11 012 résultats
réf. 239093Bordeaux, Imp. Cadoret, 1924 6 vol. gr. in-8, table à la fin de chaque tome, broché.
réf. 7071Sept ouvrages magnifiquement reliés d'époque : demi-veau fauve, dos à cinq nerfs , caissons décorés, pièces de titres et d'auteurs en rouge et vert. Format in 8 . (18 x 12 cm) . Plats en bradel, édition datées entre 1868 et 1882 . Chez Dentu éditeur . Parfait état , rares rousseurs . Bel objet avec cette reliure .
réf. 9655Paris, G. Crès, 1923. In-4, X-177-(2) pp., reliure demi-maroquin bordeaux à coins (Canape et Corriez), couverture et dos conservés (petite restauration à la coiffe supérieure).
réf. 022394George Barbier (1882-1932), peintre, illustrateur, dessinateur de mode. L.A.S., sd, 1p in-8. « Merci de tout coeur, mon cher directeur, et merci à votre collaborateur Brindejont-Offenbach [gendre du compositeur]. Puisse ce qui va suivre être digne de la préface. J'espère que vous en jugerez mais la réalisation des costumes devient si coûteuse qu'il devient presque impossible de satisfaire les artistes. Il faudra la robe de peau d'âne et encore, peut-être en trouveraient-ils la [mots illisibles]. Votre bien dévoué. George Barbier ». Peut-être s'agit-il de la préparation de son ouvrage Le Bonheur du jour ou les grâces à la mode dans lequel un des pochoirs représente Peau d'âne. Rare. [546]
1825réf. 002488Paris, Baudouin frères, et à la Librairie de l'Industrie, 1825
1912réf. 11270Draeger 1912 1 Montrouge, Draeger, (1912), in-4, cartonné, couverture imprimée avec une vignette contrecollée, façon miniature, [24 pp.]
1769réf. 27669Paris Chez Dufour 1769 In-12 Étroit XXIV - (2) - 197 pp avec 2 planches dépliantes à la fin deux ff de tables paginées dans la continuation de la préface et un ff d'approbation et privilège du Roi , reliure pastiche neuve, tranches marbrées d'époque Texte Suivi d'une observation omportante sur la saignée ;
1891réf. 63569Secrétaire-Interprète de Mgr. Comte d'Artois, dédiées à Monseigneur Comte d'Artois, et ornées de douze jolies Estampes gravées par M. Gaucher, d'après les Dessins de M. Le Barbier, réimpression faite à 300 exemplaires numérotés à la presse (n°88), 1 vol. in-12 reliure demi-maroquin à coins bleu, dos lisse orné en long et mosaïqué, filet doré en mors et coins tête dorée, couvertures et dos conservés, reliure signée de Yseux, successeur de Thierry-Simier, [ Chez Defer de Maisonneuve ], Chez Rouquette et Fils, Paris, 1891, 2 ff., 48 pp, 2 ff., 21 pp. (partitions) avec 14 planches hors texte (y compris le portrait en frontispice, et une dédicace gravée par Pierre-Philippe Choffard)
1930réf. 12023Paris, A. & G. Mornay, 1930. 1 vol. in-8. Demi-maroquin rose à coins, filet doré sur les plats, dos à fins nerfs orné d'une fleur dorée, titre et auteur dorés, tête dorée, couvertures illustrées et dos conservés.
réf. 13735Un air embaumé parfume le monde c‘est l’OR de RIGAUD Catalogue 240x210mm, édité en 1914 par les parfums RIGAUD. Titre illustré en couleurs, Un texte de Jean RICHEPIN intitulé « les fleurs » suivi de 9 planches illustrées en couleurs, sous serpentes imprimées, représentant 9 créations du parfumeur. Illustrations de GEORGE BARBIER, Georges LEPAPE, A MARTY reliées par une cordelette torsadée. DEVAMBEZ Paris pour Georges RIGAUD. 1) Prince IGOR. 2) Le parfum de Marthe CHENAL 3) Près de vous 4) Muses des bois 5) l’heure charmante 6) lilas de RIGAUD 7) Œillet et l’Andalousie 8) Mary Garden 9) des roses
1919réf. 6619Original Barbier pochoir of Casanova with a mask in his hand adorned in floral attire from Panorama Dramatique. Casanova Décors et Costumes. Printed with white red pink blue orange and grey colors. Pink trim surrounds image. Dated in print 1918. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches. Lucien Vogel
2000réf. 473990Interpharm Press. Collectible - Very Good/No Dust Wrapper. 2000. First Printing. Hard Cover. R317 . Interpharm Press hardcover
réf. MA12A-01854Dodd Mead and company. Collectible - Good. New York : Dodd Mead and Company 1924. 1st edition. 12mo. xvi141pp. Frontis. map. Good book. Owner's name on front free endpage. American personal narratives autobiography Inquire if you need further information. Dodd, Mead and company unknown
1913réf. 85304Paris: A la belle édition 1913. Fine. A la belle édition Paris 1913 15.50 x 21 cm broché Edition printed in 507 numbered copies ours one of 475 on laid paper. Some minor foxing otherwise a handsome copy. Work illustrated with 5 black drawings by George Barbier. A la belle édition unknown
1931réf. 62296Paris: A. & G. Mornay 1931. Fine. A. & G. Mornay Paris 1931 15.50 x 20.50 cm broché Illustrated edition with original compositions by George Barbier hand-colored with pochoir one of 877 numbered copies on Rives laid paper. Handsome copy. A. & G. Mornay unknown
1915réf. 54705Paris: Lucien Vogel éditeur 1915. Fine. Lucien Vogel éditeur Paris Eté 1915 36.50 x 24 cm une feuille Double original color print heightened with gold printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
réf. 1217369like new. unknown
2012réf. DADAX1848378416Brand: Arcturus Publishing Limited 2012-01-30. Spi. hardcover. New. 10.00x0.75x11.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Arcturus Publishing Limited hardcover
1917réf. 001463Paris: La Vie Parisienne 1917. First Edition . Illustrated Wraps. Very Good. 13.75" x 10.5. Cheri Herouard; Armand Vallee; Fabien Fabiano; George Barbier; Georges Leonnec; other uncredited. Paris: La Vie Parisienne 1917. The March 10 1917 Issue 55e annee No 10. Illustrations by Cheri Herouard; Armand Vallee; Fabien Fabiano; Georges Barbier; Georges Leonnec; others uncredited. Text in French. Illustrated wraps folio 13.75" x 10.5" 19 pp. 215 through 233 for the volume plus covers. Slender but large: folio size. See scans. Some cover soiling wrinkling wear and very small scale chips; contents sharp bright about Very Good overall; nice condition for this thin-but-large fragile weekly. Glossy covers; first and last few internal pages are on newsprint else all glossy. Rather spectacular full-page color illustrations in every issue in fact by the coterie of guys who knew how to do what you see here. In the case of this issue Cheri Herouard; Armand Vallee; Fabien Fabiano; George Barbier and Georges Leonnec are credited for the big stuff but some of the other very credit-worthy art is uncredited. See scans. Cute humor from the same mood as mutoscope cards or perhaps a bit only a bit more refined yields the cover art caption: "Le Casque d'Un Poilu de 1417" the helmet of a soldier of 1417 for an artful depiction of a medieval young Lady who has conquered with her wiles; rear cover caption is "Mars venteux et Avril pluvieux Font le May gay et gracieux" below a brave young lass whose skirts are being elevated a bit out in foul weather - always a favorite. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft though humorously flirtatious. All of the full page efforts are eminently frame-able and at this time of a sensibility midway-evolved between nouveau and deco as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 3/10/1917 issue of this memorable and long-lived French weekly offering of very soft very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above and others in their clan are what really "make" this issue as was generally the case through the era but cartoons serial fiction and around-town pieces nicely compliment those. Gorgeous oversized large color illustrations are what you collect these for. l-LNG1 La Vie Parisienne paperback
2020réf. x-1516585259Cognella Academic Publishing 2020. Hardcover. New. 300 pages. 8.00x0.69x10.00 inches. Cognella Academic Publishing hardcover
réf. Juanpebooks126228WE ship worldwide. Brand new 100%guarentee unknown
2023réf. x-1529602866Learning Matters 2023. Hardcover. New. 5th edition. 584 pages. 9.69x6.73x1.57 inches. Learning Matters hardcover
1991réf. mon0000140594LYNN'S BOOKSHELF 1991-01-01. Hardcover. Good. 1.1000 in x 8.6000 in x 5.6000 in. 9TH PRINTING1997 LYNN'S BOOKSHELF hardcover
réf. DADAX1900639041Brand: Boydell Brewer Inc 0000-00-00. 2nd ed. hardcover. New. 6.00x1.25x8.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Boydell Brewer Inc hardcover
réf. 3159422-nnew. unknown