[BARBIER, George; BRUNELLESCHI]Biblio.com
9034 risultati
rif. 92854Paris June- December 1912. . First issue limited edition number 1150 of 1279 8vo 22.8 x 14.8 cm; 1 viii 1 facsimile 168 pp. limitation page 43 pochoir plates original blue printed paper wrappers bound adverts all bound in contemporary Bordeaux straight-grained morocco gilt boards ruled in gilt spine in 6 compartments top edge gilt; a superb copy. This journal which borrowed both the title and format of La Mesangere's periodical of over a hundred years earlier is illustrated by George Barbier and Brunellschi the masters of pochoir among others and was founded by Tom Antonginigini secretary friend and biographer of poet connoisseur and collector Gabriele D'Annunzio 1863-1938 whom he followed to Paris from Italy in 1910. It was meant to be a reflection of the intellectual and artistic atmosphere of Paris as well as a record of Parisian culture and fashion at the time and also unwittingly reflects the end of the golden Belle Epoque and the beginning of another very different time in world history. The first issue appeared on 1 June 1912 the last on 1 August 1914 due to the outbreak of World War I. Paris, June- December 1912. hardcover
rif. 91768Paris Meynial 1923-1926. . Six pochoir plates by Barbier framed together and glazed overall size: 64.2 x 61.3 cm. An exquisite series displaying fashion in magnificent and imaginative illustrations by George Barbier the noted early twentieth century French artist and illustrator. Falbalas et fanfreluches was the last of Barbier's books to reflect contemporary life directly. Its special value is the unique way in which it catches the tone and mood of les années vingt. Paris, Meynial, 1923-1926. unknown
1928rif. 8724First edition with Barbier's illustrations. Number LX of 175 copies on Japon for America the total edition was 1200 copies. The poems of Verlaine's Fêtes galantes first published in 1869 took inspiration from the pastorals of Watteau as well as the sumptuous fantasies of Fragonard and Boucher while drawing characters from the Italian traditions of the commedia dell'arte. Barbier's sensibilities made him the perfect artist to reinterpret Verlaine for the 1920s. Large 4to 300 × 230 mm pp. 4 100 4 plus 20 coloured pochoir plates. Uncut in original wrappers and decorative slipcase the latter slightly rubbed and soiled. [Imprimerie nationale for] H. Piazza,
1934rif. 8726First edition with Barbier's suitably libertine pochoir coloured illustrations. Number 206 of 650 copies on papier de Rives the total edition of 720 copies. 2 vols 4to 265 × 200 mm pp. 4 218 2; 2 217 3. 28 pochoir colour illustrations by Barbier consisting of 2 original upper cover illustrations 20 full page plates 2 decorative title pages 2 chapter heading vignettes and 2 justification vignettes. Original wrappers very lightly browned towards the margins spines slightly creased upper hinge of one volume slightly fragile. A very good set. [R. Coulouma in Argenteuil for] Le Vasseur.
1867rif. 82010Choudens | Paris S.d (1867) | 19 x 28 cm | relié
1919rif. 1185931919. Signed. BARBIER George. Original pencil watercolor and gouache painting signed. Paris: 1919. Original pencil watercolor and gouache heightened in silver gilt on card measuring 8 by 10-1/2 inches; matted and framed wntire piece measures 14 by 18 inches. $4000.Striking original pencil watercolor and gouache design highlighted in silver gilt by legendary fashion designer George Barbier of a ""Gypsy"" with tambourine possibly relating to costumes designed by Barbier for the Gypsy ballet ""Amarilla"" danced by the Anna Pavlova and Alexandre Volinine at Drury Lane in 1920 signed and dated by Barbier.""George Barbier is one of the most valuable and most significant artists of our time so rich in all kinds of talent and original ideas. When our age is pastÉ it will just take a few drawings of Barbier to revive the taste and spirit of our timeÉ When I look at Barbier's costumes for the stage I see the characters of those magical stories come to life before me and tempt my imagination"" Edmond Jaloux. Renowned for his fashion plates in leading contemporary magazines including the Gazette du Bon Ton Journal des Dames et des Modes and Vogue Barbier's artistic style is readily identifiable by his elegant stylized line. Barbier later created costumes for the Folies BergÂres in addition to the entire wardrobe for the movie ""Monsieur Beaucaire"" starring Rudolph Valentino. ""His flamboyant work continues to influence Vegas floor shows major designers and costumers worldwide"" Robert Inman. Fine condition. unknown books
1927rif. 2169Cercle Lyonnais du Livre, Lyon 1927. 1 volume in-4 (260 x 200 mm), en feuilles, couverture illustrée en couleurs, étui-chemise cartonné de l'éditeur. L’illustration comprend 56 COMPOSITIONS ORIGINALES DE FRANÇOIS-LOUIS SCHMIED GRAVÉES SUR BOIS EN COULEURS dont 24 à pleine page, 28 bandeaux et 4 fins de ligne. Typographies entièrement en capitales, texte encadré d'un filet doré doublé en tête ou en queue. Tirage limité à 165 exemplaires tous sur vélin d’Arches. L’un des 120 nominatifs imprimés pour les membres du Cercle Lyonnais du Livre.
1928rif. 013579Paris: H. Piazza 1928. First Edition Limited. Soft cover. Near Fine. Limited edition. Printed paper covers with illustrations on front and back title on spine and tissue guards. Exceptionally rare this is numbered VI of XXV copies that were printed on imperial Japanese paper containing 20 colored illustrations by Barbier. The remaining two hundred copies numbered from 26 to 225 were printed on imperial Japanese paper containing a black version of the illustrations; and eight hundred copies numbered from 226 to 1025 were on pure vellum paper. In original glassine that is tanned and chipped. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. H. Piazza unknown
1928rif. 013579Paris: H. Piazza 1928. First Edition Limited. Soft cover. Near Fine. Limited edition. Printed paper covers with illustrations on front and back title on spine and tissue guards. Exceptionally rare this is numbered VI of XXV copies that were printed on imperial Japanese paper containing 20 colored illustrations by Barbier. The remaining two hundred copies numbered from 26 to 225 were printed on imperial Japanese paper containing a black version of the illustrations; and eight hundred copies numbered from 226 to 1025 were on pure vellum paper. In original glassine that is tanned and chipped. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. H. Piazza unknown books
1911rif. 75205Luxueux ouvrage publicitaire réalisé pour la maison Paquin sous la direction de la couturière Jeanne PAQUIN. Cartonnage sali, dos réentoilé.Illustré de 7 PLANCHES IMPRIMÉES AU POCHOIR, dont un sur le titre, par LEPAPE, BARBIER ET IRIBE. Le bouquet de fleur de Lepape est tiré sur papier du Japon. Les autres planches représentent des éventails et manteaux de fourrures.
1949rif. 1521Paris, Maxime Cottet-Dumoulin Éditeur, 1949. 1 volume in-4 (330 x 255 mm),70 pp. + ffnch., en feuilles sous couverture imprimée rempliée, chemise-étui bordé recouvert d'un papier ciré imitant la peau de serpent. Édition illustrée de 67 compositions originales par Paul Jouve gravées sur cuivre par Raymend Haasen, soit : 13 HORS-TEXTE GRAVÉS EN COULEURS, dont 3 à double page et 54 bandeaux noir et or. Chaque page de texte est encadrée d'un filet rouge, la typographie étant dûe à Jacques Beltrand. Tirage unique à 123 exemplaires numérotés sur vélin d'Arches teinté filigrané au nom de l'artiste, celui-ci n° 115 est l'1 des 110 avec UNE SUITE EN NOIR DES 13 GRAVURES HORS-TEXTE. Exemplaire à l'état de neuf bien signé à l'encre par Paul Jouve et l'éditeur Cottet-Dumoulin.
1927rif. 75202Sous étui cartonné. Couverture illustrée rempliée avec petites taches brunes.Illustré d'un portrait de George BARBIER gravé par Charles MARTIN, d'un bandeau gravé sur la couverture et de 25 planches de costumes de théâtre coloriées au pochoir avec rehauts d'or et d'argent par George BARBIER, sous serpentes légendées et montées.
1928rif. 1208301928. First Edition. BARBIER George VERLAINE Paul. FÂtes Galantes. Paris: H. Piazza 1928. Folio 9 by 12 inches original illustrated self-wrappers; original slipcase. $4500.Beautiful limited edition number 810 of 800 copies on Rives paper of a total edition of 1200 illustrated by George Barbier with 20 full-page hand-colored pochoir plates in his characteristic Art Deco style.Associated with the early Symbolists Verlaine ""wrote some of the finest and most musical lyrics in the French language"" Harvey & Heseltine 738. First published in 1869 FÂtes Galantes reflects the care for form and objectivity characteristic of Verlaine's early poetry. The designs in this splendid production are the work of Art Deco legend George Barbier who began his career as a costume and set designer for the Ballet Russes and later created dcors and costumes for music-halls movies and the Folies BergÂre through Max Weldy Studios. Renowned for his fashion illustrations for the leading magazines of the time including the Gazette du Bon Ton and Vogue his artistic style is recognized by a characteristically elegant stylized line. Text in French. Some toning to spine of scarce original slipcase; book fine. An excellent copy of this beautiful production. unknown books
1934rif. 375021New York: The Derrydale Press 1934. First Edition ONE OF 55 LARGE-PAPER COPIES signed by Barber this being No. 4. 5 color plates one of them handcolored and 121 other illustrations. xix iii 156 pp. 1 vols. 4to. Original full red morocco gilt t.e.g. others uncut; Almost fine minor rubbing at head and tale of spine IN ORIGINAL SLIPCASE laid into a beige linen drop box with red morocco label. Barber Joel. First Edition ONE OF 55 LARGE-PAPER COPIES signed by Barber this being No. 4. 5 color plates one of them handcolored and 121 other illustrations. xix iii 156 pp. 1 vols. 4to. "One of the most important books published by Connett." -- Siegel This is the large paper edition of this work. The regular trade edition was published at the same time by Windward House a sporting press started by Connett in 1933. Both editions used Barber's vignette of a floating decoy on the the title page. This spine of this binding is fragile; this copy in better condition than typically encountered With ALS to Mr. Dobberteen laid in about decoys. Siegel 85; Frazier B-5-a The Derrydale Press unknown
1934rif. 375021New York: The Derrydale Press 1934. First Edition ONE OF 55 LARGE-PAPER COPIES signed by Barber this being No. 4. 5 color plates one of them handcolored and 121 other illustrations. xix iii 156 pp. 1 vols. 4to. Original full red morocco gilt t.e.g. others uncut; Almost fine minor rubbing at head and tale of spine IN ORIGINAL SLIPCASE laid into a beige linen drop box with red morocco label. Barber Joel. First Edition ONE OF 55 LARGE-PAPER COPIES signed by Barber this being No. 4. 5 color plates one of them handcolored and 121 other illustrations. xix iii 156 pp. 1 vols. 4to. "One of the most important books published by Connett." -- Siegel This is the large paper edition of this work. The regular trade edition was published at the same time by Windward House a sporting press started by Connett in 1933. Both editions used Barber's vignette of a floating decoy on the the title page. This spine of this binding is fragile; this copy in better condition than typically encountered With ALS to Mr. Dobberteen laid in about decoys. Siegel 85; Frazier B-5-a The Derrydale Press unknown books
rif. 8745First edition copy number 7 of 100 of this sumptuously illustrated version of the story of the Queen of Sheba combining illustrations by Barbier and the Abyssinian artist Michel Engueda-Work. French scholar traveller and diplomat Hughes Le Roux had transcribed parts of the Ethiopian chronicle Kebra Nagast in 1904 with the help of local scholars from a manuscript looted by the British at Maqdala and subsequently returned. The Kebra Nagast or 'The Glory of the Kings' is a fourteenth-century national epic of Ethiopia written in Geʽez by the nebure id Ishaq of Aksum. In its existing form the text is at least 700 years old and purports to trace the origins of the Solomonic dynasty a line of Ethiopian Orthodox Christian monarchs who ruled the country until 1974 to the biblical king Solomon and the Queen of Sheba. The story of the text's survival is interesting. The Battle of Maqdala the last struggle in the British Expedition to Abyssinia led to significant looting by the victorious British forces who took Emperor Tewodros II's crown along with ceremonial crosses chalices weapons and the holy icon Kwer'ata Re'esu along with two fine manuscripts of the Kebra Nagast which found their way to the British Museum catalogued as Oriental MS 818 and 819 respectively. 819 was returned to Ethiopia in 1872 on the request of the Abyssinian king who identified it as a fundamental source of law. Hugues Le Roux a French envoy from the President of the French Republic to Menyelek II King of Ethiopia later went to Addis Alem in order to see this manuscript and to obtain his permission to translate it into French. He notes in his introduction here the inscription 'This volume was returned to the King of Ethiopia by order of the Trustees of the British Museum Dec. 14th 1872'. Of the artist Michel Engueda-Work who is referred to elsewhere as an 'Abyssinian artist' almost nothing else is known but his illustrations are of course far truer to the Ethiopian style than Barbier's highly exoticised and eroticised interpretations in which Sheba is portrayed following long tradition as a white woman. Folio 328 × 250 mm 4 xiii 1 84 1 pages six plates one a frontispiece and one vignette illustration by Barbier all hand/pochoir coloured illustrations some colour six sepia plates uncoloured by Michel Engueda-Work numerous vignettes and ornaments by Louis Popineau decorative borders. All plates and illustrations with lighter paper guards with printed captions. Original pale blue wrappers preserved in early red morocco by Joly fils with onlaid interlace cornerpieces gilt borders and spine panels silk and marbled endpapers top edge gilt other uncut. Marbled slipcase. Upper joint very slightly tender at head spine just a little faded. A super copy. Goupil & C[ompagn]ie, Manzi, Joyant & C[ompagn]ie.
1913rif. 195319London: C. W. Beaumont & Co. 1913. Of Nijinsky it is impossible to speak as of other artists First edition in English number 158 of 400 copies on vellum paper only. Inspired by the first season of the Ballets Russes in Paris and particularly their male lead Nijinsky Barbier moved on from his career as a costume and set designer to publish this his first book. An edition in French was published earlier the same year. Nijinsky was one of the most famous dancers of his time and his virtuosity renewed public interest in ballet. He was not only known for his talent as a dancer but also as an actor able to "expand a simple choreographic design into a rich dramatic portrait" Cohen p. 646. The plates depict scenes including Nijinsky's most famous characters. The pochoir technique involves hand-stencilling the design and is complex and labour-intensive. The manual element of the process means that no two impressions are the same producing results that lie between prints and original paintings. Consequently pochoir plates are often released in a limited run as here. The use of gouache allows the colours to remain remarkably strong and vibrant. This copy comes from the collection of Rolling Stones drummer Charlie Watts whose posthumous bookplate is included. Quarto. With 12 coloured pochoir plates line drawings in the text. Original pictorial wrappers front wrapper lettered in blue and illustrated in black and yellow edges untrimmed leaves unopened. Housed in custom blue quarter morocco solander box. Wrappers soiled and rubbed skinning to foot of rear wrapper inner hinges repaired occasional faint foxing to contents. A very good copy. Selma Jeanne Cohen ed. The International Encyclopedia of Dance IV 2004. hardcover
rif. 16511Valence, 1915.
1893rif. 160511893 PARIS, Alphonse Picard, CAEN,Henri Delesques, 1893, N° 1, 3, 5 & 6 - Broché - In-8 - Couverture imprimée avec médaille au nom d'Arcisse de CAUMONT - Importante iconographie : nombreuses planches PP Ht & illustrations en texte - 85 pages & Pagination 191 à 589 - Bon exemplaire, Intérieur très frais.
rif. EXE-766London, C. W. Beaumont & Cº, 1913. In-4° broché, couverture beige imprimée et illustrée. Illustré de 12 grandes compositions rehaussées au pochoir par George Barbier. Tirage à 400 exemplaires sur vélin, celui-ci le numéro 117.
rif. 8857Paris, A. Blaizot,1928. 24.50 x 32 cm,XXVIII pp. en feuilles sous chemise et étui. Un très minuscule accroc à la coiffe sup., dos de l'étui légèrement décoloré en haut. Sinon bel exemplaire. Édition imprimée à 150 exemplaires numérotés sur vélin de Rives. Ouvrage illustré de 33 compositions de George Barbier gravées par Pierre Bouchet sur cuivre et imprimées en couleurs. Édition publiée d'après une maquette typographique de François-Louis Schmied. Rare et très bel exemplaire.
rif. 8857Paris, A. Blaizot,1928. 24.50 x 32 cm,XXVIII pp. en feuilles sous chemise et étui. Un très minuscule accroc à la coiffe sup., dos de l'étui légèrement décoloré en haut. Sinon bel exemplaire. Édition imprimée à 150 exemplaires numérotés sur vélin de Rives. Ouvrage illustré de 33 compositions de George Barbier gravées par Pierre Bouchet sur cuivre et imprimées en couleurs. Édition publiée d'après une maquette typographique de François-Louis Schmied. Rare et très bel exemplaire.
1912rif. 217381912 Aquarelle sur papier greige signée en bas à droite, (1912), 32 x 29.5 cm., encadrée.
rif. 124060Paris Pierre Corrard 1914. . First edition limited edition one of 500 numbered copies on papier vélin d'arches this numbered 65 and initialled by the publisher; folio 325 x 278 mm title-page with pictorial vignette to head and verso 18pp. 12 full-page coloured illustrations by Barbier printed on rectos only plates exceptionally fresh; original pictorial wrappers spine slightly split at top and bottom lower wrapper age toned a near fine copy. An attractive copy in the original wrappers of Barbier's early masterpiece dedicated to Tamara Karsavina. 'The cover design pays homage to Beardsley. and its 12 pochoir plates depict Karsavina in her principal parts. That their purpose is again to stir the emotion and delight the eye of the viewer not to document the performance is demonstrated by Le spectre de la rose glimpsed at the moment when the phantom lover of whom the young girl has dreamed after the ball is about to disappear as the rose drops from her hand' Ray. Paris, Pierre Corrard, 1914. unknown
1914rif. 195542Paris: Pierre Corrard 1914. Barbier's tribute to a Ballets Russes star First edition limited issue number 85 of 500 copies printed on Vélin d'Arches. This splendid album celebrates the prima ballerina and star of Diaghilev's Ballets Russes Tamara Karsavina in some of her principal roles with 12 hand-coloured pochoir illustrations by Barbier and 15 poems by Vaudoyer. This copy comes from the collection of Rolling Stones drummer Charlie Watts whose posthumous bookplate is included. Vaudoyer wrote the libretto for the ballet Le Spectre de la Rose one of the most beloved productions in the Ballets Russes' repertoire and the album contains a poem and illustration paying homage to Karsavina's performance alongside Vaslav Nijinsky in the work. Barbier also depicts Karsavina in what was arguably her most celebrated role dancing en pointe beneath the golden apple tree as the original Firebird in the first production of Stravinsky's now-canonical ballet. Loosely inserted is a bookseller's ticket from Gilberte Cournand's La Danse collection. Quarto. With 12 full-page colour pochoir plates on rectos only 3 black-and-white illustrations text in French. Original illustrated wrappers in original glassine all edges uncut. Housed in a custom blue quarter morocco clamshell box. A little uneven toning to wrappers from glassine edges a little nicked and creased offsetting of plates to opposite leaves final leaf mounted on stub contents clean and plates remarkably bright; edges of glassine chipped: a near-fine copy. unknown
