6.070 resultados
1974ref. 166113N.p.: N.p. 1974. Five vintage transparencies from the 1974 film. Mel Brooks' slapstick homage to the Western in which an escaped African-American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge shot on location in California. 5 x 4 inches. Near Fine. National Film Registry. N.p. unknown books
ref. 006578Vermont: The Artist Print. Near Fine. No Binding. SIGNED BY ARTIST. 19 3/4" x 24 1/4". No Date circa pre-1976. "Saddleback" lithograph print pencil SIGNED by artist lower right # 159/260 copies printed. Print size 19 3/4" x 24 1/4" image size 13 5/8" x 18" taped in mat at top edge mat size 21" x 25 3/4". Near Fine faint marginal creases visible from verso hidden by mat from the front. Mel Hunter was best known for his science fiction illustrations for Isaac Asimove and Robert A. Heinlein and a successful career in scientific illustration. Hunter moved to Vermont in 1967 and began creating lithographs of the surrounding Vermont countryside. In 1976 after accidental damage to his limestone lithographic drawing Hunter began using mylar as a medium for his lithography. thus dating this print from 1967-1976. The Artist unknown
ref. 006578Vermont: The Artist Print. Near Fine. No Binding. SIGNED BY ARTIST. 19 3/4" x 24 1/4". No Date circa pre-1976. "Saddleback" lithograph print pencil SIGNED by artist lower right # 159/260 copies printed. Print size 19 3/4" x 24 1/4" image size 13 5/8" x 18" taped in mat at top edge mat size 21" x 25 3/4". Near Fine faint marginal creases visible from verso hidden by mat from the front. Mel Hunter was best known for his science fiction illustrations for Isaac Asimove and Robert A. Heinlein and a successful career in scientific illustration. Hunter moved to Vermont in 1967 and began creating lithographs of the surrounding Vermont countryside. In 1976 after accidental damage to his limestone lithographic drawing Hunter began using mylar as a medium for his lithography. thus dating this print from 1967-1976. The Artist unknown books
1724ref. 60859Frankfurt & Leipzig Bertram Cramer 1724 & 1720 4to. In contemporary full calf with five raised bandes and gilt ornamentation to spine. Wear to extremities spine with repairs and most of gilting worn off. A few plates with tears with internally generally nice and clean. 12 192 16 pp. frontispiece and 13 plates out of 14; 24 96 294 14 pp. frontispiece and 9 plates out of 10. Conrad Mel was a reformed theologian who lived from 1666 to 1733. He served as a court preacher and professor in Königsberg before returning to his hometown of Bad Hersfeld in Hesse Germany in 1705. In Bad Hersfeld he held positions as a church inspector and later as the rector of the local Gymnasium. Mel was known for his pedagogical views influenced by August Hermann Francke. His works was translated into several into several languages. unknown
1724ref. 60859Frankfurt & Leipzig, Bertram Cramer, 1724 & 1720) 4to. In contemporary full calf with five raised bandes and gilt ornamentation to spine. Wear to extremities, spine with repairs and most of gilting worn off. A few plates with tears with internally generally nice and clean. (12), 192, (16) pp. + frontispiece and 13 plates (out of 14) (24), 96, 294, (14) pp. + frontispiece and 9 plates (out of 10).
ref. Biblio998877778900Brand new hardcover
2000ref. 63913Acatos Pub. Near Fine in Near Fine dust jacket. 2000. First. Hardcover. 2940033366 . Housed in original pictorial slipcase. Color plates. Foreword by Dina Vierny.; 9 X 1.75 X 13 inches; 445 pages . Acatos Pub hardcover
ref. Bloomsbury-9781611491883University of Delaware Press. Hardback. New. 318 pages University of Delaware Press hardcover
ref. Bloomsbury-9781611491883University of Delaware Press. Hardback. New. 318 pages University of Delaware Press hardcover
1994ref. C102614London 1994. Very Good. 3 x hand written signed letters 1994 The Cartoon Gallery and 'The Workshop & Mel Coleman Ltd.' headed paper the latter hand-drawn./ 3 x original artwork; doodles and delightful scribbles: ""To Fritz with love from Mel"" catering type of paper cut to an arrow shape with 'little man' scribbles describing Calman's evolution from very early to very old; ""it's not as gloomy as my mother used to makeÉ"" thank you note for supper with a cartoon of a man facing a bowl of 'chicken gloom' and a couple of glasses of wine; printed cartoon card'attractive man seeks lovely lady with sincere bank account' overlaid with hand-written notes in pencil ""beautiful young virgin."" and colour wash brushstroke scribbles. / 1 x printed Cartoon Gallery Christmas Party invitation/ 7 x printed cartoon cards unused with typically amusing captions including ""It must be Art à the Arts Council have bought itÉ""/ 1 x printed cartoon card unused signed and with a tiny 'Little Man' doodle in green ink /1 x written note signed 'Debby' on a printed cartoon note card/ 1 x cartoon booklet 'You're not ArtÉ A Collection of Calmans' posthumously published with an introduction by Claire Calman Black and white photograph of Mel callman contents include many of his cartoons and contributions from authors such as Posy Simmonds and his final partner of 10 years Deborah Moggach./ Fritz Wegner 1924Ã2015 was an Austrian-born illustrator resident in the United Kingdom from 1938./Melville Calman 1931Ã1994 was a British cartoonist best known for his ""little man"" cartoons published in British newspapers including the Daily Express 1957Ã63 The Sunday Telegraph 1964Ã65 The Observer 1965-6 The Sunday Times 1969Ã84 and The Times 1979Ã94 Very good indeed. unknown
2010ref. Adhya-9780521190534CAMBRIDGE UNIVERSITY PRESS 2010. HB. New. CAMBRIDGE UNIVERSITY PRESS hardcover
2010ref. Adhya-9780521190534CAMBRIDGE UNIVERSITY PRESS 2010. HB. New. CAMBRIDGE UNIVERSITY PRESS hardcover
2021ref. Atlantic-9781948426343Sage Publications 2021. Paperback. New. Sage Publications paperback
2021ref. Atlantic-9781948426343Sage Publications 2021. Paperback. New. Sage Publications paperback
18908vo., Revised Edition, with portrait frontispiece (original tissue guard present), title-vignette, 19 plates and numerous illustrations in the text; navy diced cloth, black endpapers, expertly rebacked with old backstrip gilt laid down, a remarkably bright, clean, crisp copy. With the usual production errors: plate 4 (Swammerdam) is numbered 15; plate 17 (Bertrand) is numbered 13. Lorenzo Lorraine Langstroth (1810-1895), generally recognised as the father of American beekeeping and inventor of the Langstroth Hive. First published in 1853, his seminal work 'The Hive and Honey-Bee' quickly ran to several editions before ill-health in 1885 compelled the author to pass revision of the work to Chas Dadant, whose revised and enlarged edition was first issued in 1888. ALL EARLY PRINTINGS ARE EXTREMELY SCARCE, ESPECIALLY WHEN COMPLETE AND IN THIS CONDITION.
1984ref. 166548N.p.: N.p. 1984. Revised Draft script for the 1984 film with rainbow revision pages. Copy belonging to first assistant director Ron Bozman with his name on a revision page in manuscript ink and his annotations in manuscript pencil on several pages. Based on the true story of brothers Jack and Ed Biddle who broke out of Allegheny County jail in 1901 with the help of the warden's wife who fell in love with Ed. Set in Pittsburgh shot on location in Mulmur Ontario in Wisconsin and in Pittsburgh. Lacking wrappers and title page. 136 leaves with last page of text numbered 114. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 7 and February 22 1984. Pages Very Good plus bound with two gold brads. N.p. unknown
1984ref. 166548N.p.: N.p. 1984. Revised Draft script for the 1984 film with rainbow revision pages. Copy belonging to first assistant director Ron Bozman with his name on a revision page in manuscript ink and his annotations in manuscript pencil on several pages. Based on the true story of brothers Jack and Ed Biddle who broke out of Allegheny County jail in 1901 with the help of the warden's wife who fell in love with Ed. Set in Pittsburgh shot on location in Mulmur Ontario in Wisconsin and in Pittsburgh. Lacking wrappers and title page. 136 leaves with last page of text numbered 114. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 7 and February 22 1984. Pages Very Good plus bound with two gold brads. N.p. unknown books
1971ref. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1971ref. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1982ref. 170265Los Angeles: Twentieth Century-Fox / Brooksfilms 1982. Final Draft script for the 1983 film. A remake of the classic 1942 Ernst Lubitsch film starring Carole Lombard and Jack Benny about a troupe of actors in Nazi-occupied Warsaw who use their costumes to aid the resistance effort. Nominated for an Academy Award for Best Supporting Actor for Charles Durning. Red titled Twentieth Century-Fox wrappers dated October 1982. Title page present dated October 1982 noted as FINAL DRAFT with credits for screenwriters Thomas Meehan and Ronny Graham. 152 leaves with last page of text numbered 147. Xerographic duplication on eye-rest green stock rectos only with blue revision pages throughout dated 11/5/82. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox / Brooksfilms unknown
1982ref. 170265Los Angeles: Twentieth Century-Fox / Brooksfilms 1982. Final Draft script for the 1983 film. A remake of the classic 1942 Ernst Lubitsch film starring Carole Lombard and Jack Benny about a troupe of actors in Nazi-occupied Warsaw who use their costumes to aid the resistance effort. Nominated for an Academy Award for Best Supporting Actor for Charles Durning. Red titled Twentieth Century-Fox wrappers dated October 1982. Title page present dated October 1982 noted as FINAL DRAFT with credits for screenwriters Thomas Meehan and Ronny Graham. 152 leaves with last page of text numbered 147. Xerographic duplication on eye-rest green stock rectos only with blue revision pages throughout dated 11/5/82. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox / Brooksfilms unknown books
1969ref. 148816Los Angeles: Herald Productions 1969. Collection of 20 vintage reference photographs from the 1969 film. Director Robert Downey Sr. one of the most irreverent and anarchic underground filmmakers of the 1960s simultaneously satirizes race politics and consumerism at the end of a decade of rapidly evolving American culture. The film follows Putney Swope the only African American man on the executive board of an advertising firm who is accidentally given control of the company after the sudden death of the previous chairman. Renaming the business Truth and Soul Inc. Swope replaces all but one of the white employees with black radicals and insists they no longer accept business from companies that produce alcohol war toys or tobacco. Set and shot on location in New York. 10 x 8 inches. Strong Very Good plus. National Film Registry. Herald Productions unknown
1969ref. 148816Los Angeles: Herald Productions 1969. Collection of 20 vintage reference photographs from the 1969 film. Director Robert Downey Sr. one of the most irreverent and anarchic underground filmmakers of the 1960s simultaneously satirizes race politics and consumerism at the end of a decade of rapidly evolving American culture. The film follows Putney Swope the only African American man on the executive board of an advertising firm who is accidentally given control of the company after the sudden death of the previous chairman. Renaming the business Truth and Soul Inc. Swope replaces all but one of the white employees with black radicals and insists they no longer accept business from companies that produce alcohol war toys or tobacco. Set and shot on location in New York. 10 x 8 inches. Strong Very Good plus. National Film Registry. Herald Productions unknown books
ref. 331044Unbound. Very Good. Approximately 12" x 15.5" Pen and wash drawing on artist's board. Undated circa 1950. Attractive woman "sings" an admonition to read the column. One corner chipped "The New York Amsterdam News" has been supplied in newsprint and space has been left for whatever the current column would be very good. Tapley was an editor and artist for the African-American newspaper. unknown
ref. 331044Unbound. Very Good. Approximately 12" x 15.5" Pen and wash drawing on artist's board. Undated circa 1950. Attractive woman "sings" an admonition to read the column. One corner chipped "The New York Amsterdam News" has been supplied in newsprint and space has been left for whatever the current column would be very good. Tapley was an editor and artist for the African-American newspaper. unknown books
