2 077 résultats
2015réf. mon00042584212015T. hardcover. Like New. 1.9291 13.7008 9.6457. fine copy in slipcase still in original plastic hardcover
1999réf. 818H3012Hamburg Germany: Museum Fur Kunst Und Gewerbe 1999. Book. Fine. Paperback. First Edition. Folio - over 12" - 15" tall. Catalogue accompanying the exhibition at the Museum fur Kunst und Gewerbe Hamburg 1 October - 14 November 1999. 244 plates. "Horst Janssen is a once-in-a-century phenomenon an impressive and celebrated draughtsman very few can match up to. And yet there are still some - as yet scarcely noticed - facets of his work remaining to be discovered. Janssen's oeuvre confronts the observer like an enormous artistic moutain massif of countless drawings woodcuts etchings monotypes watercolours pictorial letters postcards and posters. In all of them he broke the bounds of the 'standard measure'. Everything about him was extraordinary including the number of posters he designed and the number of versions which were printed." - Foreward. A new unread copy stll in shrink wrap. Museum Fur Kunst Und Gewerbe Paperback
réf. DADAX0415443989New unknown
1930réf. 355490723856London: Murray 1930. First Edition. Hard Cover. Dust Jacket. London: John Murray 1930. First UK edition. Very Good. xiv - 280 pages 7 maps the contents clean and tight with no inscriptions or marks. With an introduction by Air Vice-Marshall Sir Sefton Brancker Director of Civil Aviation. Publisher's red cloth lightly faded to the spine and dusty to the page block edges. In the VERY RARE dustwrapper priced 6/- net to the spine as called for. The dustwrapper is near VG with several historic repaired splits to the verso and with some edge wear to the top and bottom edges and with a triangular chip to the bottom left-hand corner of the back panel just affecting the blurb. Reviews the evolution of international air routes around Britain India the Far East and Australia. Includes chapters on the Baghdad Air Mail and 'The Third Route' across Europe. "The author chose an attractive title for his book procured an interesting introduction written by Major-General Sir Sefton Brancker Director of Civil Aviation and compiled a suitable prologue of appropriate quotations. This book is well illustrated with excellent maps. Major Salt has shown great industry in compiling valuable data respecting the development of imperial air routes up to May 1930." Rare especially in dustwrapper. The mid-1920s and 1930s are often nostalgically referred to as the 'Golden Age' of British civil aviation. In its sixteen years of operation Britain's Imperial Airways developed and promoted long-haul aviation as a viable means of long-distance travel and formulated and maintained a global aerial network that ushered in a new era of post-war globalisation and mass aeromobility. Though criticised as being the product of an imperial power in decline Ewer 2007 Imperial Airways established both the material and cultural foundations on which post-war civilian aviation would flourish and thus its importance must not be underestimated. Photographs/scans available upon request. Murray hardcover
réf. SONG1910254002Used: Good unknown
2013réf. x-1516551788Cognella Academic Publishing 2013. Hardcover. New. 320 pages. 8.50x0.75x11.00 inches. Cognella Academic Publishing hardcover
1963réf. 2091502135415339Mining Industry Union Central Association 1963. Soft Cover. Fine. Number of books: 14 Mining Industry Union Central Association paperback
réf. 25807BRASSINGTON W. Salt. A HISTORY OF THE ART OF BOOKBINDING. London: Elliot Stock 1894. 4to. Publisher's cloth. xvi 277 pages 10 plates. First edition. Mejer 235. A nicely printed bookbinding survey with ten plates in color and illustrations in the text. Uncut edges browned; some wear to the extremities of the spine; still a better than average copy of a book usually found in wretched condition. unknown
1809réf. 547181809-10. A large and detailed map of the coast of Abyssinia: Egypt Ethiopia Somalia and The Red Sea. Copper engraving. Good condition slightly soiled in folder size Later colour. Size: 72.5 x 56 cm. 28½ x 22 inches unknown
2012réf. BN705250Les lucioles 2012. 2012. Softcover. Une histoire de ciel bleu Une histoire de ciel bleu Sylvie Albou-Tabart et SeL Les lucioles paperback
1958réf. 146435Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo's name in manuscript ink on two revision leaves and his character's name in pencil on the front wrapper. Laid in is a small leaf with manuscript ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film. Based on David Appel's 1951 novel "Comanche: Story of America's Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. Set in Montana Territory and shot on location in Oregon. Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown
1969réf. 133623Beverly Hills CA: United Artists 1969. Vintage black-and-white borderless reference photograph from the US release of the 1969 film. Jon Voight plays a naive Texan who moves to New York to hustle his body and finds himself in an unlikely friendship with an ailing con artist played by Dustin Hoffman. Winner of three Academy Awards including Best Picture and nominated for four others. Set in New York and Texas shot on location in New York Texas Florida and New Jersey. 8 x 10 inches. Fine. In a custom museum-quality frame archivally mounted with UV glass. National Film Registry. United Artists unknown
réf. Bloomsbury-9781780761114I.B.Tauris. Hardback. New. 424 pages I.B.Tauris hardcover
réf. Bloomsbury-9781780761114I.B.Tauris. Hardback. New. 424 pages I.B.Tauris hardcover
1966réf. 035985Tom Korman Assocs / Goodson-Todman Assocs 1966. Sal Mineo signed a Standard AFTRA engagement contract. The Contract is 2 pages double Signed: "Sal Mineo" New York 1966 September 30. Employment agreement between Tom Korman Associates and Mr. Mineo to appear on "The Merv Griffin Show" two signatures in Blue ink.There are 2 Staples at top left corner and center. One very smalll crease 1/4" at bottom left corner not near signatures. Also a contract dated August 20 1970 by Goodson-Todman Assoc Inc 375 Park Avenue New York for Mr. Mineo to appear on "What's My Line" signed by Sal Mineo in Red Ink. " Mineo had been nominated twice for Best Supporting Actor Academy Awards by the time he was 22 Rebel Without a Cause 1955 and Exodus. In 1976 he was sadly murdered as he returned to his Hollywood home he was 37." Both contracts/all 3 pages are in very good condition. Pictures available upon request. . Signed by Actor. Original . Paper. Very Good. 8.5 x 11 Inches. Actor Autographs . Tom Korman Assocs / Goodson-Todman Assocs Paperback
1814réf. 184001London England: F.C. And J.Rivington 1814. Hardcover. Good- leather boards detached. boards have considerable edge-wear scuffs & scratches; corners rubbed to boards. spine has considerable rubbing & wear w/ 2inch section missing at edge; spine end missing rubbed & chipped. light to dark speckled foxing throughout w/ higher concentrations on plates/maps. leather boards w/ blind-stamped & gilt tile borders; gilt printed & raised band spine. xi 5 506 pgs & ixxv; plates & maps. all edge marble. Textblock and pages firm. Plates Missing: 2 chart of East Coast of Africa 10 Chart Of Amphilia Bay 12 Chart Of Howakil Bay 13 Portraits and 34 Chart Of Annesley Bay. Tissue-guards are also torn or missing from various plates. Color plates have retained their brightness; text dark and detailed. Complete title ". in which are included an account of the Portuguese settlements on the east coast of Africa visited in the course of the voyage; a concise narrative of late events in Arabia Felix; and some particulars respecting the aboriginal African tribes extending from Mosambique to the borders of Egypt; together with vocabularies of their respective languages." F.C. And J.Rivington hardcover
1809réf. 81318London: William Miller 1809. Very Good. Hand-colored aquatint print now in a modern frame under glass. Image size approximately 61 x 42 cm. This is Plate No. XV from "Twenty-Four Views in St. Helena the Cape India Ceylon Abyssinia and Egypt" which was published in 1809. William Miller unknown
réf. 26009Three of the five from 1900 28 and 31 August and 4 September; and two from 1901 5 and 13 December. All on letterheads of the Shakespeare Memorial Stratford-upon-Avon. These five items are part of a collection of correspondence the rest is offered separately relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. The Shelley portrait is reproduced in ‘The Magazine of Art’ 1901 with the caption ‘Reputed portrait of Shelley as a boy by Romney. In the Shakespeare memorial Stratford-on-Avon.’ in an article on ‘Portraits of Shelley at the National Portrait Gallery’ p. 494. The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower 1830-1892 after whose death its management was taken over by his brother Edgar Flower 1833-1903 also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower 1865-1950 several times mayor of Stratford-upon-Avon. Between 1899 and 1901 Boddy donated at least twelve portraits to be hung in the Shakespeare Memorial reading room from the correspondence wood carvings also appear to have been donated. Details of the first seven portraits including the supposed Romney one of Shelley are contained in a letter in the separate collection of correspondence of 11 December 1899 from Boddy to the Shakespeare Memorial librarian the archaeologist William Salt Brassington 1859-1939. The paintings included supposed works by Henry Fuseli ‘The Fuseli Macbeth’ and Sir Peter Lely Nell Gwynne Henry Wyatt Coleridge one of Alexander Pope ‘attributed to Hogarth’ as well as a ‘Garrick portrait’ one of Nell Gwynne and a ‘Spanish Lady’. In 1916 Boddy demanded their return on discovering that the Archibald Flower had broken the condition that Boddy had arranged in 1900 with the then librarian W. S. Brassington: ‘The Portraits were to be hung together and remain so.’ The present five items comprise four in 12mo totaling 8pp; and one the first in 4to 1p the first part of which is typed and the latter part in autograph. All signed ‘W. S. Brassington’. All in good condition lightly aged. In the first letter 28 August 1900 he writes: ‘Dear Dr. Boddy / Following the investigations respecting the portrait of Shelley I find that the description on the frame of the picture is not quite correct. / “Percy Bysshe Shelley aged 13 by G. Romney.” Shelley was born in 1792 and in 1805 he was 13 years old. Romney died in 1802 and did not paint much for some years before his death. From a careful examination of the portrait it appears to me that the subject is a boy of about 8 or 9 years of age and consequently the portrait may have been painted by Romney in or about the year 1800. Next month I hope to meet Dr. Garnett Richard Garnett 1835-1906 at the meeting of the Library Association at Bristol and hear what he has to say on the subject; He is the greatest living authority on Shelley. I am also writing to the author of a new life of Romney and hope to find a record of the sittings in Romney’s notes.’ In the second letter 31 August 1900 he recaps the position adding: ‘The more I see of the picture the more I like it: it is beautiful and to me more interesting than any of the others: it would be a treasure for any gallery.’ In the third letter 4 September 1900 he comments on a photograph of the Shelley portrait presumably for the ‘Magazine of Art’ article which he considers excellent. On 5 December 1901 Brassington writes: ‘Since last I had the pleasure of seeing you Miss Florence May has been hunting up the bust of Shelley which Mrs Leigh Hunt made & gave to Thomas Carlyle. It has now been found in Scotland and the owner has kindly sent me for the Memorial an etching made from the bust by W. Bell-Scott. It appears that the present representatives of the Shelley family do not like the bust though it undoubtedly is a likeness and it has a resemblance to the Romney portrait which renders it all the more interesting to me.’ In the last of the five letters 13 December 1901 he write: ‘It is quite time as you say that misfortunes attend some poor souls even after death but I fancy the poor departed generally score in the end if they deserve to do so. In Shelley’s case this must be so & it is a score that his portrait should be here. I shall do my best to get the Leigh Hunt Bust placed beside the Romney Portrait before next April.’ There is a final reference to his ‘young friend Nupean’. Three of the five from 1900 (28 and 31 August, and 4 September); and two from 1901 (5 and 13 December). All on letterheads of th unknown
1814réf. 009243London: Printed for F. C. and J. Rivington by W. Bulmer and Co. 1814 OVERSIZED. xi 5 506pp lxxv printed on watermarked paper stating "J. Whatman 1810" deckled page edges most pages untrimmed some detached binding tight bound in blind stamped blue cloth with spine sunned occasional foxing. Includes 36 of 37 plates and maps lacking the Chart of Annesley Bay on pg 453. From the personal collection of Dr. Brooks Ryder 1918-1995 graduate of Harvard College Harvard School of Public Health and Tufts Medical School. Known for his Public Health expertise overseas throughout East Africa and Indonesia. Printed for F. C. and J. Rivington by W. Bulmer and Co. hardcover
1897réf. 2090202122800063Not Available 1897. Soft Cover. Fine. Volume: 1 Not Available paperback
1922réf. 234471922. Salt Creek Haydite Plant album documenting shale extraction rotary-kiln aggregate production and water-control construction in Natrona County Wyoming 1922-1924 recording the first commercially manufactured lightweight structural concrete aggregate in the United States patented by Kansas City brickmaker Stephen J. Hayde in 1918 after he discovered that certain shales and clays could be expanded by rapid kiln-firing into a strong lightweight ceramic. Haydite transformed twentieth-century construction by reducing the dead load of concrete by roughly forty percent enabling taller buildings longer spans and the lightweight concrete masonry block industry that followed. The plant's location adjacent to the Salt Creek Oil Field then the largest producing oil field in the United States and the source of the Teapot Dome scandal that erupted in 1922 to 1923 ties the album directly to two converging industrial histories: the patented invention of expanded-shale aggregate and the height of Wyoming oil extraction. Photo archive of 91 silver gelatin photographs ranging from 2.5" x 4.5" to 5.5" x 3.5" mounted on album leaves with ink manuscript captions throughout bound in black leather with gilt-stamped cover reading "Salt Creek Construction" Natrona County Wyoming circa 1922-1924. The album's leather cover is inscribed "John B. Cleary Salt Creek Construction." It opens with exterior views of the Salt Creek Haydite Plant captioned "Const 1922 Com. Oper. Sept. 1" showing the main buildings the upper crusher and shale storage shed with stovepipe and yard-light and a loaded shale car at the trap of the shale pit. Successive pages document the production sequence by component: the upper crusher "jaw" with raw shale tumbling into the grates the ore feeder with belt-driven shafts the rotary kiln an Allis-Chalmers unit by the partially visible nameplate with a worker ascending its steel staircase the fire box of the kiln in close view the finish conveyor running to the haydite storage bin and piles of raw "hadite" being measured by two men in work clothes and wide-brimmed hats. A page is devoted to the Haydite Plant truck an FWD chain-drive with "Haydite Plant" lettered on its dump body and "M.B.Co. 81" stenciled above photographed both in service and at the loading dock. Named portraits include "W.B. Shilling Const. Engr." in a pith helmet and white shirt and a group portrait dated 1923 captioned "Mr. S.J. Hayde inventor of 'Haydite' Mrs. Hayde Mrs. C J.B.C. S.P. Boozell Plant Supt. John C." Later pages shift to a separate but related project: the "Cooling Pond No. 1 Sta. Salt Creek Field" under construction in the spring of 1923 with photographs of pile drivers drain tile staging at stations 960 to 000 workers troweling the concrete pond bottom and views captioned "Cooling Pond Finishing." A dam project follows including "Progress on Core Wall" views captioned "After Flood of Sept. '23 32000 S.F. Loss of 40' of Emb. & Core Wall" showing the breach riprap construction captioned "The Completed Project Before Storage Was Started" and a final image inscribed "Completed July 1 1924." A late page shows the failed spillway with the caption "Erosion of Spillway After Cut-Off Wall Failed" alongside a "Survey after Flood." Named figures include W.F. Edwards J.B.C. and "J.B.C. H.M. Pursel Contr." Stephen Hayde received U.S. Patent 1255878 for his rotary-kiln process of bloating shale into lightweight aggregate in 1918 and licensed the technology under the Haydite trade name beginning in 1920; the Salt Creek plant was among the earliest licensee operations and supplied aggregate for oilfield infrastructure at a time when the Salt Creek field's production peaked at over 32 million barrels in 1923. The cooling pond and dam pages document infrastructure built to handle produced water from the Salt Creek oilfield's No. 1 station capturing both the September 1923 flood failure with the specific 32000 square foot loss recorded on the leaf and the July 1924 rebuild. Overall in very good condition with expected toning foxing and edge wear to album leaves and mild silvering to several prints. The album constitutes a named dated and captioned firsthand record of early Haydite manufacturing and Salt Creek oilfield support construction anchored by an identified portrait of the inventor himself. unknown
réf. 1358This is a Standard AFTRA contract between Sal Mineo and NBC expressing that Mineo will receive $650 for his performance on December 4 1955 as Johnny Swaboda in "Trees" sponsored by Goodyear. Signed in blue ink by the seventeen year old "Sal Mineo" and also by his mother "Josephine Mineo". Many of his youthful roles were variations of his role in "Rebel Without a Cause" and he often played juvenile delinquents. unknown
1930réf. 23719Grosset & Dunlap 1930. HARDBACK NODustJacket 1930 1st Edition 1st printing VG/VG AS-IS NOJACKET Pretext & ADS in Back Lists thru this Title THICK Red Cloth lettered in Yellow Outlined in Black 228 pgs ADS ending with Roy Blakeley Wild Goose Cloth Cover light Rub Wear Interior Nice tight Clean Light FoX Wear The inscription is to a young reader and contributor to the "Our Chatterbox" section preceding the story. This is a 12 page section paginated in Roman numerals of contributions from readers and a bit of chat from the author. . Signed by Author. First Edition. Hard Cover. Grosset & Dunlap hardcover
réf. SONG8425353173Used: Good unknown
1814réf. 60635London: Printed for F. C. and J. Rivington by W. Bulmer and Co 1814. First Edition. First printing. Quarto 32cm. Rebound in modern half marbled calf and marbled paper over boards titled in gilt on red leather spine label; modern brown endpapers; iii-xvi506lxxv1pp; 7 maps 5 folding one also hand-colored engraved by A. MacPherson after drawings by J. Outhett 27 plates and two in-text vignettes engraved by C. Heath after drawings by H. Salt and occasional relief diagrams. Errata to p.xvi. Former owner T. Bateman's stamp to title page. Lacking the half-title and the chart of Annesley Bay otherwise complete. A sturdy copy board edges gently rubbed slight dustiness to plate edges very occasional spots of foxing generally bright and fresh: Very Good. A handsome account of exploration in Ethiopia including depictions of notable nobles archaeological discoveries and hippopotamus hunting. Salt accompanied George Annesley on a tour of Egypt Ethiopia and India in 1802-06; following that he toured Ethiopia in 1809-1810 "as a quasi-official envoy under Canning's sponsorship marching from the Red Sea coast with an escort of 160 bearers to explore trade and diplomatic links with the Ethiopian emperor Wolde Selassie. Britain fearing a French alliance with Egypt wished to secure a port on the Red Sea. Salt carried out a little archaeology discovering at Aksum three large limestone tablets engraved with ancient Ethiopian inscriptions. Little came of the mission for the government but Salt earned over £1000 for the first edition of this book" HOWGEGO II S6. LOWNDES p.2180. Printed for F. C. and J. Rivington by W. Bulmer and Co unknown