Paul BarbierBiblio.com
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réf. 0666485038.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1024011453.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3563235252.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 50564983like new. unknown
réf. 3385051312.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3385051304.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9783563235256_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Ristampa immutata dell'edizione originale del 1874. La casa editrice Antigonos è specializzata nella pubblicazione di ristampe di libri storici. Ci assicuriamo che queste opere siano messe a disposizione del pubblico in buone condizioni hardcover
réf. 1527981967.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781016496940Hardback. New. hardcover
réf. 4381172Short description: In Russian. Barbier Jules. Romeo and Juliet. E. Goppe. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU4381172 unknown
réf. 0365692085.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1934réf. LRB742Paris: Calmann-Lévy éditeurs 1934 Paris: Calmann-Lévy éditeurs 1934 Titre : Roméo et Juliette - Opéra en cinq actesAuteur : Barbier Jules ; Carré Michel ; Gounod Charles musiqueÉdition : Nouvelle édition conforme à la représentationLieu : ParisÉditeur : Calmann-Lévy éditeursDate : 1934 impr. 12-34Reliure : Broché couverture imprimée dorigine en papier saumon dos titréLangue : FrançaisDescription : Livret complet de lopéra de Gounod daprès Shakespeare texte de Jules Barbier et Michel Carré. Page liminaire rappelant les principales dates de représentation à Paris : création au Théâtre-Lyrique le 27 avril 1867 reprises à lOpéra-Comique le 20 janvier 1873 et à lOpéra le 28 novembre 1888. Monogramme C-L au plat. Adresse de léditeur : 3 rue Auber. Prix dépoque indiqué au premier plat : 5 francs. Lexemplaire présente un papier uniformément bruni petites marques au plat supérieur dos bien solide. Nouvelle édition conforme à la représentation. Softcover. Good. Good. Calmann-Lévy, éditeurs paperback
réf. 101649694X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1867réf. 82010Paris: Choudens 1867. Fine. Choudens Paris S.d 1867 19 x 28 cm relié Roméo et Juliette - Opera score in 5 acts by J. Barbier et M. Carré Choudens Paris n.d 1867 19x28cm bound. First edition. Opera in five acts based on the play Romeo and Juliet by William Shakespeare music by Charles Gounod for voice and piano and libretto by Jules Barbier and Michel Carré. Contemporary red half shagreen color restored gilt spine glazed calico boards double ruled in gilt central gilt initials of Ernest Beulé on the first board moiré silk endpapers with some spotting and staining to the margins first original cover preserved all edges gilt strictly contemporary binding. Rare inscription signed by Charles Gounod to archaeologist Ernest Beulé. Choudens hardcover
réf. 1331028590.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0243978197.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0266438393.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0282120017.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0484797239.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Paris, Michel Lévy frères, 1868. Un volume broché de format in 8° de 68 pp., couverture verte imprimée. Bon état. Intérieur très frais. Peu courant. Livret de Barbier et Carré
1985réf. 19784Genève, Bibliothèque Publique et Universitaire, 1985. In-8 broché, couverture à rabats. Illustrations in et hors-texte, ces dernières en couleurs et contrecollées.
réf. 0891180826.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1922réf. 84726Lucien Vogel éditeur | Paris 1922 | 18 x 24 cm | une feuille
1922réf. 13538Paris 1922. Print. Woman standing in front of a chinoiseries bureau with art deco sculpture and ceramics flanking her. Lithograph print with pouchoir color an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925 the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses Cheruit Doeuillet Doucet Paquin Poiret Redfern and Worth so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs the equivalent of over $400 today. unknown
1922réf. 84726Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print heightened in gold printed on laid paper signed at bottom left of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full flourishing of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some highlighted in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités."" Georges Charensol reports the editor-in-chief's words: ""In 1910 he observes there existed no fashion journal that was truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. It is these same illustrators who create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the illustrator's idea of contemporary fashion. La Gazette du bon ton is a decisive step in the history of fashion. Combining aesthetic demand and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and bold also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
