[Salt Lake City]ABAA
2852 risultati
1958rif. 1805Salt Lake City: Deseret Book Company 1958. Jumbo post card 16.5 cm x 23 cm printed in color. Near fine. "Salt Lake City Utah at night with the brilliant lighted State Capitol dominating the hill overlooking the city the twinkling lights of the city and the valley present an awe-inspiring spectacle." - from the back. Deseret Book Company unknown books
1960rif. 6562Salt Lake City UT: Salt Lake City Corporation 1960. Single sheet 44 cm x 45 cm / 17" x 18" printed on both sides and folding to pamphlet size 22 cm x 9 cm / 8 1/2" x 3 3/34" folds as issued. Better than very good. Suggestions for the prospective tourist to Salt Lake City with brief descriptions of various attractions Temple Square Great Salt Lake Liberty Park etc. Bird's-eye view map 18 cm x 28 cm / 7" x 11" of Salt Lake City. "Salt Lake City is the only metropolitan city in the United States where you can enjoy mountain retreats only 15 minutes from the center of the business district. Salt Lake City Corporation unknown books
1916rif. 10833Salt Lake City 1916. Boudoir cabinet card. Silver gelatin photograph 13 cm x 18 cm on a black colored mount 18 cm x 13.5 cm Gentle rubbing to extremities oif mount. Upper left corner of the mount is chipped with a bump at the lower left corner. View of two horse drawn carts with advertisments for the Salt Lake Dairy Company painted on the sides and a group of five men posing. The men shown are identified on the back as the owners and founders of the dairy Albert Olsen Ingval Olsen Ancel Olsen and Glen Olsen. "It is with satisfaction that the residents of Salt Lake City turn to the Salt Lake Dairy company a modern sanitary dairy located at 236 West South Temple. The milk sold by this company is pure has a high percentage in test and is handled in a sanitary manner." - Salt Lake Herald 1911-11-26. unknown books
rif. 71248Salt Lake County 2001. Ephemera. Fine. More images available upon request. 745 items. Almost all in fine condition. The flyers and posters range from 1/2 standard sheet size approx. 8.5" x 5" to large posters approx. 17" x 14". Most are standard sheet size 8.5" x 11". Roughly a dozen duplicates are present. An enormous collection documenting live music festivals and performance in the Salt Lake area through the 1990s in the clubs and small venues of the valley. Legendary clubs like the Speedway Cafe Pompadour Bar & Grill Bricks Spanky's Playscool the basement of DV8 Burt's Tiki Lounge Dead Goat Saloon Area 51 The Zephyr Club The Holy Cow now the Urban Lounge and Kilby Court are well represented as well as the holes-in-the-wall like the Moroccan Painted Word Shaggy's Living Room and Green Guinea. Educational and cultural institutions and outdoor venues are also prominently featured in this collection including Bryant Intermediate School the University of Utah Ballroom in the Union Building Westminster College the Indian Walk In Center Draper Park and the Fairgrounds Creative Arts Building. Some places provided venues on a weekly basis other places provided them only a few times or maybe even just once. A number of flyers showcase then unknown bands who first played tiny venues like these and who went on to gain a larger audience and in some cases are still performing today The Vandals Social Distortion Bad Religion GWAR Slayer Johnny Rotten Suicidal Tendencies Korn and many others. Countless local acts are represented including those that performed steadily throughout these years Iceburn; Endless Struggle; Starmy; Red Bennies; Bob Moss; Daughters of the Nile as well as bands that were together for slightly shorter periods Mouthbreather; Gnawing Suspicion; Wovoka etc. Interestingly a handful of local bands that had their origins in the 1980s appear such as Bad Yodelers Potato Heads Dinosaur Bones The Clocks a noise band Slaughterchrist and the Stench. The bands are announced in a way that was standard during this period- with imaginatively designed often do-it-yourself paper flyers posters and handbills. The lion's share are illustrated with no mention of the artist. Some are very simple just delivering the necessary information. This collection manages to document the entirety of the music scene instead of a single genre with numerous examples of posters and handbills promoting Hardcore Punk Pop Rap Metal Industrial Folk Bluegrass Rockabilly Psychobilly Ska/Reggae etc. Not only does this archive highlight the bands and the incredibly diverse musical movements that were moving through Utah during this period but at the same time it calls attention to the promoters who worked so hard to put the shows together find willing venues and get the word out to the public- promoters such as Raunch Modified Heavy Metal Shop Graywhale KRCL and Slug Productions. Finally when flipping through the flyers one can't help but think of the artists behind the scenes who created the flyers thereby playing a large role in advertising the events. The bands that passed through Utah came from far and wide as is evidenced in these flyers and they performed at all types of different venues. They came from Washington D.C. California Missouri Michigan the UK Canada and a multitude of other places. More often than not after a band played the members did not disappear backstage never to be seen again. Instead most of them watched the other bands that were playing and they mingled with the people who had come to support them creating a significant exchange of experiences and ideas. The shows were frequent widening the audience's world and cultivating a sense that there was something to do in a state known for its sheltered lifestyle and conservatism. Many of the shows took place in Salt Lake City however they also radiated out to areas which included Murray Provo Bountiful and Logan. This certainly wasn't the only time in Utah's history that an energetic and creative music movement took hold of the musicians promoters and audiences however the period represented in this collection does symbolize an important piece of the puzzle in the counter-culture history of Utah's live music scene. First and foremost these flyers underscore the ideas and values that were important to the musicians and the people attending these shows: providing "all ages" venues; charging low entry fees often $3 to $7 and occasionally organizing free events; working around Utah's quirky laws such as the private club law which required a patron to pay a fee and fill out an application before entering a bar; and banding together to put on benefit shows for the unsheltered Food Not Bombs Rape Recovery Center Utah Humane Society Best Friends Animal Society Utah Food Bank and U.S. Cuba Friendshipment/Right to Travel among others. A large extremely well preserved assortment of visually interesting concert flyers. While the archive illustrates how diversified the music scene in Utah was during the nineties at the same time it demonstrates the cohesiveness of the local music community- a community which possessed a strong ability to foster an environment which promoted individuality and activism. "Witness the shredding of the Zion Curtain" - from the flyer for Head Fest 95'. unknown books
1974224 pages. "A portrait of the settlement of the prairies seen through the eyes of the settlers themselves... it is their book." - from introduction. A collection of photographs and text which tells the story of the homesteaders who streamed to the Canadian west from 1880 to 1914. The homesteaders themselves describe their experiences in first-person accounts taken from letters, diaries, autobiographies and personal reminiscences. Book is clean and unmarked with moderate wear to biege boards. Dust jacket well worn with numerous tears. Decent copy. Book
1986Book is in excellent condition in every respect, appears new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 169 pages with b&w photos. Chapters include: Buying the Northside canals, The appropriators' canal, Building a permanent diversion dam, Settleing the priority of water rights, Generating electricity.
2012rif. 1-0961697237The Cookbook Marketplace 2012. Hardcover. New. 240 pages. 10.10x9.30x0.80 inches. The Cookbook Marketplace hardcover
1960Two books in a series of two fish guides. Color illustrations by Gordon Ertz. Oblong 24mo. Original glossy printed wraps. NH 1
1960rif. 4329Salt Lake City: Mike Roberts Kodachrome Reproductions 1960. 50 identical presentation cards 12.5 cm x 11 cm printed in color. Unused and in nice condition.Tied with white string by the original distributor of these cards. A brief history of the Great Salt Lake is printed on the reverse. Founded by Mormon leaders and the Salt Lake Garfield and Western Railway as an alternative to the "Gentile" resorts on the Great Salt Lake Saltair has been the most successful of all of these resorts and now in its third incarnation after the previous were both destroyed by fires. Saltair also played a starring role in the horror film 'Carnival of Souls.' This color view is of Saltair II 1925-1970. "Many forms of life exist in the briny water of the lake the chief being a brine ship about one-third inch in length. No fish are found in the lake proper but some find a habitat at the mouth of fresh water streams." - from the back. [Mike Roberts Kodachrome Reproductions] unknown books
1960rif. 4318Salt Lake City: Mike Roberts Kodachrome Reproductions 1960. 50 identical jumbo post cards 15.5 cm x 23 cm printed in color. Unused and in nice condition.Tied with white string by the original distributor of these cards. Founded by Mormon leaders and the Salt Lake Garfield and Western Railway as an alternative to the "Gentile" resorts on the Great Salt Lake Saltair has been the most successful of all of these resorts and now in its third incarnation after the previous were both destroyed by fires. Saltair also played a starring role in the horror film 'Carnival of Souls.' This color view is of Saltair II 1925-1970. "Located on the shores of the Great Salt Lake one of the world's wonders Saltair is 15 miles west of Salt Lake City. Built on thousands of piles and extending out into the lake it offers a fine amusement park and picnicking facilities lunch and refreshment stands one of the largest unobstructed dance floors in the world and bathing in the briny waters of the Great Salt Lake where you float like a cork." - from the back. Mike Roberts Kodachrome Reproductions unknown books
1976Folder very slightly sunned and with traces of creasing. Explanatory booklet and twenty-one facsimile illustrations in excellent condition. pp. A study of the model village of Saltaire near Bradford which was built by textile mill owner and philanthropist Titus Salt in the 19th century.
rif. 3220266Oblong 4to tinted lithographic title six tinted lithographic plates and tinted lithographic endleaf with vignette; by Peter Herwegen after Hans Brunner apart from light scattered foxing clean and fresh in contemporary dark blue cloth front cover ornamented and lettered in gilt spine ornamented in gilt; lightly rubbed. This scarce album of delicately drawn and masterly lithographed scenes documents salt mining in the mountains near Salzburg.z Salt mining was an arduous task the work was dangerous and not very lucrative by the mid-19sths century. With the development of more industrial methods and the introduction of the railways the price of salt collapsed. To help the impoverished population the house of Habsburg promoted tourism in that region and a number of guides to the area started to be issued. The draughtsman was Hans Brunner a genre painter who was born in 1813 in Munich moved to Salzburg around 1840 where he painted portraits of the aristocracy and populated his genre paintings of everyday-life scenes with putti dwarfs and other mythical creatures. The fine lithographs were carried out by Peter Herwegen who was considered the successor to Neureuther. He worked as Neo-Gothic designer for Munich artisans and produced several albums of lithographs.z Dürrnberg [^gmodern spelling^g], Eigenthum v. Jos. Hinterstoisser,
rif. 35438Dürrenberg: Eigenthum v. Jos. Hinterstoisser 1847. Oblong 4to 225 x 237mm 6 lithographed plates loose within lithographed wrappers some very light browning. The lithographs depict various scenes from the working day both within the mine and above ground. Dürrenberg: Eigenthum v. Jos. Hinterstoisser, [1847] unknown
Oblong 4to (225 x 237mm), 6 lithographed plates loose within lithographed wrappers, some very light browning. The lithographs depict various scenes from the working day both within the mine and above ground.
1847rif. AUST0283Dürnberg, Josef Hinterstoisser, [1847]. quer gr.-8°, 6 Federlithogr. auf Tonplatte v. P. Herwegen (gezeichnet von Hanns Brunner) mit Seidenhemdch. (diese etw. zerknittert), HLn. d. Zt., berieb., Kanten u. Ecken leicht bestoß., Vorsatzpapier etw. fleckig, Taf. tlw. etw. stockfleck., zumeist im weissen Rand. Ohne das Textheft. Nebehay/W. 903. - Die hier vollständig vorliegende Serie besteht aus dem (mitgez.) allegorischen Titelblatt sowie den Ansichten "Gruben-Eingang" (im Hintergrund die Wallfahrtskirche am Dürnberg), "Rutschpartie im obern Theil", "Seefahrt im Innern des Berges", "Rutschpartie im untern Theil" und "Gruben-Ausfahrt".
rif. 56973Paris, Fleurus, 1994, gd. In-4, cartonnage couv. photos coul. éd., 78 pp., papier glacé, très nb. Photos en coul. et dessins en noir, La création de santon en pâte à sel ; sa technique et ses motifs. Originale. Pas courant Très bon état
2016rif. G0816532370I4N00University of Arizona Press 2016. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. University of Arizona Press hardcover
rif. 0816555281.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0816532370.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 49791862like new. unknown
1812rif. 27080London: William Miller 1812. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman 1812'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images. Abbey Travel II 515 no.5. William Miller unknown
1809rif. 17298London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images. Abbey Travel II 515 no.5. William Miller unknown
1812rif. 27080London: William Miller 1812. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman 1812'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images. Abbey Travel II 515 no.5. William Miller unknown books
1809rif. 17298London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. View of the British colonial island St. Helena prior to its becoming Napoleon's last residence Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Ceylon and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and the artistry displayed by both Salt and his engravers is in many cases more than a match for the Daniell's images. Abbey Travel II 515 no.5. William Miller unknown books
1848rif. 19077Paimboeuf Fetu 1848 in-8 broché un Journal Mensuel, broché (paperback) in-octavo, dos muet, sans illustration (no illustration), pagination à l'année (de la page 210 à la page 241) 32 pages, Juin 1848 à Paimboeuf Imprimerie Eugène Fetu pour "Le Saunier" Editeur,
