379 risultati
rif. 28849Reale Accademia d'Italia Centro Studi per l'Africa Orientale Italiana 7. Roma: Reale Accademia d'Italia 1943 Wrpps Roy.8vo. In three volumes. 1. Vol. I. Il Progresso delle Conoscenze. 464pp. biblio. 2. Vol. II. L'Imbasamento Cristallino e la Serie Sedimentaria Mesozoica. 704pp. 54 illustrations. 3. Vol. III. La Successione Terziaria e i Fenomeni del Quaternario. 748pp. 54 illustrations index. A fourth volume of maps is not present in this copy. From the library of Professor Stefan Strelcyn the Ethiopic scholar with his small ink-stamp the title pages the Winterton set with his bookplates a very nice set of the first editions in the publisher's light brown wrappers. We have been selling antiquarian books on Africa Oceania archaeology anthropology travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested. unknown
rif. 0243949723.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0259329827.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0366626795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
In 8o, pp. 170, br. 24 tavv. fot. f.t. Alinari. Piatti impolverati, minimo difetto al dorso. Ottimo (2236/ GIOTTO - ALINARI)
2015ill., br.
rif. 7103Sadea Editore, I Diamanti dell'Arte, 4, Firenze, 1966. In-12, broché sous couverture illustrée, 39 pp. - pl. Introduction, Laurie Schneider - Part One : The Trecento Tradition - Part Two : The Renaissance - Part Three : The 18th Century - Part Four : The 19th Century - Part Five : The 20th Century - Biographical Data ...
1924rif. 8336Paris G. Crès & Cie 1924 GRAND In-8 Fort et Large 102 pp+CXCII reproductions hors-texte. traduction de V.-A. Gauthier. Couvertures rempliées, illustrées ; dos passé, fines coupures sans manque au dos. Partiellement débroché
1951In-8°, pp. 154, cartonatura edit. con sovraccop. 139 tavole in nero e 4 a colori
1925rif. 042583Carra, Carlo: Giotto. London: Zwemmer, 1925. 102pp plus 192 duotone plates. Boards. 28x20cms.
1925rif. 042583Carra, Carlo: Giotto. London: Zwemmer, 1925. 102pp plus 192 duotone plates. Boards. 28x20cms.
2012rif. 99902Abbeville Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 384 pp. ; 296 illus. 202 in color. -- with a bonus offer--; Vasari famously wrote that Giotto "recovered the true method of painting which been lost for many years before him" and indeed he is traditionally considered a founder of the Italian Renaissance. Producing a series of commissioned works for the church and upper classes in his native Tuscany and surrounding regions Giotto changed the course of European art by breaking away from the rigid stereotyped figures of the Byzantine and Giotto medieval traditions. His innovation was to give his characters natural movement and expression. His great fresco cycles such as the lives of the Virgin and Christ in the Scrovegni or Arena Chapel Padua are populated with realistic depictions of three-dimensional figures; secondary characters both comic and tragic display the range of the painter's wit and invention. And Giotto's treatment of perspective was just as revolutionary as his approach to the human form. The dramatic power of his scenes is heightened by the convincing illusionistic spaces in which he places them. In this authoritative survey of Giotto's life and work Professor Francesca Flores d'Arcais draws on an impressive range of sources from fourteenth-century documents to the most recent art - historical investigations. Her research leads her to important re-attributions of Giottesque paintings and to new conclusions regarding the execution and dating of both famous and lesser-known works. This second edition also includes a discussion of the earthquake of September 29 1997 that damaged the frescoes of the Upper Basilica of San Francesco in Assisi - some of which are attributed to the artist in the early phase of his career - and the restoration effort that followed. More than three hundred illustrations most in full color and some on double gatefold pages reproduce all of Giotto's important frescoes in exquisite detail as well as his moving crucifixes and jewel-like polyptychs. These illustrations are based on new photography of Giotto's paintings many of which have recently been restored to their original brilliance making this the definitive monograph on the greatest of trecento masters. . 2012. 0789211149 . Abbeville Press hardcover
1960Volume in lingua francese conservato in ottime condizioni. Pagine lievemente ingiallite sui bordi a causa del tempo. Ricco di immagini. Copertina rigida in tessuto ricoperta da un rivestimento cartaceo plastificato leggermente rovinato sulla costa. Munito di cofanetto .
2011Mm 290x340 Collana "Grandi libri d'arte". Volume rilegato in piena tela blu, sovraccoperta e astuccio editoriale illustrati, 384 pagine con 95 figure in nero e 210 a colori su tavola. Libro in perfette condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1950rif. 590691950 Paris, Editions Franciscaines, 1950 14,5 x 19,5 cm, 134 pp, broché, couverture souple illustrée à rabats, écriture au stylo vert en page 1, en bon état,
2000Francesca Flores D'Arcais Giotto. , Federico Motta Editore 2000, Giotto. Custodia molto ben tenuta. Sovraccoperta e interno in ottime condizioni. Molto buono (Very Good) . 383 8871792688
rif. 7420Citadelles et Mazenod , ouvrage relié couverture sous une jaquette (parfait état, comme l'interieur et son coffret ) 385 pages . Epuisé , rare dans cet état .
2020ill., br. «È difficile resistere alla tentazione di affermare che Giotto fu il più grande artista che sia mai vissuto, frase questa usata a proposito di troppi maestri per conservare il suo pieno significato enfatico. Ma egli rappresenta, perlomeno, il più prodigioso fenomeno in tutta la storia dell'arte a noi nota. L'aver creato quasi dal nulla, il crudo realismo di Cimabue temperato dall'esausta compiutezza dei bizantini, un'arte in grado di esprimere tutta la gamma delle emozioni umane; l'aver trovato quasi senza guida il modo di trattare il materiale grezzo della vita stessa in uno stile così diretto, così duttile all'idea, e al tempo stesso così essenzialmente grandioso ed eroico; l'aver colto intuitivamente quasi tutti i princìpi rappresentativi, per stabilire i quali, scientificamente, occorsero due secoli di continue ricerche; l'aver compiuto tutto questo è, senza dubbio, una prova meravigliosa, superiore a quella che un qualsiasi altro artista abbia mai dato».
2018brossura Giotto è il padre della pittura italiana. La sua lezione è un invito costante a studiare, con umiltà, la natura, unica vera maestra.
rif. 1051cres 1931 in 12 broché 21 pages 64 planches hors texte
rif. SK42LWRelié sous jaquette bon état.Contenu propre . 1960.PHOTOS SUR DEMANDE
1960rif. 214552Switzerland: Skira 1960. First edition. Small hardcover. 146 pages. Features a biographical and critical study by Eugenio Battisti translated from the Italian by James Emmons. Includes numerous color plates selected bibliography and an index of names and places. A near fine copy in cloth boards and with the small ownership signature of Pulitzer Prize winning poet Frank Bidart and in a near fine dust jacket. A very nice copy with an interesting provenance. Skira unknown books
1980Editions à l'école des grands peintres 1980, In-4 broché, 56 pages, avec quelques photographies, bon état.
1927In-8°, pp. 122, 27 tavole (fotografie relative a dipinti di Giotto) in b/n fuori testo, tela editoriale con titolo in oro al piatto anteriore e illustrazione alle carte di guardia.