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1964rif. 78518Paris: La Table Ronde 1964. Fine. La Table Ronde Paris 1964 14 x 20 cm broché First edition on ordinary paper. Iconography. A very handsome copy complete with its transparent dust jacket illustrated by François Salvat after a design by Dali. La Table Ronde unknown
1936rif. 53047Paris: GLM 1936. Fine. Offered to the friend beyond words companion of all wars and of loves as well GLM Paris 1936 12.50 x 17 cm broché First edition one of 100 numbered copies on vellum ours unnumbered the only deluxe papers after 15 copies on Japon. Illustrated with a frontispiece drawing by Salvador Dalí. Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. » It was in 1929 that René Char first discovered the verse of Paul Eluard. Captivated the young twenty-two-year-old poet from L'Isle decided to send him a copy of his collection Arsenal inscribing it with the following dedication: « à Paul éluard enfin. L'Isle 17 septembre 1929. » His elder responded kindly a few weeks later: « Cher Monsieur n'est-il pas possible que nous nous connaissions mieux Ne pensez-vous pas venir à Paris Je serais heureux de vous dire combien j'aime vos poèmes tout ce si beau livre. » The young Char elated set off for the first time to meet his « substitute brother » Laurent Greilsamer René Char Perrin 2012 and soon decided to move to Paris to join his new companions Aragon Breton and Eluard placing himself under the Surrealist banner. Eluard abandoned by Gala who left him for Dalí offered Char to live in his apartment on rue Becquerel. The two bachelors soon engaged Odette a young maid who was more than agreeable: « Char enjoyed this refined service but was nevertheless surprised by the marked kindness of this pretty brunette. One day he took her in his arms. The young beauty smiled yielded and proved herself expert. That evening René recounted his adventure to Eluard who the next morning had his breakfast served in bed and invited Odette to join him. A temporary trio was thus formed. » op. cit. Char and Eluard now inseparable shared a taste for revelry and frenetic seduction roaming the Parisian boulevards in search of adventure. Thus on the evening of 21 May 1930 they met a destitute actress and trapeze artist: Nusch. « Eluard decided to take her back like a precious parcel to rue Becquerel. But it would take all the friendship of Char and his powers of persuasion to convince the young woman to stay giving Eluard the timeall the timeto fall in love. » op. cit. Char thus played the role of mediator enabling Eluard to win the great love of his life who died prematurely in 1946 of a cerebral haemorrhage. Despite several passing quarrelsnever over women but always over ideasthe two poets maintained a strong bond of friendship and intellect until the end of Eluard's life. « Je suis vieux René par instants à force de ne plus aimer la vie. Je vis par devoir. Mais je t'aime profondément comme je t'ai toujours aimé : ne te choque de rien ; venant de moi tout est pour moi affection et admiration. . Quelle preuve de plus peux-tu en avoir que je te dise que tu es le seul homme à qui je pourrais avouer ce grand vide que je porte en moi et devant qui je pourrais pleurer autant que j'en ai toujours envie. » GLM hardcover
rif. 6247268Elsevier . Hardback. New. pp. 318 Elsevier hardcover
1975rif. 30605Madrid & Barcelona: Editorial Blume 1975. Fine. Editorial Blume Madrid & Barcelona 1975 26.50 x 27.50 cm reliure de l'éditeur First edition. Publisher's binding. Richly illustrated. Handsome copy complete with its illustrated dust jacket which has small tears at head and foot very fine interior condition. Editorial Blume unknown
rif. 324961987. Paris Editions d'art Les Heures claires / Joseph Foret 1963. 6 vol. au format pt in-folio 348 x 278 mm de 183 189 182; 204 188 et 193 pp. en feuilles sous couverture titre rabats remplis et tui-chemise de plein cartonnage crÂme plats orns de jeux de filets dors et frapps l'oser se prolongeant sur les dos lisses titre frapp en long l'oser tomaison frappe. Ensemble complet des 6 volumes le constituant ; ainsi que de ses 100 compositions pleine-page et en couleurs d'aprÂs les aquarelles de Salvador Dali ; ici en premier tirage. Un des exemplaires du tirage numrot du tirage sur vlin pur-chiffon de Rives. Ces ''100 aquarelles graves sur bois ont ncessit 3.500 bois''. in Monod. ''Les cent gravures sur bois en couleur comptent parmi les plus excitantes et les plus suggestives de l'histoire des illustrations de Dante". in Wnschel. "Dal himself saw this work as one of the peaks of his creative powers''. ''Dali travailla prÂs de 10 annes sur la ralisation de l'illustration et il fallut encore l'diteur 4 ans pour graver les 3500 bois capables de restituer les couleurs des illustrations originales''. L'Ãuvre narre le voyage imaginaire du narrateur qui se retrouve brusquement plong dans une forÂt sombre. L il rencontre Virgile qui l'invite pntrer dans le monde de l'au-del. Dante le suit et c'est par la visite de l'enfer et de ses neuf cercles que commence son priple. Monod I Manuel de l'amateur de livres illustrs modernes 3398 - Wnschel/Tuchel III 1-100. LgÂres altrations superficielles affectant les coffrets ; dont un prsente un dbut de fente sur deux coupes. Prsence de quelques rares et claires rousseurs dans les corps d'ouvrages ; dont 4 feuillets sont toutefois davantage pourvus. Du reste ensemble en belle condition. b42961 unknown
2004rif. 9744Barcelona Spain: Lunerg Editores 2004. First Edition First Printing. Hardcover. Very good/Very good. Square quarto. 11.75 x 11.75 in. 153 pp. Fully illustrated with color and black & white reproductions of photographs art etc. Very good in original cloth-effect paper-covered boards with mild shelfwear and bumping to corners and a very good pictorial dust jacket with edgewear and a few small closed tears along extremities. Text in Spanish. Oversized edition additional postage may apply if beyond media rate. Lunerg Editores hardcover
1994rif. DADAX2070738116GALLIMARD 1994-04-05. pocket_book. New. 4.88x0.67x7.48. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD unknown
2011rif. DADAX3639361547VDM Verlag 2011-06-05. paperback. New. 5.91x0.21x8.66. Buy with confidence. Excellent Customer Service & Return policy. VDM Verlag paperback
1985rif. 70783Ayuntamiento de Elche 1985. paperback. Bueno. Elche 1985. Ayuntamiento de Elche. 58 pp. 28x22. Rústica. Ilustrado. Pequeña mancha borde inferior páginas 49-55 no afecta texto. Ayuntamiento de Elche paperback
1933rif. 5493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and 'appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown
1942rif. DALISALV001703Dial Press New York. 1942. First U.S. edition. Translated by Haakon Chevalier. Quarto. 400 pages. Black and white illustrations by the author. Buckram covers with pictorial labels on front and spine.From the library of publisher Peter Owen flamboyantly inscribed to him in blue ink on the half-title page by the author: ''Pour Peter OWEN Hommage de Dali 1972''. A line from the inscription carries over to the facing page where Dali has drawn a stylised Don Quixote in a desert landscape. The prelims of the book are mocked up by use of printed slips and Tippex for Peter Owen's edition of the book which appeared under his family's Vision Press imprint in 1948 this copy was evidently also used for the second and third editions. The inscription and drawing are most likely to have been made when Owen made one of his three visits to Dali in Spain to discuss copyright of the revised English edition of Dali's novel Hidden Faces which Owen published in 1973.Good only - has received some rough handling see above. No dustwrapper. Dial Press, New York. hardcover
1970rif. DALISALV001705Harry N. Abrams. New York. 1970. First U.S. edition. Translated by Eleanor R. Morse. Octavo. pp viii 157. Copiously illustrated. Full linen cloth.Inscribed extravagantly by Dali in pencil on the copyright page: ''OWEN - Dali 1973''. The recipient is the publisher Peter Owen who published the revised U.K. edition of Dali's novel Hidden Faces in 1973. Owen made three visits to Dali in Spain to discuss the novel's copyright and this copy was no doubt signed during one of these visits.Fine in very good dustwrapper rubbed and nicked at the top edge. Harry N. Abrams. New York. hardcover
1980rif. 44457Secaurus New Jersey Chartwell Books 1980. 4to. Orig. boards with dustjacket. 160 pp. Richly illustrated partly in colour. With 1 orig. double-page lithograph in colour. hardcover
1980rif. 51198New jersey Chartwell Books Inc. 1980. Large 4to. Orig. boards. with orig. cold. dustjacket. With 65 plates in colour and 112 in black and white. With a lithograph from an original work by Dali. hardcover
rif. DADAX08109022220000-00-00. First American Edition. hardcover. New. xx. Buy with confidence. Excellent Customer Service & Return policy. hardcover
1994rif. SONG1871592267Brand: The Tears Corporation/Creation 1994-12-31. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: The Tears Corporation/Creation paperback
1986rif. 003996San Francisco: North Point Press 1986. 1st Edition . Soft cover. Near Fine. Xxviii 135pp. Sewn in wraps. Near fine with former owner's seal blind-embossed at title page. First English-language edition of this 1926 novel by French Surrealist writer René Crevel noted for its revolt against the hetero-normative dictates of André Breton. Translated by poet David Rattray 1946-1993 and including a 1954 foreword by Salvador Dali. North Point Press paperback
1962rif. 45622Cleveland. Very Good. First American Edition. Original printed wrappers. 8vo; 64 pages; Contents clean and complete in original wrappers with image of Catalan village on front wrapper. Privately Printed by Stratford Press in a Limited Edition for The Reynolds Morse Foundation. "This early journal by the painter Salvador Dali is not only a rare expression by a Catalonian about Catalonia events but it also gives a glimpse of the artist's extraordinary vitality nearly a decade before his name reached Paris and the Surrealists." Layout and design by George Tennent. Varityping by Frances Kuchar and Linda Schneider. Scattered illustrations -- pen and ink sketches by young Dali and photographs of noted places later painted by Dali. . 1962. unknown
1978rif. 598105Madrid: Ministerio de Cultura 1978. Softcover. Near Fine. Number 25. Slim quarto. Illustrated. Text in Spanish. Light wear and front blank tanned near fine. A very nicely produced magazine; this issue prints Ashbery's "Self-Portrait in a Convex Mirror" in Spanish by Javier Marías and an essay on Ashbery by Kevin Power; a portion of the Iliad translated by Luis Alberto de Cuenca; and "Nueva York: Cuatro Poetas y Cuatro Pintores" selected by Donald Sultan among other material. Laid in is a large tabloid-style facsimile of the inaugural issue of Dalí News: Monarch of the Dailies first published in 1945 lightly tanned light edgewear. Ministerio de Cultura unknown
1955rif. 564129New York: Capitol Records 1955. Softcover. Fine. Original 10" vinyl albums. Two records. Cover illustration by Salvador Dali. Both are fine in near fine illustrated cardboard sleeves. Signed by Salvador Dali on both covers. Capitol Records unknown
1933rif. 549298New York: Julien Levy Gallery 1933. Softcover. Near Fine. Program. Single sheet measuring 5½" x 12½". Purplish-pink foil on one side and white on the other printed in black folded twice to form a 5½" x 4¼" pamphlet with two illustrations. Near fine with crease to lower right corner and light edgewear. An original program to Salvador Dalí's first solo New York exhibition held at the Julien Levy Gallery from November 21 to December 8 1933. The announcement includes a list of the 26 paintings on exhibit and includes two illustrations; one of those being Dali's iconic painting The Persistence of Memory which debuted only the year before at Levy's Surrealist Exposition alongside other notable artist such as Max Ernst and Marcel Duchamp. Dali would embrace New York over the next decade staging a series of shows and attracting enormous attention with his works and outrageous persona cementing his place as one of the world's most influential artist of the 20th Century. Rare. OCLC locates no copies of this important program. Julien Levy Gallery unknown
1967rif. 512145Paris: Hotel Meurice 1967. Softcover. Near Fine/Very Good. First edition. Text in French. Small quarto. With gravure illustrations and four color lithographs by Salvador Dali. Near fine in plain card covers and very good or better color pictorial dust jacket. Hotel Meurice unknown
1950rif. 511816London: William Campion 1950. Hardcover. Fine/Very Good. First edition. Illustrated in color by Salvador Dali. Small quarto. 101pp. Just about fine in a lightly toned very good example of the rather delicate dust jacket; the spine is heavily toned with a small dampstain at the base and a small area of loss near the base as well as a bit of light rubbing and a tiny stain on the unprinted lower panel. William Campion hardcover
1960rif. 458221New York: Echo Magazine 1960. Softcover. Very Good. Volume One Number Four. Small quarto. Five flexible vinyl discs. Spiral bound printed wrappers. Spirals lacking small stain on front wrap but otherwise complete and very good or better with the five inserted records in fine condition. This short-lived novelty magazine was meant to be opened to a single disc folded over and played on a turntable. This includes five discs: Improvisations by Bob and Ray; The City Dog - A Sight & Sound Story Illustrated in the text by James Thurber; Salvador Dali - A Linguistic Presentation; National Collegiate Jazz Festival Winner's First Recordings; and A New Dance - The Madison Complete Instructions & Music. Echo Magazine unknown
1942rif. 15601942. DALI Salvador. The Secret Life of Salvador Dali. 400 pp. illustrated throughout. 4to 258 x 190 mm. cloth and illustrated dust jacket in a new cloth folding box. New York: Dial 1942. With an elaborate double page inscription cum drawing by Dali. From the library of the photographer Arnold Crane with his signature on the front endpaper. hardcover
