2 843 résultats
réf. 3752425814.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012réf. 009931Franklin Lakes NJ: Route 66 Cadillac Guys LLC. SIGNED by both authors on first page. Light edge wear and rubbing rear cover has light crease top corner clean copy. . Very Good. Soft cover. 1st Edition. 2012. Route 66 Cadillac Guys, LLC paperback
1880réf. 431041880. Good . Photograph 12.5 cm x 20.5 cm on a thin plain card mount 17.5 cm x 25.5 cm. Unknown photographer. Pencil inscription on reverse: "Bee Hive House Brigham Young's Residence at the Eagle Gate 1880 Salt Lake City." Light age toning to photograph and mount especially around edges of the mount. The mount is bumped at the corners and is chipped at its top right corner and right margin does not affect the photograph. unknown
2023réf. 4126214Lexington Books 2023. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item650grams ISBN:9781666927054 Lexington Books hardcover
réf. 3848457946.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3843388636.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3659044458.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1970réf. 1960LGilberton Company 1970. proof prints. very good. Sal Trapani Illustrator. Series of proof sheets w. transparent color overlays for print of the 1954 Illustrated classics no. 121 by Medio Iorio and Sal Trapani containing 48 pages in 12 sheets. Possibly late 1960s/ early 1970s reprint notes in marker on the transparent sheets and margin of the folio prints. All approx. 64 x 45 cm. total 12 SAL TRAPANI brother-in-law of Dick Giordano began his career in 1949 drawing for the publishers Hillman and Gilmor. He drew his first horror comics in Tales of Horror in 1954 while doing space comics for Charlton. He was the artistic director of Cambia Animation from 1961 to 1965. He joined the American Comic Group in the late 1960s drawing comics for Forbidden World Unknown World Gasp and Adventures into the Unknown but also for Warren's Eerie and Creepy. He also worked for DC doing fantasy horror and mystery stories. Throughout the 1970s and 1980s Trapani has worked on such series as Doom Patrol Green Lantern Wonder Woman Teen Titans and Superman. He also assisted José Delbo on the Superman' daily in the 1980s. From the mid-1960s Trapani has worked for a variety of publishers like Dell Dr Who Flying Saucers Gold Key Boris Karloff Tales of Mystery Twilight Zone and Marvel inking many series. Gilberton Company unknown
réf. A9781165204878New. unknown
réf. 19064His Majesty's Exchequer London. 4 November 1779. . 2pp. 8vo. In fair condition on aged and lightly-creased paper. On single leaf with first page with light diagonal clerical mark. Reads: 'Milward Rowe Esqr. Order is taken this 4th. Day of Novr 1779 By Virtue of his Majesty's General Letters of Privy Seal bearing date the 5th. Of Novr. 1760. And in pursuance of a Warrant under his Royal Sign Manual dated the 4 day of Novr. 1779. That You deliver and pay of such his Majesty's Treasure as remains in your charg Unto Milward Rowe Esqr. Or to his Assigns the Sum of Five thousand Two Hundred Sixty four pounds twelve Shillings without account Vizt. To be by him paid over to sundry persons who have been sufferers during the Disturbances in America on account of their Fidelity & Attachment to Great Britain for his Majesty's Special Service . . . . 5000 - To pay the fees & Charges attending the Receipt thereof 264:12 £5264: 12 And these together with his or his Assigns acquittance shall be your discharge therein in another hand Lord Hardwicke pray pay this Order out of Addl. overleaf Recd 6th. Novr 1779 the Cont M Rowe Witness Tho. Gibbons'. [ His Majesty's Exchequer, London. 4 November 1779. ] unknown
réf. 18382Mesquer Loire-Atlantique France. Undated circa 1835 . 1p. landscape folio 30.5 x 39.5 cm. On watermarked laid paper. Divided into two columns: 'Questions faites par monsieur le Sous prefet au maire de mesquer' and 'Solution en Response a Monsieur Le Sous prefet Par Le Maire de Mesquer'. The first answer provides a definition of 'oeillet de marais' and is followed by facts regarding salt producers their salaries and other related matter. The reply to a question about the price of salt gives prices for the years 1833 1834 and 1835. [ Mesquer, Loire-Atlantique, France. ] Undated [ circa 1835 ]. unknown
réf. 11445Sandgate Kent; 11 August 1843. Letter: 2pp. 4to. 28 lines of text. List: 1p. on a 12mo strip. Both letter and list in very good condition neatly placed in windowpane mounts on the two leaves of a bifolium. Salt is 'just finishing the List of Manuscript Erdeswick's' and will bring it to Nichols when he returns to London. He wonders whether Nichols has 'nearly come to the end of the Book in your reprint I do not think you will make your first sheet answer satisfactorily - without printing the whole or part of it over again - but of course you will be the best judge of that'. He makes a couple of comments on it before stating that he is enclosing 'a List of 12 of John Buckler's engravings which I am in want of to complete a Set of his works which he has very liberally supplied me with. . The usual Printshops have been ransacked without success.' He asks if Nichols has any 'contained in the within List that you could spare - I have been told you bought a Volume of Buckler's works some time since'. He ends by wishing Nichols's son 'late' congratulations on his marriage. The enclosure lists the twelve engravings according to county. Sandgate, Kent; 11 August 1843. unknown
réf. 147170Used. For more details please contact me unknown
réf. 146648Used. For more details please contact me unknown
réf. 147024Used. For more details please contact me unknown
réf. 1403383359.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980réf. 815Salt Lake City 1980. Watercolor on a heavy art paper 13 cm x 18 cm loose in a cream colored grained bi-fold mat 16.5 cm x 21.5 cm with a gilt stamped border. Manuscript title on the reverse and again internally on a typed label. Charming watercolor by an unknown artist of the front courtyard of the Hillcrest Apartments that is located on First Avenue between State and A. unknown
1890réf. 89619George Allen & Unwin 1890. First Thus. Hardcover. Like New/Like New. Like New Book. 1890 Edition Stated 4th Printing 1949. NOT a remainder. NOT a book club edition. NOT price-clipped 9S 6D price intact. Published by George Allen & Unwin 1890. Red cloth boards with black stamped spine lettering. Book is like new; clean tight sharp corners bright spine lettering. Dust jacket has light shelf wear. No writing highlighting underlining dog ears etc. No rips tears etc. Pages and boards crisp and straight. Spine un-broken with no spine lean. Book in un-read condition. A very nice collectible copy of this landmark essay of political history first published in 1790. 155 pages. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. George Allen & Unwin hardcover
1938réf. 057025Birmingham : Salt & Son Ltd. 5-7 Cherry Street 1938. Not Given . Soft cover. Near Fine. Landsacpe 8vo. Illustrated throughout . BIRMINGHAM : 1938. ILLUSTRATED CATALOGUE. Belts Corsets Trusses Elastic Hosiery Etc. Plain grey cloth spine. Grey and red printed card covers. Black and white illustrations with order-forms. Inserted price-list dated December 1938. 66pp. Plus 66pp order-forms. Bright tight and clean. No owner name or internal markings. Minor wear only. NEAR FINE. Landscape; Lg.8vo. Will be well-packed for posting/shipping. Rosley Books for Antiquarian books CHS Cumberland Everyman GKC Inklings Keswick Literature MacDonald Rarities Theology and History. . SCARCE. Salt & Son Ltd., 5-7 Cherry Street paperback
1881réf. 9038Oberlin O.: E. J. Goodrich 1881. Hardcover. Good. 16mo 432pp. A good copy in the publisher's brown cloth. Front free endpaper ripped out. Horizontal dent on the front board minor insect damage to rear free endpaper but the contents clean and sound. Very uncommon Oberlin imprint. The book seems to have been published in a few places in the 1880s but we note just five institutional holdings for the Oberlin imprint in OCLC curiously not retained by Oberlin College or Conservatory. E. J. Goodrich hardcover
réf. 1349957461.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1809réf. 41443London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. An excellent view of Tamil Nadu including one of the great irrigation tanks: a true masterpiece of early technology. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England on 14 June 1780. He was determined to become a portrait-painter and upon leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London to study with Joseph Farington R.A. and then with John Hoppner R.A. in 1800. The turning point in his career was 3 June 1802 when Salt left London for an Eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Sri Lanka and Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is fromTwenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images. Salt visited Sri Lanka only a few years after the British had wretes power from the Dutch who had been the dominant western presence on the island from the middle of the 17th century until 1795. Abbey Travel II 515 no.13. William Miller unknown
1809réf. 41444London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. A view of Lucknow showing the famous Asafi Mosque. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England on 14 June 1780. He was determined to become a portrait-painter and upon leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London to study with Joseph Farington R.A. and then with John Hoppner R.A. in 1800. The turning point in his career was 3 June 1802 when Salt left London for an Eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Sri Lanka and Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and displays great artistry by both Salt and his engravers. The Asafi Mosque is part of the larger Bara Imambara complex which was commissioned by Nawab Asaf-ud-Daula the fourth Nawab of Awadh in 1784 and was completed in 1791. The Asafi Mosque follows the Mughal architectural style characterized by grand arches domes and intricate designs. The mosque is a prominent example of the cultural and artistic heritage of the region during the Nawabi era. Abbey Travel II 515 no.3. William Miller unknown
1809réf. 34488London: William Miller 1809. Hand-colored aquatint by R. Havell. Sheet size: 21 1/2 x 29 3/4 inches. In this large panoramic view Salt demonstrates the appropriateness of the sobriquet "City of a Thousand Minarets". In the foreground is the great Sultan Hussan Mosque one of the largest mosques in Cairo. As we look through the streets towards the distant Nile we see many neighborhood mosques and holy places. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited the Cape India Sri Lanka and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and displays great artistry by both Salt and his engravers. William Miller unknown
1812réf. 27080London: William Miller 1812. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman 1812'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images. Abbey Travel II 515 no.5. William Miller unknown