10 963 résultats
réf. 11393AUXERRE, Imp. l'Universelle - 1950 - Tiré à part des Mémoires de l'Assocation Bourguignonne des Sociétés Savantes, XIX congrès tenu à Auxerre en juillet 1948 - In-8 - Broché - Exemplaire non coupé - Planches de photographies NB HT - Carte dépliante in fine - 44 pages + tableau et carte - Très propre, très bon exemplaire
réf. 16290Gallimard, 1957. In-8° carré, broché.
réf. 16291Gallimard, 1958. In-8° carré, broché.
réf. 7665Éditions Imprimerie Nationale, 1994.40 x 30 cm, 243 pp. Relié cartonnage d'éditeur sous jaquette illustrée. Bel exemplaire, nombreuses illustrations.
réf. 7665Éditions Imprimerie Nationale, 1994.40 x 30 cm, 243 pp. Relié cartonnage d'éditeur sous jaquette illustrée. Bel exemplaire, nombreuses illustrations.
réf. 25409Arthaud, Paris, 1992
réf. 25280Paris : L. Givaudan & Cie, 1946. Un album in-4°, broché, planches hors-texte en couleurs, couverture rempliée.
réf. 61471Fondation Pierre Gianadda 1990 livre catalogue 24*22 167 pages
1847réf. 51675Didier 1847 1 vol. relié in-12, bradel pleine percaline bleu nuit, pièce de titre de basane rouge avec fleuron doré au dos, 180 pp. Edition originale. Rousseurs, sinon bon exemplaire, bien relié à l'époque.
1847réf. 51675Didier 1847 1 vol. relié in-12, bradel pleine percaline bleu nuit, pièce de titre de basane rouge avec fleuron doré au dos, 180 pp. Edition originale. Rousseurs, sinon bon exemplaire, bien relié à l'époque.
1872réf. G32507Paris, Germer Baillière 1872 vi + 286pp., rousseurs dans le texte, br., in-8
1982réf. 027802Paris 1982 editions Max Fourny Art et Industrie Hardcover
1843réf. GF322251843 Paris - Germer-Baillère - Montpellier - Sévalle - 1843 - 1 volume in8broché de 79 pages +1 lanche dépliante -
réf. 026777Paris Au Ménestrel - HEUCEL & Cie, 3582 (sans date) 0 un volume grand in-8°, (6) 351 pp. Reliure en pleine percaline à la Bradel, étiquette de titre au dos (reliure époque). (dos insolé avec tassement et légers frottements en sommet, plats légèrement salis, nombreuses rousseurs). Titre illustré.
2002réf. 90377Princeton & Oxford: Princeton University Press 2002. First edition. Small 4to. 207 pp. Fine in fine dust jacket. Princeton & Oxford: Princeton University Press unknown books
1968réf. 219022London: Charles Skilton 1968. Hardcover. Near Fine/Very Good. First edition. Small quarto. 184pp. Illustrated with black and white plates. Based on material researched and collected by J. Stevens Cox. Near fine plus with a slight bump on the front bottom corner and a pencil tip sized chip on the rear bottom corner in a very good spine faded dustwrapper with mild wear along the top front panel rubbing along the rear joint and tiny chips at the crown. Charles Skilton hardcover books
2003réf. 89486London:: Folio Society. Fine. 2003. Hardcover. First edition thus. Fine in a fine slipcase.; 382 pages . Folio Society, hardcover books
1989réf. 1000876New York: Weidenfeld & Nicolson 1989 First U.S. edition. Boards. Quarto. Black and white and color illustrations some from medieval manuscripts. Fine in fine d.j. Weidenfeld & Nicolson, hardcover books
2012réf. 201132Washington DC / Chicago: Solar Books / Distributed by University of Chicago Press 2012. Hardcover. Good Ex art library indicated only by a sticker on rear endpaper; boards are lightly edgeworn/scuffed/smudged; interior is in excellent condition. Black boards with photo illustration and white and yellow lettering; 200 pp.; richly illustrated. Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge photographer and film pioneer. His work is powered by an extreme obsessionality excess and ordinariness that enabled him to negate all preconceptions and to re-conceptualize the dynamics of corporeal and urban forms. He created a moving-image projector the Zoopraxiscope for his sequences of human and animal movement thus construction the first identifiably cinematic space for his images' projection to spectators-- Edited summary from back cover. Solar Books / Distributed by University of Chicago Press hardcover books
1975réf. 86968San Francisco: Hoddypoll Press 1975. First edition. 12 pp. Small bend to lower corner else very near fine in stapled wrappers. Cover art by Martin Izquierdo. Young 174. San Francisco: Hoddypoll Press, unknown books
2016réf. 156996Venezia: Marsilio 2016. Grey/color-illus. wraps; white lettering on grey spine. Acetate half wrapper with white lettering. Text in Italian. Catalogue from the exhibition held at Fondazione Palazzo Strozzi Firenze 19 March - 24 July 2016. Curated by Luca Massimo Barbero the exhibition – the result of a cooperative venture involving the Fondazione Palazzo Strozzi and the Solomon R. Guggenheim Foundation in New York – offered visitors a unique opportunity to compare and contrast the crucial work of European masters of modern art such as Marcel Duchamp Max Ernst Man Ray and Pablo Picasso and European masters of so-called Art Informel or “Unformed Art” such as Alberto Burri Emilio Vedova Jean Dubuffet Lucio Fontana with large paintings and sculptures by some of the most important personalities on the American art scene in the 1950s and 1960s such as Jackson Pollock Mark Rothko Willem de Kooning Alexander Calder Roy Lichtenstein and Cy Twombly. Devoting an exhibition to the Guggenheim collections means telling the fast-paced story of the birth of the Neo-Avant-Garde movements after World War II in a tight and uninterrupted interplay between European and American artists. But producing such an exceptional exhibition in Florence also means celebrating a very special tie that goes back a long way because it was precisely in the Palazzo Strozzi’s Strozzina undercroft that Peggy Guggenheim who had only recently arrived in Europe decided in February 1949 to show the collection that was later to find a permanent home in Venice. The large paintings sculptures engravings and photographs on display at Palazzo Strozzi on loan from the Guggenheim collections in New York and Venice and from other leading international museums paint a vast fresco of the extraordinarily heady season of 20th century art in which Peggy and Solomon Guggenheim played such a key role. - from the Palazzo Strozzi web site. Marsilio paperback books
1951réf. 011199New York: Twayne Publishers 1951. 1st Edition. Hardcover. Fine/Near Fine. 8vo. 550pp. Beautiful First Edition of this anthology of travel stories by such diverse writers as Voltaire Mozart Dickens Byron Dumas and many more. Square tight and clean throughout with little or no wear save a bump to the heel. Very attractive clipped dust-jacket has some minor edge-wear but is fresh and bright with no chipping or creases. A sharp collectable copy. Twayne Publishers hardcover books
réf. 006540VPVC
1976réf. 9001861New York: Feingold & Lewis 1976. Hardcover. Very good/very good. Bound in publisher's original black cloth with a very good dust jacket. One of three thousand numbered copies. Dust jacket is worn and chipped at head and heel of spine and extremities otherwise very good condition. Feingold & Lewis hardcover books
