3544 resultados
1781ref. 1099761781 Un volume In-16 (9,5 x 16cm environ), reliure pleine peau, filets, et fleurons dorés au dos, tranche marbrées en couleurs, reprenant le motif des gardes - Cinq ouvrages reliés en un volume intitulé "Recueil II" à l'aide d'une pièce de titre au dos, répartis comme suit : (1) A Amsterdam; et se trouve à Paris, Chez Méquignon l'aîné, Librairie, rue des Cordeliers - M. DCC. LXXIX. 1779 - 46 pages - (2) A Berlin, et se trouve, à Paris, Chez l'Auteur , Barrière de Reuilly; Fauxbourg Saint-Antoine. Et Chez Belin, Librairie, rue Saint-Jacques - M DCC LXXIX. 1779 - 35 pages - (3) A Paris, Chez l'Auteur, rue Croix des Petits-Champs, Maison de M. Bourdet, Chirurgien-Dentiste du Roi. et Chez Blaizot, Librire du Roi, rue Satory, à Versailles - Avec Approbation et Permission - M. DCC. LXXXI. 1781- 139 pages - Cul-de-lampe - (4) A Amsterdam; et se trouve à Paris, Chez Bastien, Libraire, rue du Petit-Lion, Fauxbourg Saint-Germain - M. DCC. LXXIV. 1774 - 56 pages - (5) A Paris, Chez Saugrain, Libraire, Quai des Augustins, près de la rue Pavée - M. DCC. LXXXI. 1781 - 116 pages
1931ref. 64685Schenectady & Albany NY; Cleveland OH; Sales Promotion Division Electric Refrigeration Dept. General Electric Co. 1931-1932. Two vols. 1st -- Seven parts. in 1 vol. 4to. 174 19 leaves w/ hand-penciled numeration i.e. 384 pp. photo-illustrated text illustrations colour-illustrated diagrams throughout colour blueprints mimeographed & dittoed typescript price lists for a couple sections and divided by orange-coloured sheets w/ thumb tabs confiled to the rear most individual parts w/ self-printed illustrated softcovers or printed softcovers occasional thumbing edgewear & toning. Deep burgundy-brown flexible cloth post-binder 3 brass screw-posts at gutter margin rounded corners embossed gilt illustration on front cover of GE Refrigerator minor shelfwear rubbing still VG bright copy; 2nd - 8vo. 5.75 x 8 in. 2 75 7 pp. With numerous text illustrations colour diagram. Flexible textured dark-brown paper split-bin binder embossed gilt illustration of GE Refrigerator on front cover minor scuffing edgewear occasional soiling still VG copy. First editions thus of these exceedingly scarce General Electric sales catalogues containing price lists sales brochures sales information and technical instructions for salesmen to retail appliance department stores hardware stores and electrical utilities across America detailing to their potential customers the home and commercial refrigerator possibilities for better preserving foodstuffs and providing cool water and ice cream. General Electric during the opening years of the Great Depression launched themselves to the top of the fast expanding refrigeration and electrification movement as they transitioned to their Monitor Top refrigerator as well as introducing their “Thermocraft” insulation material which significantly reduced weight per cubic foot and allowed them to easily out-compete their main competitors including Westinghouse and Maytag. These Monitor-top refrigerator units were marketed widely with an ad campaign emphasizing the sanitary white enamel finish on steel that “simplifies housekeeping and safeguards health” for the family built as one air-tight units for both home and commercial uses operating relatively quitely and protecting the food inside from unwanted bacteria and decay. The name Monitor-Top derives from the refrigeration unit’s resemblance to the turret on the Civil War battleship the USS Monitor and would become the bestselling refrigerator over the next decade. The Salesman’s Handbook emphasizes how the interest on the money invested in an electric refrigerator is less than the average price paid by a consumer for ice deliveries for antiquated “Iceboxes” as well as emphasizing just how much food can be stored in them ice made inside the units and how invaluable they are for keeping healthy milk and dairy products at the proper temperatures. No similar salesman’s catalogues or individual brochures located in Worldcat; See: Andrew Shanken Better Living: Toward a Cultural History of a Business Slogan Enterprise and Society Advance Access 2006 pp. 17-30; GE Monitor-Top Refrigerator The Capital Region in 50 Objects Albany Institute of History & Art 2025; Large Appliances: Innovating the Kitchen Google Arts & Culture Celebrating 1s! 2026. Sales Promotion Division, Electric Refrigeration Dept., General Electric Co., paperback
1916ref. 61117Mount Pleasant Westmoreland County PA: Bryce Brothers Company 1916. Oblong folio. 19 x 12.25 in. 6 389 1 pp. Illustrated in sepia & black throughout. Brown-cloth-backed decorated tan softcovers decorative borders brown lettering minor creasing & thumbing at corners very minor edgewear rubbing still a VG bright copy. First edition of this famed glassware catalogue which represented the height of the noted Pittsburgh area glass manufacturing firm just a couple years prior to Prohibition which after repeal of Prohibition it would later be augmented twice in the 1936 & 1938 in smaller format with supplements. This catalogue filled with 100’s of full-size illustrations offers essential reference for cocktail glassware and stemware including Whiskey Tumblers Cut glass Whiskey Tumblers Wine glasses for Burgundy Rhine Port & Champagnes Toddy tumblers over 20 pp. devoted entirely to cocktail classes and a substantial array of beer glasses. Included as well are fancy cut glassware monogrammed glassware specialized items such as Oyster Cocktails Oyster Glasses Decanters Ice Cream Dishes Fruit Salad Dishes Hat Pin Holders Horse Radish glasses and so much more. The company was originally founded by James S. Bryce together with his brothers Frederick & James McKee Bryce in 1850 succeded by his son James S. Bryce Jr. becoming one of the most significant glass manufacturers in the United States. The company’s clients included Curtiss-Wright Corporation the Hotel San Diego Wesley Memorial Hospital the Top of the Needle Restaurant and hotels country clubs social clubs and restaurants across the country. In 1965 Lenox Inc. acquired the Bryce Brothers Co. to manufacture and market glassware with their china market creating the Lenox Crystal booklet and high-end glassware. Worldcat locates 6 physical copies Rakow Lib. Winterthur McKinley Mem. Lib. Carnegie Lib. Heinz Hist. Center US Patent Office. Bryce Brothers Company, paperback
ref. 179843Japan: mid-20th century. A collection of five maekake bearing the logos of famous companies including Asahi and Kikkoman. Alongside beer and soy sauce these aprons advertise Mitsuuroko's line of coke and coal briquettes the chicken served at an izakaya called Yamauchi Nojo and the shuroku brand of sake from the Otsuka brewery closed in 2011. These aprons would have been worn either by workers at the restaurants and breweries themselves or at other locations that served those products. Similar apron designs are worn by restaurant workers to this day. Five machine-woven cotton aprons in various colours 580 x 460 mm to 710 x 460 mm. Company logos to each; text in Japanese. Top edges with red orange and white striped cotton waist ties 1935 to 2540 mm bottom edges with tassels lettered and decorated in white 2 with metal 2 two with open pockets. Some soiling fraying and sunning consistent with use a few minor holes: a very good collection. unknown
First English edition, 12mo (194 x 110mm) xx, [4], 164, [2, explanation of the plate]pp., with half-title, engraved folding plate depicting instruments for corking bottles (lightly spotted), orig. boards, corners rubbed, later printed title label to spine, uncut. The first English edition, the French edition being published a year earlier, of the first book to deal with canned foods. Appert, a Parisian confectioner and manufacturer of cordials, invented the process for the conservation of food by heat in hermetically sealed containers?an invention which was to revolutionise catering technique up to the present day. Includes canning instructions for meat, vegetables and fruits. Bitting, p. 14; Oxford, p. 141; Simon, 135; Cagle, 545.
ref. 108955Paris, Armand Magnier Editeur, Collection des Dix, 1897, 1 volume in-4 de 285x205 mm environ, luxueuse reliure plein maroquin bleu marine, dos à 5 nerfs portant titres dorés, double filet doré sur les coupes, contreplats de maroquin encadré d'une frise mosaïquée à fleurs, double garde en papier marbrée et soie à motifs, reliure signée Marius Michel, sous étui recouvert de papier marbré bordé en maroquin assorti, tranches dorées, couvertures et dos conservés. Exemplaire N°8, un de 12 exemplaires sur papier des Manufactures impériales du Japon avec une quadruple suite des 47 compositions de Louis Edouard Founier, gravées à l'eau-forte par Léon Boisson, d'un tirage limité à 300 exemplaires. Reproduction en fac-similé du manuscrit de l'auteur et d'une page de musique de JM Massenet. Dos légèrement insolé avec frottements sur les nerfs, étui frotté avec début de fente sur l'ouverture, mouillure sur les gardes de soie.
1900ref. 118687A. romagnol, dix 1900 art déco, aussourd Paris, Librairie de la Collection des dix, A. Romagnol, 1900, 1 volume in-4 de 170x275 mm environ, frontispice, (2) ff. (faux-titres), page de titre, 240 pages, (1) f. Exemplaire sur papier Japon, complet du frontispice et des 7 hors-texte. Il manque la page de justification du tirage et notre exemplaire ne contient pas les trois états des illustrations normalement présent dans les 20 exemplaires sur papier Japon. Élégante reliure au dos mosaïqué, d'inspiration Art déco, signée par René Aussourd. Demi-maroquin à coins orangé dans son étui bordé assorti, dos à quatre nerfs portant titres dorés, caissons de tête et de queue ornés d'un scarabée noir et vert, papyrus stylisés dans les tons crème et vert dans une composition au centre du dos, fers floraux dorés, tranche de tête dorée, gardes marbrées. Un petit frottement sur une aile de scarabée, sinon très bel exemplaire, bon état.
Third edition, 8vo (197 x 125 mm), [6], 89, [3], 93-150, [2]pp., engraved frontispiece of the distilling room showing the apparatus, occasional minor staining, cont. full calf, old reback. The standard eighteenth-century manual of distillation first published in 1725, dealing with general theory and practice, and the production of distilled cordials. Gabler, pp. 263-4; Maclean, pp. 135-6; Cagle, 998 (first edition of 1725).
1908ref. 63514Préface par Voltaire - Notice de M. de Lescure, Nouvelle édition illustrée par Lionel Péraux, gravures au burin et à l'eau-forte par Léon Boisson, Un des 150 exemplaires de grand choix sur papier du Japon et vélin du Marais (exemplaire 137 sur papier du Japon contenant 2 états des illustrations), 1 vol. in-8 reliure plein maroquin turquoise, dos à 5 nerfs, tête dorée, double filet doré sur coupes, chasses richement ornées, couvertures et dos conservés, date en queue, reliure signée de Champs Stroobants, L. Carteret, Ancienne Librairie L. Conquet, Paris, 1908, XXXX-264 pp. avec frontispice, 4 planches hors-texte, 4 en-têtes et 4 culs-de-lampe, tous en 2 états (pour le frontispice : avec la lettre et avant la lettre avec remarque, et pour les autres : avant la lettre et avec remarques)
2016ref. __1783476052Edward Elgar Pub 2016. Hardcover. New. 1344 pages. 9.75x6.75x3.00 inches. Edward Elgar Pub hardcover
1940ref. 53482Kingston upon Hull UK: Needler Ltd. ca. 1940. Oblong folio. 13.5 x 10.25 in. 14 leaves unnumbered. with 14 hand-coloured silver gelatin photographs sized 10 x 11.75 in. mounted on thick card stock leaves hinged with black cloth printed sales information on facing leaves each photo w/ War Restrictions Notice printed in upper fore-edge and supplementary product information in negative below each product. Original black pebbled cloth spine stiffened w/ wood spacers covered in black cloth minor bowing to leaves very minor wear to corners front outer hinge just starting still a VG copy w/ pencil date of 1940 on front pastedown. First edition of this scarce and exceptional photographic sample catalogue filled with the styles of Needler chocolate box assortment and chocolate packaging in the first years of World War II. Initially chocolates had been packed as unwrapped bars in the Victorian era with paper labels displayed on the counter. Later gold printing and metal foils repeated the luxury message of chocolate. Inspired by the innovations of Cadbury the designs for many British fancy chocolate boxes were prized by the British as special gifts to be used as trinket or button boxes and even cut out and saved in scrapbooks. The chocolate boxes in this catalogue include mixed assortments in faux 3-drawer cabinets decorated with fancy ribbons chromolithograph and colour-printed covers featuring historic scenes pets flowersArt Deco designs gold foil and more. Of special interest are the wonderful Needler’s figurine bowls and boxes featuring porcelain figurines dressed in silk fabrics atop bowls or boxes as well as a splendid pair of porcelain bookends “Sweet & Twenty” to hold up the customer’s chocolate boxes. Needler’s began as Fred Needler Ltd. in 1902 when established in Hull by Fred Needler 1865-1932 who began as a confectioner’s assistant in the 1880s. The company was a pioneer in fair treatment of his workforce incorporated profit-sharing for the staff from the beginning and covered sick pay retirement benefits and even established holiday homes in British seaside resort towns. By 1940 the company was one of the largest businesses in Hull with over 2000 employees. The company continued to operate until acquired through multiple buyouts by several different corporations until the label was acquired by Ashbury Confectionary and the factory was closed in Hull in 2002. No copies located in Worldcat; See: Chocs away: Needler of Hull History of Needlers Confectionary Let’s Look Again: A History of Branded Britain 2015. Needler Ltd., hardcover
ref. 64988aafLugduni Batavorum (Leiden), apud Gerardum Potvliet, 1733, in-8vo, 8 Bll., Titelbl. in Rot u. Schwarz + 481 SS. + 13 SS. (Index) + 6 (5 mehrf. gefalt.) Kupfertaf., auf etwas gutem Papier gedruckt, marmor. Lederband mit Rverg. u. Rsch., vord. Spiegel teils hs. bezeichnet, beide mit Wurmspuren, Rücken stärker betroffen, Fehlstellen an den Kapitalen, Rotschnitt. Hübsches Exemplar.
ref. 267136London: Thomas Worlidge n.d. ca mid-18th century. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 1 vols. 7-9/16 x 5-3/4 in. A strong impression laid down light creases from prior folding small pin hole near engraved caption. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 1 vols. 7-9/16 x 5-3/4 in. Scarce trade card of James Ashley proprietor of the London Coffee House and Punch-House 1731-1776 who was "London's leading purveyor of Punch in the eighteenth century" Wondrich Punch p. 65 and "the world's first celebrity mixologist the first man to become famous for compounding and selling a mixed drink" ibid p. 172. Ashley a former cheese merchant opened his Punch-House in 1731 in Ludgatehill London. Extensive advertising in London papers as well as the distinct ornate pedestals surmounted by iron punch bowls which flanked its entrance made the London Punch-House one of the most well-known drinking establishments in the city. Clientele included Hogarth Boswell Oliver Goldsmith and Benjamin Franklin. A large sign outside of the Punch-House echoes the caption on this trade card "Pro bono publico. James Ashley in 1731 first reduced the price of punch raised its reputation and brought it into universal esteem." Ashley did indeed reduce the price of punch - from 8 shillings for punch made from a quart of arrack to 6 shillings - but his great innovation was to offer punch in smaller portions in servings as small as two ounces. These small servings made to order for the customer were the precursor to the modern cocktail. This trade card is engraved by Ashley's friend Thomas Worlidge 1700-1766 dubbed "the English Rembrandt" who also engraved portraits of Ashley's wife and one Mrs. Graywood the bar-keep at the London Punch-House. Not in ESTC Thomas Worlidge unknown
ref. 267136London: Thomas Worlidge n.d. ca mid-18th century. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 1 vols. 7-9/16 x 5-3/4 in. A strong impression laid down light creases from prior folding small pin hole near engraved caption. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 1 vols. 7-9/16 x 5-3/4 in. Scarce trade card of James Ashley proprietor of the London Coffee House and Punch-House 1731-1776 who was "London's leading purveyor of Punch in the eighteenth century" Wondrich Punch p. 65 and "the world's first celebrity mixologist the first man to become famous for compounding and selling a mixed drink" ibid p. 172. Ashley a former cheese merchant opened his Punch-House in 1731 in Ludgatehill London. Extensive advertising in London papers as well as the distinct ornate pedestals surmounted by iron punch bowls which flanked its entrance made the London Punch-House one of the most well-known drinking establishments in the city. Clientele included Hogarth Boswell Oliver Goldsmith and Benjamin Franklin. A large sign outside of the Punch-House echoes the caption on this trade card "Pro bono publico. James Ashley in 1731 first reduced the price of punch raised its reputation and brought it into universal esteem." Ashley did indeed reduce the price of punch - from 8 shillings for punch made from a quart of arrack to 6 shillings - but his great innovation was to offer punch in smaller portions in servings as small as two ounces. These small servings made to order for the customer were the precursor to the modern cocktail. This trade card is engraved by Ashley's friend Thomas Worlidge 1700-1766 dubbed "the English Rembrandt" who also engraved portraits of Ashley's wife and one Mrs. Graywood the bar-keep at the London Punch-House. Not in ESTC Thomas Worlidge unknown books
New edition, [2], ii, 3, [1], xxiii, [1], 271, [1], 46pp., 'On distilling in general' has separate pagination, handsomely bound in half calf by Trevor Lloyd of Ludlow, marbled boards, five raised bands to spine with red morocco title label and tooled in gilt, a very nice copy. It was not until the publication of this new edition that the "Ingenious Foreigner", responsible for the 1770 and 1771 editions, revealed himself as "Mr. Borella, now head confectioner to the Spanish Ambassador in England." All three edition are rare with ESTC recording 7 copies of the first 1770 edition, 1 of the second edition of 1771, and 8 copies of this new and last edition. Maclean, pp. 10-11; Oxford, p. 102; Bitting, p. 49-50; Simon, 227; Cagle, 572.
ref. 20889Francoforti ad Moenum, héritier de Christian Egenolff, Coloniae, Konrad Bütgen, 1582 - 1611. In-12 de 208 [et] [16]-189 pages, plein veau marbré marron, dos lisse orné de filets et fleurons dorés, pièce de titre en maroquin rouge, roulette dorée sur les coupes, tranches rouges.
1891In-8 gr. (mm. 259x185), 2 volumi, preziosa legatura in pieno marocchino blu realizzata dal celebre rilegatore parigino Emile Mercier (al risguardo è impresso “Mercier S.r de Cuzin”), sottili cornici dorate e delicate decoraz. di foglie ai piatti, dorso a cordoni con decoraz. e titolo oro; ricche dentelles dorate ai risguardi marmorizzati, tagli dorati, conservate le brossure orig., pp. (4),XXVIII,176; (4),387 (numeraz. continua),(4). Magnifica edizione illustrata da 36 “compositions” di C. Delort, “gravés au burin et a l’eau-forte” da L. Boisson: 1 vignetta ai 2 frontesp., 1 ritratto della “Duchesse du Maine” sulle 2 bross. anter., il ritratto di Madame de Staal, 1 tavola f.t. (alla fine del 2° volume), 15 testatine e 15 culs-de-lampe. Cfr. Carteret,IV, p. 366: “Très belle pubblication très cotée, à rechercher sur japon ou vélin avec les états. C’est à la suite du succés et du prix d’honneur décerné (par un concours) aux "Mémoires du comte de Grammont", que l’éditeur confia cette nouvelle publication aux memes artistes” - Benezit,IV, p. 417: “Charles Delort (1841-1895), célèbre artiste: peintre d’histoire, sujets typiques, aquarelliste, dessinateur, illustrateur. ” - Benezit,II, p. 479: “Léon Boisson (1854-1941), graveur, obtint le Grand Prix de Rome de Gravure en 1876”. Cfr. Alastair Duncan “Art Nouveau and Art Deco bookbinding. The French masterpieces”, p. 194: “Emile-Philippe Mercier (1855-1910), bookbinder and gilder, in 1869 was apprenticed to Charles Magnier père, under whom, and with the tutelage of the master gilder, Francisque Cuzin, he developed into the foremost gilder of his time. By 1890, when he succeeded Cuzin, his studio on the rue Séguier was producing a wide range of bindings which, though classical in inspiration, could not be juged merely as copies of past works..” - Devauchelle “La reliure en France”,III, p. 65-67. “Edition de grand luxe, imprimé par Georges Chamerot, en caractères elzéviriens”, in tiratura di 600 esemplari numerati. Il ns., “imprimé pour M. Le Comte de l’Aigle”, fa parte di una tiratura di 30 “sur Japon ou sur papier vélin, avec trois états des planches (eau-forte pure, avant la lettre et avec la lettre)”. Esemplare in perfetto stato, con bell’ex-libris nobiliare.
ref. 267079London: Thomas Worlidge mid-18th century. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 7-9/16 x 5-3/4 in. A strong impression with very slight rubbing and discoloration. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 7-9/16 x 5-3/4 in. Scarce trade card of James Ashley proprietor of the London Coffee House and Punch-House 1731-1776 who was "London's leading purveyor of Punch in the eighteenth century" Wondrich Punch p. 65 and "the world's first celebrity mixologist the first man to become famous for compounding and selling a mixed drink" ibid p. 172. Ashley a former cheese merchant opened his Punch-House in 1731 in Ludgatehill London. Extensive advertising in London papers as well as the distinct ornate pedestals surmounted by iron punch bowls which flanked its entrance made the London Punch-House one of the most well-known drinking establishments in the city. Clientele included Hogarth Boswell Oliver Goldsmith and Benjamin Franklin. A large sign outside of the Punch-House echoes the caption on this trade card "Pro bono publico. James Ashley in 1731 first reduced the price of punch raised its reputation and brought it into universal esteem." Ashley did indeed reduce the price of punch - from 8 shillings for punch made from a quart of arrack to 6 shillings - but his great innovation was to offer punch in smaller portions in servings as small as two ounces. These small servings made to order for the customer were the precursor to the modern cocktail. This trade card is engraved by Ashley's friend Thomas Worlidge 1700-1766 dubbed "the English Rembrandt" who also engraved portraits of Ashley's wife and one Mrs. Graywood the bar-keep at the London Punch-House. Not in ESTC Thomas Worlidge unknown
ref. 267079London: Thomas Worlidge mid-18th century. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 7-9/16 x 5-3/4 in. A strong impression with very slight rubbing and discoloration. Engraved portrait of James Ashley in cartouche flanked by ornate pedestals supporting two punch bowls with engraved caption as above by Thomas Worlidge. 7-9/16 x 5-3/4 in. Scarce trade card of James Ashley proprietor of the London Coffee House and Punch-House 1731-1776 who was "London's leading purveyor of Punch in the eighteenth century" Wondrich Punch p. 65 and "the world's first celebrity mixologist the first man to become famous for compounding and selling a mixed drink" ibid p. 172. Ashley a former cheese merchant opened his Punch-House in 1731 in Ludgatehill London. Extensive advertising in London papers as well as the distinct ornate pedestals surmounted by iron punch bowls which flanked its entrance made the London Punch-House one of the most well-known drinking establishments in the city. Clientele included Hogarth Boswell Oliver Goldsmith and Benjamin Franklin. A large sign outside of the Punch-House echoes the caption on this trade card "Pro bono publico. James Ashley in 1731 first reduced the price of punch raised its reputation and brought it into universal esteem." Ashley did indeed reduce the price of punch - from 8 shillings for punch made from a quart of arrack to 6 shillings - but his great innovation was to offer punch in smaller portions in servings as small as two ounces. These small servings made to order for the customer were the precursor to the modern cocktail. This trade card is engraved by Ashley's friend Thomas Worlidge 1700-1766 dubbed "the English Rembrandt" who also engraved portraits of Ashley's wife and one Mrs. Graywood the bar-keep at the London Punch-House. Not in ESTC Thomas Worlidge unknown books