Michelangelo GuidaBiblio.com
3 455 résultats
réf. Bloomsbury-9780755656486I.B.Tauris. Hardback. New. 248 pages I.B.Tauris hardcover
2019réf. x-1138541354Routledge 2019. Hardcover. New. 314 pages. 9.50x6.25x1.00 inches. Routledge hardcover
réf. 51406681-nnew. unknown
réf. 9781629481494NOVA SCIENCE PUBLISHERS INC
1998réf. 3115643New York: Marsilio Publishers. Fine with no dust jacket. 1998. First Edition; First Printing. Softcover. 156886051X . First American edition. A trade-size paperback original. Fine in pictorial printed wrappers. Out-of-print and hard to locate. ; 8vo 8" - 9" tall; 233 pages . Marsilio Publishers. paperback
1976réf. 134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe." 11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown
1976réf. 134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe." 11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown books
1961réf. 159920N.p.: N.p. 1961. Three vintage borderless reference photographs from the 1961 Italian film. Stamp of photographer Paul Ronald on the versos of two photographs. The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." Set and shot on location in Milan. 9.25 x 7.5 inches. Near Fine. Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown
1961réf. 159920N.p.: N.p. 1961. Three vintage borderless reference photographs from the 1961 Italian film. Stamp of photographer Paul Ronald on the versos of two photographs. The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." Set and shot on location in Milan. 9.25 x 7.5 inches. Near Fine. Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown books
réf. SONG3822830550Used: Good unknown
réf. 47357592-nnew. unknown
réf. 8434456672-11-1Editorial Ariel. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Editorial Ariel unknown
1978réf. 246501978. Original Art. Original art for the story El Cobra: Tres Hijos del Diablo originally published in the comic magazine Corto Maltes. Pencil and ink on paper. Condition is near fine with two small pieces of tape on the back. ; 30 x 40 cm. unknown
1978réf. 246511978. Original art. Original art for the story El Cobra: Tres Hijos del Diablo originally published in the comic magazine Corto Maltes. Pencil and ink on paper. Condition is near fine with two small pieces of tape on the back. ; 30 x 40 cm. unknown
2012réf. BN69257Laluzenpapel 2012. 2012. Die ganzen Strände von Mallorca : 262 Kostbarkeiten zu entdecken 262 Kostbarkeiten zu entdecken Laluzenpapel unknown
Kritischer Katalog der gesichterten eigenhändigen Zeichnungen, der zugeschriebenen Zeichnungen und apokryphen Blätter. Mit Konkordanz zu Berenson, Frey und Thode. - Freitag 6414.
réf. 0327-Bo.J. Lithographie, auf Velin. Darstellungsgröße 37:24 cm, Blattgröße 66:45,5 cm. Mit der Adresse von Mansfeld et Comp. lith:. Vorzüglicher und vollrandiger Abdruck, im äußeren Rand etwas angeschmutzt.
1764réf. 027994Avignon, Vve Niel & Fils , 1761 (tome 2), Avignon, J.J. Niel, 1764 (tome 3) 1764 Deux volumes in-4° (250 x 200mm), [2] ff. 594 pp. [1] ff. et [2] ff. VIII 573 pp. [1] ff. Reliures en basane fauve racinée, dos à nerfs ornés, tranches rouges (reliures époque). (éraflures et quelques tâches sur les plats, auréole brune sur un plat, rousseurs, petite galerie de ver sur le bas des trois derniers feuillets du tome III, cerne brune en bordure inférieure sur plusieurs feuillets du tome II). Texte sur deux colonnes. TOME 1 MANQUANT SOIT 2 TOMES / 3. Bel exemplaire.
1969réf. 025026Tolnay, Charles de: Michelangelo. 5 vols. Princeton: Princeton University Press, 1969. I: The youth of Michelangelo. ix, 296pp plus 292 monochrome illustrations. II: The Sistine ceiling. xi, 285pp plus 412 monochrome illustrations. III: The Medici Chapel. xiii, 280pp plus 330 monochrome illustrations. IV: The tomb of Julius II. xi, 200pp plus 289 monochrome illustrations. V: The final period. Last Judgment. Frescoes of the Pauline Chapel. Last pietÃs. ix, 271pp plus 376 monochrome illustrations. Cloth. 29.5x23cms. Last Judgment. Frescoes of the Pauline Chapel. Last pietÃs. ix, 271pp plus 376 monochrome illustrations. Cloth, 29.5x23cms. 2nd printing of the 2nd revised edition. (1947). A monumental work, iscusses and illustrates all Michelangelo's paintings, frescoes, drawings and sculptures, within a biographical approach.
1969réf. 025026Tolnay, Charles de: Michelangelo. 5 vols. Princeton: Princeton University Press, 1969. I: The youth of Michelangelo. ix, 296pp plus 292 monochrome illustrations. II: The Sistine ceiling. xi, 285pp plus 412 monochrome illustrations. III: The Medici Chapel. xiii, 280pp plus 330 monochrome illustrations. IV: The tomb of Julius II. xi, 200pp plus 289 monochrome illustrations. V: The final period. Last Judgment. Frescoes of the Pauline Chapel. Last pietÃs. ix, 271pp plus 376 monochrome illustrations. Cloth. 29.5x23cms. Last Judgment. Frescoes of the Pauline Chapel. Last pietÃs. ix, 271pp plus 376 monochrome illustrations. Cloth, 29.5x23cms. 2nd printing of the 2nd revised edition. (1947). A monumental work, iscusses and illustrates all Michelangelo's paintings, frescoes, drawings and sculptures, within a biographical approach.
2017réf. 2-1634856899Nova Science Pub Inc 2017. Hardcover. New. 1st edition. 279 pages. 10.00x7.00x0.75 inches. Nova Science Pub Inc hardcover
1909réf. 32905BBStuttgart u. Leipzig. Deutsche Verlagsanstalt. 1909-17. 20 Bände. 4° zahlr. Ill. OLwd./OHlwd. Einbände mit Goldpräg., Kopfgoldschnitt, gemusterte Vorsätze. Leicht berieben und bestossen, Exlibris, teils Falz geplatzt, Bindung aber fest, gering schief gelegen, Textbräunung, Schnitt teils leicht fleckig, kleine Stempel innen.
réf. 21472Paris, Editions d'art Les Heures claires, 1973. Grand in-folio en feuilles. Texte en italien avec la traduction établie par Georges Ribemont-Dessaignes. Seize burins et bois originaux de Marc Dautry. Tirage limité à 280 exemplaires. Il a été tiré en outre 20 exemplaires d'Artiste ou de collaborateur, nominatifs et numérotés en chiffres romains. Notre exemplaire porte le numéro XII, imprimé spécialement pour le docteur J.M. E***. Il comporte un dessin original, une suite en noir sur Japon nacré et une suite en sépia sur Grand vélin d'Arches. Parfait état intérieur. Couverture rempliée portant le titre en capitales rouges. Les suites ont leur propre couverture muette rempliée. Chemise et étui de raphia japonais vert d'eau, titre rouge en long au dos de la chemise. En bon état malgré le dos insolé.
1850réf. 8618Roma: Bertinelli 1850. Tre parti in un volume di cm. 235 pp. 4 168; 4 143 1; 4 181 3. Vignetta centrale diversa per ogni frontespizio antiporta raffigurante Venanzio da Torino e 102 bei ritratti fuori testo incisi in rame da Stecher Cunego e Moschetti ciascuno protetto da velina. Legatura ottocentesca in mezza pelle dorso liscio con titoli fregi in oro e a secco. Tagli marmorizzati. Bell'esemplare a carte candide ed in ottimo stato di conservazione. Opera biografica che riporta le notizie e i ritratti dei maggiori rappresentanti dell'Ordine dei Capuccini dalla metà del '500 all'800. Non comune e molto interessante. Bertinelli unknown
