11 228 résultats
réf. 26009Paris, Meynial, s.d. (1919). 1 vol. in-16, soie écrue ornée d'une composition en couleurs de Georges Barbier, jaquette illustrée en bistre en ombres chinoises, tranches dorées. Etui illustré. Reliure de l'éditeur. Dos de la jaquette insolé, petits éclats à l'étui. Bel exemplaire. 6 fig. hors-texte mises en couleurs au pochoir d'après Georges Barbier, illustrations en noir dans le texte, (1) f., 122 pp., (1) f.
1920réf. 56974New York: George A. Fuller Construction Co. Westchester-Biltmore Country Club 1920-1922. Oblong 4to. 29 linen-backed silver gelatin photos sized 7.75 x 9.75 in. w/ negative numbers & dates at lower fore-edge of image w/in the negative a few stamped for the George A. Fuller Co. Surveying Dept. for Supt. Barber in pencil on verso. Recent black cloth post-binder brass screw posts stamping on front cover NF collection of photos. This revealing set of original photographs provide essential details of the stages of construction for the extraordinary Westchester-Biltmore Country Club. Bowman sought to create the quintessential 1920’s sportsman’s oasis easily reached by automobile or train from Manhattan which along with mechanics maids servers and gardeners eventually featured 45 holes of golf three polo fields bridle path horse racing track tennis courts and a casino. The images open with finishing the footings and foundation in Dec. 1920 with structural steel quickly arising by Dec. 30 1920. The photos show the massive winged structure taking shape steel i-beams set in place and stone and masonry facade installed in stages through August 1921. As shown in many of these photos the project moved quickly enough that the roof had been mostly completed and the facade finished by Jan. 1922 with a series showing snow-covered parking lot and scaffolds still carrying material up the side as the wings were finished staircases enclosed so that by April 1922 the main construction has been completed except for some work in the portico front entrance and finishing touches of masonry and architectural details. Fitzgerald’s Gatsby would have felt more than at home with the finished Club amidst the saltwater pool man-made lagoon 800 bathhouses and dance floor with the total build cost for the project exceedingly $ 6 million in 1922 or $ 100 million currently. Designed by both the Biltmore Co. and George A. Fuller Co’s favorite architects Warren 1864-1943 & Wetmore 1866-1941 who were also known for the Ritz-Carlton Biltmore Commodore & Ambadssador Hotels they were also the preferred architect’s for Vanderbilt’s New York Central RR. No copies of these photos either in the Warren & Webmore Architectural Photographs & Records 1889-1938 Columbia University Avery Library or listed in Warren & Wetmore Philadelphia Architects and Buildings Athaenaeum Uof Penn Philadelphia Hist. Comm. or PA Historical & Museum Comm. See: Westchester Country Club History John McEntee Bowman Founder 2018. George A. Fuller Construction Co., Westchester-Biltmore Country Club, hardcover
réf. 70548Le Puy, Imprimerie Jeanne d'Arc, 1979, grand in 8° broché, 135 pages ; couvetrure imprimée.
1914réf. 108141914 Paris, Eugène Figuière et Cie éditeurs, sans date (1914). In-12 broché, 140 pp., imprimé sur beau papier. Comprenant 8 planches hors texte de documents et de photographies. Couverture un peu usagée, intérieur frais.
1938réf. 51829Chicago & New York; Dallas TX: Emil J. Paidar Company; E.A. Fretz Co. Beautician’s Supplies & Equipment 403 No. Akard St. 1938. Oblong 4to. 12.4 x 9.4 in. 83 1 pp. Illustrated title in red & black illustrations & photos throughout coloured in green or tan wood-grain. Blue-printed softcovers preserved and mounted in recent black pebbled cloth binding slight scuffing soiling to softcovers still NF copy. First edition of this scarce trade catalogue filled with beautifully designed Art Deco chrome trimmed beautician fixtures cosmetic bars facial chairs booth units and more all meant to evoke the Ocean Liners of the 1930s. The Paidar Company swept up in Art Deco design elements introduced a line-up of modernist influenced waiting room settees chairs and davenports side tables and barber chairs. These beauty shop fixtures featured such names as The Hollywood trimmed in Hazelwood with Walnut Stain The Normandy featuring Hazelwood veneers with Walnut Stain and many others all complete with the measurements and floor plans for installation. The manicure tables appoint desks display cases shop sterilizers facial couches and others could be fitted with wood panels chrome elements and beautifully appointed equipment. Paidar was one of the most important manufacturers through the first half of the 20th century of Barber’s Chairs Beautician’s equipment and furnishings and were noted for their striking upholstery colours superior design and high product quality. No copies located in Worldcat. Emil J. Paidar Company; E.A. Fretz Co., Beautician’s Supplies & Equipment, 403 No. Akard St., paperback
1846réf. 70805Charleston:: Babcock & Co. 1846. old deep purple straight-grain morocco and marbled sides; t.e.g. Some minor rubbing to the edges of the leather; a lovely copy. 16mo. Illustrated from engravings by Alex Anderson. Translated from the Latin. Babcock & Co., hardcover
réf. 51259BARBER Joseph. War Letters of a Disbanded Volunteer Embracing His Experiences as Honest Old Abe's Bosom Friend and Unofficial Adviser. New York: Frederic A. Brady 1864. 1st ed. 312 pp. Frontis. Orig. cloth spineback over pictorial printed wrappers. Spine label removed bookplate of New Hampshire Historical Society some wear to front wrapper else a very good copy. " A series of letters to newspapers; heavy in philosophy and moral persuasions." Nevins I p. 54. unknown
1864réf. 191680New York: Frederic A. Brady Publisher 1864. Hardcover. 312p. frontis cartoon man writing at desk preface publisher's note peculiar bookplate on pastedown faint dampstain throughout with a touch of foxing first edition in blind-pressed and gilt-decorated gray cloth boards a poor copy: pervasive dust-soil the gilt titlings and cover vignette but a memory heavy wear to edges corners head and tail of spine external fading and light staining &c within as noted. On a less disapproving note the hinges are sound and handleable. Humorous writings related to Abraham Lincoln and the efforts of the North against the South. A measure how inrigued Americans were with their amazingly quotable president; most of the sketches here presented as anecdotes and "verbatim" dialogue are made-up stuff but in the spirit. Frederic A. Brady, Publisher hardcover books
1930réf. 17026London:: Duckworth 1930. Later edition. 3/4 brown morocco gilt spine marbled sides t.e.g. An ex-library copy with no external markings; bookplate on flyleaf; accession number on dedication leaf; otherwise very fine. 16mo. Duckworth, unknown
réf. 53901P., Appert, Amyot, Pilout, 1843, in 8° broché, 288 pages ; rousseurs et mouillures ; couvetrure défraichie avec petits manques, dos cassé.
réf. 22914Genève, Givaudan et Cie, 1946. 1 vol. in-4° broché, couv. rempliée bleue, 94 pp., (2) ff., lithographies en couleurs dans le texte par Adrien Holy dont 12 à pleine page. Bon exemplaire en parfait état.
réf. 543933Paris, E. Dentu / Librairie de la Société des gens de lettres, 1882 In-8, demi-basane sable, dos lisse orné de motifs dorés, pièces de titre bordeaux, tête rognée, en partie non coupé, 189 p., 1 f. d'errata. Tirage limité à 300 exemplaires (n° 206).
réf. 14297P., Rue de Seine, N°10, 1924-25, 1 vol. in-8 (245 x 198) en feuilles sous couverture illustrée, imprimée en rouge et noir, de IV pp. (numérotées XLI à XLIV) (sommaire et publicités) - 36 pp. (numérotées de 389 à 424) + 5 planches hors texte coloriées au pochoir + 10 pl. imprimée en or "Douze robes pour décembre 1925". Dos légèrement insolé, très pâles rousseurs en couverture, très bel exemplaire complet de ses pochoirs par ailleurs.
1930réf. 118021930 P., A. & G. Mornay éditeurs, 1930, 1 vol. petit in-8 (204 x 157) broché sous couverture illustrée en couleurs rempliée, de (1) f. bl. - (4) ff. - II - 288 pp.(1) f. (justificatif) - (1) f. bl. Très légères taches discrètes au dos, très bel exemplaire.
1928réf. LIQ-4963P. Mornay “Les Beaux Livres” 1928 In-8° demi-maroquin rouge à coins, dos à nerfs, tête dorée, couverture illustrée en couleurs conservée.
1930réf. LIQ-4417P. Mornay "Les Beaux Livres" 1930. In-8° demi maroquin à coins, dos à nerfs orné de filets dorés, tête dorée, couverture et dos conservés (reliure signée YSEUX, successeur de SIMIER).
réf. 22202Paris, Mornay, 1931. In-8, 283 pages, illustrations en couleurs de Georges Barbier au pochoir. Exemplaire sur papier de rives, n° 347. Parfait état intérieur. Demi-maroquin rouge lie-de-vin à bandes avec un décor circulaire de filet doré, large bande de vélin ivoire sur les plats, dos orné d'un losange de cuir crème en incrustation portant le titre, tête dorée, couvertures imprimées et illustrées dos conservés (Jeanne Gazel). Petit frottement sur le losange du dos.
réf. 17977Lyon, Audin, 1936. 1 vol. in-4°, veau bleu, dos lisse avec titre doré, plat sup. orné d'un décor doré représentant un navire viking, doubles filets dorés intérieurs. Reliure de l'époque, étui. Dos insolé, étui défraîchi et endommagé, couv. cons. (43) ff., (1) f. blanc, (1) f., texte calligraphié, ornements gravés dans le texte et 10 vignettes sur fond or contrecollées dans le texte.
1954réf. 41121954 Lyon, Chronique Sociale, 1954, in 8 broché, 60 pages ; couverture illustrée.
réf. 39533Lyon et Paris, Archat, 1941, in 4° relié demi-basane maroquinée bleue de l'éditeur, 183 pages.
réf. 45196Lyon, Imprimerie Audin, 1936, in 4° étroit, en feuilles, sous couverture imprimée ; petit accroc au plat inférieur.
1681réf. 43381Riorti, , 1681. In-12 de (16)-86 pp., veau fauve, dos orné à nerfs, pièce de titre en maroquin rouge (reliure de l'époque).
1715réf. 24066Laval 1715 un document de 8 pages, broché manuscrit à l'encre brune sur papier vergé ligné et filigrané, format : 23,5 x 19 cm, manuscrit à l'encre brune, timbre royal imprimé en noir : "Généralité de Tours - 1 SOL - 4 deniers" , fait à Laval, LE 27 JUIN 1715, Signature manuscrite à l'encre brune TROIS (old document handwritted with brown ink - lined vellum paper made),
réf. 92854Paris June- December 1912. . First issue limited edition number 1150 of 1279 8vo 22.8 x 14.8 cm; 1 viii 1 facsimile 168 pp. limitation page 43 pochoir plates original blue printed paper wrappers bound adverts all bound in contemporary Bordeaux straight-grained morocco gilt boards ruled in gilt spine in 6 compartments top edge gilt; a superb copy. This journal which borrowed both the title and format of La Mesangere's periodical of over a hundred years earlier is illustrated by George Barbier and Brunellschi the masters of pochoir among others and was founded by Tom Antonginigini secretary friend and biographer of poet connoisseur and collector Gabriele D'Annunzio 1863-1938 whom he followed to Paris from Italy in 1910. It was meant to be a reflection of the intellectual and artistic atmosphere of Paris as well as a record of Parisian culture and fashion at the time and also unwittingly reflects the end of the golden Belle Epoque and the beginning of another very different time in world history. The first issue appeared on 1 June 1912 the last on 1 August 1914 due to the outbreak of World War I. Paris, June- December 1912. hardcover
réf. VLE-46P., Rey et Gravier, Barba, 1820-1812, 2 tomes en un volume in-8, VIII+491 pages (texte à deux colonnes) + XII+118 pages. Bon exemplaire relié demi-basane bleue au dos lisse orné de filets d'encadrement et de motifs floraux dorés