frame measures 14 x 11 inches. Bromwell neglected to sign and date many of her paintings; this work is signed "H. E. Bromwell" and features the "July 25 192unintelligible". On the back of the period frame is the remnant of a store label for Chain & Hardy Book Stationery and Art Co. Denver with only the address 1609-1615 Arapahoe St. and "Art Department" remaining. The painting is in Fine condition with three small chips to the gilded Victorian frame please see photos. Born in Illinois in 1870 Henrietta Elizabeth Bromwell 1859-1946 moved to the Colorado Territory when her father Henry Pelham Holmes Bromwell joined the territorial legislature. She studied art at the University of Denver and with Anne Evans daughter of John Evans Colorado's second territorial governor founded the Denver Artists Club also known as the Artists' Club of Denver. By 1923 that organization evolved into the Denver Art Museum. The subject of the painting is typical of Bromwell's oeuvre utilizing mountain streams rustic settings and pioneer life as her subjects. In an 1899 article Bromwell credited Monet as influencing her landscape painting as the lighter color palette and loose brushstrokes attest. Critics have suggested the influence of Henry Durrie and Jasper Francis Cropsey. Interest in Bromwell fluctuates with articles appearing periodically. In 1997 an issue of Colorado Heritage featured just that with the cover boasting a Bromwell painting akin to this offering. . Henrietta Bromwell unknown
réf. 5361Denver: Henrietta Bromwell. Original Painting. Oil on Canvas Framed. Painting Fine within a Very Good Ornate Frame. Original oil painting framed depicting a disused pioneer cabin amid a forest clearing blue sky and pink clouds overhead. Exposed painting measures 9.75 x 8 inches; frame measures 14 x 11 inches. Bromwell neglected to sign and date many of her paintings; this work is signed "H. E. Bromwell" and features the "July 25 192unintelligible". On the back of the period frame is the remnant of a store label for Chain & Hardy Book Stationery and Art Co. Denver with only the address 1609-1615 Arapahoe St. and "Art Department" remaining. The painting is in Fine condition with three small chips to the gilded Victorian frame please see photos. Born in Illinois in 1870 Henrietta Elizabeth Bromwell 1859-1946 moved to the Colorado Territory when her father Henry Pelham Holmes Bromwell joined the territorial legislature. She studied art at the University of Denver and with Anne Evans daughter of John Evans Colorado's second territorial governor founded the Denver Artists Club also known as the Artists' Club of Denver. By 1923 that organization evolved into the Denver Art Museum. The subject of the painting is typical of Bromwell's oeuvre utilizing mountain streams rustic settings and pioneer life as her subjects. In an 1899 article Bromwell credited Monet as influencing her landscape painting as the lighter color palette and loose brushstrokes attest. Critics have suggested the influence of Henry Durrie and Jasper Francis Cropsey. Interest in Bromwell fluctuates with articles appearing periodically. In 1997 an issue of Colorado Heritage featured just that with the cover boasting a Bromwell painting akin to this offering. . Henrietta Bromwell unknown books
1835Very Good Arabic Original full brown morocco with traditional flap. Traditional shemses (mytical sun) embossing on boards. Large roy. 8vo. (25 x 17 cm). In Arabic. [9], 562 p. Hegira 1251 = Gregorian 1835. "A supercommentary to Ibrâhîm ibn Muh?ammad al-H?alabî (1549-)'s shorter commentary (entitled Ghunyat al-mustamlî) on Sadîd al-Dîn al-Kâshgharî (13th century)'s treatise on Muhammadan ceremonial law entitled Munyat al-musallî.". Extremely rare. Brockelmann: History of the Arabic Written Tradition Supplement, Vol. 1: Islamic literature in Arabic, Vol. 2: Post-Classical period.; 52. Sadid al-Din Al-Kashgari, seventh century., pp. 682.; Not printed copy in OCLC for Bulaq Edition, for digital register, OCLC 945200709.
1596réf. 50569Francofurti Frankfurt: Apud Andreæ Wecheli heredes heirs of Andreas Wechelus Claudium Marnium & Ioan. Aubrium 1596. 8vo. 16 1137 54 1138-1193 1 pp. Early full vellum with yapp edges lacking ties spine with gilt ruled bands contemporary hand written title to upper panel a gilt device with the motto "Rinasce piu Gloriosa" to the foot of the spine decorative gilt centrepieces and double gilt ruled borders to the boards 18th century armorial bookplate "Sinclair" - "Fide Sed Pugna" to the front pastedown an earlier inscription to the head of the front free endpaper. Leaf O4 pp. 215-6 with some marginal loss mostly mild dampstaining at intervals some soiling and light wear to the vellum but a decent copy overall. First published in Venice in 1567 the work came to be known as one of the standard Renaissance works on the study of classical mythology. It went through a number of editions in the late 16th and early 17th centuries with additions to the original text being incorporated in the 1580s. Francofurti [Frankfurt]: Apud Andreæ Wecheli heredes [heirs of Andreas Wechelus], Claudium Marnium & Ioan. Aubrium unknown
réf. 53967Paris Apud Carolum Stephanum Typographum Regium 1553. FIRST EDITION 1553 Latin text. Folio 335 x 235 mm 13¼ x 9¼ inches large pictorial device of the printer Charles Estienne on title page Printer's privilege on verso title page woodcut headpiece and large initial to first page of text pages: 216 2 - errata with 12 pages of prelims included in the pagination and only partially numbered signatures: A-S6 chi1 rebound in full modern calf gilt lettered morocco label to spine blind decoration to covers. Free endpaper before title page has a very early 5 line old ink note in French on the author previous owner's ex libris inscription on title page one word crossed out title page slightly dusty in the margins pale brown stain to lower margins of first 4 leaves larger slightly stronger damp stain in same position still affecting margin only from page 133-161 and again paler and smaller from page 193 to the end occasional very slight pale foxing very small ink mark to a couple of margins otherwise clean and bright. Apart from the already mentioned dampstains a very good copy A compendium of condensed decisions 'placita' mixed with commentary made by the supreme court in France the Parisian Parliament on ecclesiastical matters the king and the nobility the courts and the practice and implementation of law civil life and criminal justice. The "placita" dated from 14th century to the author's time but not quoted verbatim are organised by subject and cover such miscellany as the ban on selling masks the rights of bakers commercial loans Gallican church independence marriage forced by rape protections for surgeon's apprentices etc. Book XI includes a section on the laws governing public auctions. The manuscript note in French at the front informs that the author Jean du Luc was first prosecutor at the Parliament of Paris and afterwards prosecutor general of Queen Catherine de Medicis wife of Henri II. The ex libris in Latin on the title page reveals that the book belonged to another 'procurator generalis" in the Parisian Parliament. The edition of 1556 has a portrait on verso title page instead of the printer's privilege. Adams Books published in Europe 1501-1600 page 674 No.1646. 3 copies only listed of this edition in Library Hub Discover. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. Postage at cost and all parcels sent fully tracked and fully insured. Paris, Apud Carolum Stephanum, Typographum Regium, 1553.
1715réf. ZB533523Venetiis: Apud Paulum Belleonium 1715. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item small quarto 22 cm. tall three volumes in one as issued with continuous pagination; 4 leaves beginning with half title 711 pp. text double column; contemporary vellum darkened and rubbed signature of early owner on title with his marginalia on paste downs hand stamps of modern owner to the top margin of the title page margins cut down but not close internally clean and tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Venetiis: Apud Paulum Belleonium hardcover
réf. 1114XGJ7FJDHardcover. Good. hardcover
1706réf. E75609Augsburg: Johann Ulrich Krausen 1st edition of the 1st work. 1706 at preface 1715. Hardcover. Good. full page copperplate frontispiece quater page copperplate engraving to titlepage and quarter page headpiece to Preface Illustration to PART TWO full-page frontis to this Twenter sic Theil 120 Full page copperplates copperplate frontis to 1715 S. folio 315 x 203mm black morocco spine on 5 raised bands gilt titled & gilt decorations to raised bands & compartments ruled in gilt small leather tips to corners. Black cloth sides. rubbed to head and foot of spine & all edges/ two small cloth losses else sound and neat Half-title in large decorative script frontis. titlepage 4pp=Preface dated 1706 by Kraus 1p =Register 1p=blank 70 copperplates Copperplate title with large illustration to Second Part Second different frontispiece plates numbered 71 - 120. BOUND WITH copperplate titlepage by Kraus dated 1715 fullpsge frontispiece 30 further plates.The printed titlepage is somewhat cropped at the top to the word "BIBLISCHES" with loss to the curlicues and just touching the capital B. All plates are printed one side only and in the first two parts of the 1706 book each has a large rectangular picture with a heading above and 3 lines of text below. The lower half having 3 line of text above the emblematic illustrations which usually consisted of an elaborate circular frame often with smaller roundelles within the frame including some captions or text and with a central illustration. This additional Title has a similar format of large rectangular illustration under a title but the lines below are in six line paired couplets and the emblematic pictures in the bottom half are of more varied shapes such as octagonals two-part pictues free flying figures and some rather larger engravings. All of these elements are printed from one large copperplate of 28 x 17cm. There are 7 tears without loss including 2 with old repair leaving slight discolouration. None of the tears touch any printed matter all but 1 are in the marginwith the one in the plate area but not into any illustrated part. There is some finger soiling mainly to the lower corner minor foxing and one small hole due small ink spot having eaten a .5cm hole in the paper with the page before and after having a small residual stain from this but it is very near to the edge of the picture so is hardly noticeable. Previous owner's stamp to blank endpaper at front and rearsame to corner of first half title no other markings. The 2nd edition of the Augen- & Gemueths-Lust was printed in 8vo. Landwehr V 390-91 Brunet III 697 Johann Ulrich Krausen 1st edition of the 1st work. hardcover
1970réf. 4704DBPrag, Sumptibus Pragopress, 1970. 2°. (222) S. Mit vielen ganzseitigen Illustrationen von Buchmalereien, 63 S. (Kommentar). Stoffeinband mit Pergamentrücken und Kunstlederband (Kommentar) in Leinenschuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4704DB 2 Bände.
1964réf. 014525London John Calder 1964 In-8 Reliure de l'éditeur
1921réf. 3865DBZürich, Leipzig, Wien, Amalthea-Verlag, 1921. 4°. (4) Bl., XLIV, 428 S., (1) Bl.; (4) Bl., 434 S.; (3) Bl., 443 S. Mit 60 farbigen Tafeln von Franz von Bayros. Goldgeprägter Orig.-Halbpergament mit Kopfgoldschnitt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1919réf. 014037Paris René Kieffer 1919 In-12 Broché, couverture rempliée
[Lerida, en casa de Pedro Robles, 1569]. 12vo.; 11 hojas sin numerar, 261 hojas numeradas, 3 hojas de Tabla. Ejemplar falto de portada. Encuadernación de época en piel, con lomera ornada y tejuelo. Ligeras pérdidas y desgaste en los planos.
Seltenes, nur in wenigen Exemplaren erschienens Werk. Beschreibt hauptsächlich Arbeiten Breslauer Herkunft und schlesischer Provinzialstädte.
1912réf. CCC-793edition the mining magazine 1912. Reliure vélin moderne. Pages propres et non marquées. In-4 (22 cm X 35 cm), 637 pages, le livre est en tres bon etat, Introduction biographique, annotations et annexes sur le développement des méthodes minières, des procédés métallurgiques, de la géologie, de la minéralogie et du droit minier depuis les premiers temps jusqu'au XVIe siècle. Ce volume est la 1ère traduction anglaise du De Re Metallica, publié en privé par abonnement. Il a été traduit par le futur président Herbert Hoover, un ingénieur des mines, et son épouse, Lou Henry Hoover, un géologue et un érudit classique. Le contenu du livre est divisé en 12 livres: Livre I: Arguments pour et contre cet art; Livre II: Le mineur et un discours sur la découverte des veines; Livre III: Veines et limons et coutures dans les rochers; Livre IV: Délimiter les veines et les fonctions des agents miniers; Livre V: Le creusement du minerai et l'art de l'arpenteur; Livre VI: Les outils et les machines des mineurs; Livre VII: Sur le dosage du minerai; Livre VIII: Rôtissage, concassage et lavage des minerais; Livre IX: Méthodes de fusion des minerais; Livre X: Séparer l'argent de l'or et le plomb de l'or ou de l'argent; Livre XI: Séparer l'argent du cuivre; Livre XII: Fabrication du sel, de la soude, de l'alun, du vitriol, du soufre, du bitume et du verre. Photos possibles
Einzigartige Prachtpublikation über die Kunstschätze des Grünen Gewölbes, das durch August den Starken, den König von Sachsen begründet wurde. Die Bände gliedern sich inhaltlich wie folgt. Bd. 1: Geräte und Gefässe in Silber- und Goldfassung aus Holz u. Stein, Perlmutter u. Muscheln, Ton u. Glas, Bergkristall u. Halbedelsteinen, Strausseneiern u. Kokosnüssen. Bd. 2: Gefässe, Figuren u. Uhren aus Gold u. Silber, verziehrt in reiner Metalltechnik, oder besetzt mit Juwelen, Kameen u. Email. Bd. 3: Kleinodien d. Goldschmiedekunst verziehrt mit Email u. Juwelen. Erzeugnisse d. Steinschneidekunst in Bergkristall u. farbigen Steinarten in kostbaren Fassungen. Tadelloses Exemplar.
1923réf. 3331BBWien, Privatdruck, 1923. 4°. (2) Bl., 393 (5) S. (2) Bl. Lederband der Zeit auf 5 Bünden mit verg. Rücken und Rückentitel sowie verg. Innen-, Aussen- und Stehkantenfileten. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1980réf. Alibris.0015774Doubleday Books. 1980. Good in good dust jacket. Foxing to textblock edges. Jacket a bit age-toned. Text unmarked. Boards binding and pages in very good condition. 412 p. Contains: Illustrations. Audience: General/trade. . Doubleday Books hardcover
réf. DADAX0060808519New unknown
1810réf. 12097Haarlem, Joh. Enschede en Zoonen, 1810. 12° (15-18,5 cm). 184 num Bll., 412, 491 SS. Samteinband der Zeit mit Ganzkopfgoldschnitt und Schließen aus Echtgold
1586réf. 250702001Mantoua Italy: Francesco Osano 1586. Soft cover Ars Rustica. Very Good. Two works published separately in 1586 bound together: 1. La Bucolica et la Georgica di Vergilio The Bucolics and the Georgics of Virgil translated into blank verse. One by M. Andrea Lori: the other by M. Bernardino Danielli with the arguments. Newly corrected and reprinted. 2. L'Eneide di Virgilio del Commendatore Annibal Caro Virgil's Aeneid translated by and with commentary from Annibal Caro. A 435-year-old edition of Virgil's complete works in 17th to 18th century carta rustica thick paper binding. Collated and complete including most of the original blank flyleaves. Italian text. In VERY GOOD 16th century antiquarian condition. PROVENANCE From the Virgil Collection of Craig Kallendorf 1954 - 2023 who owned the largest private collection of antiquarian Virgil works 1150 editions not including Incunable books in the world. Only a handful of prominent institutions like the British Library had larger collections. Eighth-nine of the books in his collection were the only known surviving copies 71 only had one other known copy. He worked closely with Princeton University in helping to assemble supplement and catalog its Junius Spencer Morgan Virgil collection. Craig Kallendorf was Professor of English and Classics at Texas A&M University. He was the author or editor of 27 books and more than 170 articles book chapters and reference work entries. Among Kallendorf's groundbreaking monographs on the Virgilian tradition special note might be made of his Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance Oxford: Clarendon Press 1999 which shows how the wide reading of the Aeneid accessed in both Latin and Italian editions contributed to Venetian ideology and the so-called "myth of Venice." With its publication according to reviewer Diana Robin Renaissance Quarterly 55.4 2002 p. 1394 Kallendorf is to be recognized as "the leading authority on the Virgilian tradition in early modern print culture in Italy." ABOUT THE BOOK Published in 1586 by Francesco Osana in Mantua modern Italy. Italian text. Rebound in 17th to 18th century carta rustica with its characteristic thick paper binding exposed cords on the joints and antiquarian spine writing. Wide-margined untrimmed paper. Octavo 6 1/8" x 3 1/2". Collated and complete: Book 1: 4 163 1 pp; Book 2: 4 original blank preliminary leaves for the Aeneid then 8 472 pp. followed by four original blank flyleaves. Woodcut printer's device on both Book 1 and Book 2 title page. Decorated woodcut initials. CONDITION REPORT: VERY GOOD Endpapers refreshed and without front blank flyleaf for Book 1. Both works are textually collated and complete. The Aeneid retains all of its original blank flyleaves scarce during a rebind. Exterior and binding - rubbed and soiled carta rustica thick antiquarian paper binding. Spine sun-darkened with the remnants of small round sticker adhered to it and what appears to be a tape stain. Rear board with some antiquarian ink writing. Bumped corners. Toned edges. Uncut/irregularly cut pages. Binding strained in a few areas with exposed cords in gutters and the text block pulling away from spine. Overall in remarkably good condition for a thick paper binding hundreds of years old. I Interior is VERY GOOD for a 435-year-old binding. Most of the text block is clean and bright white with mostly light foxing to margins. About 20% of text block shows a bit heavier foxing and/or is darkened. Pages are untrimmed and inconsistently cut with rough edges. Raggedy edges and a few leaves with tears or loss of margin corners not affecting text. A few old paper restoration repairs. Minimal worming mostly a few small holes to margins of first and last few leaves and pastedowns. Fore-edge margins browned in multiple places. A bit grubby and soiled endpapers. Former owner ink writing on title page for the Bucolic and Georgics and Kallendorf's ex libris sticker on FFEP. Francesco Osano unknown