Guillaume de Lisle; MarinBiblio.com
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1725réf. 1802070043Paris: Guillaume DeLisle Quai de l'Horloge 1725. First Edition. Map. Very Good. Original hand colored map. Crease at center fold of map. 62 x 47.5 cm. Scale: 1300000. Engraved by Marin. "The second largest Caribbean island known to the Spanish as Hispaniola or Espanola and to the French as Saint Domingue was first explored by Christopher Columbus in 1492 and became the center of Spanish rule in the 16th century. While the Spanish settlements were concentrated on the eastern two thirds of the island buccaneers occupied the western third during the 17th century. Consequently in 1697 Spain ceded the western third to France. Although the French name is applied to the entire island on this 1725 map by the noted French geographer Guillaume Delisle the Spanish presence on the eastern part of the island is acknowledged with the designation "Quartiers des Espagnols" while the French area is labeled "Quartiers du Nord " and "Quartiers du Sud." Delisle's rendition of the island is based on a 1722 map prepared by the French engineer Amedee Frezier." "DeLisle is important as the first "scientific" cartographer who incorporated the most current information on exploration and topography into his maps. . Lloyd Brown states that DeLisle "undertook a complete reform of a system of geography that had been in force since the second century and by the time he was twenty five he had very nearly accomplished his purpose." - David Rumsey Historical Map Collection. Refs: Tooley Mapping of America 59. Paris: Guillaume DeLisle, Quai de l'Horloge unknown
1845réf. 11299Paris, H. Fournier, 1845 ; cartonnage polychrome à fond noir représentant un personnage chinois fumant, en habit traditionnel doré rehaussé de rouge, bleu et blanc, fond décoré de scènes et objets symboliques, second plat à grand décor doré et vert, tranches dorées ; VI, (2), 396 pp., 50 planches hors-texte, nombreuses illustrations in-texte de tous formats, dessins de Auguste Borget.
1984réf. SONG1573925047Brand: Humanity Books 1984-06-01. Reprint. paperback. Used: Good. 5.36x0.67x8.32. Buy with confidence. Excellent Customer Service & Return policy. Brand: Humanity Books paperback
réf. 9781594548444NOVA SCIENCE PUBLISHERS INC
réf. ALDR0522Venedig Francesco Sansoni E. Gio. Maria Bassaglia 1793. Ss. 3-162 IX teilw. gef. gest. Taf. Simon Bassaglia Incid. mit Titelblattvignette schönem Holzschnittkopfstück auf S. 5 e. Initiale u. Schlussvignetten. Biegsamer Pappband d. Zeit Umschlag u. Vorsatz verfärbt und braunfleckig Buchblock unbeschnitten mit Lederbändchen geheftet Vorsatzpapiere mit einfachen Holzschnittgestalten bedruckte wiederverwendete Papierbögen von den Innendeckeln gelöst ohne fliegende Vorsatzblätter. Seiten wenig vergilbt Seitenränder verfärbt und stockfleckig Blattränder an der Oberkante meist schwach wasserrandig. SBN ITICCULIAE004850; Blake Catalogue of Eighteenth Century Printed Books in the National Library of Medicine 287 - zweiter Band einer seltenen italienischen Abhandlung über den Scheintod. Von Marcello Marin Arzt in Venedig sind kaum biographische Daten überliefert. Venedig, Francesco Sansoni E. Gio. Maria Bassaglia 1793. unknown
2008réf. Q-0387096310Springer 2008-10-27. Hardcover. New. In shrink wrap. Looks like an interesting title! Springer hardcover
1773réf. 62396Abraham Blusse En Zoon 1773. 1773 Edition. Hardback. Finely bound in modern aniline calf over marble boards. Gilt-titled spine raised bands with gilt-decoration. An exceptional copy - scans and additional bibliographic detail on request. ; 816 pages; Subjects: MARIN Pieter. Abraham Blusse En Zoon hardcover
réf. 124484Inst. Ed. Reus 1948-1958 Madrid. 19x13. Encuadernación en guaflex. CXXX477 592 599 541 643 561 y 819 pgs. T9999 Inst. Ed. Reus, 1948-1958, Madrid. unknown
1688réf. 153141688 Paris, Jacques Le Gras, 1688, in 12 de (16)-411 pp., rel. d'ép. plein veau brun granité, dos à nerfs orné de fers dorés, pièce de titre de maroquin rouge, bel ex.
réf. 13739Marin John American 1870-1953. E. Zigrosser 50. MEAUX CATHEDRAL II. Etching 1907. Edition of about 500 published by the Gazette de Beaux Arts in 1908. Signed and titled in the plate. 8 7/16 x 6 inchesPlate plus margins. In excellent condition.Of 180 etchings catalogued by Zigrosser 103 were done by Marin in Europe between 1905 and 1910. Of these many were not editioned or exist only as trial proofs. Of the ones which were editioned the editions are often very small in many cases under 10 but some were done in editions of 25 to 50 one the Meaux Cathedral was printed by the Gazette de Beaux Arts in a large edition probably about 500. All of the European prints are fairly traditional in treating the subjects realistically but Marin's turn to Modernism is evident in Zigrosser 104 an etching of the Brooklyn Bridge the first print he did after returning to America in 1911. unknown
1621réf. 42318Paris, Jacques Quesnel, Pierre Billaine, 1621. In-8 de (30)-735 pp., frontispice, vélin rigide à recouvrements, titre manuscrit sur le dos (reliure de l'époque).
réf. 39545In-12 (157 x 90 mm), vélin ivoire de l'époque, pièce de titre de maroquin rouge. (16), 412 [i.e. 414] pages, 103 figures à pleine page gravées à l'eau-forte, nombreux ornements typographiques. Paris, A. Soubron, 1681.
1776réf. 12873Madrid: Manuel Martín 1776. 201x153mm. 8x6". Madrid Manuel Martín 1776. En 4º 201 x 153mm. 4 60 pp. la última blanca. Guardas de papel. Primera edición de este famoso opúsculo tocante al derecho natural y de gentes. El derecho natural es el que se aplica a todos los animales incluido el hombre en lo que tiene de animalidad; el derecho de gentes es el que se ejerce sobre los hombres en tanto que racionales. Joaquín Marín y Mendoza 1727-1782 fue abogado de los Reales Consejos académico de la Historia y alcalde del Crimen. La obra de Joaquín Marín interesa sobre todo como "exponente de una situación que predominaba en los círculos dirigentes y en las capas cultas de la España del siglo XVIII con respecto al derecho natural racionalista" Manuel García Pelayo. Una vez creada la nueva disciplina de Derecho Natural y de Gentes en los Reales Estudios de San Isidro de Madrid con el objeto de demostrar la unión necesaria de religión moral y política Marín quiso ofrecer un epítome de su origen y progreso de los autores y sus doctrinas y de sus sistemas y métodos principales presentando una "guía segura" a los que buscaban conocer los primeros elementos de esta ciencia. Con claridad y sencillez acertó a difundir esta ciencia nueva europea forjada en los siglos xvii y xviii en la línea divulgativa de la época emprendida por Vattel Burlamaqui o Almici. Buen ejemplar. Manuel Martín unknown
1766réf. 21550Paris, Pierre-François Didot, le Jeune, 1766 ; in-12, veau marbré, dos lisse à faux nerfs dorés, décoré et doré, pièce de titre grenat, tranches rouges (reliure de l’époque) ; [8], 392 pp.
réf. elala5617London: Printed For Henri Colburn 1824. Second and Best Edition. Las Cases a French officer accompanied Napoleon into exile at St. Helena in 1815. There he fulfilled the role of secretary recording Napoleon's conversations which he later published in the present work. 8 Parts in 4 Volumes. 8vo. pp. x 395 1; vi 375 1; v 1 378; iv 376; iv 319 1; vi 384; v 1errata 334; iv 318. 2 engraved portraits 3 of 4 hand-coloured aquatints 1 engraved plate 1 folding engraved plan & 3 folding engraved maps 1 in duplicate. contemporary calf neatly rebacked gilt tooled spines all edges gilt some light wear to joints & extremities occasional light foxing. elala5617 London: Printed For Henri Colburn, 1824
1758réf. 1601120066Paris Tilliard 1758-01-01. First Edition. Hardcover. Very Good. 2 volume set. First edition. Collated: 4 xvi 464 pp.; iv 518 pp. with three folding maps and plans. Full contemporary mottled calf bindings. Gilt stamping to spines. Solid bindings some rubbing to covers. Edges red. Marbled end pages. Very good internally. Refs: Ibrahim Hilmy II 17; Gay 2132; Brunet 28372; and Mayer 2075. Atabey 768. Stanley Lane Poole's "Saladin and the Fall of the Kingdom of Jerusalem". speaks very highly of Marin's Historie de Saladin. Paris, Tilliard hardcover
2011réf. 152953Various cities: Art Institute of Chicago / Yale University Press 2011. First Edition. Hardcover. First Edition. Jacket corners lightly bumped else Near Fine in a Near Fine dust jacket. Art Institute of Chicago / Yale University Press unknown
2011réf. 152953Various cities: Art Institute of Chicago / Yale University Press 2011. First Edition. Hardcover. First Edition. Jacket corners lightly bumped else Near Fine in a Near Fine dust jacket. Art Institute of Chicago / Yale University Press unknown books
2001réf. 148816San Francisco: Hardy Marks Publications 2001. First edition early printing of volume one of this iconic collection of flash art curated by Michael “Rollo” Malone Sailor Jerry Collins’s protégé and the inheritor of his Honolulu studio archive. Octavo original pictorial wrappers pictorial endpapers frontispiece of Sailor Jerry illustrated with tattoo flash throughout. In fine condition. Introduction by Donald Edward Hardy. Norman "Sailor Jerry" Collins 1911–1973 was a seminal figure in the history of American tattooing renowned for elevating the craft through technical innovation bold stylistic synthesis and an uncompromising artistic ethos. Operating primarily out of Honolulu Hawaii Collins fused traditional American tattoo motifs—such as eagles ships and pin-up girls—with Asian influences particularly Japanese design principles creating a distinctive and enduring visual language. His contributions to the medium include the development of safer pigments custom needle configurations and a commitment to hygiene standards that helped professionalize tattooing in the mid-20th century. As both craftsman and cultural icon Sailor Jerry played a pivotal role in transforming tattooing from a marginal practice into a respected form of American folk art. Hardy Marks Publications unknown
1822réf. 58284Paris L'Imprimerie Royale 1822. Uncut in later hcloth. Bound with the original blue blank stiff wrappers. Stamp on title-page. 100 pp. 1 large folded engraved map 57 x 90 cm. "Carte des Cotes de la Guyane et des Cotes septentrionales du Brésil. Publ. en 1827 par M. Lartique". hardcover
1822réf. 58284Paris, L'Imprimerie Royale, 1822. Uncut in later hcloth. Bound with the original blue, blank stiff wrappers. Stamp on title-page. 100 pp., 1 large folded engraved map (57 x 90 cm.) ""Carte des Cotes de la Guyane et des Cotes septentrionales du Brésil. Publ. en 1827 par M. Lartique"".
1683réf. 001262Paris: A. Soubron 1683. Full Calf. Very Good. 14 412 pp. 100 emblem plates all full page. 12mo. 6 by 4 inches. Decorative devices head and foot pieces throughout in the form of bouquets friezes vases baskets as well as decorated letter at the beginning of each section 100 in all. Plates are wonderful baroque woodcuts each illustrating a moral. This would appear to be a second or third edition the first being in 1646. Brunet II 1658 who describes the work as "now a bit rare" mentions a 1684 edition without citing this earlier one and clearly meaning a different edition. Graesse III 114 mentions a 1681 edition without detail and thus this might essentially be. Tight. With some light scattered soilage but overall impression is clean other than on some of the plates a prior owner wrote Latin translations of the maxims beneath the printed captions -- never affecting the pictorial image. Also old handwritten cursive notes on title and blank verso. Attractively rebound in full modern calf with green and red spine labels. A. Soubron unknown
1683réf. 001262Paris: A. Soubron 1683. Full Calf. Very Good. 14 412 pp. 100 emblem plates all full page. 12mo. 6 by 4 inches. Decorative devices head and foot pieces throughout in the form of bouquets friezes vases baskets as well as decorated letter at the beginning of each section 100 in all. Plates are wonderful baroque woodcuts each illustrating a moral. This would appear to be a second or third edition the first being in 1646. Brunet II 1658 who describes the work as "now a bit rare" mentions a 1684 edition without citing this earlier one and clearly meaning a different edition. Graesse III 114 mentions a 1681 edition without detail and thus this might essentially be. Tight. With some light scattered soilage but overall impression is clean other than on some of the plates a prior owner wrote Latin translations of the maxims beneath the printed captions -- never affecting the pictorial image. Also old handwritten cursive notes on title and blank verso. Attractively rebound in full modern calf with green and red spine labels. A. Soubron unknown books
réf. 15275Paris: Calmann-Levy n.d. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Handsomely bound in three quarters red morocco gilt panelled spine t.e.g. others uncut some joints a little rubbed else fine and attractive. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Some admirers have considered Labiche the equal of Molière; his plays are more complex and less coarse than many other examples of French farce. Calmann-Levy unknown
réf. 15275Paris: Calmann-Levy n.d. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Handsomely bound in three quarters red morocco gilt panelled spine t.e.g. others uncut some joints a little rubbed else fine and attractive. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Some admirers have considered Labiche the equal of Molière; his plays are more complex and less coarse than many other examples of French farce. Calmann-Levy unknown books
