AnonimoMareMagnum
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1790Priorato di Lindisfarne Priory Rovine Disegno originale acquerellato mm. 18,5 x 25,8 Priorato di Lindisfarne Priory Rovine Disegno originale acquerellato mm. 18,5 x 25,8 Autore: Anonimo Titolo: Priory Anno e luogo: Fine XVIII secolo Londra? Tecnica: Disegno, Acquarello su carta Misure: cm. 18,5 x 25,8 Acquerello su carta incollata su cartoncino, che raffigura l'abbazia di Lindisfarne Priory. Rovine di Prioria Lindisfarne di Santo Isola, Northumbria, Inghilterra In discrete condizioni alcuni piccoli strappetti ai margini, sul retro lungo i margini tracce di colla, firma a matita non leggibile e forse una data 1796.
réf. 1218Tirage argentique collé sur carton, signé et daté 8-35 (28/29 cm). État correct.
1918réf. 16786BBBerlin / Wien, Löwit Verlag, 1918. gr.8°, 588 S., zeitgenössischer original Halbleinen-Einband des Verlags (Hardcover) mit schwarzer Rückenbeschriftung und schwarzer Deckelillustration, Kopfbuntschnitt, original Ausgabe Vorderdeckel geringfügig angelockert, das Leinen längs der vorderen Rückenkante stellenweise angeplatzt, das Papier ein wenig nachgedunkelt, sonst ein gutes, sauberes, vollständiges Exemplar - mit interessantem Exlibris von Jakob Salomon Flörsheim auf vor
1920réf. 16785BBBerlin / Wien, Jüdischer Verlag, 1920. gr.8°, 748 S., zeitgenössischer original Halbleinen-Einband des Verlags (Hardcover) mit schwarzer Rückenbeschriftung und schwarzer Deckelillustration, Kopfbuntschnitt, original Ausgabe ein Blatt, und zwar das Inhaltsverzeichnis, liegt lose bei, das Papier ein wenig nachgedunkelt, sonst ein gutes, sauberes, vollständiges Exemplar - mit interessantem Exlibris von Jakob Salomon Flörsheim auf vorderem Innendeckel.
1923réf. 16784BBBerlin / Wien, Jüdischer Verlag, 1923. gr.8°, 736 S., zeitgenössischer original Halbleinen-Einband des Verlags (Hardcover) mit schwarzer Rückenbeschriftung und schwarzer Deckelillustration, original Ausgabe Leinenbezug am Rücken oben etwas angeplatzt/bestossen, Papier ein wenig nachgedunkelt, sonst ein gutes, sauberes, vollständiges Exemplar - mit interessantem Exlibris von Jakob Salomon Flörsheim auf vorderem Innendeckel.
réf. 9742Format: 24 x 17,8 cm (HxB). wohl 1976. Rückseitig mit dem Atelierstempel der Fotografin.
950Modelli in lamiera con motore a carica. (manca la chiavetta di carica), ma molto belle e ben conservate e abbastanza rare. La Markes & Co, meglio conosciuta come Dux, tra il 1932 e il 1960 costruiva modelli in Kit da assemblare. Nel 1964 cessò l'attività.
1983réf. 15114BBStockerau in Österreich, Eigenverlag, 1983. Folio, die Grafiken heißen 'Morgen', 'Mittag', 'Nachmittag', 'Abend', 'Nacht', und setzen entsprechend jeweils einen Baum in Szene, zwischengelegt sind fünf schlichte hellblaue bedruckte Titelblätter, obenauf liegt ein Impressums-/Titelei-Blatt, auf dem Boden ist ein Hebe-Bändchen einmontiert, um knickfreies Herausnehmen der Blätter zu gewährleisten, original Schachtel mit einmontierter weiterer original Radierung im Vorderdeckel und blindgeprägter Deckelbeschriftung, nummerierte Auflage: 22 Stück, (hier Nr. 19 von 2 die Schachtel stellenweise mit winzigen Fleckchen und stellenweise ein wenig aufgehellt sowie an einer Ecke der 'Aufbewahrungsbox innen angeplatzt, die Radierungen alesamt in sehr gutem Zustand.
réf. 9702DBo.J. 9702D Geringe Aussilberung, minimale Gebrauchspuren, guter Erhaltungszustand.
réf. 9701DBo.J. 9701D
réf. 9704DBo.J. 9704D Geringe Aussilberung, minimale Gebrauchspuren, guter Erhaltungszustand.
1900réf. 50773ABLustenau, Josef Nipp, [um 1900]. 8°quer (14x23), 10 Bl., 10 vintage Original Silber-Fotografien ca 13 x 8 cm einseitig montiert auf dünnen Karton mit Schmuckrahmen, OKart (Brosch) mit TitelPrägung in weisser Jugendstil-Kursive, rückseitig goldener Werbeaufdruck 'Würtschaft Gütle' von Josef Zumtobel, Fernruf No. 55 Dornbirn ...' [5 Warenabbildungen] etwas angestaubt/lichtverfärbt, 3 Fotografien im Randbereich mit Fraßspuren, die dunkleren Bereiche der Fotografien teils mit Aussalzungen (Spiegelungen), interessantes Zeitobjekt,
1920réf. 25352E1920s. Original collection of 46 1920’s vintage color postcards of film actors’ homes and movie studios in Hollywood Los Angeles and Beverly Hills. Included are the impressive homes of Harold Lloyd Buster Keaton Kin Vidor Colleen Moore Mary Pickford and Douglas Fairbanks ‘Pickfair’ John Gilbert Jack Dempsey Sessue Hayakawa William S. Hart Tom Mix Rudolph Valentino Will Rogers Nazimova to name a few. With the film studios of Goldwyn Warner Bros. Metro Famous Players Lasky and more. Each postcard is in a clear plastic sleeve within a large photo album. A lovely way to connect to the Golden Age of Hollywood and the lives of those in the film industry at the time. unknown
1930Very Good Turkish, Ottoman (1500-1928) Original vintage product catalogue, black cloth bdg. Oblong: (14.5 x 23 cm). [14] b/w vintage photographs of 1930s' Turkish buggies. Each photo's size: 12 x 16 cm. The name of the models: Kadillak, Lüks, Lüks pusetli, Kabartma pusetli, Yüksek kabartma, Yüksek, Pusetli, Içten açilir pusetli, Alimiyon tekerlekli, Kapitone körüklü puset, Kapitone puset, Puset, Portetif puset, Portetif puset. Extremely rare catalogue of "Bahar" brand of Turkish buggies including 14 vintage photos. Not located in OCLC.
1934Very Good Turkish Original b/w photograph in its special cardboard. Signed and inscribed in Mersin, February, 23, 1934 as 'Kenan Bey kardesime: Miralay Sadik.'. No photograph studio's emblem. 24 x 21 cm. Miralay Sadik Bey, (Miralay or Mîr-i alay (Gendarmerie: Alaybeyi ) was a military rank of the Ottoman army and navy. It corresponds to a Colonel (modern Turkish: Albay). Miralay is a compound word composed of Mir (commander) and Alay (regiment). The rank was junior to the Mirliva and superior to the Kaymakam (Lieutenant Colonel).), (1860-1941), an Ottoman soldier and politician. He graduated from Mekteb-i Harbiye (Militarian Academy) in 1882. He went for duty to Trablusgarb (Libya), Syria, and Macedonia. He was in Manastir City, joined to Jalvatiyya order, and then joined to Ittihad ve Terakki Party (Committee Union and Progress) in secret (1906). He was the leader of Hâlaskâr Zâbitân (Saviour officers -Ottoman Turkish: Halâskâr Zâbitân-) was the name of a secret organization during the dissolution era of the Ottoman Empire), during the Bab-i Âlî raid in 1912, but it was failed. After a fail assassination of Mahmoud Chevket Pasha (Mahmud Sevket Pasa), he escaped to Paris, after that Egypt on the eve of the Balkan Wars (1912-1913). He was in adjacent relation to the British always. He returned to the country (25 April 1919) after Armistice (30 October 1918), and was elected to Heyet-i Ayan. And was elected to Hürriyet ve Itilâf Party -Committee Freedom and Entente- in 1920. He captured the management of the British Friendship Society in 1921. He was a dissident to Ankara Government during the Turkish National Struggle, but after the achievement of Ankara Government, he went to Romania with an English ship. Therefore he was got into '150 personae non-gratae of Turkey'. After the Turkish War of Independence (1919-1923), the newly established Republic of Turkey presented a list of 600 names to the Conference of Lausanne, which were to be declared personae non-gratae. Later, a list comprising only 150 of these, put into effect by the Grand National Assembly of Turkey on April 23, 1924 (revised on June 1, 1924), was included in the Treaty of Lausanne. The list (known as Yüzellilikler in Turkish, literally, Hundredandfiftyers), which is a who's who of the Ottoman Empire, had the purpose of eliminating the ruling elite of Ottomans from the Republic. The list is famous as it became the center of discussions of the nature of the new Republic: mainly, whether the Republic was to remain a continuation of the old Empire or not. The list has served as proof that the administration and ideologists of the Empire were not transferred to the Republic. The formation of this list is also related to studies analyzing the jurisdictional conflict between the Grand National Assembly of Turkey and the Ottoman Empire. These powers were fighting each other for their existence, as they were both active (using diplomatic and military means) until the Conference of Lausanne On June 28, 1938, the law restricting the entry of these people into Turkey was lifted, with the return of only a few on the list. In very good+ condition.
1916réf. 148831916. Original gelatin silver print dated March 20 1916 documenting Seventh Avenue between 40th and 41st Streets in Manhattan during the transition from horse-drawn and streetcar transportation to increasingly common automobile traffic. The image records the Hermitage Hotel the Broadway Theatre associated with Paramount Pictures surrounding commercial buildings and the condition of the street surface placing architectural and transportation history within a precisely identified municipal streetscape. Gelatin silver print black and white measuring 7.5 x 9.5 inches. The date "3-20-1916" appears along the bottom edge. A vintage tag identifies the location and camera position: "Location - 7th Ave 40-41Sts. Camera at Sta 27602 15' W of center line. View - Facing north showing condition of street surface." Automobiles and streetcars occupy the roadway while the Hermitage Hotel and Broadway Theatre provide fixed architectural reference points for the view. The combination of exact location data camera station direction of view and stated purpose indicates that the photograph was made as a survey record of street conditions rather than as a general city view. Its detailed documentation of roadway use commercial architecture and transit traffic provides a dated record of Midtown Manhattan in 1916. Very minor chipping to the edges; overall very good condition. unknown
1916réf. 148831916. Original gelatin silver print dated March 20 1916 documenting Seventh Avenue between 40th and 41st Streets in Manhattan during the transition from horse-drawn and streetcar transportation to increasingly common automobile traffic. The image records the Hermitage Hotel the Broadway Theatre associated with Paramount Pictures surrounding commercial buildings and the condition of the street surface placing architectural and transportation history within a precisely identified municipal streetscape. Gelatin silver print black and white measuring 7.5 x 9.5 inches. The date "3-20-1916" appears along the bottom edge. A vintage tag identifies the location and camera position: "Location - 7th Ave 40-41Sts. Camera at Sta 27602 15' W of center line. View - Facing north showing condition of street surface." Automobiles and streetcars occupy the roadway while the Hermitage Hotel and Broadway Theatre provide fixed architectural reference points for the view. The combination of exact location data camera station direction of view and stated purpose indicates that the photograph was made as a survey record of street conditions rather than as a general city view. Its detailed documentation of roadway use commercial architecture and transit traffic provides a dated record of Midtown Manhattan in 1916. Very minor chipping to the edges; overall very good condition. unknown books
1983réf. 41821983 en feuilles 30,5 x 24 cm marges comprises. Sujet : 25,5 x 20 cm. Tirage gélatino-argentique d'époque (mars 1983), justifié au dos épreuve d'artiste, légendé, daté et signé par l'artiste.
1948réf. 23151CBHeidelberg, Lambert Schneider (= Schriften der Wandlung, Band 3, hrsg. von Dolf Sternberger), 1948. 8°, 149 S., original Halbleinen-Einband (Hardcover) mit Leinenecken, Erstausgabe (1.-4. Tsd.) Kopf- und Fußschnitt mit Stempelvermerk der Freien Waldorfschule in Frankfurt, Vorsatzseite zur Bindung hin unten links mit ca. 2.5cm Anriss, Schnitt und Seitenränder leicht nachgedunkelt, sonst altersgemäß gutes, sauberes Exemplar.
1968réf. 551EBDüsseldorf., 1968. 39 x 29,5 cm., 551E Sehr gutes Exemplar.
1989réf. 67358ABHamburg., Giffelkunst-Vereinigung., 1989. 1 Blatt., 67358AB Sehr gutes Exemplar.
réf. 63056ABo.J. 63056AB Der Untergrundkarton nachgedunkelt, der Abzug mit geringen Narben und dezenten Kratzspuren in der Bildfläche, Foto vom Fotografen auf Fotokarton aufgezogen. Sonst wohl erhalten.
réf. 63055ABo.J. 63055AB Der Untergrundkarton nachgedunkelt, der Abzug mit geringen Narben und dezenten Kratzspuren in der Bildfläche, Foto vom Fotografen auf Fotokarton aufgezogen. Sonst wohl erhalten.
réf. 284823unbound. very good. Excellent grouping of thirteen signatures in various formats with some duplication encompassing famous stage performers of the 19th and early 20th century including: John Drew Jr. - signed card dated 1901; James O'Neill - signed sheet; Edward Loomis Davenport - signature mounted to a card; Ada Rehan - signature across a notel Mary Francis Scott-Siddons - signature dated Nov. 30 1874; W.H. Crane - signed card; Helena Modjeska - gorgeous salutation and signature dated Oct. 15 1878 New York; Fanny Davenport - 3 two cut signatures and an A.N.S. on a card May 1 1899; Otis Skinner - signature on a panel dated 1916; Scott Siddon - "with his complements."; William Powell the elder - signed card. All items are in very good condition. unknown
réf. 284823unbound. very good. Excellent grouping of thirteen signatures in various formats with some duplication encompassing famous stage performers of the 19th and early 20th century including: John Drew Jr. - signed card dated 1901; James O'Neill - signed sheet; Edward Loomis Davenport - signature mounted to a card; Ada Rehan - signature across a notel Mary Francis Scott-Siddons - signature dated Nov. 30 1874; W.H. Crane - signed card; Helena Modjeska - gorgeous salutation and signature dated Oct. 15 1878 New York; Fanny Davenport - 3 two cut signatures and an A.N.S. on a card May 1 1899; Otis Skinner - signature on a panel dated 1916; Scott Siddon - "with his complements."; William Powell the elder - signed card. All items are in very good condition. unknown books
