258 results
ref. 79032Chicago IL Henry Bosch Company 1928. Oblong folio 34.2 x 45.5 cm. Numerous full colour leaves of wallpaper often with separate bands of matching borders. Limp boards printed in green and black. = The complete text reads Henry Bosch Co. Wall Paper Manufacturers 1928. Chicago New York Boston Newark. And the front board illustration shows a sign stating "Established 1879". In front two advertisement leaves one by a dry-paste seller the other on flimsy paper partly abraded in the lower left corner by a decorating tools manufacturer. One leaf partly torn all others in excellent condition. Other Henry Bosch wallpaper catalogues are to be found in the Historic New England Library and the History Colorado Museum. The New York Metropolitan Museum of Art holds a copy of the firm's more theoretical work Suggestions for Home Decoration primarily from the wallpaper viewpoint. Some wear to the covers and some minor signs of use; one border possibly deminished; otherwise very good. hardcover
1828ref. 5945París France: Paulot & Carré 1828. Wallpaper broadside 45 x 51 cm. with seven-color woodcut black orange green blue white gray and brown. Printed on a brown paper coated with a pale blue pigment. The text states "Bonne double bierre" and the scene depicts four soldiers in uniform being waited on by a woman. She pours a seated soldier a drink while another stands with his hand draped around her shoulder. Two more soldiers share a smoke appearing to have had a few drinks already. Only the woman is clearly not enjoying herself. There are no identifying marks or labels on the broadside or on the matte but the stated publisher and date and the attribution to the printers Paulot & Carré are inferred by comparison with a print of the same series in the collection of the Museé du Papier Peint in Rexheim France. That print with the same text background color print colors and rough size depicts two women and a child seated under an arbor with a military officer enjoying a drink. Two exhibitions at Rixheim included that print; three similar prints were included in the groundbreaking exhibition by wallpaper collector and manufacturer Félix Follot Papiers peints à l'exposition universelle internationales de 1900 à Paris. Three similar prints were shown at the Exposition notice 156 "Deux affiches illustrées imprimées chez Paulot et Carré 1828-1830 Bière Cidre" and notice 158 "Affiche illustrée 'Bonne double bierre'" 1828. The two scenes described here were issued interchangeably with a number of texts including "Bonne Double Bierre" "Petite Biere" "Biere Cidre" and "Eau de Vie de Cognac". Unevenly cut with wide margins; affixed to modern matte with two small cloth hinges; one small cloth repair to verso. Some rubbing to surface of print and a bit of color loss to the face of one character and general light creasing. Still near very good. Rare. Félix Follot. Papiers peints à l'exposition universelle internationales de 1900 à Paris. Saint-Cloud: Imp. Belin Frères 1900 no. 156 & 158 prints from the same series; Françoise Teynac Pierre Nolot Jean-Denis Vivien. Le Monde du Papier Peint. Paris Berger-Levrault 1981 page 137; Sotheby. Papiers peints anciens collection de la maison Follot catalogue de vente 7 et 8 février 1982. Monte-Carlo: Sotheby 1982 no. 12. Paulot & Carré hardcover
1828ref. 5945París France: Paulot & Carré 1828. Wallpaper broadside 45 x 51 cm. with seven-color woodcut black orange green blue white gray and brown. Printed on a brown paper coated with a pale blue pigment. The text states "Bonne double bierre" and the scene depicts four soldiers in uniform being waited on by a woman. She pours a seated soldier a drink while another stands with his hand draped around her shoulder. Two more soldiers share a smoke appearing to have had a few drinks already. Only the woman is clearly not enjoying herself. There are no identifying marks or labels on the broadside or on the matte but the stated publisher and date and the attribution to the printers Paulot & Carré are inferred by comparison with a print of the same series in the collection of the Museé du Papier Peint in Rexheim France. That print with the same text background color print colors and rough size depicts two women and a child seated under an arbor with a military officer enjoying a drink. Two exhibitions at Rixheim included that print; three similar prints were included in the groundbreaking exhibition by wallpaper collector and manufacturer Félix Follot Papiers peints à l'exposition universelle internationales de 1900 à Paris. Three similar prints were shown at the Exposition notice 156 "Deux affiches illustrées imprimées chez Paulot et Carré 1828-1830 Bière Cidre" and notice 158 "Affiche illustrée 'Bonne double bierre'" 1828. The two scenes described here were issued interchangeably with a number of texts including "Bonne Double Bierre" "Petite Biere" "Biere Cidre" and "Eau de Vie de Cognac". Unevenly cut with wide margins; affixed to modern matte with two small cloth hinges; one small cloth repair to verso. Some rubbing to surface of print and a bit of color loss to the face of one character and general light creasing. Still near very good. Rare. Félix Follot. Papiers peints à l'exposition universelle internationales de 1900 à Paris. Saint-Cloud: Imp. Belin Frères 1900 no. 156 & 158 prints from the same series; Françoise Teynac Pierre Nolot Jean-Denis Vivien. Le Monde du Papier Peint. Paris Berger-Levrault 1981 page 137; Sotheby. Papiers peints anciens collection de la maison Follot catalogue de vente 7 et 8 février 1982. Monte-Carlo: Sotheby 1982 no. 12. Paulot & Carré hardcover books
ref. 121523aafCuriae Raetorum (Coire), Impensis societatis typographicae, MDCCLXXI., 1771 - 1777, gr. in-8vo, (24.5 x 20 cm), Tomus primus - Curiae Raetorum impensis soc. typograph. MDCCLXXI. Titelbl. + 28 Blatt +261 S. / Tomi secundi pars prior: Curiae Raetorum Jacobi Otto MDCCLXXIV, Titelbl. + 4 + 338 S. / Tomus secundi pars secunda: J. Otto, MDCCLXXVI, S. 339 -668 + 8 Bl. (Index / Tomus secundus et ultimus : J. Otto, MDCCLXXVII. 658 S. + 10 Bl. (+ 2 Bl. leer). Original-Pappband. Rücken einf. Karton mit Papier-Titeletikette, Buchdeckel mit gemustertem Buntpapier d. Zeit.
ref. 79178Paul Dumas Paris ca. 1930. A fine set of two very large sheets 119 x 73 cm each with pochoir designs with flowers and birds for wallpaper or similar ornamental purposes. = A rare collection of very large original wall-paper artwork. The pochoir process involves the application of gouache or watercolour pigments through the medium of stencils by which many different colours could be applied layer after layer to a single print. The patterns show an interesting variety in colour based on the same design. This is an early work of the French firm of Paul Dumas operative from 1906 to 1978 renowned for its high-quality wallpaper and wallpaper design. The designs are reminiscent of the work of Paul Poiret who worked for Dumas. Poiret 1879-1944 "was a leading French fashion designer during the first two decades of the 20th century. His contributions to his field have been likened to Picasso's legacy in 20th-century art" Wikipedia. In all this forms an extraordinary collection of practical design in pattern and coloration. A few skilful repairs yet largely in its original state and in a very good condition especially given their size and age. The colouring vivid and bright it must be seen! unknown
ref. 69889Paul Dumas Paris ca. 1930. A fine set of three very large sheets 119 x 73 cm each with pochoir designs with flowers and birds for wallpaper or similar ornamental purposes. = A rare collection of very large original pochoir wallpaper artwork in Chinese style marked "P.D." Échantillons de papier peint. The pochoir process involves the application of gouache or watercolour pigments through the medium of stencils by which many different colours can be applied layer after layer to a single print. The patterns show an interesting variety in colour based on the same design. This is an early work of the French firm of Paul Dumas operative from 1906 to 1978 renowned for its high-quality wallpaper and wallpaper design. The designs are reminiscent of the work of Paul Poiret who worked for Dumas. Poiret 1879-1944 was a leading French fashion designer during the first two decades of the 20th century. His contributions to his field have been likened to Picasso's legacy in 20th-century art Wikipedia. In all this forms an extraordinary collection of practical design in pattern and coloration. A few small defects and skilful repairs yet largely in its original state and in a very good condition especially given the size and age. Yes this will look absolutely stunning above the couch. The colouring is vivid and bright: it must be seen! unknown
ref. 111533Paris, Ch. Massin, Editeur, sans date [circa 1920], 1 album in-folio de 320 x 450 mm environ, (1) f. blanc, page de titre, complet des 20 planches mises en couleurs au pochoir. Portefeuille demi-toilé à décor de fleurs, plat supérieur portant titre imprimé sur une étiquette. Mors usé avec déchirures, deux attaches endommagées, déchirure à la planche 7 sans atteinte au motif, brunissures et légers plis de consultations en marge des planches sinon couleurs éclatantes.
ref. 69794Paul Dumas Paris ca. 1930. A fine set of three very large sheets 119 x 73 cm each with pochoir designs with flowers and birds for wallpaper or similar ornamental purposes. = A rare collection of very large original wall-paper artwork. The pochoir process involves the application of gouache or watercolour pigments through the medium of stencils by which many different colours could be applied layer after layer to a single print. The patterns show an interesting variety in colour based on the same design. This is an early work of the French firm of Paul Dumas operative from 1906 to 1978 renowned for its high-quality wallpaper and wallpaper design. The designs are reminiscent of the work of Paul Poiret who worked for Dumas. Poiret 1879-1944 "was a leading French fashion designer during the first two decades of the 20th century. His contributions to his field have been likened to Picasso's legacy in 20th-century art" Wikipedia. In all this forms an extraordinary collection of practical design in pattern and coloration. A few skilful repairs yet largely in its original state and in a very good condition especially given the size and age. The colouring vivid and bright it must be seen! unknown