(mode)collectifLivre Rare Book
643 resultados
ref. 534(Mode) Echo du Petit Courrier des Dames Janvier 1863 à Décembre 1863.Janvier 1864 à Décembre 1864 janvier 1865 à Décembre 1865.3 années complètes 98 superbes gravures hors-texte de Pauquet; finement coloriées.coloris très frais.texte sur deux colonnes.8 pages.Un volume demi-cuir,titre et roulette dorés.
1930Sans lieu - sans date, vers 1930. 2 catalogues In-folio, registres à lacets totalisant plus de 1500 pièces d' échantillons de dentelles et broderies mécaniques étiquettés et numérotés. Dentelles Cluny, dentelles Torchon, dentelles avec franges, dentelles filet, dentelles au fuseau genre du Puy, tirettes et serpentines, tirettes et dentelles cordonnet (blanches et couleurs), dentelles couleur, cache-points et festons, festons et galons, galons couleur, dentelles valenciennes, laize pour guimpe, guipure soie noire, tulle pour ameublement, dentelles coton noir, dentelles mohair, tresses et soutaches, broderies sur Nansouk, jours echelles et passe-rubans, broderies suisses sur Madapolam, broderies suisses sur Madapolam coton mercerisé, broderies Madère coton bleu mercerisé, dentelles au fuseau, dentelles cordonnet, galons et entredeux etc...Nous n'avons pas pu localiser la fabrique d'ou sont issus ces catalogues, Auvergne probablement .Les couvertures sont défraichies, les intérieurs des deux catalogues et les échantillons en bon état. Bel ensemble, rare dans ce format.
1930ref. 126757Sans lieu - sans date Sans lieu - sans date, vers 1930. 2 catalogues In-folio, registres à lacets totalisant plus de 1500 pièces d' échantillons de dentelles et broderies mécaniques étiquettés et numérotés. Dentelles Cluny, dentelles Torchon, dentelles avec franges, dentelles filet, dentelles au fuseau genre du Puy, tirettes et serpentines, tirettes et dentelles cordonnet (blanches et couleurs), dentelles couleur, cache-points et festons, festons et galons, galons couleur, dentelles valenciennes, laize pour guimpe, guipure soie noire, tulle pour ameublement, dentelles coton noir, dentelles mohair, tresses et soutaches, broderies sur Nansouk, jours echelles et passe-rubans, broderies suisses sur Madapolam, broderies suisses sur Madapolam coton mercerisé, broderies Madère coton bleu mercerisé, dentelles au fuseau, dentelles cordonnet, galons et entredeux etc...Nous n'avons pas pu localiser la fabrique d'ou sont issus ces catalogues, Auvergne probablement .Les couvertures sont défraichies, les intérieurs des deux catalogues et les échantillons en bon état. Bel ensemble, rare dans ce format.
ref. 45568Rothschild.1875.Grand in-4 demi-relié.214 pages.50 planches phototypographiques.Fac-similé de dentelles de toutes les époques.Nombreuses gravures. BE.Demi-reliure à coins avec pièce de titre.
ref. 5888London Nineteenth century. Unique. As issued. Very good unused . Each has a different hand drawn scene on the central panel appx. 5.5 inches in diameter. A set of six lace trimmed circular doilies that have a central white cloth panel on which is drawn a detailed ink sketch of an individual scene with short text from one of Dickens' novels. The illustrator is not identified. The diameter including the lace border is appx. 7.5 inches. unknown books
1880ref. 82472New York 1880s. laid into brown cloth-covered boards. Cloth covers faded and worn; gathering of silk leaves separated at the spine from the album; very attractibve. Oblong 8vo. Eighty-nine samples of elaborate lace and crochet samples of various sizes worked in ivory white bright yellow and blue and white neatly basted onto silk leaves evidently for exhibition and success at the 1888 New York State Fair. hardcover
2002ref. 81693Istanbul: Yapi Kredi Kultur Sanat Yayncilik Ticaret ve Sanayi A. S. 2002. Presumed First Edition First printing. Hardcover. Very good/Very good. Format is approximately 13.5 inches by 18 inches in a slip case. Text is in English and Turkish. 219 1 pages. Lavishly illustrated some in color. Notes. The Torch of the Ottoman Empire presents the life and work of a truly remarkable person Ignatius Mouradgea d'Ohsson and through him the Ottoman Empire of the late eighteenth century. In revolutionary Paris d'Ohsson published in 1789 what is maybe the best description of the social history of the Ottoman Empire Tableau General de I'Empire Othoman. D'Ohsson's book was extravagantly illustrated with the help of the best artists in Constantinople working for Abdulhamid I and Selim III. The most renowned artists of pre-revolutionary France then executed the gravures in Paris. Some motifs reproduced also in this present book still remain quite unique. Through these engravings an intimate reality is revealed to us bringing us very close to a universe long since vanished. Ignatius Mouradgea d'Ohsson 31 July 1740 - 27 August 1807 was an Armenian orientalist historian and diplomat in Swedish service. In 1768 he was supreme interpreter in its subsequent elevation to the Swedish nobility he participated in the French-sounding names d'Ohsson. He was born at Pera the European part of Istanbul in 1740 as Ignatius Muradcan Tosunyan the son of a Catholic family. His father was an interpreter at the Swedish Embassy and followed his father by entering into the service of the Swedish embassy at the Ottoman Porte and by his talents attained the highest diplomatic honours. He was made charge of affairs knight of the order of Vasa and in 1782 minister plenipotentiary and envoy extraordinary. His knowledge of the Arabic language and Turkish languages gave him the means of acquiring information respecting the Ottoman Empire from the best sources. He resolved upon writing a history of Ottoman Sultan Selim II but this was suspended by his plan of giving a full picture of the Ottoman Empire. To this work he devoted himself with the greatest zeal and perseverance and with great difficulty succeeded in collecting the first authentic information from a prejudiced servile and jealous people respecting and national customs and habitats the interior of the seraglio the mosques and the private life of a Turk. With the materials which he had obtained he proceeded to Paris in 1784 where he prepared his work for the press and published it in 1788 and 1789 in two volumes under the title of "Tableau Général de l'Empire Othoman." This work completely answered the expectations which had been formed respecting it. The beauty of the typography and engravings occasioned an expense which exceeded the proceeds of the sale; but d'Ohsson who possessed a large fortune was willing to make sacrifices for the embellishment and perfection of his work. The revolution interrupted his literary activity and he returned to Constantinople. Sultan Selim III who honoured knowledge allowed the two volumes which were published to be presented to him and far from being displeased at the disclosure of some secrets gave orders to facilitate the learned writer's researches by affording him the necessary information. After a long sojourn in Constantinople d'Ohsson returned to Paris where he found hardly any traces of his large property. Even the buildings where he had deposited the copies of his work and the plates drawings &c. had been destroyed and plundered. Without allowing himself to be depressed by these misfortunes he devised a still greater plan which had in view a historical picture of the whole East and became entirely absorbed in his desire to execute it. In 1804 he had completely two volumes of his "Tableau Historique de l'Orient" when the war with Sweden made him apprehensive of another interruption. He asked and received permission from his government to retire to the country. Here he continued to occupy himself on his undertaking during three years and gave the fruit of fifty-four years' labour to the world in a work which contains in three separate divisions a complete view of the Ottoman Empire. These three divisions have the separate titles "Tableau Historique de l'Orient" a history of all nations under the Ottoman government: "Tableau Général de l'Empire Othoman" a view of the laws religion and customs &c.; lastly "L'Histoire de la Maison Ottomane" from Osman I till 1758. The whole was nearly completed when it was interrupted by d'Ohsson's death on 27 August 1807. Yapi Kredi Kultur Sanat Yayncilik Ticaret ve Sanayi A. S. hardcover
1909ref. 53574Armand Guérinet 1909 In-folio. Portfolio de l’éditeur, demi-parchemin jaspé à coins restauration amateur, premier plat imprimé. 2- III ff., CXIV planches. Portfolio terni. Rares rousseurs et effrangements.
2016ref. DBS-9781781545591Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
2016ref. DBS-9781781545591Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
1667ref. 73701667 Chez Pierre du Marteau [Elsevier], A COLOGNE Amsterdam 1667, in-12 (7,5x13,5cm), 7 volumes reliés.Nouvelle édition, et première elzévirienne après l'originale parisienne en 1660. Chaque ouvrage a la sphère en page de titre . Reliure d'époque plein veau . Dos à nerfs orné de 3fleurons. Légers frottement en coiffes, mors et coins, mais bel exemplaire, d'une grande fraîcheur intérieure.Cet ouvrage aurait été commandité part la Duchesse d'Aiguillon, nièce du cardinal, on sait par ailleurs que Aubery fut un des écrivains officiels de la cour au XVIIe. L'apologie du cardinal par Aubery y est donc moins intéressante que ce tournant de l'histoire de France que représente le cardinal de Richelieu, et les multiples affaires européennes que relatent l'auteur.
2 Vols., in 3, folio, 56pp., frontispieces, numerous tipped-in plates throughout, some light foxing, orig. cloth, slightly worn. A monumental work on Italian Lace.
ref. 92176Waanders Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 48 pages; 50 colour photographs -- with a bonus offer-- . 904008789X . Waanders Publishers paperback
1757ref. 4993Paris, J. J. Etienne Collombat, 1757. In-8, 688 pp., illustrée de bandeaux et culs-de-lampe gravés sur bois. Reliure en maroquin vert, dos lisse orné d'un fer d'entre nerfs et de palettes dorés, pièce de titre rouge, plats ornés d'un décor à la dentelle doré aux petits fers, armoiries au centre, roulette intérieure, gardes de tabis rose, tranches dorées (Reliure de l'époque). Minimes frottements aux mors et aux coins.
1745ref. AMO-1505S.l.n.d., 1745 1 volume in-12 (15,5 x 10 cm) de (10)-159-XX pages. 8 figures hors-texte gravées sur cuivre par J.-B. Scotin (4 sont signées), 1 fleuron de titre à l'eau-forte, 4 bandeaux à l'eau-forte (amours jouant dans différentes situations), 1 frontispice gravé (non signé). Reliure de l'époque plein maroquin vieux rouge, plats décorés "à la dentelle" avec roulettes dorées fleurdelisées, guirlandes et glands, filet doré sur les coupes, dos orné aux petits fers dorés, pièce de titre de maroquin lavallière, roulette dorée en encadrement intérieur des plats, tranches dorées, doublures et gardes de papier peigne. Belle et fine reliure de l'époque très bien conservée. Intérieur frais avec quelques taches sans gravité, petit manque de papier à l'angle d'un feuillet sans atteinte au texte. La gravure hors-texte p. 53 provient d'un autre exemplaire de même édition et de même tirage. NOUVELLE ÉDITION.
ref. 15945grand in-4, dos de toile gris foncé, (122) feuillets contenant les échantillons et modèles de la série 3000 : c'est à dire 999 échantillons de dentelle en fil dont une quarantaine de dessins sur calque.
ref. 0970London: R. Havell Marshall Simpkin and Thomas Richardson 1838. First edition reissue. Green morocco on the spine is lightly sunned a few plates trimmed along the lower margin occasionally touching plate-marks but with no effect to color images there is no plate number for plate 41; a tight bright and clean copy in near fine condition. Pp. vi 55 hand-colored copper-engraved and aquatint plates by Havell after Margaret Roscoe's drawings on wove paper with J. Whatman Turkey Mill watermarks dated 1828 interleaved with letterpress descriptions facing each color plate section titles Spring Summer Autumn Winter. Finely bound by Sangorski and Sutcliffe in three-quarter dark green morocco over pale green cloth boards spine with five raised bands gilt-lettered in three compartments and gilt floral decorations in other compartments top page edge gilt 4to 11.5 x 9 inches; 29 x 23 cm. The author was William Roscoe's daughter-in-law and was better known as a botanical artist under her maiden name Margaret Lace. This work was originally published in 7 fascicles from November 1829 to 1831. The volume was published in 1831; this reissue has a date of 1838 on the title page yet the watermarks on the color plates are dated 1828 as in the 1831 printing. In this work plate 47 is placed as the frontispiece. Robert Havell's exquisite engravings and aquatints demonstrate his mastery as a natural history illustrator. The process for printing aquatint plates used by Havell in Floral Illustrations of the Seasons is uncommon. It was used in the early printing of some great flower books such as Thornton's Temple of Flora 1799-1807. In the aquatint process "the plate is covered in powdered resin and heated so that when it cools its resin coating has a fine network of cracks through which acid will etch the plate; gradations of tone are produced by stopping the etching at different stages using varnish to protect the pale areas from acid while the darker areas are further etched. The printed result is a very fine network of irregular lines building up various depths of tone" Rix - The Art of Botanical Illustration 1981 p. 178. See also Stafleu and Cowan TL-2 9504; Nissen BBI 1676; Sitwell Great Flower Books 1990 p. 133 Dunthorne 266 and Pritzel 7763. No ownership marks. London: R. Havell, Marshall Simpkin and Thomas Richardson, 1838. First edition (reissue). hardcover
1840ref. est117b1Dimension extérieur 25 x 15,8 et image 19 x 14,8 cm. Estampe réalisée en 1840, par Paul Gavarni, dessinateur, aquarelliste et lithographe Parisien. Cette gravure fut probablement aquarellée en couleur plus tard à la main. Elle est en bon état, avec un joliment papier bruni.
