2 843 résultats
1816réf. 15180Philadelphia: M. Carey 1816. FIRST AMERICAN EDITION. With 1 folding map. Contemporary calf worn rebcked; interior lightly browned due to paper stock. Overall a very good copy. First American edition first printed in London 1814. A voyage to Abyssinia was produced after Salt’s second trip to Ethiopia. This travelogue provides detailed descriptions of material culture and social customs of Ethiopia and surrounding territories. He even includes vocabulary lists of languages spoken along the African coast spanning from Mozambique to Egypt. Undertaken on behalf of the British Government he opens his dedication to the Prince Regent with the request that His Royal Highness support advancement of the Christian religion in that territory. Originally trained as an artist Salt 1780–1827 was a diplomat and Egyptologist. He first traveled to Ethiopia in 1805 to establish a British relationship with the Ras of Tigre and returned again in 1809 for two years. Salt traveled extensively and collected antiquities which now form part of the British Museum the Sir John Soane Museum in London and the Louvre. M. Carey unknown
1809réf. 9205London: William Miller 1809. Hand-coloured aquatint engraving by J. Bluck after Henry Salt on wove paper. A lyrical South African view from the 'Roode Zand' Red Sand Pass inland from the Cape of Good Hope. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited the Cape India Sri Lanka and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and displays great artistry by both Salt and his engravers. Abbey Travel II 515 no.3. William Miller unknown books
1809réf. P2777London: William Miller Albemarle c. 1809. Very good condition. Notes: A superb panoramic scene in South Africa with beautiful original hand-colouring from the early 19th century by Henry Salt and I. Bluck. Image Size : 457x595 mm 17.99x23.43 Inches Platemark Size : 480x647 mm 18.90x25.47 Inches Paper Size : 495x675 mm 19.49x26.57 Inches Coloring: Original Hand Coloring Medium: Aquatint Categories: Views Africa Others; William Miller Albemarle unknown
réf. 59744William Miller London May 1st. 1809. . A magnificent original hand-coloured aquatint excellent condition with radiant colouring and full margins. Dimensions: 480 x 650mm. 19 x 25.50 inches. For "Twenty-Four Views in St Helena The Cape India Ceylon The Red Sea Abyssinia and Egypt". The drawings for this highly collectable work were executed when Salt accompanied Viscount Valentia later Lord Mountnorris on a series of diplomatic missions to the regions. The mission to Abyssinia in 1805 was the first of its kind fearing that Napoleonic France was about to seize Egypt the two British envoys set out to make a pact with the local Ras that would secure the control of Maggs a port on the Red Sea. William Miller, London May 1st. 1809. unknown
1809réf. 9205London: William Miller 1809. Hand-coloured aquatint engraving by J. Bluck after Henry Salt on wove paper. A lyrical South African view from the 'Roode Zand' Red Sand Pass inland from the Cape of Good Hope. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England 14 June 1780. He was destined to be a portrait-painter and on leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington R.A. and in 1800 of John Hoppner R.A. The turning point in his career was 3 June 1802 when Salt left London for an eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited the Cape India Sri Lanka and in 1805 Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and displays great artistry by both Salt and his engravers. Abbey Travel II 515 no.3. William Miller unknown
1809réf. 41444London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. A view of Lucknow showing the famous Asafi Mosque. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England on 14 June 1780. He was determined to become a portrait-painter and upon leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London to study with Joseph Farington R.A. and then with John Hoppner R.A. in 1800. The turning point in his career was 3 June 1802 when Salt left London for an Eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Sri Lanka and Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and displays great artistry by both Salt and his engravers. The Asafi Mosque is part of the larger Bara Imambara complex which was commissioned by Nawab Asaf-ud-Daula the fourth Nawab of Awadh in 1784 and was completed in 1791. The Asafi Mosque follows the Mughal architectural style characterized by grand arches domes and intricate designs. The mosque is a prominent example of the cultural and artistic heritage of the region during the Nawabi era. Abbey Travel II 515 no.3. William Miller unknown books
1809réf. 41444London: William Miller 1809. Hand-coloured aquatint engraving by D. Havell after Henry Salt on wove paper watermark 'J Whatman'. A view of Lucknow showing the famous Asafi Mosque. Henry Salt artist traveller diplomat and collector of antiquities was born at Lichfield Staffordshire England on 14 June 1780. He was determined to become a portrait-painter and upon leaving school was taught drawing by Glover the watercolour-painter of Lichfield. In 1797 he went to London to study with Joseph Farington R.A. and then with John Hoppner R.A. in 1800. The turning point in his career was 3 June 1802 when Salt left London for an Eastern tour with George viscount Valentia afterwards Lord Mountnorris whom he accompanied as secretary and draughtsman. He visited India Sri Lanka and Abyssinia returning to England on 26 Oct. 1806. He made many drawings some of which served to illustrate Lord Valentia's Voyages and Travels to India published in 1809. The present image is from a work titled Twenty-four Views in St. Helena the Cape India Ceylon the Red Sea Abyssinia and Egypt published by William Miller with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work Oriental Scenery 1795-1808 and displays great artistry by both Salt and his engravers. The Asafi Mosque is part of the larger Bara Imambara complex which was commissioned by Nawab Asaf-ud-Daula the fourth Nawab of Awadh in 1784 and was completed in 1791. The Asafi Mosque follows the Mughal architectural style characterized by grand arches domes and intricate designs. The mosque is a prominent example of the cultural and artistic heritage of the region during the Nawabi era. Abbey Travel II 515 no.3. William Miller unknown
1866réf. 22020London: John Churchill 1866. First Edition. Original publisher's green cloth. Fine unopened copy. 8vo 2 xxii inserted errata slip 1 - 206 2 34 pp. inserted catalog dated May 1866 Frontispiece & 19 partially color and tinted plates and 7 inserted leaves of subscriber's names lithographically printed recto only. The author was not a physician but a "mechanician" in Birmingham. The book offered here is his analysis of the systems foreign and domestic of mechanical corrections for orthopedic deformities. John Churchill hardcover books
réf. 0265799767.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994réf. 621655New York: Dial Books for Young Readers 1994. Hardcover. Fine/Fine. First edition. Oblong quarto. Fine in a fine dust jacket. Signed by the authors and illustrator. Dial Books for Young Readers hardcover books
1994réf. 621655New York: Dial Books for Young Readers 1994. Hardcover. Fine/Fine. First edition. Oblong quarto. Fine in a fine dust jacket. Signed by the authors and illustrator. Dial Books for Young Readers hardcover
1994réf. Q-0803713606Dial Books 1994-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Dial Books hardcover
1980réf. KOS01600408TBD 1980. Soft Cover. Fine. KOS01600408 TBD paperback
1983réf. 2091202133213035private version 1983. Soft Cover. Fine. Volume: 1 private version paperback
1960réf. 2110502150311241Federation of Kagawa Salt Industry Associations 1960. Soft Cover. Fine. Volume: 1 Federation of Kagawa Salt Industry Associations paperback
réf. 1023614723.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1907réf. 49287Los Angeles: San Pedro Los Angeles & Salt Lake Railroad 1907. 1907. First edition. 3 3/4" circular wrappers in the shape of an orange. A view book from the Salt Lake Route showing and describing destinations in Southern California to include San Bernardino and Arrowhead Mountain; Riverside Redlands the King of Bridges located west of Riverside Ontario Pomona Pasadena Los Angeles Long Beach San Pedro Island etc. Wrappers lightly soiled. In residue to top edge of first 20pp. Interior 20 pages loose from staple. San Pedro, Los Angeles & Salt Lake Railroad, 1907. unknown
réf. 0530078392.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1024948137.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1358045739.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1104001861.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994réf. ABE-1493749772208POESIE ET PHOTOGRAPHIES DE J.PENEAU-PHOTOGRAPHIE NOIR ET BLANC EN COUVERTURE-ENVOI DE L'AUTEUR SUR 9P-46 PAGES-15,7 CM X 21 CM-(9C)
1959réf. 137073Los Angeles: Twentieth Century-Fox 1959. First Draft script for the 1959 film "A Private's Affair" here under the working title "The Love Maniac." One of the last films of film noir great director Raoul Walsh. Based on a story by Ray Livingston Murphy. Luigi a young Sal Mineo Jerry Coe and Mike Gary Crosby are in boot camp when they are presented with a chance to represent their Army unit on national television. The three meet the opportunity where they sing and dance in a competition and meet three alluring young women Barbara Eden Terry Moore and Christine Carere. Set in Long Island. Blue titled wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper rubber-stamped copy No. 50 dated January 21 1959. Distribution page present with receipt intact. Title page present dated January 21 1959 noted as First Draft Screenplay with a credit for screenwriter Miller. 123 leaves with last page of text numbered 121. Multilith duplication with blue revision pages throughout dated 1/21/59. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
1959réf. 137073Los Angeles: Twentieth Century-Fox 1959. First Draft script for the 1959 film "A Private's Affair" here under the working title "The Love Maniac." One of the last films of film noir great director Raoul Walsh. Based on a story by Ray Livingston Murphy. Luigi a young Sal Mineo Jerry Coe and Mike Gary Crosby are in boot camp when they are presented with a chance to represent their Army unit on national television. The three meet the opportunity where they sing and dance in a competition and meet three alluring young women Barbara Eden Terry Moore and Christine Carere. Set in Long Island. Blue titled wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper rubber-stamped copy No. 50 dated January 21 1959. Distribution page present with receipt intact. Title page present dated January 21 1959 noted as First Draft Screenplay with a credit for screenwriter Miller. 123 leaves with last page of text numbered 121. Multilith duplication with blue revision pages throughout dated 1/21/59. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown
réf. ria9781908916266_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback