DEQUEVAUVILLIER sc. d’après le Barbier l’Ainé dess.:Livre Rare Book
9 034 résultats
réf. 101535aaf1781, 25x37 cm (Vue) tirée de l’ouvrage de «Zurlauben, Tableaux topographiques de la Suisse’ plance n° 30,, sous passepartout, encadrement baguette or / unter Passepartout im Übereckvergoldeter Goldrahmen (41x52 cm).
réf. 6503117John Wiley & Sons . Hardback. New. pp. 384 2nd Edition John Wiley & Sons hardcover
1922réf. 686431 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, pp. 165-195 et pp. XXI-XIII avec 6 planches hors texte en couleurs sur 8 (42, 44, 45, 46, 47, 48) et avec 7 croquis de Mode (croquis XLII à XLVII) sur 8
2009réf. x-0415995299Routledge 2009. Hardcover. New. 1st edition. 336 pages. 9.25x7.25x0.75 inches. Routledge hardcover
2023réf. Adhya-9780702084799ELSEVIER MEDICAL 2023. HB. New. ELSEVIER MEDICAL hardcover
2023réf. Adhya-9780702084799ELSEVIER MEDICAL 2023. HB. New. ELSEVIER MEDICAL hardcover
réf. 45557893-nnew. unknown
2026réf. x-1032736011Routledge 2026. Hardcover. New. 3rd edition. 712 pages. 9.68x6.87x9.61 inches. Routledge hardcover
1835réf. 2100London: J Saunders. G : in Good condition. Modern rebind with new eps. Frontis and plates stained. Slight foxing. 1835. First Edition. Marbled hardback boards with brown leather spines. 220mm x 140mm 9" x 6". x 782pp plates. 8 b/w plates. . J Saunders hardcover
2004réf. x-0415311640Routledge 2004. Hardcover. New. 1st edition. 224 pages. 9.25x6.00x0.75 inches. Routledge hardcover
1838réf. TB31668New Haven: Durrie & Peck and J. W. Barber 1838. Second Edition. Very good in its original binding of full leather covered boards with extensive gilt decorations on the spine. Unfortunately the original gilt decorated leather title label has been lost. The edges of the text block are marbled. An octavo measuring 8 3/4 by 5 1/2 inches with marbled end sheets. The leather over the spine shows evidence of drying with cracking of the leather's surface and rubbing to the leather at the tips of the boards. The contents are remarkable clean and free of tanning and foxing. The hand-colored fold-out map of Connecticut is in excellent condition. 560 pages of text. Illustrated throughout with 190 wood block engravings. Contrary to the information contained in Wright Howes bibliography U.S. Iana the first edition of this title was published in 1836. Barber an illustrator and historian 1798-1885 was Connecticut's first popular historian creating one of the first travel guides of the state Following the index in the front of the book is a hand colored fold-out map of the State of Connecticut noting all of its towns at the time see note above regarding condition. Considered to be "mildly scarce" by Howes. Howes B-120 Originally published in 1836. Durrie & Peck and J. W. Barber hardcover books
1861réf. 63387Little Rock AR: Johnson & Yerkes State Printers 1861. First edition for this annual compilation Vol. XXII in the long running series. 8vo. vii 638 pp. Although slavery is not a separate subject heading in the index slavery issues appear in a number of other topics. A view of the law in Arkansas on the eve of the Civil War. Arkansas seceded in early May of 1861 and this volume was printed in Columbia Missouri. Very good. Original law sheep rubbed red and black spine labels. 10096. Johnson & Yerkes, State Printers unknown
1861réf. 63387Little Rock AR: Johnson & Yerkes State Printers 1861. First edition for this annual compilation Vol. XXII in the long running series. 8vo. vii 638 pp. Although slavery is not a separate subject heading in the index slavery issues appear in a number of other topics. A view of the law in Arkansas on the eve of the Civil War. Arkansas seceded in early May of 1861 and this volume was printed in Columbia Missouri. Very good. Original law sheep rubbed red and black spine labels. 10096. Johnson & Yerkes, State Printers unknown books
2015réf. 039831CreateSpace Independent Publishing Platform 2015. Soft Cover. Very Good . LIKE NEW WITH LIGHT COVER WEAR CreateSpace Independent Publishing Platform paperback
réf. 3159422-nnew. unknown
réf. 3159422like new. unknown
2023réf. x-1529602866Learning Matters 2023. Hardcover. New. 5th edition. 584 pages. 9.69x6.73x1.57 inches. Learning Matters hardcover
réf. 30349142-nnew. unknown
2020réf. x-1516585259Cognella Academic Publishing 2020. Hardcover. New. 300 pages. 8.00x0.69x10.00 inches. Cognella Academic Publishing hardcover
réf. 1217369like new. unknown
1917réf. 001463Paris: La Vie Parisienne 1917. First Edition . Illustrated Wraps. Very Good. 13.75" x 10.5. Cheri Herouard; Armand Vallee; Fabien Fabiano; George Barbier; Georges Leonnec; other uncredited. Paris: La Vie Parisienne 1917. The March 10 1917 Issue 55e annee No 10. Illustrations by Cheri Herouard; Armand Vallee; Fabien Fabiano; Georges Barbier; Georges Leonnec; others uncredited. Text in French. Illustrated wraps folio 13.75" x 10.5" 19 pp. 215 through 233 for the volume plus covers. Slender but large: folio size. See scans. Some cover soiling wrinkling wear and very small scale chips; contents sharp bright about Very Good overall; nice condition for this thin-but-large fragile weekly. Glossy covers; first and last few internal pages are on newsprint else all glossy. Rather spectacular full-page color illustrations in every issue in fact by the coterie of guys who knew how to do what you see here. In the case of this issue Cheri Herouard; Armand Vallee; Fabien Fabiano; George Barbier and Georges Leonnec are credited for the big stuff but some of the other very credit-worthy art is uncredited. See scans. Cute humor from the same mood as mutoscope cards or perhaps a bit only a bit more refined yields the cover art caption: "Le Casque d'Un Poilu de 1417" the helmet of a soldier of 1417 for an artful depiction of a medieval young Lady who has conquered with her wiles; rear cover caption is "Mars venteux et Avril pluvieux Font le May gay et gracieux" below a brave young lass whose skirts are being elevated a bit out in foul weather - always a favorite. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft though humorously flirtatious. All of the full page efforts are eminently frame-able and at this time of a sensibility midway-evolved between nouveau and deco as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 3/10/1917 issue of this memorable and long-lived French weekly offering of very soft very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above and others in their clan are what really "make" this issue as was generally the case through the era but cartoons serial fiction and around-town pieces nicely compliment those. Gorgeous oversized large color illustrations are what you collect these for. l-LNG1 La Vie Parisienne paperback
1913réf. 85304Paris: A la belle édition 1913. Fine. A la belle édition Paris 1913 15.50 x 21 cm broché Edition printed in 507 numbered copies ours one of 475 on laid paper. Some minor foxing otherwise a handsome copy. Work illustrated with 5 black drawings by George Barbier. A la belle édition unknown
1931réf. 62296Paris: A. & G. Mornay 1931. Fine. A. & G. Mornay Paris 1931 15.50 x 20.50 cm broché Illustrated edition with original compositions by George Barbier hand-colored with pochoir one of 877 numbered copies on Rives laid paper. Handsome copy. A. & G. Mornay unknown
1915réf. 54705Paris: Lucien Vogel éditeur 1915. Fine. Lucien Vogel éditeur Paris Eté 1915 36.50 x 24 cm une feuille Double original color print heightened with gold printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2000réf. 473990Interpharm Press. Collectible - Very Good/No Dust Wrapper. 2000. First Printing. Hard Cover. R317 . Interpharm Press hardcover
