2011réf. BN313328Parkstone 2011. 2011. Softcover. L Histoire des sous-vêtements FEMININS L Histoire des sous-vêtements FEMININS Muriel Barbier Shazia Boucher et Chantal Thomass Parkstone paperback
1917réf. 001464Paris: La Vie Parisienne 1917. First Edition . Illustrated Wraps. Very Good. 13.75" x 10.5. Rene Vincent; Henry Gerbault; Georges Barbier; Georges Leonnec; others uncredited. Paris: La Vie Parisienne 1917. The September 1 1917 Issue 55e annee No 35. Illustrations by Rene Vincent; Henry Gerbault; Georges Barbier; Georges Leonnec; others uncredited. Text in French. Illustrated wraps folio 13.75" x 10.5" 19 pp. 770 through 789 for the volume plus covers. Slender but large: folio size. See scans. Some cover soiling wrinkling wear and very small scale chips; contents sharp bright about Very Good overall; nice condition for this thin-but-large fragile weekly. This particular issue also has a chip in the middle of the front cover see scan. Glossy covers; first and last few internal pages are on newsprint else all glossy. Rather spectacular full-page color illustrations in every issue in fact by the coterie of guys who knew how to do what you see here. In the case of this issue Rene Vincent; Henry Gerbault; Georges Barbier and Georges Leonnec are credited for the big stuff but some of the other very credit-worthy art is uncredited. See scans. Cute humor from the same mood as mutoscope cards or perhaps a bit only a bit more refined yields the cover art caption: "Sur Le Front De Mer / Son Mari est surement reparti.elle se baigne en maillot" approximately two women remarking that the risque-for-that-era bathiing suit of another young lady indicates her husband must be out of town; rear cover caption is World War I humor that escapes me but the image does not which see. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft though humorously flirtatious. All of the full page efforts are eminently frame-able and at this time of a sensibility midway-evolved between nouveau and deco as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 9/1/1917 issue of this memorable and long-lived French weekly offering of very soft very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above and others in their clan are what really "make" this issue as was generally the case through the era but cartoons serial fiction and around-town pieces nicely compliment those. Gorgeous oversized large color illustrations are what you collect these for. l-LNG1 La Vie Parisienne paperback
1880réf. 3974906Henry Sotheran & Co 1880. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Folio. Rebound. Light foxing. Frontispiece. Gilt page edges. All plates present and clean. Tightly bound and internally clean. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2550grams ISBN: Henry Sotheran & Co hardcover
2005réf. 2299331Maney Publishing 2005. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:9781902653761 Maney Publishing paperback
1724réf. Ant51361724. Fiddes Richard Folio full calf rubbed and scuffed. At some time respined in leather. With 8 engraved plates hardcover
1976réf. 020663London: Quartet Books. 1st ed. 156pp. VG/VG copy slight foxing to page edge price-clipped now preserved in mylar jacket protector . Very Good. Hardcover. 1st Edition. 1976. Quartet Books hardcover
2012réf. 026985London: The London Topographical Society and The British Library. London Topographical Society Publication No. 173. 1st printing 2012. 380pp. NEAR FINE/NEAR FINE copy now preserved in archival jacket protector . Near Fine. Hardcover. 1st Edition. 2012. The London Topographical Society and The British Library hardcover
1966réf. 027028London: Collins. 1st printing 1966. 255pp. NEAR FINE/NEAR FINE copy some minor tape marks to endpapers now preserved in archival jacket protector . Near Fine. Hardcover. 1st Edition. 1966. Collins hardcover
réf. 30349142like new. unknown
1988réf. R260270696World scientific. 1988. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 336 pages.. . . . Classification Dewey : 538-Magnétisme
2008réf. __142006827XChapman & Hall 2008. Hardcover. New. 1st edition. 448 pages. 9.50x6.50x1.25 inches. Chapman & Hall hardcover
2010réf. 49673Berlin: Gestalten 2010. First Edition. Hardcover - as published. Fine in original shrink wrap. . Gestalten hardcover
1961réf. 000015473New York: Bernard Geis Associates 1961 1961. First edition. Hardcover. Near Fine/Near Fine. 8vo. 6 7-475 5 pp. Quarter blue cloth over blue paper boards sprinkled red and yellow gold lettering on the spine; red topstain. Maroon endpapers and pastedowns. Price of $5.95 on the front flap of the dust jacket. Jacket design by Paul Bacon. Illustrated by Susan Marx: a few in-text black and white drawings and 16 double-sided black and white plates photographs from Marx's life. The life-story of the most beloved Marx brother a comedic genius. Marx was a member of the Algonquin Round Table the famed literary circle of New York City. His silent but physical comedy has delighted audiences for generations: he is an indelible influence on Hollywood entertainment bringing the principles of Vaudeville to the silver screen. Toning to the spine offsetting to two leaves; jacket with a hint of wear and rubbing. Bernard Geis Associates [1961] hardcover
réf. SKU0192944Foundation Press 2019-06-17. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Foundation Press hardcover
1922réf. 686441 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, pp. 229-252 et pp. XXIX-XXXII avec 4 planches hors texte en couleurs sur 8 (56, 58, 62, 63) et avec 6 croquis de Mode sur 8 (croquis I, II, II, IV, V, VII) sur 8
1922réf. 686461 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, pp. XXXVIII-XL et 285-, et 2 ff. doubles (tables générales) avec 2 planches hors texte en couleurs sur 8 (74 et 76) et avec 8 croquis de Mode sur 8
194716"x12.5" when folded in half. Features: The Alert and Progressive Civic Government of Arthur, Ontario - photos and nostalgic article; Glamorous Blonde - Lizabeth Scott - photos and article; Winnipeg Auditorium indispensable to City's Life - photos and story; Mary Matheson and her plans to bring books to Australian children; Anschluss - In Reverse - many Germans are seeking new citizenship; Major Article by Jacqueline Sirois - Gambling in Canada; Ottawa's aspirations as a city - with the rest of the country paying; Wonder pill offers hope for thousands of victims of anemia; Tuttle - story by Nicholas Scarlett; U.N. Trouble Shooters - Canadians use their service training to keep smooth the machinery of world piece - article with group photo of Lloyd Herman, Byron Wood and W. Murray Anderson; A Bird in the Hand - story by Gregory Clark; Cyrus Stephen Eaton and Charles Aubrey Eaton - They Represent Finance and Politics in US; Who is Sylvia? - story by Peter Carter-Page; Ontario's Gale Sherwood is Hollywood's newest star - photo and write-up; Pipe Down, You Guys - story by Doris Hedges; Large dramatic photo of tapping of the burning first oil gusher in Alberta's Leduc oil field; Oil Boom in (Leduc) Alberta - article with photos; Montreal police confused by Chinese men - who can't tell them apart!; Photo of man standing before a 108" saw blade in British Columbia; New Nickel find at Lynn Lake, Manitoba - story and photos; 20 page colour comic section; Red Morning - story by Ruby Frazier Frey; Natalie Bury of Vancouver; Leslie Bell - Conductor Extraordinaire - article and photos; SPEBSQSA - Society for the preservation and encouragement of Barber Shop Quartet Singing in America; Tom Connors of Halifax - he's been collecting sports pictures for 50 years - photo and article; Snooker King - George Chenier - article; Peter Mews - mannequin creator explains how they are made for Clatworthy & Sons of Toronto - great photos and article; Whooping Cough tests in England show promise - photos and story; and more. Unmarked. Average wear and some moisture stains. A great vintage copy of this feature-oriented weekly which in later years became the Weekend Magazine. Newspaper
1921Black and white photos and illustrations. Features: The Witherell Kidnapping case - Mrs. Gladys Witherell was kidnapped for several days - article with photos of victim and perpetrators; Bad Man Louis - a tale from what is now Glacier National Park in Montana; The Justice of the North - The North-West Mounted Police set out in search of two Eskimos - Sinnisiak and Uluksak - who killed Catholic priests in Canada's north; The Cowboys of the Camargue - a description of the life and cowboys of Frances's Camargue; Through Central America on Horseback - Part I - Eugene Cunningham describes his trip by horseback south from San Jose, Costa Rica - with photos; The Wreck of the "Angola" - the horrible tale of 42 days afloat between China and the Philippines; The River of Mystery - the largely unknown Orange River of South Africa; The Adventures of a Rolling Stone - VI - the author finds himself hired as a Montana ranch hand; Photo and brief writeup of Turkey farm of Mr. M.A. Stutsman in Barstow, California; Two Boys in the Foreign Legion - young men choose to escape from the French Foreign Legion in the African desert, pursued by Arabs; Photo and brief write-up of "The Joshua Tree", the world's largest Yucca tree in southern California; The Buried Cities of Asia Minor - II - investigating the cities of Carchemish and Jerablus, on the Euphrates; The Cowboy Outlaw - Kid Curry terrorized the western states; Odds and Ends - Hungarian barber and Egyptian fisherman at work; nice vintage ads. Average wear. Bits of external tape secure spine. Binding intact. A sound vintage copy. Book
1988réf. 2-997150412XWorld Scientific Pub Co Inc 1988. Paperback. New. 358 pages. 9.00x6.50x1.00 inches. World Scientific Pub Co Inc paperback
réf. 20723915-nnew. unknown
2017réf. SBBIH-NKAACCT4XTNACrecy Publishing 2017. hardcover. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Crecy Publishing hardcover
réf. ANAIS-0960498265Armory Pubns. hardcover. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Armory Pubns hardcover
1926réf. 2467Paris: Maynial 1926. Unbound. VG. Seven only of twelve gorgeous Art Deco plates enclosed in folder with George Barbier's cover design as well as the Baronne de Brimont's 5 page text Le Songe d'Eve in French and back matter. The extant plates are La Terre L'Air L'Automne L'Hiver Le Matin & Le Modéle Intéressant and those missing are Le Feu L'Eté Le Soir and Les Cerises. While all the plates themselves are without defect & eminently frameable bright an clear the page edges are significantly age-toned & a few are creased at edges ot affecting images. Folder bears previous owners red-ink signature and cover is heavily sunned all around border partially covering the artist's name. The folder is also worn at the edges. For photos of plates not shown or any other detail please inquire. Maynial unknown
1968réf. 157988N.p.: N.p. 1968. Vintage borderless reference photograph for the 1968 film showing director William Friedkin talking with actress Britt Ekland on the set. From the archive of film historian and author Joel Finler. Based on the 1960 novel by Rowland Barber. A mildly exaggerated history of the creation of the striptease and the downfall of 1920s-era burlesque clubs in which an Amish girl performing Bible story dances at a burlesque club is being taken advantage of by the club's owner in order to mock public decency-enforcing police officers and who accidentally invents the striptease when she tears her costume. Shot in 58 days and edited for 9 months the film's budget exceeded $3 million making it the most expensive film shot in New York City at the time. Elliot Gould's film debut and Bert Lahr's last film as he died during production. Set and shot on location in New York City. 8 x 10 inches. Near Fine. Olive Films 915. N.p. unknown
1968réf. 157988N.p.: N.p. 1968. Vintage borderless reference photograph for the 1968 film showing director William Friedkin talking with actress Britt Ekland on the set. From the archive of film historian and author Joel Finler. Based on the 1960 novel by Rowland Barber. A mildly exaggerated history of the creation of the striptease and the downfall of 1920s-era burlesque clubs in which an Amish girl performing Bible story dances at a burlesque club is being taken advantage of by the club's owner in order to mock public decency-enforcing police officers and who accidentally invents the striptease when she tears her costume. Shot in 58 days and edited for 9 months the film's budget exceeded $3 million making it the most expensive film shot in New York City at the time. Elliot Gould's film debut and Bert Lahr's last film as he died during production. Set and shot on location in New York City. 8 x 10 inches. Near Fine. Olive Films 915. N.p. unknown books