5 476 résultats
réf. 35561Rome - Imprimerie de la Chambre apostolique - 1715 - [puis] - A Liège - Chez Daniel Moumal - 1700 - [puis] - sn - 1702 - [puis] - Paris - 1702 - ensemble de 6 ouvrages ou plaquettes réunies en un volume in12 - Reliure pleine basane d'époque - dos cinq nerfs orné de fleurons - Bon état intérieur mais reliure usagée, solide cependant -
réf. 20356Paris, Pierre Rocolet, 1647 [1648]. In-4, [8]-30-[10]-390 pp., parchemin souple ivoire, tranchefile à passe, dos long, titre manuscrit au dos (une déchirure au dos, petit manque angulaire à la première doublure, quelques taches et rousseurs, pâles mouillures).
1777réf. 10110London: F. Vivares in great Newport Street 1777. Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet one of the most celebrated masters of French colour-printing. The son of a Parisian stocking manufacturer Louis-Marin Bonnet 1736-1793 trained with the engravers Louis-Claude LeGrand and Jean-Charles François the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image from one of the most renowned French engravers but a fascinating glimpse at the practices of the print market in France. Le Blanc Manuel de L'Amateur D'Estampes No. 386. F. Vivares in great Newport Street unknown books
1819réf. 5367Mexico: Alejandro Valdes 1819/20. First editions. Small quarto pp. x 201 9: x 55. Medina 11897 & Palau 111216 Guridi was an important Mexican ecclesiastic and one of the two deputies sent by Mexico to the Cadiz Cortes of 1810. Both of these books printed separately but bound here together are replies to the "attack" made on the credibility of the apparition of the Virgin Mary to Juan Diego in 1531by the Spanish historian Munoz in 1817. Mexicans everywhere felt aggrieved by this effort by a Spaniard to demean their beloved national cult. Guridi leapt to the defense reprinting Munoz' pamphlet in toto and then refuting it point by point. Gomez Medina 11486 the other author also presents a defense of the Apparition. See Brading Mexican Phoenix for a complete discussion of these works. The Guridi book according to Medina has a frontis. portrait of the Virgin by de Oca which is not present in this copy. Very good copy in contemporary full slightly stained mottled calf binding. Alejandro Valdes unknown books
réf. 6992New York Privately Printed for An American Place 1931. 8vo 9.875” x 6.5” gray cloth gilt title at spine. Facsimile of an autograph letter bound in. Laid in photograph and newsprint portrait. First edition limited to 400 copies this copy number 343. Inscribed by Marin on the half-title: “To Stanley Clifford write some more John Marin.” A volume of letters written to Alfred Stieglitz between 1910 and 1930 reflecting the close relationship between the artist and the gallerist. Stieglitz was a crucial figure early in Marin’s career giving him his first one-man exhibition in 1909 at gallery 291 and providing him with financial support. Many of the letters included here were written from Stonington and West Point Maine. A photograph of Marin’s cottage at Cape Split Maine taken by Stanley Clifford in the fall of 1950 and so inscribed on the verso is laid in. Clifford was a Deer Isle Maine antiquarian bookseller and a friend of Marin. CONDITION: Near fine. New York Privately Printed for An American Place, 1931 unknown
2001réf. 001581Los Angeles: Greybull Press 2001. 1st Edition . Cloth. Near Fine/Near Fine. Folio - over 12 - 15" tall. First edition of this large book Folio- about 10" by 14" of photographs by Dennis Hopper and edited by his daughter Marin. Unpaginated. White cloth with red titles to the front board and spine. One of here 5000 copies. There were another 100 copies that were signed and boxed. This copy is inscribed by Marin Hopper the daughter of Dennis and Brooke Hayward to the photographer William Claxton and his wife the actress and model Peggy Moffitt. A fine book in a near fine jacket with a small closed tear to the top right corner and a little crimping to the top of the spine. Nice association. Greybull Press hardcover
2015réf. SBBIH-SFZ2ZSOM6A6QFLAMMARION 2015. hardcover. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. FLAMMARION hardcover
1777réf. 10110London: F. Vivares in great Newport Street 1777. Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet one of the most celebrated masters of French colour-printing. The son of a Parisian stocking manufacturer Louis-Marin Bonnet 1736-1793 trained with the engravers Louis-Claude LeGrand and Jean-Charles François the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image from one of the most renowned French engravers but a fascinating glimpse at the practices of the print market in France. Le Blanc Manuel de L'Amateur D'Estampes No. 386. F. Vivares in great Newport Street unknown
1907réf. 000013bHong Kong China Southeast Asia Phillippines. Good. 1907. This is an early diary thin leather covers measuring approx. 4 1/4" x 6 1/2". It is written in very easy to read period brown ink. There are a total of 66 pages filled out. The diary was kept by a U.S. sailor who made entries from his departure date in San Fransisco on July 1 1907 to Nov. 10 1907 when he arrived in Hong Kong. The first page reads "DIARY OF MY TOUR AROUND THE WORLD". The sailor first writes "JULY 1 1907 - SIGNED ON U.S. ARMY TRANSPORT SHERMAN AS AN OILER". The following pages are headed "AT SEA - HONOLULU - MIDWAY ISLAND - GUAM - MANILA - CAVITTE - HONG KONG". His voyage continues ending in Hong Kong. His descriptions of the voyage other sailors experiences native people sights points of interest etc. are very interersting and quite descriptive. Much of the diary is concerned with his time in Manila. Once there he takes a job as a stock clerk with Castle Bros. He then goes to work for the government and describes bossing approx. 200 men. After working in Manila for a month or two he then sails to Hong Kong. During his trip he describes: EVERYBODY BEING EXTREMELY HOT HOMESICK AND SEASICK - DESCRIBES RELIGIOUS FESTIVAL IN MANILA - HAVING A JAPANESE MASSAGE THAT HE WILL NEVER FORGET - GETTING A TATTOO - STAYING ON A STEAMER AND BOSSING 200 MEN REPAIRING BARGES - SNEAKING INTO AN INVITATION ONLY HIGH LEVEL MEETING WITH WILLIAM HOWARD TAFT SETTING UP THE PARLIAMENT OF MANILA AFTER THE SPANISH AMERICAN WAR HE DESCRIBES THE SPEECH AND DECORATIONS - TELLS OF ENTERING AN ATHLETIC RACE DURING A LARGE CELEBRATION FOR TAFT - FAKING A FEVER TO BE ABLE TO STAY IN SICK BAY ONLY TO BE FOUND OUT BY THE DOCTOR AND BEING KICKED OUT OF THE INFIRMARY PERMENANTLY - DESCRIBES GUAM - DESCRIBES MANILA HARBOR PEOPLE SIGHTS - MUCH MORE ABOUT MANILA: PARTYING DANCING ENGLISH CHINESE AMERICAN RESIDENTS SIGHTSEEING - DETAILED AND GRAPHIC DESCRIPTION OF A COCK FIGHT - MEETS MANY 1898 AND 1899 SPANISH AMERICAN WAR VETERANS LIVING IN MANILA AFTER THE WAR - DESCRIBES HONG KONG AND IT'S PEOPLE - etc. There are too many stories descriptions and anecdotes to list! He peppers some of his descriptions with racial slurs n----r c---k. Some of his exact entries include "TROOPS HAVE ARRIVED 30TH INFANTRY MUCH EXCITEMENT AND CONFUSION description of leaving on his voyage - BIG CROWD FAREWELL BAND PLAYING LARGE CROWD - PARTNER OILER SMASHED TWO FINGERS - PHILIPPINO STUDENTS AMERICAN EDUCATED ON BOARD FOR MANILA - HONOLULU KANKA BOYS SWAM TO MEET US DIVING FOR COINS - ROYAL HAWAIIAN BAND PLAYING FAREWELL MANY SOLDIERS WEEPING - MIDWAY ISLAND LONG NARROW SANDY REEF WITH NO POINT HIGHER THAN 10 FEET ABOVE THE OCEAN ONLY GOVT. OFFICIALS ARE THE INHABITANTS - COMPLETED 1ST. MONTH IN GOVT. EMPLOY HARDEST WORK IS HOLLERING "SIGI" AT ANY N-----R WHOM I SEE SOLDERING - FOUND MYSELF IN A "C---K Chinese" THEATER TONIGHT - THOUSANDS OF CHINESE SAMPANS HAVE SURROUNDED THE BOAT - etc. Overall very nice condition. Very clean with no damage. The writing is colorful and very easy to read. The covers are well attached and the interior pages are tight. The edge of the spine is covered with a piece of cloth tape. ; Manuscript; 16mo - over 5¾" - 6¾" tall; KEYWORDS: HISTORY OF Pre World War I Travel Navy Naval Seafaring Orient Phillippines China Japan Handwritten hand written autograph autographs signed letters document documents manuscript manuscripts writers writer author holograph personal Americana antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito Papel . hardcover
1665réf. AQ31353London: Printed by T.R. for Thomas Dring at the George in Fleetstreet neer Cliffords-Inn 1665. 32 330pp 14. With extra-engraved title A1v included in the pagination. Contemporary gilt-tooled calf. Rubbed cracking to joints lacking lettering-piece and chipped to spine with neat repair to upper board at foot. Small paper flaw to D1 with loss of catchword to recto and two words of text to verso. Philip Bliss' copy with one line of manuscript notes identifying the author of 'Address to the translator' to a blank-fly leaf and his usual ownership marks the addition of a manuscript initial 'P.' before the printer's register B to leaf B1 followed by '35' indicating his year of acquisition. Earlier inscription 'M. Cowper. Fellow of A: S: Coll. Oxon' to head of title with partially erased note regarding ownership by his grandfather; later inscriptions of Robert and May Montagu to blank fly. With a manuscript note in an early hand to margin and foot of V7r with repaired paper excision/cuts to margins of V7-8. An interesting copy with double Oxford provenance and a curious eighteenth- century manuscript note of John Davies of Kidwelly's 1625-1693 English translation of L'art de connoistre les hommes Paris 1659 by French physician and philosopher Marin Cureau de la Chambre 1594-1669. A vaguely philosophical work on human character with diversions into astrology chiromancy metroscopy and physiognomy the extra-engraved title depicts scholarly study of human heads with both European and African examples displayed on a shelf. Evidently acquired by Oxford University Registrar antiquary and book collector Philip Bliss' 1787-1857 in 1835 this volume also bears the earlier inscription of 'M. Cowper' Fellow of All Souls Oxford. The curious inscription to the foot of pp.235 apparently in the same hand relates at a point of the text referring to weaknesses at times of eclipse the annotators experience of being seized with a 'death like coldness' at the time of 'a great Eclipse of the Sun in the year 1753.or 54' which could not be cured until the said eclipse had passed. ESTC R5716. Wing L128. First English edition. 8vo. Printed by T.R. for Thomas Dring at the George in Fleetstreet, neer Cliffords-Inn unknown
réf. 246908La Haye Nicolas van Daalen 1758. 4 XX 355; 2 440 pp. 24 pp. advertisments. Two title-pages printed in red and black with engraved title-vignette 3 folding engraved maps. Finely bound in contemporary full calf. Spine richly gilt. . unknown
1678réf. 522091 vol. in-folio reliure de l'époque plein maroquin vert, dos à 6 nerfs orné, plats ornés à la Du Seuil, chasses ornées, toutes tranches dorées, chasses ornées, Chez François Foppens, Bruxelles, 1678, xj pp. (dont Titre gravé par Pet. Clouwet, d'après Abr. Van Diepenbeke), [ 5 ] pp. (dont portrait d'Otho Vaenius, , gravé par P. Pontius d'après Gertrude Van Veen, la fille du peintre), 211-16 pp. avec une planche hors texte,
2005réf. 10-01038Perigee Trade 2005-01-04. Paperback. New. In shrink wrap. Perigee Trade paperback
réf. 77613Wien Joseph Anton Edler von Trattner 1777-79. 8° je ca 450 S. Titelkuper in Bd.1 11 Falttafeln. Leder der Zeit massiv floral goldgeprägt partielle Punzierungen am Kopf-u. Fussschnitt Rückenschild Rundumgoldschnitt m. Lesebändchen. Exlibris a. Vors. etwas berieben Rücken etwas beschienen Bände 1-5 u. 9 mit habsburgischem Supralibros Doppeladler mit Kaiserkrone und österr. Erzherzogshut. Linke Wappenhäfkte Bindenschild rechte Hälfte dreifach schräggestellt Balken. Bd. 7 u 8 mit grünlichem Leder und leicht abgewandeltem Goldprägungen.Aus dem Französischen von Johann Rautenstrauch. 010 Wien, Joseph Anton Edler von Trattner, 1777-79 unknown
1972réf. 63104Zürich, Edition Hans Bolliger, 1972. Gr.-4°. Mit 6 Textillustrationen nach Collagen u. 2 num u. sign. Orig.-Lithographien von Max Ernst. 2 weiße Bll., 33 S. 3 Bll. (die beiden letzten weiß), lose in OKart.- u. OCellophan-Umschlag in OKart.-Schuber.
1944réf. 000044Atlantic Ocean. Good with no dust jacket. 1944. Softcover. On offer is a handwritten manuscript diary written aboard the USS Monticello AP-61. Very legible in pencil text block has fallen away from the rubber glue top. All 73 sheets are still inside. This comprehensive 5" x 8" Royalmont notebook journal has been well taken care of as none of the 73 pages exhibit tears creases fragility or foxing. All are completely full of first-hand historical and insider information. The journal is very factual with only a few entries not pertaining to the ship. The nameless young man from Ohio does talk very fondly about his wife and baby and about the ship's food. It measures 5" x 8". It begins on July 1 1944 and ends on November 14 of the same year. Every page is easy to read. The first day of this trip for The USS Monticello she had a convoy of 30 ships and blimp dirigible escorts. A quote from the first week:"We are going to England. I have heard that the Monticello is the fifth fastest ship and that this is only the second time that she has been convoyed.It is reported that we have 7M troops aboard". A later entry reads "We are to come across the Northern tip of Ireland through the Firth of Clyde. This morning we passed quite close to the Isle of Man". In the bay at Liverpool he states "Our Propaganda Machine is second to none. I would like to tell people how we are all being fooled". The sailor then boarded the former luxury liner the USS West Point "A beautiful American built just prior to the war-not all of the former splendid is gone but is now a troop ship". ; Manuscript; 8vo - over 7¾" - 9¾" tall; KEYWORDS: HISTORY OF HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY AMERICANA WORLD WAR II WWII NAVAL NAVY . paperback
1721réf. BTETM0002582London: E. Bell J. Darby A. Bettesworth F. Fayram J. Pemberton J. Hooke C. Rivington F. Clay J. Batley and E. Symon 1721. 1st Edition. Hardcover. Good/No Jacket. folio fo 12 נ19 in 305 נ483 mm . Pierre Daret. Please email for Photographs or further information.1721 First English EditionTHE DOCTRINE OF MORALITYBy Marin Le Roy de GombervilleKEY DETAILSCondition: GoodFormat: Hardcover folio fo 12 נ19 in 305 נ483 mm Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary.Published By: E. Bell J. Darby A. Bettesworth F. Fayram J. Pemberton J. Hooke C. Rivington F. Clay J. Batley and E. Symon London 1721Language: French and English parallel textIllustrated By: Pierre DaretProvenance: Early ink ownership inscription IOHN SEALE. 172 to the cartouche of the first engraved title.Collation: 4 xi 1 211 1 pp.; 2 parts in 1 continuously paginated additional engraved title title vignette 103 copper-engraved plates engraved initials and headpieces. Complete.SKU: BTETM0002582Shipping Info: Approximate Package Dimensions H: 12.5 L: 30 W: 25 Units: cm W: 3KgTracked Shipping Insurance Coverage as per Customer RequestDESCRIPTIONThe Doctrine of Moralityor A View of Human Life According to the Stoick PhilosophyTranslated into English by T. M. Gibbs late of Hart-Hall Oxford.A substantial and visually striking first English edition of Marin Le Roy de Gomberville's celebrated moral emblem book: a remarkable union of Stoic philosophy allegorical art and early-modern moral instruction presented in parallel French and English and illustrated with an extensive suite of copper engravings.First published in Paris in 1646 as La Doctrine des murs the work was conceived as a visual education in virtue for the young Louis XIV. Gomberville's moral discourses accompany a sequence of emblematic scenes concerned with prudence ambition fortune self-command vice virtue mortality and the proper conduct of human life. The visual programme ultimately derives substantially from Otto van Veen's celebrated Quinti Horatii Flacci Emblemata of 1607 reworked and expanded through the publishing and engraving enterprise of Pierre Daret.This imposing 1721 London edition brought the work to an English readership through the translation of Thomas Manington Gibbs. In two parts bound as one folio it retains the spectacular emblematic apparatus: an engraved frontispiece additional engraved title to each part title vignette engraved portrait of Gomberville decorative initials and headpieces and 103 engraved illustrations including the portrait. The text is printed in parallel French and English.An especially attractive feature of the present copy is an early manuscript ownership inscription IOHN SEALE. 172 written within the otherwise blank cartouche of the first engraved title. A possible association with John Seale 17051777 later of Mount Boone Dartmouth remains under investigation and is not asserted here as established provenance.PROVENANCEEarly ink ownership inscription IOHN SEALE. 172 to the cartouche of the first engraved title.A possible identification with John Seale 17051777 later of Mount Boone Dartmouth is currently under investigation. The association is plausible but presently unproven and is therefore not asserted as definitive provenance.Later sold through Forum Auctions April 2025.CONDITION COLLATION & COPY NOTESAn imposing and internally attractive copy in contemporary panelled calf the boards decorated with blind tooling and ruled borders spine with raised bands and gilt lettering. Binding rubbed scuffed and marked from use with wear to board edges and corners losses and wear at the spine ends and cracking/local splitting to the joints; the boards nevertheless remain attached.Front free endpaper with a substantial horizontal tear/loss and an old pencil bibliographical note identifying the edition and its engraved contents. Internally considerably better preserved than the exterior might suggest: leaves generally clean and fresh for a large - For full description please contact the seller E. Bell, J. Darby, A. Bettesworth, F. Fayram, J. Pemberton, J. Hooke, C. Rivington, F. Clay, J. Batley, and E. Symon hardcover
réf. Z1-C-024-02809Teachers College Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Teachers College Press unknown
1931réf. 4343New York: Privately Printed for an American Place 1931. Hardcover. Fine. First edition. Edited with an introduction by Herbert J. Seligmann. Fine in cloth as issued. This is one of an issue of 350 numbered copies of a total edition of 400. Although only the issue of 50 copies was issued signed this copy is Inscribed by the great American artist: "for William L. McKim John Marin." An attractive volume of Marin's interesting and creative letters mostly to Alfred Stieglitz who published them and in whose famous "291" New York gallery Marin's work first received prominent attention. By his death in 1953 Marin was generally regarded as the foremost watercolorist of his time and he was represented throughout the United States in major museums and collections. Privately Printed for an American Place hardcover
1969réf. EB-PB-12-01-05Beginner's Lust by Reed Marin Greenleaf Classics Late-Hour Library LL831 paperback
1969réf. EB-PB-07-ReedBeginner's Lust by Reed Marin Greenleaf Classics Late-Hour Library LL831 paperback
1657réf. 444981657 Paris. P. Rocolet. 1657. 1 volume in-4, plein veau moucheté, dos à nerfs orné avec pièce de titre maroquin rouge. (11) ff. ; 414 pp. ; (5) ff.
1678réf. 59006550Bruxelles: Francois Feppens 1678. Bound in 20th century 1/4 tan leather over decorative boards. Handsome re-bind. xi 5 211 16 pages : illustrations ; 37 cm. Title in red and black large vignette engraved on the title A. van Diepenbeek complete portrait engraved by Paulus Pontius after the drawing by Gertrude Vaenius and 130 large emblematic figures intaglio engraved by Otto Vaenius. Complete with the beautiful allegorical plate displ. 'Le Tableau de Cèbes' at the end of the flight. Large wooden initials. Some very minor foxing . . . Overall a most acceptable copy. Translated: The moral theater of human life represented in more than one hundred various paintings taken from the poet Horace. Text in French. Early Edition. Hard Cover. Very Good /No Jacket. 4to - over 9¾" - 12" tall. Francois Feppens Hardcover
réf. 000381Aug.6 1864. Excellent. 4to. 8pp. Fascinating letter with great detailed description of the Battle of Mobile Bay. A rare civil war battle letter. Aug.6, 1864. unknown
réf. 148815Honolulu: Hardy Marks Publications 1994. First edition of this significant archival work of the life philosophy and artistic practice of Norman "Sailor Jerry" Collins. Octavo original pictorial wrappers cartographic endpapers frontispiece of Sailor Jerry glossary with color illustrations and photographs of tattoos throughout. In fine condition. Edited with an introduction by Donald Edward Hardy. Norman "Sailor Jerry" Collins 1911–1973 was a seminal figure in the history of American tattooing renowned for elevating the craft through technical innovation bold stylistic synthesis and an uncompromising artistic ethos. Operating primarily out of Honolulu Hawaii Collins fused traditional American tattoo motifs—such as eagles ships and pin-up girls—with Asian influences particularly Japanese design principles creating a distinctive and enduring visual language. His contributions to the medium include the development of safer pigments custom needle configurations and a commitment to hygiene standards that helped professionalize tattooing in the mid-20th century. As both craftsman and cultural icon Sailor Jerry played a pivotal role in transforming tattooing from a marginal practice into a respected form of American folk art. Hardy Marks Publications unknown