Morton Salt CompanyBiblio.com
2 843 résultats
réf. 1258466228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0929574087.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0521104254.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1814réf. 21982London: F. C. and J. Rivington 1814. First edition and with the errata leaf. 37 maps charts views etc. including two vignettes and a very large multi-folding hand-coloured map of Abyssinia. Large 4to contemporary diced russia gilt decorated with double fillet lines and roll tooled borders on the covers raised bands with gilt decorations to the compartments of the spine gilt edged boards and turnovers marbled endleaves all edges marbled. xii 506 lxxv index pp. Rare in contemporary binding unrestored the hinges are cracking and could be refurbished quite well cords generally sound a few unobtrusive ex libris markings quite small in nature at the prelims plates and charts and maps in nice condition the text crisp and clean and sound. Salt was sent by the British government to Abyssinia to present gifts to the king report on the state of the country and cultivate relations with the tribes along the Red Sea coast. F. C. and J. Rivington hardcover
1816réf. 15180Philadelphia: M. Carey 1816. FIRST AMERICAN EDITION. With 1 folding map. Contemporary calf worn rebcked; interior lightly browned due to paper stock. Overall a very good copy. First American edition first printed in London 1814. A voyage to Abyssinia was produced after Salt’s second trip to Ethiopia. This travelogue provides detailed descriptions of material culture and social customs of Ethiopia and surrounding territories. He even includes vocabulary lists of languages spoken along the African coast spanning from Mozambique to Egypt. Undertaken on behalf of the British Government he opens his dedication to the Prince Regent with the request that His Royal Highness support advancement of the Christian religion in that territory. Originally trained as an artist Salt 1780–1827 was a diplomat and Egyptologist. He first traveled to Ethiopia in 1805 to establish a British relationship with the Ras of Tigre and returned again in 1809 for two years. Salt traveled extensively and collected antiquities which now form part of the British Museum the Sir John Soane Museum in London and the Louvre. M. Carey unknown
réf. 1716933625.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1482385759.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006réf. 047130Columbus NJ: SQP Inc. 2006. 3rd Printing . Hardcover. As New/No Jacket. Folio - over 12" - 15" tall. unpaginated; HB white w/pink-pic.cover; fine condition w/cleantight pgs. "a glorious collection of heavenly bodies" Exclusive Book Club Edition SQP Inc. hardcover
2005réf. 007157Nashville Tennessee & Paducah Kentucky: Turner Publishing Company 2005. Limited . Hardcover. New/No Jacket. Folio - over 12" - 15" tall. 120pp.incl.index; HB brwn.w/gilt emboss; NEW; fine condition w/color vista endpapers. Text & photos history w/emphasis on '91-'04 Turner Publishing Company hardcover
réf. 002827None Listed: None Listed. Hardcover. Good /No Jacket. 16mo - over 5¾" - 6¾" tall. unpaginated; HB dec. stamped binding red w/blk.on gilt; heavy rubbing w/wear on coverscorners&edges; hinges loose; foxing. 12 pgs. accordian style loose @ edges but not detached of photos of Salt Lake City. believed pub.in 1880's None Listed hardcover
réf. 1015800033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1969réf. 25885San Francisco: All Star Processing 1969. Magazine. 72p. 8.5x11 inches reviews articles photos ads lightly-worn magazine in stapled pictorial wraps. Also included find a mock-up of the cover sent as an advertisement for the magazine and a letter from the publishers. Bob Damron's magazine aimed to open up the theme of gay sexuality. The first issue is notable for the photos of the Sal Mineo/Don Johnson rape scene from "Fortune and Men's Eyes". Also a Gay Map of Griffith Park in Los Angeles. Photos of LA scenes. A review of Richard Amory's "Loon" trilogy. All Star Processing unknown
réf. 3749496951.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3337416691.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1897réf. 45502Salt Lake City: The Salt Lake Tribune 1897. First edition. Hardcover. Quarto 28.5 cm Rebound in blue cloth over boards with the original front wrap bound in. With a number of contemporary advertisements. Illustrations throughout. Very good. The extremities are rubbed including the gilt stamped title on the backstrip and there are several light scratches on the front board. There is a 4" closed tear in the top edge of the original front wrap along with a handful of shorter closed tears in the edges a few of which have been backed with tape. The last couple of pages also have small closed tears in the edges. Else the pages are free of tears and marks. Flake 7510. A collection of accounts printed in the Salt Lake Tribune between Monday April 5 1897 - July 24 1847 relating the events that happened on the very same day fifty years earlier during the Mormon trek west in the year of 1847. The Salt Lake Tribune hardcover
1924réf. 48972Salt Lake City: Western Printing Company 1924. 1924. First edition. Single sheet letterhead that has a typed letter signed on the recto and a color 'Salt Lake City: The Center of Scenic America' graphic on the verso. The letter is from the Secretary for the Salt Lake Chamber of Commerce Joseph H. Rayburn and is a reply for a request of information from a prospective tourist. "Permit me to call to your attention the fact that Salt Lake City is a geographical center of importance to investors as well as tourists. From Denver on the east to San Francisco on the west - a distance of about1500 miles - there is no great distributing point but Salt Lake City. From the Canadian to Mexican border there is no city of the same commercial importance." Western Printing Company, 1924. unknown
réf. 26009Three of the five from 1900 28 and 31 August and 4 September; and two from 1901 5 and 13 December. All on letterheads of the Shakespeare Memorial Stratford-upon-Avon. These five items are part of a collection of correspondence the rest is offered separately relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. The Shelley portrait is reproduced in ‘The Magazine of Art’ 1901 with the caption ‘Reputed portrait of Shelley as a boy by Romney. In the Shakespeare memorial Stratford-on-Avon.’ in an article on ‘Portraits of Shelley at the National Portrait Gallery’ p. 494. The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower 1830-1892 after whose death its management was taken over by his brother Edgar Flower 1833-1903 also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower 1865-1950 several times mayor of Stratford-upon-Avon. Between 1899 and 1901 Boddy donated at least twelve portraits to be hung in the Shakespeare Memorial reading room from the correspondence wood carvings also appear to have been donated. Details of the first seven portraits including the supposed Romney one of Shelley are contained in a letter in the separate collection of correspondence of 11 December 1899 from Boddy to the Shakespeare Memorial librarian the archaeologist William Salt Brassington 1859-1939. The paintings included supposed works by Henry Fuseli ‘The Fuseli Macbeth’ and Sir Peter Lely Nell Gwynne Henry Wyatt Coleridge one of Alexander Pope ‘attributed to Hogarth’ as well as a ‘Garrick portrait’ one of Nell Gwynne and a ‘Spanish Lady’. In 1916 Boddy demanded their return on discovering that the Archibald Flower had broken the condition that Boddy had arranged in 1900 with the then librarian W. S. Brassington: ‘The Portraits were to be hung together and remain so.’ The present five items comprise four in 12mo totaling 8pp; and one the first in 4to 1p the first part of which is typed and the latter part in autograph. All signed ‘W. S. Brassington’. All in good condition lightly aged. In the first letter 28 August 1900 he writes: ‘Dear Dr. Boddy / Following the investigations respecting the portrait of Shelley I find that the description on the frame of the picture is not quite correct. / “Percy Bysshe Shelley aged 13 by G. Romney.” Shelley was born in 1792 and in 1805 he was 13 years old. Romney died in 1802 and did not paint much for some years before his death. From a careful examination of the portrait it appears to me that the subject is a boy of about 8 or 9 years of age and consequently the portrait may have been painted by Romney in or about the year 1800. Next month I hope to meet Dr. Garnett Richard Garnett 1835-1906 at the meeting of the Library Association at Bristol and hear what he has to say on the subject; He is the greatest living authority on Shelley. I am also writing to the author of a new life of Romney and hope to find a record of the sittings in Romney’s notes.’ In the second letter 31 August 1900 he recaps the position adding: ‘The more I see of the picture the more I like it: it is beautiful and to me more interesting than any of the others: it would be a treasure for any gallery.’ In the third letter 4 September 1900 he comments on a photograph of the Shelley portrait presumably for the ‘Magazine of Art’ article which he considers excellent. On 5 December 1901 Brassington writes: ‘Since last I had the pleasure of seeing you Miss Florence May has been hunting up the bust of Shelley which Mrs Leigh Hunt made & gave to Thomas Carlyle. It has now been found in Scotland and the owner has kindly sent me for the Memorial an etching made from the bust by W. Bell-Scott. It appears that the present representatives of the Shelley family do not like the bust though it undoubtedly is a likeness and it has a resemblance to the Romney portrait which renders it all the more interesting to me.’ In the last of the five letters 13 December 1901 he write: ‘It is quite time as you say that misfortunes attend some poor souls even after death but I fancy the poor departed generally score in the end if they deserve to do so. In Shelley’s case this must be so & it is a score that his portrait should be here. I shall do my best to get the Leigh Hunt Bust placed beside the Romney Portrait before next April.’ There is a final reference to his ‘young friend Nupean’. Three of the five from 1900 (28 and 31 August, and 4 September); and two from 1901 (5 and 13 December). All on letterheads of th unknown
réf. 2602420 of Brassington’s 21 letters from between 1899 and 1902 and on letterheads of Shakespeare Memorial Stratford-upon-Avon; the other is from 1910. Among the other items are ones dated from between 1899 and 1928. The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower 1830-1892 after whose death its management was taken over by his brother Edgar Flower 1833-1903 also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower 1865-1950 several times mayor of Stratford-upon-Avon. The present correspondence concerns a gift to Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. Between 1899 and 1901 Boddy donated at least twelve portraits to be hung in the Shakespeare Memorial reading room from the correspondence wood carvings also appear to have been donated. Details of the first seven portraits are contained in a letter of 11 December 1899 from Boddy to the Shakespeare Memorial librarian the archaeologist W. S. Brassington for which see below. The paintings included supposed works by Henry Fuseli ‘The Fuseli Macbeth’ and Sir Peter Lely Nell Gwynne Henry Wyatt Coleridge and a portrait said to be by Romney of a young Percy Bysshe Shelley five letters by Brassington relating to which are offered separately one of Alexander Pope ‘attributed to Hogarth’ as well as a ‘Garrick portrait’ one of Nell Gwynne and a ‘Spanish Lady’. In 1916 Boddy demanded their return on discovering that the Archibald Flower had broken the condition that Boddy had arranged in 1900 with the then librarian W. S. Brassington: ‘The Portraits were to be hung together and remain so.’ The present collection of 37 items is in good condition lightly aged apart from a couple of items are creased and worn both being repaired with archival tape. The 20 of Brassington’s 21 letters dating from the years 1899 to 1902 totaling 39pp 12mo; and 1p 4to convey his enthusiasm with regard to the donation. In the first letter 9 December 1899 Brassington acknowledges receipt of a letter from Boddy ‘respecting portraits of Shakespeare’ noting with pleasure Boddy’s ‘kind proposal to present the pictures to the Shakespeare Memorial’. Three days later 12 December 1899 he arranges to ‘come over and view’ ‘the pictures which you so generously propose to bestow upon the Shakespeare Memorial’. On 16 December arrangements are made for the removal of the pictures by ‘stage carpenter’ Henry Mann with Brassington reporting that ‘Mr Flower our Chairman who is at present away from home . thinks it most kind of you to make this very handsome present’. And a week later 19 December 1899 he acknowledges receipt of ‘the seven portraits which you so generously bestow upon the Shakespeare Memorial’ adding ‘Now that the portraits are in a good light I am more than ever delighted with them and I think you will be so when you see them in the Gallery.’ On the same day 19 December 1899 Edgar Flower writes to Boddy from The Hill Stratford-on-Avon as ‘Chairman of the Council’ to report ‘how greatly the gift is approved’. He continues: ‘In due course you will receive an official acknowledgment but in the meantime allow me to say personally that I consider each of the portraits as of great merit and interest and that they wil be conserved as your gift in the gallery to which they are a magnificent addition’. Six months later the works have been properly hung and on 23 June 1900 he writes that the ‘beautiful pictures have been much admired to-day by our London visitors many of whom had not seen Stratford before’. Four days later he informs Boddy that his ‘beautiful pictures reached here in safety. The “lady” is before me in a good north light and looks magnificent.’ Shortly afterwards 10 July 1900 he goes into some detail with regard to the hanging: ‘The “Spanish Lady” and other pictures now adorn the walls of the Memorial and are being very greatly admired. Mr Flower is unwell and I have not been able to obtain his signature to a card of thanks but at the monthly committee meeting great satisfaction was expressed at your generosity. The Grinling Gibbons’ carving now stands upon the carved oak mantle shelf of the Reading Room. It is most handsome and suitable since it represents the arms of London where Shakespeare lived for the greater part of his life. Moreover the carving hides an ugly modern Dutch bronze portrait of Shakespeare now well out of sight! / The Seven ages of Man adorn the staircase. And the “Spanish Lady” hangs over-against Nell Gwynne above the other portraits in the end gallery.’ The letter continues with speculation about the subject’s identity. On 23 July 1900 he reports: ‘The two valuable additions to the collection of paintings so kindly presented by you to the gallery are now placed on the walls. The Fuseli hangs near another example by the same master in the 1st gallery the Sir Peter Lely is placed with the other portraits between Nell Gwynn and the Spanish Lady’ which is ‘one of the most beautifully painted pictures I have ever seen’. He is so struck by it that he ‘went to the Dulwich Gallery last week to make notes but found nothing like this picture there’. A letter of 1 November 1900 begins by commending Boddy’s gift of the proof of his ‘brochure’ ‘Shakespeare’s Garden’. Brassington then discusses his holiday ‘in a cottage on the quay at Minehead. We had a good time at that old-world place and I ventured to Stratford refreshed. I had found the summer season with its crowd of Americans rather trying.’ He is relieved that Boddy was well treated by the staff in his absence: ‘they all take the greatest interest in the work of the memorial . Unfortunately of late there has been a discordant note sounded by Miss Corelli but people here are now aware that a great fuss is being made about a little matter.’ Turning to Boddy’s gift he writes: ‘I am glad you approve of the arrangement of the portraits. We expect next week to receive a portrait and a bust of Miss Mary Anderson and possibly a bust of Ellen Terry so you see we are adding to the collection and to the interest of the place.’ On 27 November 1900 he reports that he has been told by ‘Elliott’ that ‘the portrait of the boy with a dog which you recently presented to the Memorial appears to me to be more like the work of Vandyck than of any other artist. I sincerely hope it may be so’. And on 18 January 1901 he writes: ‘The two paintings reached here safely - they are beauties.’ On 3 June 1901 Brassington writes on the wider question of ‘Memorial Picture Gallery’ reporting that he has had ‘a call from Mr Frank Richards 1863-1935; Newlyn School an artist late of Birmingham now of No. 6 Addison Studios West Kensington. / Mr Richards has painted a large picture of “Hamlet” which he wishes to place in the Memorial Picture Gallery. Sir Henry Irving and Mr Flower have offered £10. each towards a subscription to buy the picture for the Memorial and it is possible that Mr Richards may write to you on this subject.’ He gives further details of appeal reporting Edgar Flowers’ opinion that that painting is ‘a fine work of art though in his opinion the face of Hamlet is too old looking’. He discusses the difficulties involved in dealing with such a ‘large Shakespearian picture’ two or three of which have been offered to the Memorial there being ‘no fund for the purchase’ and a reluctance on the part of the governors ‘to make an appeal either to the Governors or the public. The Committee feel that any suggestion of begging for donations should be avoided at the same time they dont like the idea of refusing a good and suitable picture’.Fifteen years later the mood has drastically worsened. Seven items from 1916 mostly carbon copies of TLsS dealing with a complaint by Boddy regarding the handling of a collection of historic portraits presented by him to the Shakespeare Memorial Association in 1900. Boddy states in a TLS copy to Steward Dick from Ashted Row Birmingham 17 June 1916: ‘I was certainly more than surprised to find my pictures scattered about the building in a most indiscriminate manner. I presented them to the Memorial on the distinct understanding that they were to be kept together’. Edgar Flower’s son Archibald replies in an undated carbon from The Hill Stratford on Avon: ‘I am indeed sorry that there should have been any misunderstanding and that you who have been a govener sic so long should have been caused pain by the rehanging of these pictures / At the time you gave these my father was chairman and I had no knowledge of your having expressed any special wish as to the grouping.’ The other five items relating to this complaint are a copy of a letter of complaint from Boddy to W. S. Brassington ‘being that you were Librarian at the Memorial Theatre when I presented my collection of pictures’ stating that he has ‘demanded the return of all my pictures’ and two copy letters from W. S. Brassington to Boddy one referring to ‘these tiresome people at Stratford’ and copies of a memorandum ‘Suggestion for Inscription / Collection of Historic Portraits’ and note to Stewart Dick see below stating that the matter is in the hands of Boddy’s solicitor. Other material comprises: ONE: ALS copy from Boddy to Brassington Ashted Row Birmingham 11 December 1899. Giving details of seven portraits he would be ‘pleased to present’ and suggesting that he visit to view them. ‘Though the portraits do not relate to Shakespeare I think when you see them you will agree with me that they will be a valuable and most interesting addition to your collection.’ TWO: An ALS from Brassington 31 August 1910 hinting at trouble to come with regard to ‘the circumstances connected with your suggestion for a tablet’: ‘Your wishes were clearly expressed to the committee when the pictures were received & would be recorded in the Minute book. / It seems to me that the words quoted by Mr Archibald Flower constitute a condition & that the gift was accepted on those terms - certainly that is what I understood.’ THREE: Two ALsS to Boddy from Stewart Dick one 22 July 1916 on letterhead of the Old Brewery House Stratford-upon-Avon the other undated on same letterhead cancelled in favour of Shakespeare Memorial Theatre. He begins the dated letter: ‘Mr Lowndes has handed me the letter from Messrs Philip Baker & Co regarding your pictures. Dont you think that the best plan will be for me to run up to you one day next week . I am sure after meeting you the other day that we can arrange the matter quite amicably without troubling the lawyers further.’ On the reverse of the letter is a pencil draft of Boddy’s reply informing him that ‘the matter is now entirely in the hands of my solicitors’ for typed carbon of which see above. Dick’s second undated letter is a longish one 4pp 12mo 67 lines apparently from the time of the donation commenting enthusiastically on the pictures and asking for information about them. FOUR: Transcription by Brassington of ‘Suggestion for Inscription’ by Edgar Flower dated April 1900. States that the collection of twelve paintings was ‘presented to the Shakespeare Memorial Association by Evan Marlett Boddy Esqr. F.R.C.S. on condition that the pictures be kept together and not removed from the Memorial Buildings at Stratford on Avon.’ FIVE: An ALS to Boddy from Charles Lowndes 26 April 1900 on Shakespeare Memorial letterhead apologising for spelling Boddy’s name wrongly. SIX: Signed receipt for ‘Black & gold frame’ from J. Morgan of Stratford-upon-Avon 12 January 1901 on his letterhead. SEVEN. Printed notice by ‘Edgar Flower / Chairman’ Shakespeare Memorial Stratford-upon-Avon dated 20 June 1900 regarding ‘Presentation of William Page’s Bronze Bust of Shakespeare’ to the Whitefriars’ Club City of London. EIGHT: Printed ‘Fifty-second Report of the Council to be submitted to the General Meeting of the Governors of the Shakespeare Memorial Theatre Stratford-upon-Avon convened for Monday April 23rd 1928.’ 4pp folio. With long list of officers and governors statement of expenditure and receipts and report of executive council. 20 of Brassington’s 21 letters from between 1899 and 1902, and on letterheads of Shakespeare Memorial, Stratford-upon-Avon; th unknown
1975réf. 615j1815Canada: Domtar Chemicals Limited Sifto Salt Division. Very Good. 1975. First Edition. Paperback. "All you need to know about preparing short crust pastry biscuit dough and puff pastry." - front cover. Includes instructions plus an assortment of recipes. 16 stapled pages. Undated but appears to be circa 1975. Clean tight and unmarked with light wear. A quality vintage example. ; 8vo . Domtar Chemicals Limited, Sifto Salt Division paperback
1993réf. 615j1833Salt Spring Island British Columbia: Anglican Parish of Salt Spring Island. Very Good. 1993. First Edition. Spiral Bound. "This cookbook is part of our celebration of St. Mary's Centennial 1894-1994." - page 1. 199 pages. Index. Includes some ads for local businesses. Clean and unmarked with light wear. A nice example. 9 x 5.5 inches. ; Illustrations; 8vo . Anglican Parish of Salt Spring Island unknown
1930réf. C3158Black-and-white portrait card of Salo Flohr. Duodeimo 5 1/2" x 3 1/2". Signed by Flohr. Shows a half-length portrait of Salo Flohr. Salomon Mikhailovich Flohr was a Czechoslovak and Soviet chess player and writer. He was among the first recipients of the title International Grandmaster from FIDE in 1950. Flohr dominated many tournaments of the pre-World War II years and by the late 1930s was considered a contender for the World Championship. However his patient positional style was overtaken by the sharper more tactical methods of the younger Soviet echelon after World War II. Flohr's playing ability peaked in the mid-1930s when he became one of the world's strongest players and a leading contender for the World Championship. He became champion of Czechoslovakia in 1933 and 1936 and played in many tournaments throughout Europe generally finishing amongst the top three. Notable victories were at Bad SliaÄ in 1932 where he shared first place with Milan Vidmar; Scheveningen in 1933; Bad Liebenwerda in 1934 with 9½/11; Barcelona in 1935 where he tied for first with George Koltanowski; Moscow 1935 where he tied for first place with future World Champion Mikhail Botvinnik; Poděbrady in 1936 with the score of 10 −1 =6; and Kemeri in 1937 where he shared the top spot with Vladimir Petrov and Samuel Reshevsky. During this period he had several other notable high finishes such as Bern 1932 tied for second with 11½/15 after World Champion Alexander Alekhine; Zürich 1934 tied for second with 12/15 again trailing Alekhine; and Pärnu 1937 second behind Paul Felix Schmidt. Condition: Sticker residue from pervious mounting to the verso of the card else very good.
réf. 3337301924.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1418488232.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1437132650.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1466900865.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
