2 851 résultats
1971réf. 611323No place: Twentieth Century Fox 1971. Unbound. Very Good. Original promotional film poster. Measuring approximately 27" x 40". Folded presumably as issued with wear along the creases a few remnants of scotch tape on the top and bottom ends and a small hole where two creases intersect overall very good. Directed by Don Taylor and starring Roddy McDowall Bradford Dillman Natalie Trundy Eric Braeden William Windom Sal Mineo and Ricardo Montalban as Armando. Twentieth Century Fox unknown books
réf. 366446Unbound. Very Good. Green sheet of paper. Approximately 5.75" x 4.5". Age-toning at the edges very good. Boldly Signed by Sammy Davis Jr. on one side and Inscribed by Sal Mineo on the other. The autograph seeker has noted the date of each autograph - on successive days in 1961. Though never on-screen together the two stars actually have an interesting connection: Davis sang the title track for the 1955 film Six Bridges to Cross which featured Mineo's debut performance and it was reportedly while en route to the recording studio to perform the song that Davis was in the auto accident in which he lost an eye entirely changing his life and career. One might argue which is the more desirable autograph: Davis the bigger star Mineo's autograph the scarcer. You decide. unknown books
1962réf. 329569Vancouver British Columbia: The Prism Society 1962. Softcover. Near Fine. First edition. Octavo. 59pp. Printed wraps rubbed at the extremities near fine. A literary magazine with contributions from Robert Creeley George Bowering George Hitchcock Rainer Mario Windish Glady Hindmarch Jim Salt Paul Carroll Richard Watson Barbara Drake Frank Davey Bill Bissett Fredric Wah and Lionel Kearns. The Prism Society unknown books
1934réf. 63166Majorca: Caravel Press 1934. Hardcover. Near Fine. First edition. Cloth and papercovered boards. Paper a little eroded at one corner else a near fine copy. Publisher's slip laid in presumably a review copy. Copy # 16 of 500 numbered and Signed copies. Caravel Press hardcover books
1920réf. 4175Salt Lake City: Souvenir Novelty Co. Inc 1920. 16pp Octavo 21.5 cm Light green illustrated wrappers. Better than very good. A few small discolorations to covers internally nice. Brief introduction followed by 30 different tinted reproduction of landmarks around Salt Lake City with titles at the foot. Work closes with 'Salt Lake and Utah in a Nutshell ' which offers a list of facts statistics and data. "Whatever other cities have Salt Lake has in some degree and Salt Lake has many things possessed by no other place in the world." - p.1 Flake/Draper 8291. Souvenir Novelty Co. Inc unknown books
1911réf. 2949Salt Lake City: Souvenir Novelty Co. Inc 1911. 40pp Oblong duodecimo 16 cm x 3 cm Tan string tied wrappers. Good only. Complete with some of the leaves loose from the string binding and laid in. 39 views of Salt Lake City and the surrounding area including views of Mormon buildings with brief descriptions and past and present leaders of the Mormon Church. The vast majority of the images are from the firm of C.R. Savage. Flake/Draper 7608d. Souvenir Novelty Co. Inc unknown books
1930réf. 9720Salt Lake City: Deseret Book Company 1930. 10 black and white photographs 6 cm x 9 cm / 2.5" x 3.5" each captioned in the negative. Housed in the printed envelope with die-cut window. Views of: Utah Capitol Brigham Young Monument Tabernacle Organ Temple Block Saltair Eagle Gate Memory Grove Salt Lake City from Ensign Peak Seagull Monument Mormon Battalion Monument. Nice tourist collection of views from Deseret Book of Salt Lake City. Deseret Book Company unknown books
1958réf. 1805Salt Lake City: Deseret Book Company 1958. Jumbo post card 16.5 cm x 23 cm printed in color. Near fine. "Salt Lake City Utah at night with the brilliant lighted State Capitol dominating the hill overlooking the city the twinkling lights of the city and the valley present an awe-inspiring spectacle." - from the back. Deseret Book Company unknown books
1916réf. 15918London: published for the Humanitarian League by George Allen & Unwin 1916. First edition 8vo pp. 159 1; photographic frontispiece; mild waterstain along bottom edge but generally a very good copy in the original printed dust-jacket. Salt was quite prolific with better than thirty books to his credit including a biography of Thoreau and books on animals'' rights and other humanitarian subjects. published for the Humanitarian League [by] George Allen & Unwin unknown books
1969réf. 325049Canoga Park: Press Arts 1969. Magazine. 64p. includes covers 8.5x11 inches articles news reviews interviews 5 pages of personal ads/correspondence illustrated with photos full-frontal nude males very good gay magazine in stapled explicit pictorial wraps. A review of Sal Mineo's production of John Herbert's "Fortune and Men's Eyes" at the Coronet in Hollywood. An interview with Mineo. Photos from the production including Don Johnson getting raped. Gay Gourmet column by Lou Rand. Beaver Boys comic strip. Press Arts unknown books
1860réf. 422661860. Printed oblong blue card 3-1/4" x 2" with illustrations of a steamship and a donkey. Some wear to the blank verso. Very Good. This rare and apparently unrecorded satiric political card celebrates the defeat of Lincoln's opponents in the 1860 presidential election. References to "Salt River" or "Salt Lake" were common in mid-19th century political slang. A losing candidate took a trip up Salt River and was frequently depicted purchasing a ticket to Salt Lake. The poem accompanying this ticket is reproduced here: Ye dupes by whomsoever led Who've nothing now but tears to shed Ye mongrel crew who've lost your votes Ye Democrats with seedy coats Ye Fusionists ye Foster brothers Ye Douglass-men who've lost your mothers Step aboard your passage take. We'll take you safely to Salt Lake. There Brigham Young & broth'r Hyde Each one upon a rail will ride. The song mocks Fusionists whose effort to preserve the Union by uniting Douglas and Bell-Everett men was defeated. "Douglass-men who've lost your mothers" refers to Douglas's campaign trip to New England in 1860 purporting to visit his elderly mother and family. Active campaigning by candidates was frowned upon. When it took him over a month to go from Washington to New York Republicans taunted him as 'A little boy' a reference to his shortness of stature 'lost in search of his mother' Reilly 1860-35. Currier & Ives satirized the issue with a lithograph "Stephen Finding 'His Mother'." We have not located another copy of this unusual item. unknown books
1872réf. 38915Hartford 1872. Broadside 6" x 9-1/2" text surrounded by mourning border. A few spots Very Good. Illustrations of two steamers. At the bottom: "This is Good for ONE PASSAGE Only. - H.G." Dated at Hartford November 5 1872. "Salt River" is 19th century American slang: a losing candidate for office was taking a trip "up Salt River." Tickets for passage "up Salt River" were frequently printed to mock supporters of losing candidates. This humorous scarce broadside taunts Horace Greeley and other defectors from the Republican Party for their support of Greeley in 1872. "On the overwhelming defeat of the Liberal Republican Party and its candidate Horace Greeley in the presidential election of 1872. Greeley had been nominated at a Liberal Republican convention at Cincinnati in May and at the Democratic National Convention at Baltimore in July 1872" AAS description. Pall bearers include Charles Sumner and General Banks prominent Republican supporters of Greeley. OCLC 191231113 2- AAS Middlebury 47090036 1- CT Hist. Soc. as of August 2025. unknown books
réf. 67122Salt Lake City UT. First edition. Paperback. New. Unpaginated. Octavo 21.5cm. Printed lavender wraps. "We can only do our work because of the tenacious organizers and movements that came before us. This zine is an homage to militant Queer and Trans movements both at home and abroad that have paved the way." Sale of this zine supports Armed Queers Salt Lake City. paperback books
réf. 71248Salt Lake County 2001. Ephemera. Fine. More images available upon request. 745 items. Almost all in fine condition. The flyers and posters range from 1/2 standard sheet size approx. 8.5" x 5" to large posters approx. 17" x 14". Most are standard sheet size 8.5" x 11". Roughly a dozen duplicates are present. An enormous collection documenting live music festivals and performance in the Salt Lake area through the 1990s in the clubs and small venues of the valley. Legendary clubs like the Speedway Cafe Pompadour Bar & Grill Bricks Spanky's Playscool the basement of DV8 Burt's Tiki Lounge Dead Goat Saloon Area 51 The Zephyr Club The Holy Cow now the Urban Lounge and Kilby Court are well represented as well as the holes-in-the-wall like the Moroccan Painted Word Shaggy's Living Room and Green Guinea. Educational and cultural institutions and outdoor venues are also prominently featured in this collection including Bryant Intermediate School the University of Utah Ballroom in the Union Building Westminster College the Indian Walk In Center Draper Park and the Fairgrounds Creative Arts Building. Some places provided venues on a weekly basis other places provided them only a few times or maybe even just once. A number of flyers showcase then unknown bands who first played tiny venues like these and who went on to gain a larger audience and in some cases are still performing today The Vandals Social Distortion Bad Religion GWAR Slayer Johnny Rotten Suicidal Tendencies Korn and many others. Countless local acts are represented including those that performed steadily throughout these years Iceburn; Endless Struggle; Starmy; Red Bennies; Bob Moss; Daughters of the Nile as well as bands that were together for slightly shorter periods Mouthbreather; Gnawing Suspicion; Wovoka etc. Interestingly a handful of local bands that had their origins in the 1980s appear such as Bad Yodelers Potato Heads Dinosaur Bones The Clocks a noise band Slaughterchrist and the Stench. The bands are announced in a way that was standard during this period- with imaginatively designed often do-it-yourself paper flyers posters and handbills. The lion's share are illustrated with no mention of the artist. Some are very simple just delivering the necessary information. This collection manages to document the entirety of the music scene instead of a single genre with numerous examples of posters and handbills promoting Hardcore Punk Pop Rap Metal Industrial Folk Bluegrass Rockabilly Psychobilly Ska/Reggae etc. Not only does this archive highlight the bands and the incredibly diverse musical movements that were moving through Utah during this period but at the same time it calls attention to the promoters who worked so hard to put the shows together find willing venues and get the word out to the public- promoters such as Raunch Modified Heavy Metal Shop Graywhale KRCL and Slug Productions. Finally when flipping through the flyers one can't help but think of the artists behind the scenes who created the flyers thereby playing a large role in advertising the events. The bands that passed through Utah came from far and wide as is evidenced in these flyers and they performed at all types of different venues. They came from Washington D.C. California Missouri Michigan the UK Canada and a multitude of other places. More often than not after a band played the members did not disappear backstage never to be seen again. Instead most of them watched the other bands that were playing and they mingled with the people who had come to support them creating a significant exchange of experiences and ideas. The shows were frequent widening the audience's world and cultivating a sense that there was something to do in a state known for its sheltered lifestyle and conservatism. Many of the shows took place in Salt Lake City however they also radiated out to areas which included Murray Provo Bountiful and Logan. This certainly wasn't the only time in Utah's history that an energetic and creative music movement took hold of the musicians promoters and audiences however the period represented in this collection does symbolize an important piece of the puzzle in the counter-culture history of Utah's live music scene. First and foremost these flyers underscore the ideas and values that were important to the musicians and the people attending these shows: providing "all ages" venues; charging low entry fees often $3 to $7 and occasionally organizing free events; working around Utah's quirky laws such as the private club law which required a patron to pay a fee and fill out an application before entering a bar; and banding together to put on benefit shows for the unsheltered Food Not Bombs Rape Recovery Center Utah Humane Society Best Friends Animal Society Utah Food Bank and U.S. Cuba Friendshipment/Right to Travel among others. A large extremely well preserved assortment of visually interesting concert flyers. While the archive illustrates how diversified the music scene in Utah was during the nineties at the same time it demonstrates the cohesiveness of the local music community- a community which possessed a strong ability to foster an environment which promoted individuality and activism. "Witness the shredding of the Zion Curtain" - from the flyer for Head Fest 95'. unknown books
1939réf. 23097Urbana IL: Not Published 1939. Contemporary linen cloth. Very good. 4to 12 205 pp. numerous mounted original photographs plans charts and maps. The Bartlett Dam was a multiple arch reinforced concrete dam erected on the Verde River 36 miles northeast of Phoenix between 1936-1939. It was the highest dam of its type in existence. It was built by the Dept. of the Interior for the Salt River Water Users Association to store flood water of the Verde River render unnecessary the lowering of the reservoir along the Salt River during growing season and produce hydroelectric power for the region and city of Phoenix. The entire Salt River Project remains controversial to this day because of its initial funding that was guaranteed by the pledge of resident's land as collateral for federal loans to finance the project. Non-landowners were and are not permitted to vote on any issue in regard to the dam or its power generation to this day. The report covers all facets of construction supply and planning for the dam from the initial concrete plant through completion. It is thorough and highly detailed. The construction photographs are especially useful. Not Published hardcover books
1866réf. 22020London: John Churchill 1866. First Edition. Original publisher's green cloth. Fine unopened copy. 8vo 2 xxii inserted errata slip 1 - 206 2 34 pp. inserted catalog dated May 1866 Frontispiece & 19 partially color and tinted plates and 7 inserted leaves of subscriber's names lithographically printed recto only. The author was not a physician but a "mechanician" in Birmingham. The book offered here is his analysis of the systems foreign and domestic of mechanical corrections for orthopedic deformities. John Churchill hardcover books
1809réf. 81318London: William Miller 1809. Very Good. Hand-colored aquatint print now in a modern frame under glass. Image size approximately 61 x 42 cm. This is Plate No. XV from "Twenty-Four Views in St. Helena the Cape India Ceylon Abyssinia and Egypt" which was published in 1809. William Miller unknown books
1994réf. 11128Salt Lake City: The Event Newspaper 1994. Pictorial bird's eye map 22 cm x 28 cm printed in black ink. Fine. Nice historical snapshot of the corner of 9th and 9th that represents the vibrant area during the mid-90's. Many beloved shops and spots are depicted including The Coffee Garden original location The Tower Park Ivy MODified Salt City CD's The Southwest Shop Galaxina The Children's Hour and a dozen other businesses. Very cool. The Event Newspaper unknown books
1987réf. 322121New York: Collins Publishers 1987. First. hardcover. fine/fine. Color photographic illustrations throughout primarily in color. Thin oblong 4to black cloth pictorial d.w. New York: Collins Publishers 1987. First edition. A fine copy in a fine dust wrapper. Collins Publishers unknown books
1894réf. 35120Salt Lake City: R.L. Polk & Co. 1894. An exhaustive directory with numerous illustrated advertisements. The chromolithographic plate advertises "The Orcutt Company Leading Lithographers" and depicts a middle eastern market scene. Original black half cloth gilt and boards printed with advertisements. Boards and preliminary leaves detached closed tear in cloth of spine. Plate fold strengthened. Internally fine. Overall very good. hardcover books
2021réf. 71822San Diego California: Yoe Book/Clover Press 2021. First edition. Hardcover. Near Fine. 351 pages. Octavo 28.5 cm. Hardcover. Glossy laminated illustrated boards. Moderate rippling to the middle of the text block top fore edge and bottom margins. Otherwise clean solid and like new. Created in New Jersey in 1990 by Sal Canzonieri Electric Frankenstein is a "garage punk revival band." Here paired with Electric Frankenstein lyrics from 1994 through 2017 Canzonieri assembled artwork from childhood comics which inspired the foundation of Electric Frankenstein. Yoe Book/Clover Press hardcover books
réf. 25807BRASSINGTON W. Salt. A HISTORY OF THE ART OF BOOKBINDING. London: Elliot Stock 1894. 4to. Publisher's cloth. xvi 277 pages 10 plates. First edition. Mejer 235. A nicely printed bookbinding survey with ten plates in color and illustrations in the text. Uncut edges browned; some wear to the extremities of the spine; still a better than average copy of a book usually found in wretched condition. unknown books
réf. 11058Two formats 190 x 152 mm. & 150 x 365 mm. Oguni machi Kotamagawa å°å›½ç”ºå°çŽ‰å·: 1865-67. This archive describes the manufacture and regulation of yamajio mountain salt in the town of Oguni machi on the Tama River in the mountainous area of Yamagata Prefecture north of Niigata. The onsen springs of the town are rich in minerals and were used to manufacture salt for local and regional inhabitants. Today there are very few producers of mountain salt due to the laborious process but it is highly valued by connoisseurs of salt for its delicate taste. Our archive consists of: 1. Manuscript drawing 243 x 327 mm. showing the process of spraying the water on well-ventilated racks covered with branches of the shiba 柴 tree. This allowed the mineral-rich water to slowly drip into a large deep basin. The gathered water would then be boiled down leaving salt crystals. 2 & 3. The first two notebooks 10 & 5 leaves dated February and August 1865 contain details of production of the salt and names of those involved. 4. This notebook 11 leaves dated February 1865 is entirely devoted to the business of making and selling salt with records of quantities sellers and buyers prices received etc; 5. A document 14 leaves from the local magistrate's office dated February 1865 gives the names of salt manufacturers. 6. A notebook 5 leaves produced by the local magistrate's office regarding the sale and distribution of salt to many wholesalers in the city of Yonezawa with their seals dated October 1866. Somewhat stained but very legible. 7. Dated 1867 this notebook 8 leaves describes in great detail the process of saltmaking with descriptions of tools and other equipment techniques etc. unknown books
1905réf. 110571905. Cabinet card. Albumen photograph 10.5 cm x 15 cm on a black mount 11 cm x 16.5 cm Nice contrasts. Manuscript identification on the back in pencil. View of the Bransford Apartments from the west with the Lion and Beehive Houses in the foreground. The Bransford Apartments was a magnificent historic apartment building in Salt Lake City Utah that was built in 1904 and demolished in 1984. Also known through its history as the Emery Holmes Apartments Louise Grace Emery Apartments and Eagle Gate Apartments the structure stood prominently next to the iconic Eagle Gate Monument at the northeast corner of South Temple and State Street. The Bransford was designed by renowned Salt Lake City architect John Charles Craig the building was recognized for its grand urban multi-story brick design unique balconies and fine interior features like a dedicated central dining room. unknown books
1981réf. 176007Greenfield Center NY: Combinations Press 1981. Paperback. VG small label on lower left front cover. Cream wraps with black lettering. 61 pp. Illustrations. First Printing June 1981 in an edition of 1000 copies. Combinations Press paperback books
