Michel AngeLivre Rare Book
3 443 résultats
1942réf. R320163137Boivin & Cie. 1942. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 81 pages - couverture à 3 rabats - légères rousseurs sur les plats - quelques illustrations en noir et blanc hors texte.. . . . Classification Dewey : 94.4-Editions numérotées
réf. BN371312Le Temps du Train: 175 ans de chemins de fer en Belgique History 4 Le Temps du Train: 175 ans de chemins de fer en Belgique History 4 Van Meerten Michelangelo; Van der Herten Bart and Verbeurgt Greta unknown
réf. 187438S.l. [Rome], s.d. (1848) in-4 carré, [12] ff. n. ch., réglés, couverts d'une écriture fine et lisible (environ 30 lignes par page), demi-veau tabac, dos lisse, pièce de titre cerise en long (reliure de l'époque). Dos frotté.
réf. 2091-08Venezia Presso Simone Occhi 1778. Edizione terza Riveduta ed accesciuta di alcune dissertazioni oltre le due appartenenti alla venura del Messia. 2 vols. 8°. XXIV 296; 324 S. Mit Titel- u. Textvign. Kart. d. Zt. Der Franziskaner Michelangelo Carmeli 1706-1766 war Professor für orientalische Sprachen an der Universität in Padua. Venezia, Presso Simone Occhi 1778. unknown
CORPUS DEI DISEGNI DI MICHELANGELO di Charles De Tolnay. Presentazione di M. Salmi Ist. geografico De Agostini Novara 1975 - 1980. Opera completa di 4 voll. Vol. I° catalogo tavole ill. 174 pp. 1261. Vol. II° pp. 110. Ill. catalogo tavv. (175-376). Vol. III° pp. 110. Ill. catalogo tavv. (376-488). Vol. IV° disegni architettonici pp. 138 Ill. catalogo tavv. (489-634) Bella ediz. di pregio. cm 32x44 Leg. mz. pelle con nervi titoli e fregi oro al dorso. Ogni vol. cofanetto cart. in tela. Nuovi.
1869réf. R103044Paris, Louis Vives 1869 Complet en 6 tomes: xxxiii,480 + 510 + 512 + 490 + 501 + 496 pp. orné de 60 gravures hors-texte par M. Céroni, 2e édition (avec une introduction, des notes et des éclaircissements historiques par Eugène Veuillot), 22cm., reliures cart. uniformes (plats marbrés, dos en cuir avec titre doré), feuilles de garde marbrées, qqs. pages du t.3 peu tachées, peu de rousseurs, bon état, poids: 4.4kg., R103044
1824réf. 37651824 1824 Chez Perisse frères, à Lyon / Chez Méquignon junior, à Paris, 182410 volumes in-8 demi basane brune, dos lisse ornéReliures frottées
1850réf. R120581Roma, G. A. Bertinelli 1850 Complete work in 3 volumes, bound in one physical volume, 168 + 143 + 181pp. with together 102 portraits out of text engraved by Luigi Cunego and Giuseppe Mochetti, engraved vignet on each of the three title pages, 24cm., text in Italian, contemporary hardcover binding (marbled boards, spine in brown leather, joints intact but somewhat fragile, corners and edges with some use), marbled endpapers, text and interior are clean and bright with only few light occasional foxing, with 3 ex-libris on first title page of vol.I, good condition, weight: 1.3kg., [Specific content: volume I: Sublimati alle dignita ecclesiastiche dal 1581 al 1804 (41 portraits + 1 frontispiece) // II: Sublimati alle dignita ecclesiastiche dal 1804 al 1850 (29 portraits) // III: Meritevoli e rinunzianti a dignita ecclesiastiche dal 1570 al 1850 (32 portraits)], R120581
2012réf. x-1441179143Continuum Intl Pub Group 2012. Hardcover. New. 1st edition. 256 pages. 10.00x7.00x1.00 inches. Continuum Intl Pub Group hardcover
1966réf. 5202New York. George Braziller. n.d. 1966 Bound in 1/2 brown morocco and cloth covered boards.Raised bands. Gilt titles.Original cloth and paper slipcase. Thick Folio. Illustrated with facsimile plates of the artist's drawings most fold-out and tissue guarded. A lovely and concise compilation of Michelangelo's drawings handsomely presented. Mild wear to spine else Fine in scuffed but Very Good slipcase. George Braziller. hardcover
1966réf. 5202New York. George Braziller. n.d. 1966 Bound in 1/2 brown morocco and cloth covered boards.Raised bands. Gilt titles.Original cloth and paper slipcase. Thick Folio. Illustrated with facsimile plates of the artist's drawings most fold-out and tissue guarded. A lovely and concise compilation of Michelangelo's drawings handsomely presented. Mild wear to spine else Fine in scuffed but Very Good slipcase. George Braziller. hardcover books
1973réf. 98895Long Island City NY: Ediciones y Publicaciones Hispanoamericanas Inc. 1973. 1973. Very good. - Quarto 12-5/8 inches high by 9-1/2 inches wide. Softcovers two issues each bound in color pictorial stapled wraps. The covers are very slightly soiled with minor chips to the spine where stapled. There are very minor creases to the edges. 65 & 3 pages including the covers; and 64 & 4 pages including the covers. Both issues are illustrated in color and black & white including profuse depictions of Pablo Picasso and his art work. Very good. The first issue of May 5-11 1973 Volume 2 Number 30 is devoted to the Picasso Museum of Barcelona "El Mejor 'Museo Picasso' del Mundo: BARCELONA". The Barcelona museum has the second largest collection of Picasso paintings in the world only after the Picasso Museum in Paris. It specializes in the early years of Picasso in Spain. This issue publishes articles from the World press on the death of Picasso. Included are articles by Miguel Angel Gozalo Alfonso Barra Eugenio Montes and Andres Travesti. The 11 page article on the Museo Picasso is written by Teresa Toda and is profusely illustrated in color and black & white. The second issue of May 12-18 1973 Volume 2 Number 31 is devoted almost entirely to Picasso and is profusely illustrated in color and black & white. Picasso was a contributor to the Sunday Supplement of "ABC de Madrid". This issue reprints one of his articles where he narrates his life experience and his opinions on the new generation of young people "Picasso Cuenta Cosas de Picasso". There is a lengthy article on Picasso by Salvador de Madariago a 6-page "Galeria Picasso" and an article on Picasso's daughter Paloma and her mother Francoise Gilot. There is a pictorial article "Picasso y sus Contrastes" illustrated in color and black & white. There is also a section on women and Picasso "Las Mujeres y Picasso" containing "Interrogatorio a Picasso" by Jose Maria Peman and an article by Javier Rubio. "Iconografia de Picasso" is a pictorial article illustrated in color and black & white. A concluding article by Jose Camon Aznar is titled "Picasso en su Final". The text is in Spanish. RARE. Long Island City, NY: Ediciones y Publicaciones Hispanoamericanas Inc., (1973). paperback
1963réf. mon0000018009Stanford Univ. Press 1963. Hardcover. Good. Slipcase shows some light rubbing scuffing and edge chipping and wear. Books themselves have wax paper dust jackets which show some moderate browning scuffing and edge chipping. Books themselves show some light shelf and edge wear. Stanford Univ. Press hardcover
réf. Bloomsbury-9780755656486I.B.Tauris. Hardback. New. 248 pages I.B.Tauris hardcover
réf. Bloomsbury-9780755656486I.B.Tauris. Hardback. New. 248 pages I.B.Tauris hardcover
2019réf. x-1138541354Routledge 2019. Hardcover. New. 314 pages. 9.50x6.25x1.00 inches. Routledge hardcover
1986réf. SONG019503676XOXFORD UNIVERSITY PRESS 1986-01-02. First Edition. hardcover. Used: Good. 5.75x0.94x8.50. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
réf. 51406681-nnew. unknown
réf. 9781629481494NOVA SCIENCE PUBLISHERS INC
1998réf. 3115643New York: Marsilio Publishers. Fine with no dust jacket. 1998. First Edition; First Printing. Softcover. 156886051X . First American edition. A trade-size paperback original. Fine in pictorial printed wrappers. Out-of-print and hard to locate. ; 8vo 8" - 9" tall; 233 pages . Marsilio Publishers. paperback
1976réf. 134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe." 11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown
1976réf. 134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe." 11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown books
1961réf. 159920N.p.: N.p. 1961. Three vintage borderless reference photographs from the 1961 Italian film. Stamp of photographer Paul Ronald on the versos of two photographs. The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." Set and shot on location in Milan. 9.25 x 7.5 inches. Near Fine. Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown
1961réf. 159920N.p.: N.p. 1961. Three vintage borderless reference photographs from the 1961 Italian film. Stamp of photographer Paul Ronald on the versos of two photographs. The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." Set and shot on location in Milan. 9.25 x 7.5 inches. Near Fine. Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown books
réf. 47357592-nnew. unknown
