1209 risultati
2024rif. 029580Gagosian Gallery New York 2024. Book. Fine Condition. Cloth. 76 pages with 26 illustrations in color. Illustrated boards. Square format. Published on the occasion of the exhibition from the Gagosian Gallery New York NY March 16-April 22 2023. List of Works. . Gagosian Gallery, New York Hardcover
2011rif. 027973Roberts Projects 2011. Book. New. Cloth. 204 pages 150 illustrations 140 in color. Still in shrink-wrap. Illustrated boards. Foreword by Camille Weiner. . Roberts Projects Hardcover
2023rif. 215556New York: Gagosian 2023. First edition. Hardcover. Exhibition catalog for a show that ran March 15 through April 22 2023 in New York and then May 25 through July 6 2023 in Accra Ghana. Features text by D.K. Nnuro and with two laid in booklets with poems by Aja Monet and Poetra Asantewa. Includes numerous color illustrations and a checklist. A fine copy in illustrated boards. No dust jacket as issued. An attractive catalog on this Ghanian artist. Gagosian unknown books
rif. 37992préface de Michel Etalon - Inguiniel : Malourène, 2002 - in-12 broché, 126 pages - bon état -
1957rif. 67927Millbank - London, The Tate Gallery 1957. 1957. Gr.8°, 60 S. und 24 Tafeln mit über 80 s/w Abbildungen, sowie 1 farbige Tafel, farbig illustrierter Orig.-Karton.
2023rif. 009313UK: Headline. A fine UK slipcased deluxe Illustrated edition hardback first printing thus - no dustjacket as issued - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched within 2-3 days - SIGNED BY NEIL GAIMAN SIGNED PRINT BY THE ARTIST - Pictures available upon request. . Fine. Hardcover. 1st Edition. 1st Printing. 2023. Headline hardcover
1891rif. 480441 vol. in-8 reliure de l'époque demi-basane marron, Dunod, Paris, 1891, pp. 445-724 et 321-372 [ Contient : ] Notice sur les Travaux de Canalisation des Rivières en Allemagne par Boulé - Notice sur le Canal de l'Oder à la Sprée par M. Monet - Note sur l'annonce des Crues de l'Elbe en Bohème par M. Holtz - Note sur un Appareil enregistrant automatiquement les profondeurs du Thalweg d'une Rivière par Schoendoerffer - Rapport de Mission sur quelques ports de Navigation Intérieure de l'Allemagne et de la Bohème par Monet - Les Ports Allemands de la Baltique, par Quinette de Rochemont et Dreyfuss
rif. 23663Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1880. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 23662Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1880. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 23664Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1880. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 23661Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1880. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 26023Catalogue de vente à Paris, le 13 décembre 2006 par Artcurial. In-4, br., 332 n° décrits, nombreuses reproductions. Préface de Pierre Assouline.
rif. 23711Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 23709Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 23710Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 23712Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1817rif. NG430001817-1818 (reprint 1991) 332 p., paperbound. Good copy. Extraits du Nouveau Dictionnaire d’Histoire Naturelle (2e édition, 36 volumes, 1817-1819).
1944Mm 140x200 Collana "Quaderni di letteratura e d'arte". Volume nella sua brossura originale, viii + 112 pagine. Opera in buone condizioni, presenta una firma alla prima carta, una scritta in chiusura del volume, sottolineature nel testo. Spedizione in 24 ore dalla conferma dell'ordine.
1990rif. RO20271863NON PRECISE. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 12 PAGES. . . . Classification Dewey : 20-Bibliothéconomie et sciences de l'information
2004rif. R260270658astronomical society of the pacific. 2004. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 380 pages.. . . . Classification Dewey : 520-Astronomie et sciences connexes
1969rif. R160127245COLLECTION DES CAHIERS CONFIDENTIELS SUR L'AUTOMOBILE. 1969. In-12. Broché. Bon état, Tâchée, Dos plié, Intérieur acceptable. 230 pages.. . . . Classification Dewey : 700-LES ARTS
1900rif. 13587JLondon: 3 pages octavo February 28 1900. A remarkable historic letter quoted and discussed in Daniel Wildenstein’s definitive Claude Monet biography Monet or the Triumph of Impressionism page 348. Written in French on the printed stationery of the Savoy Hotel in London during one of Monet’s most important periods while he was painting his classic series of the bridges over the Thames river and the Houses of Parliament attempting to capture the unusual and often spooky effects of light and fog while looking out his window at the Savoy Hotel. Monet has dated the letter at 10 a.m. and literarily stops in the middle of painting to quickly write to his wife. “.A few words in haste between two strokes so that you get news before you leave for Rouen.” Monet’s son is ill with the measles and is staying with English friends who were taking care of him while he recovers. “.I could not see Michel yesterday because Mr. Darby was not expected to come back here unless Michel felt worse and he did not show up which is a good sign. I will go immediately to see him tonight because he must be truly bored but as the days grow longer I am more and more busy. I think I will take care of him for the revision but without letting him now.” Monet’s great friends French politician Georges Clemenceau and art critic and Monet supporter Gustave Geffroy visited Monet during his London sojourn. “.Clémenceau and Geffroy left a while ago we dined together yesterday at the restaurant at the Savoy after we saw the Minstrels at St. James. Both of them were very nice and did not prevent me at all from working.” Monet then remarks on his artist friend the great American painter John Singer Sargent who had worked in France becoming good friends with Monet and after the public scandal of Sargent’s daring Portrait of Madame X had relocated to London. “.I just received a note from Sargent who apologizes for not having come by to see me because he has people sitting for him morning and afternoon. He invited me for dinner this coming Monday so that I may meet a couple of young artists who love my work.” Often waiting hours for just the right effect of light to take place while painting a scene Wildenstein writes in his biography “Like a sentinel on the city wall the painter would lie in wait for the returning effect. When it came Monet rushed to his canvas abandoning everything else.” In this letter Monet finds that the light has reached the right effect and time has come to return to his painting. “.But here comes my effect. I must leave you for today. I send you tender hugs and all of my thoughts. Love to Germaine. Regards to Miss Jeans. Your old man who loves you Claude.” Wildenstein remarks that when Monet came to receive Sargent at the Savoy “.the visitor was ‘a little astonished by some of the canvases but full of admiration for others’. In fact the main impression Sargent took away was of too many pictures in progress simultaneously.he watched Monet struggling surrounded by 80 canvases searching desperately for the right one when the effect he was waiting for occurred and as often as not unable to lay hands on it until the effect had passed.” Wildenstein also notes that in Geffroy’s book Claude Monet he devotes four pages to his visit to Monet at the Savoy quoting Geffroy “.Whenever the fog had completely blotted out the the view Monet would remark: ‘Theres no more sun and stop painting. When a little later he would all of the sudden pick up his palette again saying ‘The sun is back ‘ his guests were often bemused. It took them a good while before they could discern the faint premonitory glow of the emerging sun. Monet alone had been able to detect it.” 3 pages, octavo unknown
1924rif. 88745Paris: s. n. 1924. Fine. s. n. Paris s. d. 1924 13.5 x 21.7 cm Agrafé Very rare first edition printed by the Bureaux de l'armée nationale only two copies recorded in the CCF: ASOM and Nanterre.A pleasant copy.The pamphlet brings together the texts of two lectures: the first delivered on 19 June 1924 in Hanoi the second on 10 December 1924 in Paris; both advocate for a systematic effort to provide indigenous populations with access to education.A former captain in the colonial artillery Paul Monet 18841941 was then head of the Annamite Students' Residence in Hanoi. He would soon gain attention for echoing Roland Dorgelès' stance on the exploitation of indigenous labour by French companies Les Jauniers 1930. s. n. unknown
1924rif. 88745s. n. | Paris s. d. [1924] | 13.5 x 21.7 cm | Agrafé
rif. 124543876X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
