860 résultats
1999réf. 69022Benedikt Taschen Verlag. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 240 pp. With 282 ills. 121 col. . 31 x 25 cm. -- with a bonus offer--; 1.25 x 12.5 x 9.75 Inches . 1999. Benedikt Taschen Verlag hardcover
1971réf. 84618Galerie Wunsche. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. Pages not numbered; 162 color illustrations. -- with a bonus offer-- . 1971. Galerie Wunsche paperback
1961réf. 697271961 Paris, Nouveau Cercle du Livre, 1961, In folio ,91 pp, très bon état, en feuilles sous emboitage, Bien complet des quatre lithographies de G.Braque tirées par Mourlot et
1960réf. 1497Éditions de la Passerelle, Paris 1960. 1 volume grand in-folio (440 X 350 cm), en feuilles sous couverture illustrée rempliée, chemise et étui peints décorés de l'éditeur. Édition originale illustrée de 3 EAUX-FORTES dorées pour la couverture et 16 GRAVURES ET AQUATINTES ORIGINALES EN COULEURS EN HORS-TEXTE D'ANDRÉ MASSON. Tirage : 160 exemplaires numérotés et nominatifs. Celui-ci tiré sur grand vélin d'Arches. Tous les exemplaires sont signés au colophon par l'auteur, l'artiste et l'éditeur. Les gravures ont été tirées chez Lacourière.
1938réf. 1203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
réf. 25930Paris, 1950, in-4, 40,5 x 28, en feuilles, 60 pages, couverture rempliée sur papier Auvergne teinté, emboîtage toilé doublé de feutrine. Édition originale dédiée à René Char. 5 gravures à l'eau-forte et aquatinte de Braque, imprimées par Visat. Tirage unique à 101 exemplaires tous num. sur chiffon d'Auvergne à la main du Moulin Richard-de-Bas, signé par l'auteur et l'artiste à la justification, celui-ci n° 76, en parfait état. Vallier, 62.
réf. 24237P., Paul Birault, 1918, in-8, br., non paginé. Edition originale. 1/90 ex sur vélin fort, seul tirage avec 5 Japon et 5 Hollande. 2 dessins hors texte de Georges BRAQUE. Très bel exemplaire.
1960réf. 22039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover books
1960réf. 22039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover
réf. 16-3490Paris: Maeght 1959-1968. 5 vols. 4to. Original burlap cloth with embossed silkscreened covers. One volume spiral bound and the others perfect bound.Vol. I: Peintures 1948-1957; Vol. II: Peintures 1942-1947 Vol. III: Peintures 1936-1941; Vol. IV: Peintures 1928-1935 ;Vol. V: Peintures 1924-1927. Very good.ArntzWerkkataloge zur Kunst des 20. Jahrhunderts I p.23. Paris: Maeght, 1959-1968. hardcover
1961réf. 15248Paris, Nouveau cercle parisien du livre, 1961. In-folio en feuilles, sous couverture rempliée de papier brun, chemise, étui.
1957réf. 1543Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de collaborateur, nominatif, SIGNÉ PAR PICASSO AU CRAYON ROUGE à la justification. Exemplaire de choix réservé à M. Robert Rigault, imprimeur pour les Ateliers Duval. Ces exemplaires signés, hors le tirage de luxe avec la gravure et qui ne le sont pas, sont très rares car tous réservés et nominatifs. Parfait état.
1971réf. 105950Rizzoli. New. 1971. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 112 pages; 64 color plates and many black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Rizzoli hardcover
1912réf. 016225Moscou Nauka 1912 In-12 Broché
1971réf. 1753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
1918réf. 1848Autograph postcard in ink signed in Sorgues 1918. 137 × 90 mm. Braque’s autograph postcard send from Sorgues to his friend Paul Dermée. A cordial message from Sourges where Braque was recuperating from the injury he suffered during the war in 1915: "Mon cher ami je vous envoie un bien cordial bonjour. Je travaille beaucoup. J'espère que de votre côté le recueillement de votre campagne vous est favorable. Il parait que Paris reprend de l'animation. Bien amicalement à vous.” Paul Dermée was a a Belgian writer poet and literary critic editor of the avant-garde magazine SIC Son Idées Couleurs in 1916 and later the founding-director of L'Esprit Nouveau with Le Corbusier and Amédée Ozenfant. . unknown
1952réf. 510480Editions De La Verve 1952. First Edition. Hardcover. FINE. Tall 4to 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Braques. George Braque honorary double issue Profusely illustrated with original lithographs created for this issue by Miro Bores Chagall Matisse and others. Spine paper chipped at head moderately toned and splitting at a few points otherwise exceedingly clean and sharp internal text with crisp bright paper. COMPLETE with all lithographs. A binding very prone to wear--much nice than commonly seen. Editions De La Verve hardcover
1921réf. 1775Paris, Editions de la Galerie Simon, [D.H. Kahnweiler], 1921. Petit in-4 (235 x 165 mm mm), non paginé, broché sous couverture de papier ivoire imprimée sur le premier plat. Édition en partie originale, illustrée de 8 bois gravés par Manolo, dont quatre à pleine page. Tirage limité à 112 exemplaires, celui-ci un des 90 exemplaires sur Hollande (n°76) signés à l'encre par le poète et l'artiste. Le seul livre illustré par Manuel Martinez Hugué, dit Manolo. Manolo (1872-1945), sculpteur et peintre catalan né à Barcelone, vint à Paris dès 1892, puis de 1901 à 1910. Juan Gris, Braque et Picasso vinrent le rejoindre, pour d'assez longs séjours, lorsqu'il se fixa à Céret dans les Pyrénées. « Il était un des rares aînés de Picasso à le traiter comme un jeune homme » (Pierre Daix). À partir de 1910, grâce au soutien de D.-H. Kahnweiler, son marchand et l'éditeur de l'ouvrage présenté ici, il obtient du succès : il expose à l’Armory Show de 1913 à New York puis en Allemagne et à Paris. Par la suite, il présente régulièrement ses œuvres aux Etats-Unis, en Espagne et en France. En 1932, la France le célèbre en lui consacrant une importante exposition au Grand Palais. Comme pour les toreros ou les gitanes, la maternité constitue l’un des sujets récurrents de l’œuvre de Manolo : Mère et fils (1929), Maternité au baiser (1929), Maternité (1938), Maternité à la grappe de raisin (1940). Manolo utilise chaque occurrence du thème pour explorer une solution plastique nouvelle.
1959réf. 184233Paris: Maeght 1959. A handsome French production First edition deluxe issue number 5 of 50 copies printed on Montval paper and signed by the artist and the poet. This is Pierre Reverdy's final poetry collection "The Freedom of the Seas" illustrated in this grand edition by his lifelong friend George Braque. Reverdy stopped writing poetry during the Second World War but had a surge of inspiration resulted in this collection and one other "Au soleil du plafond". This collection was completed in 1955 but was unpublished until Braque finished his illustrations in 1959 just before the poet's death. A further 200 signed copies on Grand Velin D'arches paper were issued simultaneously. This copy is without the additional lithographs issued with the deluxe limitation. Large folio. With 7 full-page colour plates including cover and frontispiece monochrome lithographs throughout. Original brown illustrated wrappers sheets loosely inserted as issued. With the original grey cloth folder and slipcase. Occasional foxing to contents especially to final gathering; folder and slipcase mottled with a few splits at joins. A very good copy. hardcover
1961réf. 91893Mourlot | s. d. [1961] | 25.4 x 32 cm | Une feuille encadrée
réf. elala2527Geneva: Edwin Engelberts 1958. First Edition Limited to 106 numbered copies signed by Braque and Char - this one of 40 on Arches with original colour lithograph ‘Le Poète’ by Braque on the wrappers. The first six copies also with a lithographed cover were entirely printed on Japon nacré. The remaining 60 copies were unillustrated. A further 115 copies of the lithograph were separately issued. “Perhaps more than any other contemporary painter Braque has been the subject of handsomely printed tributes to his art.” The Artist and the Book Char was a close friend and collaborator of Braque. He wrote more on Braque than any other painter and Braque illustrated more works by Char than any other artist. All five of Char’s poems in hommage to Braque are printed here for the first time. The Artist & The Book 40. Mourlot 60. Vallier 131. oblong 8vo. ff. 8. lithographed wrs. printed in colour on Japon nacré some wear to extremities neat repair to head of spine Geneva: [Edwin Engelberts], 1958
1960réf. N - 2026 - 1Authors: Daisetz T. Suzuki E. Herrigel Georges Braque. Illustrator : George Braque Publisher : Paris Louis Broder1960. Artist's book "Le Tir à l'Arc" The Art of Archery. Selected texts from D.T Suzuki and E. Herrigel "Le Zen dans l'art cavaleresque" 1955 and aphorisms and thoughts by George Braque from his own notebooks "Cahiers d'Art de 1917 a 1952". Illustrated by Braque with eight lithographs of which six in color one in black and one in pink and white printed across the spread endpapers with a mirrored composition; together with a black‑and‑white etching on the front wrappers and two woodcuts on gray paper also reproduced on the protective chemise and box. Limited edition of 165 numbered copies printed on vélin de chiffon handmade at the Moulin d'Ambert with cover wrappers in Antaimoro paper. Loose as issued preserved in the original silk‑covered hard chemise and housed within the original Japanese‑style silk folding case with ivory clasp. Braque's images fuse seamlessly with the accompanying Zen texts creating a visual meditation on focus intuition and the "empty mind" that illuminates the writings of D.T. Suzuki and Eugen Herrigel. Herrigel's Zen in the Art of Archery a classic account of his six‑year immersion in Japanese archery KyūdÅ during the 1920s explores the discipline as a gateway to understanding Zen Buddhism while Suzuki one of the most influential figures in bringing Zen thought to the West provides the philosophical and spiritual framework that illuminates archery as a contemplative path. Woven into this dialogue are Braque's own aphorisms and reflections with their emphasis on nuance intuition and the quiet interior space from which art emerges. Together these elements create a rare and compelling bridge between modern abstract art and Zen philosophy. In very good condition but some age spotting on the paper inside. A small restoration has been carried out on the top inch of the spine of the endpaper barely visible. Reference: Dora Vallier 153 Louis Broder
réf. 16-3705Paris: Editions de la revue Verve 1952. 4to. Original pictorial boards. 26.5 x 35.5 cm. 10½ x 14". French edition.153 1 p. With 27 lithographs many in color 5 of them double-page; plus numerous reproductions of drawings paintings photographs miniatures etc.;boards with color illustration by Georges Braque on front cover.Major double-issue of Verve 27 lithographs by or after Georges Braque 1; Henri Matisse 3 1 of them double-page; Henri Laurens 2; Alberto Giacometti 2; André Masson 3 1 of them double-page; Fernand Léger 3 1 of them double-page; Joan Miro 3 1 of them double-page; Borès 2; Gromaire 1; and Marc Chagall 7 1 of them double-page. The lithographs printed by Mourlot. Paris: Editions de la revue Verve, 1952 hardcover
1924réf. 1674Éditions de la Galerie Simon (D.H. Kahnweiler), Paris 1924. Volume petit in-4 broché (25 x 20 cm), 22 pages, couverture ivoire illustré d'une eau-forte. ÉDITION ORIGINALE illustrée de 4 eaux-fortes d'André Masson, dont celle de la couverture et 3 en hors-texte. Premier livre de Georges Limbour et premier livre illustré par André Masson. Tirage à 112 exemplaires, celui-ci étant l'un des 90 numéroté sur vergé d'Arches (n° 53), SIGNÉ PAR L'AUTEUR ET L'ARTISTE au colophon. Les gravures de Masson les plus authentiquement surréalistes.
A marvelous livre d'artiste devoted to Georges Braque, with 27 ORIGINAL LITHOGRAPHS BY BRAQUE (one full-page hors-texte color lithographs with additional hand coloring, and 26 ornaments printed in black) and 12 full-page hors-texte color lithographs by Mourlot after Braque. Edition limited to 250 numbered copies, all printed on fine Arches wove paper. SIGNED IN PENCIL BY BRAQUE AND REVERDY. Large folio (47 x 35.5 cm). Loose as issued in original wraps (with a design by Braque on the front cover) and cloth folding case. FINE AND BRIGHT, with no defects. Vallier 49.
