377 résultats
réf. 1819736Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819735Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819722Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819723Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819733Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819734Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819721Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1819720Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1610. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1978réf. RO20139925SEUIL. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 217 pages.. . . . Classification Dewey : 840.091-XX ème siècle
1981réf. 4001099481981 1981. Livre en bon état d'usage
réf. SLIVCN-9782020059725POINTS
réf. A8288Seuil Broché, parfait état
réf. 023105694X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 124676Meldorf: Stiftung Mensch, 2021. 37 S. ; 21 x 14,5 cm ; broschiert.
réf. 201117415Paris, Albin Michel, 1998 ; in-8, 274-17 pp., br. Broché bon état - 8 p. de photos hors-texte. Usama Ben Laden et les circuits du financement - Les secrets du terrorisme islamique - Des camps d´entraînement à nos frontières - Ce que savent les services de renseignements occidentaux - Les réseaux de soutien en Europe.
1998réf. R150193442ALBIN MICHEL. 1998. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 273 pages + 50 pages environ d'annexes. . . . Classification Dewey : 303.62-Terrorisme
réf. 780Albin Michel PHOTOS SUR DEMANDE
2001réf. R200004082ALBIN MICHEL. 2001. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 273 pages + les annexes.. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)
2001réf. 5943Albin Michel 2001 274 pages in8. 2001. broché. 274 pages.
réf. 2226105700.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1982100 pages. Features: Tromping through the ages - a Boston artist turned to the 18th century for design inspiration but he used 20th century technology to produce her woven coverlets; Jacquard Weaving in Huehuetenango - textiles woven on hand operated Jacquard looms have a distinctive place in the spectrum of Guatemalan weaving; Jacquard Weaving - a special report; Machine Knitting - the state-of-the-art; Rugs - for the floor, the wall and the imagination; A conversation with Lillian Elliott; Nancy Belfer; Maridadi West; Frank Gardner; Annie Dempsey; Lucille Landis; Kiyomi Iwata; Carol Mecagni; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
200280 pages. Features: A Mating of Nature and Technology - Jacquelyn Rice and Uosis Juodvalkis; Hisako Sekijima - explorer of fiber boundaries; Catharine Ellis Muerdter - the artist as teacher; Jacquard Boot Camp; Tilleke Schwarz's embroidery; Paula Nadelstern profile; and much more. Clean and unmarked with moderate wear. A sound copy. Book
réf. CXC72SD
1992réf. 500189946Robert Laffont 1992 15x24x3cm. 1992. Broché.
1856réf. 5672BFIRST "COMPUTER" PORTRAIT OF AMERICA'S FIRST PRESIDENT Lyon Joseph Marie Jacquard 1856. Silk machine-woven textile 49.8 x 42.2 cm. Mounted on old board. Edge wear some marginal tears and losses edge toning from mounting tape some damp staining and wrinkling. This said a remarkable survival. Rare silk textile portrait of George Washington 1732-99 woven on the earliest programmable loom – the Jacquard Loom – which influenced the development of other programmable punch-card-driven machines that in turn would lead to the early versions of IBM's digital compiler. The present work thus may plausibly be considered the first 'computer' portrait of the first President of the United States. The textile carries the monogram 'JR' and is dated 1856 from Lyon the birthplace and home of Joseph Marie Jacquard 1752-1834 who invented his revolutionary device in 1804 to aid in the production of complex patterns of damask matelassé and brocade. Based on Gilbert Stuart's 1755-1828 iconic portrait this two-color textile is inscribed with the famed line 'First in War First in Peace and First in the Hearts of his Countrymen' which is taken from Washington's eulogy delivered by Henry "Light Horse Harry" Lee 1756-1818 a major general in the Continental Army a member of the Continental Congress governor of Virginia father of the famous Civil War general Robert E. Lee and a close friend of Washington. Now rare the textile was apparently well known to American audiences for decades after its initial production: A certain R. H. Thurston for example in his 1880 inaugural address as president of the American Society of Mechanical Engineers invoked history's greatest engineers including "Jacquard who perfected the pattern-loom which to-day weaves with equal facility the portrait of him who was 'first in war first in peace and first in the hearts of his countrymen' and the most beautiful and ingenious combinations of form and color of which decorative art is so wonderfully prolific" Thurston p. 9. Provenance: Skinner Fine Books and Manuscripts 1 June 2013 lot 19. J. Essinger Jacquard's Web: How a Hand-Loom Led to the Birth of the Information Age; R. H. Thurston "The President's Inaugural Address" Transactions of the American Society of Mechanical Engineers vol. 1 1880 pp. 1-16. Joseph Marie Jacquard