MareMagnum
5053 risultati
(Codice ZZ/0697) Lunghezza 19 cm. Carica a pulsante. Nuova, completa del foglietto istruzione per l'uso e astuccio. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0719) Flacone vintage in vetro con tappo a vite, conserva all'interno tracce di inchiostro nero. Buono stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0723) Portachiavi in metallo e smalti, lo smalto rosso un po' consumato. Dimensioni dell'ovale mm 33x30. Lunghezza totale cm 9,5 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0724) Stile liberty: una corona di lauro con nastro, tra due linee parallele e piccolo riquadro geometrico. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0725) Originale anni '60, diametro mm 20 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0726) Diametro mm 20. Al retro si legge "S.Johnson Milano" ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0729) Vera fotografia di una coppia fine '800 (mm 105x76 circa) anticamente applicata su un supporto in cartone e inserita in un pass originale con finestra bordata in oro. Cornice originale in legno lavorato e dipinto in nero e oro, con vetro. Anellino per appenderla. Ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice ZZ/0578) Antico e curioso ex voto per grazia ricevuta, in lamina metallica argentata. Qualche ammaccatura e traccia di ossidazione ma integro e in ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1956Opera ben conservata normali segni del tempo
1962Opera ben conservata. Pagine 47 e 48 sottolineate, per il resto buona copia. Dorso in tela
1945Bel libro di fine guerra sul gioco del poker. Opera con normali segni d'uso e di lettura ma ben conservata
1954Opera ben conservata con normali segni di lettura
9X15 oblungo, br. ed., 9 cartoline in n., ordinari segni del tempo, buono.Luogo di pubblicazione RavennaEditore Agenzia Eccles D.A. De StefaniMateria/Argomento Cartoline, Vintage, Ravenna
1975In 4', leg. ed. tit. in oro al dorso, privo di sovrac., pp. 224, ill. in n. e col. n.t., lievi segni d'uso alla cop., interno in buono stato, ex libris al contropiatto ant.
1900Eduardo Alfieri L'arte di far milioni. , Società Editrice Partenopea 1900, Condizioni mediocri: copertina rigida con segni di usura, dorso con segni di usura, tagli sprochi, pagine brunite, alcune sono staccate, appunti a penna presenti nel libro Mediocre (Poor) . 146
2002Opera ben conservata trascurabili segni di lettura
1966Opera ben conservata normali segni di lettura
1967Opera ben conservata normali segni di lettura
1967Due volumi ben conservati
1983Fine Arabic Paperback. Roy. 8vo. (24 x 17 cm). In Arabic. 48 p., richly color and b/w ills. [RETRO GAMES and CONSOLES in ARABIC] Al-hab al-qayed yev wa al-kombuter [= Computer and video games]. Translated into Arabic by Vafa Ashraf. Introduction by Yakoub Mahmoud Ishaq. First an Only Translation into Arabic of 'Computer and video games' by Graham and Watts, printed in 1982 first in London by Usborne Electronics. Not in OCLC. Extremely rare.
1977Fine Fine Turkish Original bdg. With its rare dust wrapper. Demy 8vo. (21 x 14 cm). In Turkish. 410, [4] p. [RARE FIRST TURKISH EDITION: PSYCHEDELIC COVER] Medyum. [= The shining]. Translated by Mehmet Harmanci. Cover design by Oral Orhon. Mehmet Harmanci (translator), (1932-), was a Turkish translator, author, and the founder of 'Koza Publishing House' together with Tarik Dursun K., (1931-2015). He is known for his translations from American contemporary and modern literature to Turkish as well as Stephen King's books. Oral Orhon was a famous contemporary Turkish graphic designer. He was a productive illustrator between the years 1930-1970, has also drawn many comic books, cartoons, covers, advertisements, movie posters. This book's dust jacket is designed by Orhon in psychedelic photographic style. Extremely rare first Turkish Edition. With its original dust jacket, very difficult to obtain. Not in OCLC.
1934Very Good Turkish Original b/w photograph in its special cardboard. Signed and inscribed in Mersin, February, 23, 1934 as 'Kenan Bey kardesime: Miralay Sadik.'. No photograph studio's emblem. 24 x 21 cm. Miralay Sadik Bey, (Miralay or Mîr-i alay (Gendarmerie: Alaybeyi ) was a military rank of the Ottoman army and navy. It corresponds to a Colonel (modern Turkish: Albay). Miralay is a compound word composed of Mir (commander) and Alay (regiment). The rank was junior to the Mirliva and superior to the Kaymakam (Lieutenant Colonel).), (1860-1941), an Ottoman soldier and politician. He graduated from Mekteb-i Harbiye (Militarian Academy) in 1882. He went for duty to Trablusgarb (Libya), Syria, and Macedonia. He was in Manastir City, joined to Jalvatiyya order, and then joined to Ittihad ve Terakki Party (Committee Union and Progress) in secret (1906). He was the leader of Hâlaskâr Zâbitân (Saviour officers -Ottoman Turkish: Halâskâr Zâbitân-) was the name of a secret organization during the dissolution era of the Ottoman Empire), during the Bab-i Âlî raid in 1912, but it was failed. After a fail assassination of Mahmoud Chevket Pasha (Mahmud Sevket Pasa), he escaped to Paris, after that Egypt on the eve of the Balkan Wars (1912-1913). He was in adjacent relation to the British always. He returned to the country (25 April 1919) after Armistice (30 October 1918), and was elected to Heyet-i Ayan. And was elected to Hürriyet ve Itilâf Party -Committee Freedom and Entente- in 1920. He captured the management of the British Friendship Society in 1921. He was a dissident to Ankara Government during the Turkish National Struggle, but after the achievement of Ankara Government, he went to Romania with an English ship. Therefore he was got into '150 personae non-gratae of Turkey'. After the Turkish War of Independence (1919-1923), the newly established Republic of Turkey presented a list of 600 names to the Conference of Lausanne, which were to be declared personae non-gratae. Later, a list comprising only 150 of these, put into effect by the Grand National Assembly of Turkey on April 23, 1924 (revised on June 1, 1924), was included in the Treaty of Lausanne. The list (known as Yüzellilikler in Turkish, literally, Hundredandfiftyers), which is a who's who of the Ottoman Empire, had the purpose of eliminating the ruling elite of Ottomans from the Republic. The list is famous as it became the center of discussions of the nature of the new Republic: mainly, whether the Republic was to remain a continuation of the old Empire or not. The list has served as proof that the administration and ideologists of the Empire were not transferred to the Republic. The formation of this list is also related to studies analyzing the jurisdictional conflict between the Grand National Assembly of Turkey and the Ottoman Empire. These powers were fighting each other for their existence, as they were both active (using diplomatic and military means) until the Conference of Lausanne On June 28, 1938, the law restricting the entry of these people into Turkey was lifted, with the return of only a few on the list. In very good+ condition.
1930Very Good Turkish, Ottoman (1500-1928) Original vintage product catalogue, black cloth bdg. Oblong: (14.5 x 23 cm). [14] b/w vintage photographs of 1930s' Turkish buggies. Each photo's size: 12 x 16 cm. The name of the models: Kadillak, Lüks, Lüks pusetli, Kabartma pusetli, Yüksek kabartma, Yüksek, Pusetli, Içten açilir pusetli, Alimiyon tekerlekli, Kapitone körüklü puset, Kapitone puset, Puset, Portetif puset, Portetif puset. Extremely rare catalogue of "Bahar" brand of Turkish buggies including 14 vintage photos. Not located in OCLC.
1917Good Turkish, Ottoman (1500-1928) Original wrappers. Foolscap 8vco. (17 x 11 cm). In Ottoman script (Old Turkish with Arabic letters). 126 p., 11 unnumbered b/w plates, 8 numerous b/w ills., tables. Slight creasing on some pages, and slight stains, otherwise a good copy. First and only edition of this rare photography guide in Ottoman literature, prepared and published by Ipekci Brothers. This richly illustrated guide tells how to use a camera to take good and artistic photographs, and introduces parts of a camera. Some good photographic examples in this book as separate plates. The Ipekçi family, who had been engaged in the silk business for several generations in Thessaloniki, Greece, continued the silk trade for a while in Constantinople, where they migrated in 1893. The brothers, who first opened a store called "Hüsn-i Intihap" in Istanbul, and then the Thessaloniki Bonmarche, one of the biggest stores of the period, turned to filmmaking with Ihsan Ipekçi's initiative after the Thessaloniki Bonmarche was demolished during the arrangement of Eminönü Square. The family, which started operating the Alhambra Cinema, which was opened in 1923, converted "Paten Sarayi" [i.e. Skating Palace] into a movie theater and opened the Melek (today's Emek) cinema a year later. Ahmed Ihsan was an important figure of the late 19th century and also the founder of a current in Turkish literature, "Servet-i Fünûn" [i.e. The Wealth of Sciences or Knowledge]. He established a prominent printing house in the Ottoman Empire, and he is known as the translator of the first Jules Verne translation into Turkish. Three copies in OCLC 949475400: Bogaziçi University Library and UCLA, and University of California Los Angeles Southern Regional Library Facility.
1924Good Turkish, Ottoman (1500-1928) Original wrappers. Demy 8vo. (22 x 15 cm). In Ottoman script (Old Turkish with Arabic letters). 146 p. Chipped on spine and extremities, uncut pages. Overall a good copy. First and only this "complete guide to photography" book in Ottoman Turkish, written by Süleyman Sirri Bükey who was the founder of Foto Süreya. Süleyman Süreya Bükey (1895-1974) was the official photographer of Mustafa Kemal Atatürk between 1936-1938. The photographs he took and the periodicals and books he published brought the propaganda perception of the early Turkish Republic to the fore. Among these works are Foto Süreya (monthly magazine 1931-1934), Foto Magazin [i.e. Photo magazine] (monthly magazine 1938-1941), Halivud Dünyasi [i.e. The world of Hollywood] (weekly cinema magazine 1941-1946), Ufuk [i.e. Horizon] (weekly political magazine 1943-1945).
