926 résultats
1955réf. 208845Paris: Maeght Editeur 1955. Hardcover. VG. Light scuffing along spine light edge wear and toning. Quarto. Hardcover. Bound in illustrated paper wraps with white titles. 117 pages : illustrations ; 32 cm. Facsimile of pages from Braque's notebooks including sketches drawings and text in the artist's own handwriting. Maeght Editeur hardcover
1953réf. 209138Paris: Berggruen & Cie 1953. Softcover. VG. Some tearing and loss to the plastic jacket otherwise clean and unmarked. Skinny Octavo. Softcover. Illustrated litho wraps printed by Mourlot. In thin plastic cover. 4 unnumbered pages : 19 plates some color ; 22 cm. Text by Michel Seuphor pseud. of F.L. Berckelaers./ Catalog of an exhibition held at Berggruen & Cie from Nov.-Dec. 1953./ Color plates are rendered in pochoir by Jacomet. Cf. colophon. Berggruen & Cie paperback
1924réf. 198218Paris: Editions des Quartre Chemins 1924. Both volumes #96 on Arches Vellum. Paperback. Good Wraps are moderately toned/scuffed/smudged/bumped; glassine is moderately chipped at corners and edges; spines are moderately bumped; spine strips are peeling a bit at both ends; pages are unopened; textblock edges are tanned/bumped; some tissue guards are loose and bent; interior is lightly toned with occasional foxing/smudging. White wraps with green and brown illustration with glassine DJ; two volumes; unpaginated; pages are unopened; tissue guards; richly illustrated some color. Text in French. Filled with absolutely gorgeous illustrations and facsimiles throughout. Volume I contains "Un article et un portrait de Georges Auric par Jean Cocteau un article de Louis Laloy une page de la partition de Georges Auric et 23 dessins en couleurs de Georges Braque." Volume II has the subtitle "Realisation Scenique." Editions des Quartre Chemins paperback
1946réf. 175441Geneve: Albert Skira 1946. Softcover. Good light tanning to wrap and pages overall shelfwear with nicks to covers interior is clean. Tan portfolio with brown lettering 14 pages illustrations part mounted color 14 color plates in portfolio. Written in French. Albert Skira paperback
réf. elala2527Geneva: Edwin Engelberts 1958. First Edition Limited to 106 numbered copies signed by Braque and Char - this one of 40 on Arches with original colour lithograph ‘Le Poète’ by Braque on the wrappers. The first six copies also with a lithographed cover were entirely printed on Japon nacré. The remaining 60 copies were unillustrated. A further 115 copies of the lithograph were separately issued. “Perhaps more than any other contemporary painter Braque has been the subject of handsomely printed tributes to his art.” The Artist and the Book Char was a close friend and collaborator of Braque. He wrote more on Braque than any other painter and Braque illustrated more works by Char than any other artist. All five of Char’s poems in hommage to Braque are printed here for the first time. The Artist & The Book 40. Mourlot 60. Vallier 131. oblong 8vo. ff. 8. lithographed wrs. printed in colour on Japon nacré some wear to extremities neat repair to head of spine Geneva: [Edwin Engelberts], 1958
réf. 3734072The Hague: Servire Press February 1935. 15pp. Octavo 8¾ x 5½ inches. Printed self-wrappers. Overall toning and some light foxing to wraps and margins of some pages; very good. “In later years Braque Eugene Jolas Matisse Andre Salmon and Tristan Tzara published jointly a Testimony against Gertrude Stein 1935 in which they denied her understanding of their work of Cubism and of painting in general. According to Braque ‘Miss Stein understood nothing of what went on around her’; and Salmon echoed this condemnation: ‘I had thought along with all our friends that she had really understood things. It is evident that she understood nothing except in a superficial way.’” NAW Published as “Transition Pamphlet no. 1. This is a supplement to Transition 1934–1935 no. 23 Not for sale separately.” unknown
1948réf. ABE-1767306040682Maeght Editeur Paris 1948 Folio original wraps. One of 750 copies of the 1948 original edition "sur Velin du Marais" with the front wrapper constituting an original color lithograph. Printed by Mourlot Freres the principal printers for Maeght Editeur and including 93 b/w compositions. Loosely inserted in 14 different signatures as issues in addition to the afore mentioned color lithograph. Inscribed by Braque to Famous Hollywood Film Producer Sam Jaffe. Dated 1949. Covers good with closed tear about 4" at the top left of the cover spine wear with loss at the foot. Interior very good. Inscribed by Authors. 1st Edition. Soft cover. Good/Good. Maeght Editeur, Paris paperback
1948réf. ABE-1688163931690Samuel M. Kootz Editions 1948 Softcover folio 1st edition. Decorated wraps. 11 oversized printed folders w/ tipped in plates. Work by Picasso Braque Leger Baziotes Bearden Browne Gottlieb Hare Hofman Holty Motherwell Galantiere Goodman Greenberg Kees Peret Rosenberg Sartre Ulanov Williams Wolfson. 1st Edition. Soft cover. Very Good. Samuel M. Kootz Editions paperback
1950réf. ST16802Paris: Maeght 1950. No. 82 OF 101 COPIES. 408 x 280 mm. 16 x 11". 50 pp. 2 leaves. INGENIOUS DOVE GRAY CALF BY FRANÇOIS BRINDEAU stamp-signed on front doublure covers with geometric onlays that are variations of the number 5 "cinq" some highlighted with white-tooled parallel lines author's name and title lettered in blue on upper cover artist's name and date on lower smooth spine gray calf doublures gray suede free endleaves edges untrimmed. Original printed gray wrappers bound in. Housed in lightly scuffed matching gray linen clamshell box gray calf label lettered in blue and white on spine. With five half-page black etchings by Braque. HALF TITLE WITH ORIGINAL WATERCOLOR OF BLUE LEAVES AND INSCRIPTION BY BRAQUE: "Pour Max Pellequer bien amicalement G. Braque 1951." Peyré "Peinture et Poésie" p. 149; The Artist and the Book 1860-1960 37. Isolated faint marginal foxing slight crease to title page but a VERY FINE COPY clean fresh and bright internally in a pristine binding. Bound to a sculptural Art Deco design and elegantly illustrated and inscribed by a great 20th century artist this is a collection of five poems about "sapates"--valuable gifts hidden inside a gift of lesser value such as a diamond ring inside a cupcake. Our volume does not fall under this category: its outside is every bit as impressive as the contents. The celebrated French artist Georges Braque 1882-1963 was a painter collagist printmaker and sculptor who made important contributions to the Fauves movement in the early 20th century and to the development of Cubism in which he and Picasso were the leading lights. The illustrations here done near the end of his long career depict the five "sapates"--oil olives a jug a rough sketch of a fish a shutter--in simple black and white with more realism than his Cubist works but still in simple pared-down lines. To accompany the inscription of this volume to banker Max Pellequer d. 1974 nephew of Picasso's friend André Level Braque added a small painting of cerulean blue leaves a single note of color in the blacks whites and grays of the text and one picked up by binder François Brindeau who used that hue for the lettering on the covers. Brindeau studied at the École Estienne graduating in 1976 and then worked with Jean de Gonet. He created the present binding for bibliophile and former Olympic rowing medalist Maurice Houdayer 1931-2020 a connoisseur of contemporary bindings who had a great love of Art Deco. Houdayer served as president of the Amis de la Reliure Originale and assembled an impressive collection of illustrated books in bindings he commissioned from innovative designers. Montpellier-born poet Francis Ponge 1899-1988 was known as "the poet of things" because he wrote about simple everyday objects like the subjects of the present work. His poetry invites us to contemplate often overlooked commonplace objects and perhaps in doing so to discover something about the human psyche. Literary critic David Gascoyne noted that Ponge "addressed himself to the common reader in the hope of persuading us that poetry is not merely a preoccupation of the idle and overeducated.". [Maeght] unknown
réf. 0870706764New. New. Satisfaction Guaranteed or your money back. unknown
réf. 0265861217.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960réf. 60326Pittsburgh PA: Carnegie Institute 1960. First Edition 1/250 copies. Braque. Folio little faded and soiled paper wraps. Designed and printed under the direction of Jack Stauffacher of the Carnegie Institute. Two Braque sketches reproduced from "The Intimate Sktchbooks of G. Braque. Carnegie Institute unknown
1961réf. 062121-03Maeght Editeur 1961. First Edition. Hardcover. Very Good. 4to ring binder in decorated cloth. 108 pp. plus color plates; unpaginated table and index at rear. VG. Minimal wear in a clear protective archival sleeve. Interior is pristine. No writing or markings of any kind. Ships wrapped in bubble wrap and packed securely in a box. Maeght Editeur hardcover
1960réf. N - 2026 - 1Authors: Daisetz T. Suzuki E. Herrigel Georges Braque. Illustrator : George Braque Publisher : Paris Louis Broder1960. Artist's book "Le Tir à l'Arc" The Art of Archery. Selected texts from D.T Suzuki and E. Herrigel "Le Zen dans l'art cavaleresque" 1955 and aphorisms and thoughts by George Braque from his own notebooks "Cahiers d'Art de 1917 a 1952". Illustrated by Braque with eight lithographs of which six in color one in black and one in pink and white printed across the spread endpapers with a mirrored composition; together with a black‑and‑white etching on the front wrappers and two woodcuts on gray paper also reproduced on the protective chemise and box. Limited edition of 165 numbered copies printed on vélin de chiffon handmade at the Moulin d'Ambert with cover wrappers in Antaimoro paper. Loose as issued preserved in the original silk‑covered hard chemise and housed within the original Japanese‑style silk folding case with ivory clasp. Braque's images fuse seamlessly with the accompanying Zen texts creating a visual meditation on focus intuition and the "empty mind" that illuminates the writings of D.T. Suzuki and Eugen Herrigel. Herrigel's Zen in the Art of Archery a classic account of his six‑year immersion in Japanese archery KyūdÅ during the 1920s explores the discipline as a gateway to understanding Zen Buddhism while Suzuki one of the most influential figures in bringing Zen thought to the West provides the philosophical and spiritual framework that illuminates archery as a contemplative path. Woven into this dialogue are Braque's own aphorisms and reflections with their emphasis on nuance intuition and the quiet interior space from which art emerges. Together these elements create a rare and compelling bridge between modern abstract art and Zen philosophy. In very good condition but some age spotting on the paper inside. A small restoration has been carried out on the top inch of the spine of the endpaper barely visible. Reference: Dora Vallier 153 Louis Broder
1958réf. B1624Illustrated with tipped-in photo frontis and black and white plates. 4to original pochoir wraps chips and loss to lower spine and a larger loss to glassine wrap lower left first signature detached otherwise very good. Limited to 1500 numbered copies. Inscribed to the publisher E. Engelberts on the frontis photograph. Exhibition catalogue of Braque's work. Charles Pezzotti,
1949réf. 344617New York: Museum of Modern Art 1949. Softcover. Very Good. First edition wrappered issue. Quarto. Top corner bumped else very good or better. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Museum of Modern Art unknown
1964réf. 35514Paris: Maeght Editeur 1964. 38 x 28 cm 15 x 11 inches. Original lithograph. It was produced for the ´Hommage a Georges Braque´for the issue of the Derrière le miroir and originally published in 1964. Depicting three white doves with a violet background. Maeght Editeur unknown
1963réf. 38629Paris: Maeght 1963. Browning of former passepartout visible. Else in very good condition. 60 x 435 cm 23.5 x 1725 inches. Original lithograph. Printed by ARTE in 1963 on behalf of the Galerie Maeght in Paris. Color lithograph after Georges Braque for an exhibition at Galerie Maeght in 1967 here the special edition on Velin BFK Rives without the text of the poster. "Oiseau et Lotus" Bird and Lotus is a work by Georges Braque one of the leading figures of the Cubist movement alongside Pablo Picasso. Braque's contribution to modern art particularly through Cubism emphasized abstraction the breaking up of objects into fragmented shapes and the exploration of multiple perspectives simultaneously.Though I can't provide specific details about a single artwork titled "Oiseau et Lotus" without more context it's likely that this work would reflect Braque's characteristic use of geometric forms and muted color palettes to depict natural subjects in an abstract way.In the context of his later works Braque moved away from the strict geometric forms of early Cubism and started incorporating more organic shapes and elements of nature. Birds Oiseaux and plants Lotus were recurring motifs in his post-Cubist period when he focused on the lyrical still-life approach that is often seen in his paintings from the 1930s and 1940s. Georges Braque was a major 20th-century French painter collagist draughtsman printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905 and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Maeght unknown
1988réf. 049009Prestel Pub. CLEAN Fine 19988 first printing hardcover with a very good dust jacket. . Fine. Hardcover. First Edition. 1988. Prestel Pub hardcover
1959réf. 29364Paris: Maeght 1959. First edition. Folio wrappers fine 28 x 38 cm. 4 color lithographs including Miro's double-spread cover. Maeght unknown
réf. 158372Norwalk: Easton Press 1978. Folio hardcover 96pp. Fine no dust jacket. Brown leather with titles in gilt and with spine in compartments. All edges gilt patterned endpapers ribbon page marker black & white and color illustrations bibliography index. A previous owner's name on the publisher's bookplate on the front endpaper. Art of Georges Braque. Art. Easton Press Hardcover
1918réf. 1848Autograph postcard in ink signed in Sorgues 1918. 137 × 90 mm. Braque’s autograph postcard send from Sorgues to his friend Paul Dermée. A cordial message from Sourges where Braque was recuperating from the injury he suffered during the war in 1915: "Mon cher ami je vous envoie un bien cordial bonjour. Je travaille beaucoup. J'espère que de votre côté le recueillement de votre campagne vous est favorable. Il parait que Paris reprend de l'animation. Bien amicalement à vous.” Paul Dermée was a a Belgian writer poet and literary critic editor of the avant-garde magazine SIC Son Idées Couleurs in 1916 and later the founding-director of L'Esprit Nouveau with Le Corbusier and Amédée Ozenfant. . unknown
1955réf. 1401481New York: Harcourt Brace and Company 1955. First American Edition. Hardcover. Quarto 156 pages. In Very Good condition with a Good dust jacket. Spine orange with black lettering. Dust jacket protected with a mylar covering price uncut: "$25.00." Rubbing with mild tearing along most of edges of dust jacket. Large tear to dust jacket at top edge of rear cover. Some material loss to dust jacket at top corner of rear board and at head of spine. Mild scuffing to dust jacket. Rubbing to head and tail of book spine and to edges and corners of boards. Textblock clean. Shelved in Case 11. 1401481. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
1963réf. N5061aParis: Andre Sauret 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES THIS COPY 55 SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page both were original lithographs FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY. Andre Sauret unknown
1947réf. 73965Genève-Paris: Éditions des Trois Collines / Fernand Mourlot 1947. Limited edition. Portfolio. Near Fine. 34 x 24 cm. Folio. 181pp. Illustrated wrappers loose in boards and slipcase. Limited to 90 copies of which this is copy 17 of 25 deluxe numbered copies. The deluxe edition includes a color lithograph laid-in signed and numbered by the artist. Printed on Velin d'Arches paper. Signed by the author and artist on the limitation page. Two additional original color lithographs: the cover in three colors and decorating the first page of the main text p.15 in two colors. 57 additional reproductions of paintings including 1 in color. Light wear to the wrappers. Outer slipcase shows some edgewear. Reference: Vallier Braque: The Complete Graphics 28. Éditions des Trois Collines / Fernand Mourlot unknown
