3.459 resultados
1927ref. 61849Paris G. Crès 1927 1 vol. broché in-4 (280 x 195 mm), broché, couverture illustrée rempliée, 105 pp., 296 planches de reproductions en noir hors-texte. Une déchirure au dos. Sinon en très bon état, non coupé.
1944ref. 80475Kobenhavn, G. E. C. Gad 1944. Mit einigen Abbildungen im Text und auf Tafeln. 187 S. 4to. OBrosch.
1994ref. 165610London: National Gallery 1994. First Edition. Hardcover. First Edition. Fine in a Near Fine dust jacket. National Gallery unknown books
ref. 2354230New York: Reynal and Company in association with William Morrow and Company 1966. First Edition. Large Hardcover. Near Fine/Near Fine. 15x11x2. First edition. Spine leans forward slightly a couple tiny blemishes to edges. 1966 Large Hardcover. 597 pp. 32 plates in full color numerous black-and-white reproductions throughout. "Michelangelo di Lodovico Buonarroti Simoni March 6 1475 - February 18 1564 commonly known as Michelangelo was an Italian Renaissance painter sculptor architect poet and engineer. Despite making few forays beyond the arts his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man along with his rival and fellow Italian Leonardo da Vinci. Michelangelo's output in every field during his long life was prodigious; when the sheer volume of correspondence sketches and reminiscences that survive is also taken into account he is the best-documented artist of the 16th century. Two of his best-known works the Pieta and the David were sculpted before he turned thirty. Despite his low opinion of painting Michelangelo also created two of the most influential works in fresco in the history of Western art: the scenes from Genesis on the ceiling and The Last Judgment on the altar wall of the Sistine Chapel in Rome. Later in life he designed the dome of St. Peter's Basilica in the same city and revolutionised classical architecture with his use of the giant order of pilasters. In a demonstration of Michelangelo's unique standing he was the first Western artist whose biography was published while he was alive. Two biographies were published of him during his lifetime; One of them by Giorgio Vasari proposed that he was the pinnacle of all artistic achievement since the beginning of the Renaissance a viewpoint that continued to have currency in art history for centuries. In his lifetime he was also often called Il Divino 'the divine one'. One of the qualities most admired by his contemporaries was his terribilita a sense of awe-inspiring grandeur and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in the next major movement in Western art after the High Renaissance Mannerism. Michelangelo was a profound perfectionist. If he found the tiniest flaw in one of his works he considered it ruined. Reynal and Company in association with William Morrow and Company hardcover books
ref. 2304492New York: Reynal and Company in association with William Morrow and Company 1966. First Edition. Large Hardcover. Near Fine/Very Good. 15x11x2. First edition. Near fine in very good jacket. Edge wear on jacket spine faded 1/2 inch closed tear on jacket corner. Binding tight and square pages clean bright and unmarked. 1966 Large Hardcover. 597 pp. 32 plates in full color numerous black-and-white reproductions throughout. "Michelangelo di Lodovico Buonarroti Simoni March 6 1475 - February 18 1564 commonly known as Michelangelo was an Italian Renaissance painter sculptor architect poet and engineer. Despite making few forays beyond the arts his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man along with his rival and fellow Italian Leonardo da Vinci. Michelangelo's output in every field during his long life was prodigious; when the sheer volume of correspondence sketches and reminiscences that survive is also taken into account he is the best-documented artist of the 16th century. Two of his best-known works the Pieta and the David were sculpted before he turned thirty. Despite his low opinion of painting Michelangelo also created two of the most influential works in fresco in the history of Western art: the scenes from Genesis on the ceiling and The Last Judgment on the altar wall of the Sistine Chapel in Rome. Later in life he designed the dome of St. Peter's Basilica in the same city and revolutionised classical architecture with his use of the giant order of pilasters. In a demonstration of Michelangelo's unique standing he was the first Western artist whose biography was published while he was alive. Two biographies were published of him during his lifetime; One of them by Giorgio Vasari proposed that he was the pinnacle of all artistic achievement since the beginning of the Renaissance a viewpoint that continued to have currency in art history for centuries. In his lifetime he was also often called Il Divino 'the divine one'. One of the qualities most admired by his contemporaries was his terribilita a sense of awe-inspiring grandeur and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in the next major movement in Western art after the High Renaissance Mannerism. Michelangelo was a profound perfectionist. If he found the tiniest flaw in one of his works he considered it ruined. Reynal and Company in association with William Morrow and Company hardcover books
1986ref. 005882Udine: Magnus Edizioni 1986. First edition. Hardcover. Fine/Near Fine. Folio. Luxuriously illustrated of opulent Palladian palazzi in the Veneto. Magnus Edizioni hardcover books
1984ref. 52917Madrid: Editorial Playor 1984. Paperback. 62p. inscribed to Prof. Samuel G. Armistead signed and dated by the Peruvian American poet text in Spanish very good first edition paperback original in yellow pictorial wraps. Playor Nueva Poesia. Peruvian poet now teaching at Hofstra. Editorial Playor paperback books
Millon, Henry A. & Craig Hugh Smyth: Michelangelo Architetto. La facciata di San Lorenzo e la Cupola di San Pietro. Milan: Olivetti, 1988. Paperback. Text in Italian. Text in Italian
2017ref. 115216Wivel, Matthias: Michelangelo & Sebastiano. Exhibition: London, National Gallery, 2017. 272 pages; 180 colour illustrations. Hardback. 28 x 23cms.
2017ref. 115216Wivel, Matthias: Michelangelo & Sebastiano. Exhibition: London, National Gallery, 2017. 272 pages; 180 colour illustrations. Hardback. 28 x 23cms.
1968Mm 155x215 Collana: "Biblioteca di Storia dell'Arte - Nuova Serie". Volume rilegato in tela con titolo impresso al dorso, sovraccoperta a colori con piccoli strappi ai margini, xxix-358 pagine con xiv disegni in nero nel testo e 153 figure sempre in nero non comprese nel testo. Bibliografia ed indice dei nomi in chiusura. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
1992ref. 29236Musée des Beaux-Arts de Montréal 1992 In-4, rel. éditeur sous jaquette. 527pp.
1978ref. 2848Edita 1978 In-4 reliure éditeur sous jaquette, 216 pp. Illustrations noir & couleurs
1963ref. 74858Arthaud 1963 In-4 relié. Reliure pleine toile bleu un peu ternie, sans jaquette. . Bon état d’occasion.
1986ref. 56200Belfond 1986 In-4 relié. 264 pages. Bon état d’occasion.
2012ref. 911847Madrid.: Colegio oficial de doctores y licenciados de Madrid. Colegio profesional de la educación. 2012. Paperback. Good. 21 cm. 120 p. Encuadernación en tapa blanda de editorial ilustrada. Literatura.82 82 Colegio oficial de doctores y licenciados de Madrid. Colegio profesional de la educación. paperback
1968ref. 3309424Barcelona.: Teide. 1968. Hardcover. Contiene sello ex-libris. Good. 37 cm. 2 v. XXXII lám. col. grab. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Michelangelo 1475-1564. Estudios de Charles de Tolnay y otros. Traducción A. Escudero de Ainaud y J. M. García de la Mora. Tolnai Karl von. García de la Mora José Manuel. 1932-2020 . Contiene sello ex-libris. Pintura 75 Miguel Angel Teide. hardcover
ref. 37441Paris, Club des Libraires de France (coll. "Destins de l'art"), 1958. In-4° à l'italienne, 238p. Reliure pleine toile rouge d'éditeur, ornée d'une vignette contrecollée.
ref. 38308Paris, Flammarion (coll. "Les classiques de l'art"), 1967. In-4°, 112p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1929ref. AUB-9132Paris, Plon 1929. 2 beaux volumes reliés, reliures demi chagrin, dos ornés avec titres dorés, in-8, II + 309 pages + table et 317 pages + table.
1961ref. AUB-2519Paris, Hachette 1961. Coll. Génies et Réalités. Bel et gd in-8 relié, reliure ornée d'éd., 287 pages avec annexes.
ref. 35013Genève, Skira (coll. "Les trésors du monde"), 1986. In-4°, 231p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1966ref. 3489884Madrid.: Aguilar. 1966. Hardcover. Good. 19 cm. 1378 p. Encuadernación en tapa dura de editorial. Colección 'Biblioteca "Premios Nobel"'. Asturias Miguel Ãngel 1899-1974. Obras. Prólogo de José María Souvirón. III. Mulata de tal ; Los ojos de los enterrados ; El alhajadito. Souvirón José María. 1904-1973. editor literario . Literatura española 821.134.2728.1-82"19" Aguilar. hardcover
1842ref. 248041Berlin, Duncker & Humblot, 1842. 343 Seiten. Mit Frontispiz-Porträt. Originalleinen. mit vergoldetem Rückentitel. 18 cm
2026ref. LRB51016087Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 532 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1860. Opera in italiano. Langue: Questa edizione è una riproduzione fedele dell'opera originale di Michelangelo Buonarroti una commedia in versi che esplora temi classici con la vivacità e l'ironia tipiche del Barocco italiano. L'opera attribuita a Buonarroti è un esempio significativo del teatro del XVII secolo ricco di dialoghi e situazioni comiche. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1860. Text in Italian. This edition is a faithful reproduction of the original work by Michelangelo Buonarroti a comedy in verse that explores classical themes with the vitality and irony typical of the Italian Baroque. The work attributed to Buonarroti is a significant example of 17th-century theater rich in dialogue and comic situations. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback