1988ref. 333815New York: Abrams 1988. First. hardcover. fine/very good. Guimard Hector. Illustrated with 165 photographs by Felipe Ferre including 89 in full color. 224 pages. Tall 4to red-lettered green cloth d.w. untorn but slightly mis-aligned in production so that spine lettering is off-center. New York: Abrams 1988. First edition in English. A fine copy in a very good dust wrapper. Abrams unknown books
ref. 201266394X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985ref. 0088365New York: Harry N. Abrams 1985. First printing. Hardcover. Near Fine/Very Good . Large quarto cloth in dust jacket heavily illustrated some in color clean unmarked text near fine copy in very good dust jacket discoloration to the dust jacket at the spine. Dust jacket housed in archival dust jacket protector. Harry N. Abrams hardcover
1994ref. 208990Munich Germany: Gina Kehayoff 1994. First edition. Softcover. Features a long text by Serge Bramly translated into English by Paul Gould. A collection of color photographs by Rheims of women in various states of undress. A clean very near fine copy in photo-illustrated wrappers. Gina Kehayoff unknown
1999ref. Nc7E-425aSchirmer Books 1999-12-30. First Edition. Paperback. Very Good. 11x9x0. A nice hardcover copy in glazed pictorial boards with a tight binding and an unmarked text.From a private smoke free collection. Issued without a dust jacket.Shipping within 24 hours tracking number and delivery confirmation. Schirmer Books paperback
1988ref. 333815New York: Abrams 1988. First. hardcover. fine/very good. Guimard Hector. Illustrated with 165 photographs by Felipe Ferre including 89 in full color. 224 pages. Tall 4to red-lettered green cloth d.w. untorn but slightly mis-aligned in production so that spine lettering is off-center. New York: Abrams 1988. First edition in English. A fine copy in a very good dust wrapper. Abrams unknown
1977ref. 386217London : Thames and Hudson 1977. 1st edition. Hardcover. Provenance: Bookplate of John Francis Ashby. Fine cloth copy in a good if somewhat edge-torn and dust-dulled dust-wrapper. Remains particularly and surprisingly well-preserved; tight bright clean and strong. Physical description; 430 pp. illustrations some col ports 31 cm. Notes; Translation of: 'La sculpture au XIXe siècle'. Paris : Arts et métiers graphiques' 1972. Contents; Neoclassicism -- Romanticism -- David d'Angers -- Realism or Postivist Art -- Carpeaux -- Symbolism -- Pre-Raphaelites; Art Nouveau -- Art in fusion: Rodin and his disciples -- The eve of the twentieth century; Expressionism; the return to the Greeks -- The world of work -- Historical and military subjects -- Sculpture in the streets -- Decorative sculpture -- Portraits -- Caricature -- Animal sculpture -- Sculpture and religion -- Funerary art -- Sensualism -- Kitsch -- The unusual; the bizarre -- Precious materials.Subjects; Sculpture Modern 19th century Europe. Rodin Auguste 1840-1917. Pre-Raphaelites. Kitsch Art. Funerary sculpture. London : Thames and Hudson hardcover
2012ref. DADAX2012752160Hachette Livre - BNF 2012-06-01. paperback. New. 6.14x1.38x9.21. Buy with confidence. Excellent Customer Service & Return policy. Hachette Livre - BNF paperback
ref. B9781168463395New. unknown
1994ref. 37739Gina Kehayoff Couverture rigide toile Munich 1994
ref. 0265873290.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. QWA-21198Cahors, Imprimerie A. Coueslant, 1954, in-8 br. (16 x 24), 316 p., 1ère édition, ill. 9 gravures h.-t., 1 planche dépl. in-fine, bon état.
1885ref. 4965Reims, F. Michaud, 1885. In-8 (165 x 252 mm), (3) ff., 314 pp., quelques pl. gravées sur bois, broché sous couvertures imprimées, étiquette d'ex-libris contrecollée sur premier feuillet blanc, dos et première de couverture insolés, manques importants à la quatrième de couverture, en partie non-coupé, rares rousseurs, bon exemplaire.
1999ref. 19499ed. Galilee 1999 in-8 br., le recit d’une quête, celle de l’acteur Charles DENNER, edition originale, ex. numerote sur verge ivoire enrichi d’un portrait de C.D. par Charles MATTON (seul grand papier) signe par l’auteur et le peintre, non coupe
2014ref. 203639Gottingen: Steidl 2014. Rilegato tela sovracoperta cloth dust jacket. Perfetto Mint. Fotografie a colori a piena pagina di Bettina Rheims. Allegato il cd "Sound" design di Frederic Sanchez. 4to cm 35x26. pp. 74. Perfetto Mint. Prima edizione First Edition. Vent'anni dopo Modern Lovers un corpus di opere su androginia e transgender creato quando l'Aids era al suo apice Bettina Rheims presenta ora Gender Studies. Alla luce degli attuali controversi dibattiti sulla teoria di genere i modelli della Reims mostrano con coraggio di aver messo in discussione modificato e celebrato la loro propria identità. Bettina Rheims: ". These boys and girls were brave enough to question their identity to the point of modifyng it. It is a long and painful journey i thank them for sharing these presious moments with me". Steidl, hardcover
ref. 0282915869.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 6394783909Papeback. New. pp. 322 unknown
ref. 208068373X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. LFA-126713702Un ouvrage de 236 pages, format 210 x 297 mm à l'italienne
ref. 0666840482.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0366542788.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0428565050.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 62659Schirmer Mosel 2007. Hardcover 133 pages ENG. edition 370 x 300 x 20 mm Large Format dustjacket In Very Good Condition. Full Page Sharp Coloured Photographs . ISBN 9783829602983. The skin of women who have been scratched mistreated and loved - loved too much. Women who are very real. The cold artificial light of a studio like the light that bathed the artists' studios of the nineteenth century. In the center is a big rock made of papier-mache at once base pedestal and sculptor's stool. Haute couture dresses that have been torn abused and recomposed - tragic and sublime just like the Heroines who wear them. By playing on these four elements. Bettina Rheims transcends portrait fashion and nude photography and touches on something more secret and intimate - something painful amorous and captivating that comes more from the soul than from the body. . Schirmer Mosel 2007 hardcover
ref. 2012551483.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback