MARC Franz,MareMagnum
1.332 resultados
17 tavole a colori. Trad. di Angelica Comello . 16mo. pp. 60. . Ottimo (Fine). . Prima edizione italiana (First Italian Edition). .
2004Visto di profilo. Catalogo edito in occasione dell'80mo compleanno dell'Artista, 24 dicembre 2004. Foto di Nataly Maier, Barbara Nomellini, Roberto Peccolo . 8vo. pp. 32. . Ottimo (Fine). . . .
1997ref. 227768Edizioni Primaprint, 1997. 135 Seiten, zahlreiche, farbige Abbildungen, 29 cm Originalleinen mit Originalumschlag im Originalschuber
ref. EN-056o.J. Lithographie,1935, auf cremefarbenem Japan-Bütten, im Stein signiert und mit Bleistift als ?Probedruck? bezeichnet. Blattgröße 52,2:38 cm. - Knickfalte im unteren Bereich des Blattes, leicht braunfleckig und Spuren von Rötel. Probedruck mit Bleistiftkorrekturen und zur Übertragung auf den Stein ist der Papierbogen verso gerötelt. Literatur: Nicht mehr bei Stix/Osborn; Papst L 25. Die Vorzeichnung zur Lithographie befindet sich in der Sammlung Michael Papst, München. Das Bildnis zeigt Milena Hutter (1900-1983), die eine langjährige Liebebeziehung mit dem Maler und Schriftsteller Albert Paris Gütersloh (Pseud. für: Albert Konrad Kiehtreiber) verband, der zum nahen Umfeld Oppenheimers in Wien gehörte.
1985This is a very good softcover copy in stiff card covers, with just a little light cover wear at the top right corner which is scratched. Completely clean inside and out. Outside the covers have a little faint toning. This was the first full-scale monograph on Resnick's work, which resulted from an acquaintance that Cathcart initiated with Resnick when she discovered that no-one had written extensively about his work. Resnick (1917- 2004) is one of the major artists in the first generation of abstract expressionists, who became active just after the second World War. He was in Paris in the late 1940's along with Philip Guston, de Kooning, and the critic Harold Rosenberg. Later he was a regular at the Cedar Tavern and the 8th Street Club. His reputation slowly rose during the late 1950's and early 1960's as major museums began to take notice of his work. He never achieved real name recognition and by the late 1970's had retired from the scene, though still very actively painting. Cathcart helped resuscitate interest in him again with this monograph. About 53 works in the exhibition. Illustrated in color and black & white with a number of fold-outs. Statement by the artist. Extensive chronology. Selected One Artist Exhibitions and Reviews. Selected Group Exhibitions and Reviews. Selected bibliography. Errata sheet laid in. 11" high X 10" wide, 110 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Gallimard, L'imaginaire, 1984, 259 pp., broché, couverture un peu défraîchie, état correct.
ref. EN-015o.J. Holzschnitt, 1912, auf sehr feinem cremefarbenem Japan-Bütten, mit Bleistift signiert. Darstellungsgröße ca. 8:5 cm, Blattgröße 42:30,5 cm. - Mit kleiner beim Druck entstandener Quetschfalte. Miriam Rieder war Amerikanerin, lebte in München und war zwischen 1912/1914 Engerts bevorzugtes Modell. Literatur: K. Weinmayer, E. M. Engert. Verzeichnis seiner graphischen Arbeiten. München, 1914, Nr. III/2, Abb. 41; Ausst. Katalog: J. Heusinger von Waldegg, E. M.Engert. Monographie mit Dokumentation. Köln/Bonn, 1977, Nr. 164, Abb. 195, S. 96.
1991ref. ART5967MRelié, 244 pages, paru le 26 janvier 1991 chez Le Léopard d'Or, livre quasi neuf.
ref. 2117, Antwerpen, Uitgaven Lectura, z.d., Originele uitgeversomslag geillustreerd z/w, 18,5x21cm, 112pp(5), index van de vermelde namen, bibliographie.
ref. 1061Chabot Museum, Rotterdam, 2002. In-4, broché sous couverture rempliée et illustrée en couleurs, 120 pp. Voorwoord - Inleiding, Jisca Bijlsma - "Zeker geen bazarkunst". Cultur in en rond De Bijenkorf, Ileen Montijn - De Internationale Schilderijententoonstelling van Moderne Meesters, februari 1932, in De Bijenkorf te Rotterdam. Een cultuurhistorische reconstructie, Léon Hanssen - Alfred Flechteim en ...
1988ref. 29388Paris, Editions Cercle d'art / Coll. ''La Bibliothèque des grands peintres'', (1988). Un vol. au format in-4 (328 x 253 mm) de 158 pp. Reliure d'édition de pleine toile grège, sous jaquette illustrée.
1958ref. 86299World House Galleries, New York, 1958. 20,5 cm ; broschiert
Catalogo della galleria R.N. Ketterer di Campione, Lugano. Con illustrazioni in bianco e nero e a colori e caratteristiche tecniche delle opere (Francis Bacon, Max Beckmann, Lyonel Feininger, Erich Heckel, Alexej von Jawlensky, E.L. Kirchner, Emil Nolde, Oskar Kokoschka, Oskar Schlemmer et al.) . 8vo. pp. 160 non numerate. . Molto buono (Very Good). Data riportata a penna sul dorso (Date written in pen along spine). . .
Bern, Klipstein & Kornfeld, 1962. Numerosas ilustraciones en color y negro fuera texto. 152p. 4º mayor. Rústica editorial ilustrada. Resto doblez. Lomo algo rozado. Buen ejemplar. Libro en alemán. Book in Germany.1ª edición. Primera edición. 1st edition. First edition.
1954Catalogo della mostra tenutasi presso il Padiglione di Arte Contemporanea della Galleria d'Arte Moderna, Milano, aprile - giiugno 1954. Testo di Abbè Maurice Morel. 75 tavole in bianco e neto f.t. Biografia, Bibliografia, Catalogo delle opere esposte a cura di Paolo Arrigoni . 8vo (cm 20,5x15,5). pp. XXVII + 46 + tavole. . Molto buono (Very Good). . . .
ref. EN-094o.J. Linolschnitt in Braundruck, um 1925/30, auf China, mit Bleistift signiert, betitelt und nummeriert. Darstellungsgröße 25,5:17,6 cm, Blattgröße 35:25 cm. ? Mehrere Löchlein sorgfältig restauriert. Nr. 3 von 15 Exx.
ref. 2736Editions de la R.M.N., Paris, 1991. In-4, reliure pleine toile éditeur sous jaquette illustrée, 396 pp. Munch face à la critique française - Le naturalisme français, l'impressionnisme et le jeune Munch - 1889-1892 "... une nouvelle vision de l'art" : Munch et Paris : 1889-1891 - Importance des deux séjours de Munch en France en 1891-1892. ...
ref. 2737Le Monde / Tachen, Köln, 2005. In-8, broché sous couverture illustrée en couleur, 96 pp. Les origines artistiques : Christiana, Paris, Berlin - La fresque de la Vie : un poème de vie, d'amour et de mort - Une reconnaissance tardive : portraits, paysages et autoportraits - Edvard Munch 1863-1944 : vie et oeuvre - ...
ref. 2249The University of Chicago Press, , 1984. In-4, reliure pleine toile éditeur, 240 pp. Acknowledgements - List of Illustrations - 1. Childhood and Youth 1863-1880 - 2. Artistic Beginnings 1880-1886 - 3. Years of Indecision 1886-1889 - 4. Formation of a New Aesthetic 1889-1892 - 5. Kristiana and Berlin 1892-1899 - 6. Years of ...
ref. 3050Réunion des musées nationaux, "le petit journal des grandes expositions", Paris, 1991. In-folio,grande feuille dépliante, 4 pp. Munch et la France - Munch graveur - Chronologie.
ref. 2738Newcastle Polytechnic Gallery, Newcastle upon Tyne, 1989. In-8, format à l'italienne, broché sous couverture illustrée en noir, 99 pp. Foreword - Biography - Edvard Munch : his life and his art, by Arne Eggum - Edvard Munch and photography, by A. Eggum - Catalogue [list of works. - 102 n°]
Catalogo della Mostra di Palazzo Reale, Palazzo Bagatti Valsecchi, Milano 4 dicembre 1985 - 16 marzo 1986. Testi di Guido Ballo, Gianfranco Bruno, Arne Eggum, Gerd Woll, et al. Con 255 riproduzioni di opere in nero e colori. Notizie biografiche. Bibliografia a cura di Sissel Biornstad. Elenco delle opere . 8vo. pp. 258. . Molto buono (Very Good). . . .
1975Testo di Thomas M. Messer (tradotto in italiano da Andrea Fioroni). Tavole applicate a colori. Profilo biografico e bibliografia scelta . 4to. pp. 168. . Molto buono (Very Good). Sovracoperta sciupata ai margini con strappetti (Some chipping and nicks around top and bottom of dust jacket). Prima edizione italiana (First Italian Edition). .
1999ref. 63514CBOslo, Munch-museet, 1999. 4°. 29 x 23,5 cm. 152 Seiten. Grüner Original-Pappband mit goldgeprägtem Rückentitel.
1991ref. 99136Wabern, Benteli, ( 1991). 230 S. Mit zahlr. s/w Ab. 29 cm. OLn. m. SU.
