890 résultats
réf. 34749Martigny, Fondation Pierre Gianadda, 1992. Gr. in-8° carré, 263p. Broché, couverture illustrée.
réf. 2499aafNew York, Alpine Fine Arts, 1988, in-4°, 318 p., fully illustrated with colour and black/white reproductions, clothbound with original illustrated jacket.
réf. 18-7670Barcelona: Fine Art Gallery 2006. 4to. 94 pp. Very Good. Hard Cover. Illustrated paper covered boards. Color and B&W plates throughout. Text in Spanish and French.ISBN: 2909225232 9782909225234 Barcelona: Fine Art Gallery, 2006. hardcover
réf. 15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
réf. 18-8427London England: London Arts Group 1967 . Exhibition catalogue. 8vo. 16 pp. Stiff glossy blue and black illustrated wraps with white and black lettering. Good with chipping and tearing along spine. 39 Black and white plates. Catalogue compiled to illustrate a representative exhibition of Braque's graphic work prepared for the eighty-fifth anniversary of his birth in 1967. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. London, England: London Arts Group, 1967, paperback
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
1960réf. 60326Pittsburgh PA: Carnegie Institute 1960. First Edition 1/250 copies. Braque. Folio little faded and soiled paper wraps. Designed and printed under the direction of Jack Stauffacher of the Carnegie Institute. Two Braque sketches reproduced from "The Intimate Sktchbooks of G. Braque. Carnegie Institute unknown
1960réf. 60326Pittsburgh PA: Carnegie Institute 1960. First Edition 1/250 copies. Braque. Folio little faded and soiled paper wraps. Designed and printed under the direction of Jack Stauffacher of the Carnegie Institute. Two Braque sketches reproduced from "The Intimate Sktchbooks of G. Braque. Carnegie Institute unknown books
réf. 70-3142PariÌs : Fernand Hazan 1958. 12mo. 27 pp. Very Good. Soft Cover. Illustrated stiff paper wraps. Minor shelf wear. Color plates throughout. Penciled notation on title page.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author. Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-77. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. PariÌs : Fernand Hazan, 1958. paperback
réf. 18-7763Paris: Galerie Adrien Maeght 1985. Folio. 46 pp. Very Good. Soft Cover. Illustrated paper wraps. Some wear and creasing on wraps. Color and B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Text in French. Scarce. Paris: Galerie Adrien Maeght, 1985. paperback
réf. 71-9991Pasadena CA: Pasadena Art Museum 1960. 4to. 25 pp. Soft Cover. Stapled binding. Color and B&W illustrations. Very Good minor surface rubs small holes in the back cover. Pasadena, CA: Pasadena Art Museum, 1960. paperback
réf. 18-7964Minneapolis: The Minneapolis Institute of Arts 1975. 4to. 83 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear and some creasing on corners. Pages fine. Color and B&W plates throughout.From the Collection of the Art Historian Peter Selz. Minneapolis: The Minneapolis Institute of Arts, 1975. paperback
1961réf. 015045Paris Maeght 1961 In-2 En feuilles, couv. illustrée
1953réf. 31687Revue Artistique et Littéraire, Le Point N°XLVI, d'octobre 1953. In-4 broché de 48 pages au format 26 x 19,5 cm. Jaquette bleue avec titre imprimé. Infimes frottis aux coins. Intérieur frais. Frontispice, reproductions de tableaux et superbes photographies en noire, de Georges Braque, par Robert Doisneau, tirées en héliogravure. Textes de Stanislas Fumet, Georges Limbour, Georges Ribemont-Dessaignes. Superbe état général. Edition originale.
réf. 4447Bibliothèque Littéraire Jacques Doucet. 1963. Grand in-8°, reliure pleine percaline rouge, couverture conservée. 58 pages.
réf. 8944LA TABLE RONDE. // N° 2. Avril 1945. Marcel Proust, Henri Focillon, François Mauriac, Audiberti, T. S. Eliot, William Faulkner, Jules Romains, Alexandre Arnoux, Jean-Pierre Faye Dessins hors texte d'Aristide Maillol, Georges Braque, Henry de Waroquier, Emile Bouneau, François Salvat, Roger de La Fresnaye. Fac-simile d'une page manuscrite de Marcel Proust. Fac-simile d'une partition de Georges Auric sur un poème de Paul Eluard. Exemplaire broché, couverture rempliée. 1/1.800 du tirage de base sur vélin du Marais. Très bel exemplaire.
2011réf. 53248Köln : DuMont / Kunsthaus Zürich, 2011. Katalog zur Ausstellung im Kunsthaus Zürich, 21. Oktober 2011 - 15. Januar 2012 (Mit Beiträgen von Robert Brown, Faith Chisholm, Lukas Gloor und William Paton) 231 S. (30 cm) Großformat, illustrierter Pappband / gebundene Ausgabe
réf. 48359Avant-propos de Georges Blin. Catalogue réalisé à l'occasion de l'exposition présentée à La Bibliotthèque Littéraire Jacques Doucet à Paris en 1963. Un volume broché (27x18,5 cm), 56 pages. Comprend 99 notices de livres, 16 reproductions et des fac-similé. Bon état.
1924réf. 9724Rome, Valori Plastici, 1924. 1 vol. (195 x 140 mm) de 58 pp., broché.
réf. 549139Lausanne, La Guilde du Livre, 1961. In-4 cartonnage éditeur illustré d'un dessin de Georges Braque, XXXIII-86 pp., nbr. reprod. en noir et qq.-unes en couleurs, catalogue de 101 estampes et 35 livres illustrés.
1935réf. 002118Paris Les Expositions de "Beaux-ARts" & de "La Gazette des beaux-arts" 1935 In-8 Agrafé
1976réf. 294061976 Paris, Nouvelles éditions françaises ,1976, In quarto, sp, reliure d'éditeur en simili cuir beige,bon état,
2013réf. 664432013 Paris, éditions des Musées Nationaux, 2013, 30 x 25 cm, 343 pp, cartonnage blanc d'éditeur, en très bon état, comme neuf
réf. 8729Paris. Achille Weber / Hachette, 1961. 1 Vol. Petit In-8 cartonné Nombreuses illustrations en noir. Album Cartonné. Couvertures illustrées par Georges Braque. Textes de Gérard Bauër, Jean Cassou, Jean Cocteau, Raymond Cogniat, Maurice Garçon, Isis Kischka, Georges-Charles Recio, Maximilien Vox. Principaux Artistes exposés : Braque, Brayer, Buffet, Carzou, Chagall, Chapelain-Midy, Ciry, Dufy, Fontanarosa, Foujita