1786ref. 11167A Genève et à Paris, chez Barde, Manget & Comp./ chez Buisson, 1786. 2 volumes in-4 de [2]-VI-[2]-428 et [4]-382-[2] pages, demi-veau brun à coins, dos lisses ornés de filets, fleurons, roulettes, titre ("Voyage de Will: Coxe") et tomaison dorés, étiquettes de titre tabac, de tomaison brunes, tranches teintées vertes. Reliures un peu frottées, haut de 2 feuillets de table des matières déchirés, avec atteinte au texte, en fin du premier volume.
1788ref. 5750Paris, Le Jay et Maradan, 1788. 2 vol. in-8 de [4]-282p. + [4]-274-[6] pages, demi-veau brun, dos lisses ornés de filets dorés, pièces de titre et tomaison beiges, salissure en marge des p. 28/29; excepté de minimes défauts, l'exemplaire est en parfaite condition. Ex-libris H. Tronchin.
1628ref. 7495Rouen, Loys du Mesnil, 1628. Petit in-12 de [24]p., 181ff., [2]p. bl., [8]p., 50ff. [mal chiffrés 1 à 20, 23 à 46, 45 à 50], 64ff., 60ff., 60ff., plein vélin ivoire à rabats, titre inscrit à l'encre au dos. Un cahier légèrement déboîté, quelques cahiers courts de marge, petit accident au second ff. de l'avant-propos, page de titre salie. Un lecteur attentif a inscrit quelques annotations et autres corrections au crayon gris. Reliure ancienne.
1714ref. ST19517bAmsterdam: Pierre Humbert 1714. FIRST EDITION. 290 x 220 mm. 11 1/2 x 8 3/4". Two volumes. Excellent contemporary calf raised bands spine lavishly gilt in compartments with unusual architectural centerpiece intricate scrolling cornerpieces with lancet accents two red morocco labels marbled endpapers. Title pages with engraved vignette of the council dedication page with engraved royal arms of Frederick William of Prussia decorative engraved initials and 19 ENGRAVED PORTRAITS BY BERNARD PICART. A Large Paper Copy. Front pastedowns with private library shelf label of Bessinge. Title pages of both volumes with signature of Charles Richard Tronchin. Brunet III 976. ◆Volume II with half-inch split at head of front joint and small patch of lost patina from insect activity on front board joints and extremities of both volumes a little rubbed boards with light chafing or faint scratches isolated mild browning or other trivial imperfections but still AN EXTREMELY APPEALING SET--entirely clean and fresh internally with especially ample margins with sharp impressions of unusually bright plates and with bindings showing no significant signs of use and looking very attractive on the shelf. This is a handsomely illustrated history of the Council of Constance the 15th century ecumenical council that resolved the Western Schism elected a new pope for the unified Roman Catholic Church and condemned reformer Jan Hus as a heretic. It is enlivened with beautiful portraits of the participants by an artist Ray considers "the outstanding professional illustrator of the first third of the eighteenth century." Our author French Protestant divine Jacques Lenfant 1661-1728 drew heavily on writings by those present at the council for this account which is considered a fair recording of the proceedings. Lenfant likely felt some sympathy for Hus tried and burned at the stake for heresy and for his countryman Jerome of Prague who came to support Hus and ended up meeting the same fate. Picart has referenced their martyrdom in his portraits depicting Hus' execution in a vignette beneath his portrait and balancing the tondo portrait of Jerome on a pile of burning logs. Similarly the radical English theologian John Wycliffe posthumously convicted of heresy at the council is pictured over a stack of burning books his writing having been condemned to this fate. But in addition to the harsh reality of burning execution Picart employs gentler details: Parisian Jean Gerson the formidable Chancellor of Paris is in sober robes but the adorable fluffy puppy beneath his portrait softens his image considerably. The cardinal of Foix who had negotiated the end of the schism involving rival popes in Rome and Avignon is flanked by a cherub holding an olive branch looking askance at a slain dragon which has been relieved of his many heads. The new pope Martin V is shown with the insignia of the papacy and a dove clasping an olive branch in its beak. The portrait of Italian humanist Poggio Bracciolini is shown hanging in an open window that looks out on his city of Florence with a stack of books by Quintilian and other classical authors Poggio had rescued from obscurity on the windowsill. Throughout Picart's facial images are strikingly individuated--these are convincing portraits that project history from the book's pages. Picart 1673-1733 was born in Paris where he learned engraving from his father Etienne and from Sébastian Le Clerc and "early acquired a reputation both as an artist and engraver." He moved to the busy publishing city of Amsterdam sometime before 1712 and established himself as both printseller and illustrator/engraver. There he designed and engraved an impressive body of illustrations for Dutch printers at a time when in Ray's words "designs for the finest illustrated books were typically drawn by leading painters." Our previous owner Charles Richard Tronchin 1763-1835 was a Swiss politician of great wealth who donate very substantial sums to relieve the sick and destitute. Pierre Humbert unknown
1714ref. ST19517bAmsterdam: Pierre Humbert 1714. FIRST EDITION. 290 x 220 mm. 11 1/2 x 8 3/4". Two volumes. Excellent contemporary calf raised bands spine lavishly gilt in compartments with unusual architectural centerpiece intricate scrolling cornerpieces with lancet accents two red morocco labels marbled endpapers. Title pages with engraved vignette of the council dedication page with engraved royal arms of Frederick William of Prussia decorative engraved initials and 19 ENGRAVED PORTRAITS BY BERNARD PICART. A Large Paper Copy. Front pastedowns with private library shelf label of Bessinge. Title pages of both volumes with signature of Charles Richard Tronchin. Brunet III 976. ◆Volume II with half-inch split at head of front joint and small patch of lost patina from insect activity on front board joints and extremities of both volumes a little rubbed boards with light chafing or faint scratches isolated mild browning or other trivial imperfections but still AN EXTREMELY APPEALING SET--entirely clean and fresh internally with especially ample margins with sharp impressions of unusually bright plates and with bindings showing no significant signs of use and looking very attractive on the shelf. This is a handsomely illustrated history of the Council of Constance the 15th century ecumenical council that resolved the Western Schism elected a new pope for the unified Roman Catholic Church and condemned reformer Jan Hus as a heretic. It is enlivened with beautiful portraits of the participants by an artist Ray considers "the outstanding professional illustrator of the first third of the eighteenth century." Our author French Protestant divine Jacques Lenfant 1661-1728 drew heavily on writings by those present at the council for this account which is considered a fair recording of the proceedings. Lenfant likely felt some sympathy for Hus tried and burned at the stake for heresy and for his countryman Jerome of Prague who came to support Hus and ended up meeting the same fate. Picart has referenced their martyrdom in his portraits depicting Hus' execution in a vignette beneath his portrait and balancing the tondo portrait of Jerome on a pile of burning logs. Similarly the radical English theologian John Wycliffe posthumously convicted of heresy at the council is pictured over a stack of burning books his writing having been condemned to this fate. But in addition to the harsh reality of burning execution Picart employs gentler details: Parisian Jean Gerson the formidable Chancellor of Paris is in sober robes but the adorable fluffy puppy beneath his portrait softens his image considerably. The cardinal of Foix who had negotiated the end of the schism involving rival popes in Rome and Avignon is flanked by a cherub holding an olive branch looking askance at a slain dragon which has been relieved of his many heads. The new pope Martin V is shown with the insignia of the papacy and a dove clasping an olive branch in its beak. The portrait of Italian humanist Poggio Bracciolini is shown hanging in an open window that looks out on his city of Florence with a stack of books by Quintilian and other classical authors Poggio had rescued from obscurity on the windowsill. Throughout Picart's facial images are strikingly individuated--these are convincing portraits that project history from the book's pages. Picart 1673-1733 was born in Paris where he learned engraving from his father Etienne and from Sébastian Le Clerc and "early acquired a reputation both as an artist and engraver." He moved to the busy publishing city of Amsterdam sometime before 1712 and established himself as both printseller and illustrator/engraver. There he designed and engraved an impressive body of illustrations for Dutch printers at a time when in Ray's words "designs for the finest illustrated books were typically drawn by leading painters." Our previous owner Charles Richard Tronchin 1763-1835 was a Swiss politician of great wealth who donate very substantial sums to relieve the sick and destitute. Pierre Humbert unknown books
First edition, large folio, [2], 2pp., without the list of subscribers, engraved frontispiece and 10 engraved plates with a total of 26 portraits of royalists, letter-press title and preface, some minor spotting and light browning but overall the plates are very clean and bright, expertly rebound in cont. style calf calf, marbled boards, red morocco spine label, an attractive copy. Rare: ESTC locates only three copy in the UK (all at Oxford) and four copies in North America. A reason for the scarcity of the complete volume may be found in a note on the title page, which advises that: "As these Prints are an agreeable Ornament for Rooms, they may be had of the Proprietors in neat black Frames and Glasses". Vertue's parents had served in the court of the exiled James II, and the publication of this volume in praise of loyal servants to the Stuart crown in the year of Culloden may well suggest Jacobite sympathies. This may be signalled by couplet from Pope quoted in the frontispiece: "Rich Industry Sat Smiling on the Plain | And Peace, and Plenty, told a Stuart's reign."
1815ref. 16624Paris, Delaunay (Imprimerie de Fain), s.d. (1815 ?) ; in-16, bradel de patchwork de peaux de différents animaux et de différentes couleurs, titre en long, non rogné (reliure moderne) ; (2), 125, (1) pp., 25 planches gravées dont 24 gouaches d’époque.
ref. 9998Reliure d’époque en demi-chagrin, dos à nerf, coiffe supérieure arrachée.
ref. 9105Sans lieu ni date (vers 1950). 15 clichés de 24 x 30 cm montés sur carton fort tous signés M. et J. Fievet.
ref. 9809C'est-à-dire pourtraits de vrayes médailles de EMPP tant d’Orient que d’Occident, de l’étude de Jacques de STRADA MANTUA Antiquaire. Traduit par LOUUAU d’Orléans. Un volume in 8 (170x240mm). Reliure postérieure, demi-vélin, pièce de titre manuscrite. Page de titre avec gravure sur bois, marque de Thomas GUERIN, armes gravées, au recto, de Johann FUGGER,(réenmargée -voir photos) XXI-394 pages- 30 pages : noms des Empereurs-indice des choses mémorables selon l’ordre alphabétique (table alphabétique) 3 initiales gravées sur bois, 487 reproductions de médailles, dans le texte, y compris 390 portraits en médaillon et 97 médailles supplémentaires. A Lyon Jacques de STRADA et Thomas GUERIN 1553. Avec privilège. Edition originale en français parue en même temps que l’édition latine, imprimée par Jean de TOURNES et premier tirage des 487 reproductions de médailles. Une pâle mouillure, plus ou moins importante, en partie supérieure, à tout le volume, sans gravité.
ref. 122627aafArnhem, Johann Janssen, 1614-1614-1620, gr. in-4°, zweispalt. Text, mit insgesamt 3 Frontispiz-Titelblättern und 69 (von 70) Porträttafeln davon 67 ganzseitig und 36 kleinere Porträts auf 2 Tafeln, (Karte fehlt), stellenweise etwas fleckig und gebräunt, hs. Besitzeinträge unten auf den Titelblättern, beschabte und bestossene Lederbände auf Bünden, starke Beschädigungen und Fehlstellen an den Kapitalen, Schliessresten.
2003ref. 30341Johannesburg: Goodman Gallery Editions 2003. Hardcover. SIGNED. First edition first printing. Particulars is a body of photographs rooted in Goldblatt's time spent as a tailor. "Of my life experiences one that was crucial was that of working in my father's shop where I acquired a consciousness of bodily particulars that was technical rather than subjective." The images are of just this bodily particulars: Bejeweled hands street-worn feet crossed legs and overweight knees fill the frame and surprisingly reveal a great deal about the individuals as much as a facial portrait could. Gorgeous production from the dioxin- and chlorine-free paper to the hand-binding to the 5-color b&w printing. 2004 winner of the book award at the Rencontres d'Arles photography festival in France. Photographs by David Goldblatt 1930-2018; essay by Ingrid de Kok. SIGNED BY GOLDBLATT and dated "10.8.07;" no inscription. From an unnumbered edition limited to 400 trade copies 200 of which were issued with a dust jacket. Unpaginated 60 pages; 27 full-page photographic plates; 14 x 15 inches. Ref: Parr & Badger: Photobook Vol. II p.114-115; Auer 802 Photo Books p.784. Condition: Fine/As New clothbound hardcover in a Fine/As New dust jacket. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Goodman Gallery Editions hardcover
ref. 100140Ende 18. Jh. 29 x 23 cm.
1904ref. AMO-2145London, George Bell and Sons, 1904. 2 volumes in-folio (40 x 30 cm) de XXIX-214-(1) et IX-211-(1) pages + 107 planches hors-texte représentant plusieurs centaines de portraits en miniatures. Cartonnage éditeur pleine toile blanche avec encadrement et décor doré sur les premiers plats et aux dos. Exemplaire à l'état proche du neuf. Pas de jaquette papier. TIRAGE UNIQUE A 520 EXEMPLAIRES SUR SUPERBE PAPIER VÉLIN DE CUVE ÉPAIS. 510 exemplaires furent mis dans le commerce. Superbe ouvrage de référence sur les portraits en miniatures des princes, rois, reines, princesses et autres personnages historiques ou de familles importantes de la noblesse anglaise et européenne entre 1531 et 1860. "The illustrations have been taken from collections in all parts of the world and represent almost every important miniature painter by some characteristic example of his work" (Préface). SUPERBE ET IMPOSANT OUVRAGE PARFAITEMENT CONSERVÉ.
1838ref. 11071Paris, H. Delloye - Victor Lecou, 1838. In-4 de [4]-402-[2] pages, demi maroquin à grains longs à coins, dos à 5 nerfs orné de fleurons mosaïqués, de filets, encadrements, roulettes et titre dorés, tête dorée. Dos un peu passé, reliure très légèrement frottée.
1824ref. 11819Paris, Lefèvre, 1824. 12 volumes in-8, demi-maroquin rouge à coins, têtes dorées. Belle reliure parfaitement exécutée par Thivet.
ref. 135713aafchez l'auteur à Hauterive, Fribourg, Bulle, et Stuttgart. Lithographié par J. Lang, 1869-72, in-4to, I) Titre + 24 ff. (48 p.) / II) 24 ff. (48 p.) / III) Titre + 24 ff. (48 p) / IV) Titre + 25 ff. (+ 50 p.), texte autografié abondamment illustré (e.a. vues de villages) partiellement à pleine page, lithographiées (lith. Lang Fribourg), Ex libris gravé sur bois: Jean d’Amman, reliure en d.-toile d’époque, plat cartonné, avec papier marbré
1824ref. 19863Paris, Chez Auguste Boulland et Cie, 1824. 2 parties en un volume in-8 de VIII-306 et [4]- de 305 à 623-[1] pages. Demi-chagrin brun, dos (passé) orné de filets et fleurons dorés.
1892ref. 63140New York, Boston and Philadelphia, John C. Yorston & Co., Masonic Publishers, 1892. 4to (350 x 280 mm). Five volumes uniformly bound in publisher original full cloth with gilt lettering and ornamentation to front boards. Small paper-labels pasted on to spines. Light wear to extremities and a few scratches to edges of boards. A few plates with marginal brownspotting, otherwise fine and clean. With numerous fine steel engraving.
1892ref. 63140New York Boston and Philadelphia John C. Yorston & Co. Masonic Publishers 1892. 4to 350 x 280 mm. Five volumes uniformly bound in publisher original full cloth with gilt lettering and ornamentation to front boards. Small paper-labels pasted on to spines. Light wear to extremities and a few scratches to edges of boards. A few plates with marginal brownspotting otherwise fine and clean. With numerous fine steel engraving. Large Paper Edition of this grand and finely produced biographical compendium of American Freemasonry profusely illustrated with engraved portraits of prominent members across the United States. hardcover
1937ref. 13917New York: Viking Press 1937. Hardcover. First edition first printing. Very Good with a dust-dulled top edge darkening to the end papers at the hinges as is common small light moisture stain at the heel and lightly tapped tips in a Very Good minus dust jacket with chipping at the extremities a moderate chip at the crown light wear at the edges a touch of fading to the spine and a slight moisture stain to the heel. Tan cloth-bound hardcover with red title to the front and spine. All in all a nice copy of the scarce hardcover edition in a presentable very scarce dust jacket. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Photographs by Margaret Bourke-White; text by Erskine Caldwell. 190 pages; 75 b&w plates; 8.25 x 12 inches. One of the iconic books of documentary and humanist photography. See: Parr & Badger Photobooks Vol. 1 p140-141; Roth Book of 101 Books p94-95; Open Book p124-125. Overseas sales and expedited shipping will require extra postage for this volume. Viking Press hardcover
ref. 17609Tokyo: Tsukiji Shokan 1970. Paperback. First edition first printing. Very Good minus paperback with light rubbing to the edges and extremities small repetitive scuffs to the spine and a small price in ink to the front corner; lacking the dj; in a custom acetate jacket. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Ohara's first book portraits taken on the streets of NYC in the mid-1960s each cropped "and printed with the same tonal characteristics thus eliminating differences in skin colour. Through this and through tight framing that locates the eyes nose and mouth in the same position on each full-page bleed he dispenses with the main racial differences." In 1974 Ohara won a Guggenheim Fellowship and his work was featured in the "New Japanese Photography" exhibit at MoMA. Unpaginated 496 pages; 500 full-page full-bleed b&w illustrations including the covers; 8.75 x 10.625 inches. See: Parr & Badger Photobook: A History Vol. I p.291; The Open Book p.266-267; Auer 802 Photo Books p.515. Tsukiji Shokan paperback
1910ref. 014520Paris Louis Michaud 1910 In-12 Rare cartonnage éditeur Edition originale Dédicacé par l'auteur
1558ref. 65437Zürich, Andreas Geßner, 1558. 8°. Mit Holzschn.-Druckermarke a. Titel u. zahlr. Münzholzschnitten im Text. 8 Bll., 703 S., 8 Bll., Manuskript-Pgmt. d. Zt. m. spanischen Kanten in mod. Pp.-Schuber.
1957ref. 058685The Rand Corporation 1957. 1st Edition . No Binding. Fine. 53 Posters Each 12" X 9". Finely Printed On Heavy Card Each With Portrait Signed "N. Boyle" A Particularly Memorable Quotation And The Same Logo At Bottom "The Rand Corporation Santa Monica California". A Fine Set In A Folding Box Perhaps But Not Certainly As Issued. The Posters Were The Basis Of A Series Of Well Known Ads Placed In Serious And Academic Journals Etc. The Original Ads Are Still Collectible But These Original Posters Are All Rare. The Rand Corporation unknown