Jean Louis Andre Theodore GericaultBiblio.com
394 résultats
réf. 107913Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1818. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 17545Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1820. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 115842Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1823. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 21385Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1818. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 321410Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1819–20. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 332570Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1820 or later. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 22956. Christie Manson & Woods London 1985. Auction catalogue. Very well illustrated. 155 Lots on 197-pages. 4to 10 1/4 x 8 inches original coloured pictorial glazed boards. Fine. . Christie, Manson & Woods, London, 1985. hardcover
1982A clean, unmarked book with a tight binding. 8 1/4"w x 10 5/8"h. 122 pages. Black and white illustrations. Text in French.
réf. 6876ROME, Ed. Dell'elefante - 1979 - Catalogue d' Exposition Roma, Villa Medici - novembre 1979 - Gennaio 1980 - In-8 - Carré - Couverture souple illustrée en couleurs - 167 reproductions NB ou couleurs - Textes en français et en italien - 373 pages - Bon exemplaire
ROME, Ed. Dell'elefante - 1979 - Catalogue d' Exposition Roma, Villa Medici - novembre 1979 - Gennaio 1980 - In-8 - Carré - Couverture souple illustrée en couleurs - 167 reproductions NB ou couleurs - Textes en français et en italien - 373 pages - Bon exemplaire
réf. GF5424Lithographie format 37,5 x 25,5 cm marges comprises - Paris - imprimerie Lemercier - Vers 1880 -
réf. 17-1273Rouen France: Musee des Beaux-Arts 1981. 4to. 120 pp. Soft Cover. Very Good. Black & white plates throughout. Text in French. From the Library of the Pasquale Iannetti including loan card. Rouen, France: Musee des Beaux-Arts, 1981. paperback
réf. 18-5400New Haven CT: Yale University Art Gallery 1969. . 12mo. Oblong. 37 pp 50 pp. of plates. Soft white and black gravure illustrated wraps. Very good with marginal toning along spine and marginal creasing from age. Black and white plates. Includes a foreword byy Andrew Carnduff Ritchie and Alan Shestack. Includes selected bibliography and itemized catalogue list. Catalogue created on occasion of exhibition “The Graphic Art of Géricault” at the Yale University Art Gallery in New Haven CT. from February 5 through March 30 1969. Scarce. New Haven, CT: Yale University Art Gallery, 1969. paperback
réf. 75-1255Paris FR: Flammarion 1981. 12mo. 96pp. Very Good. Softcover. En Francais. Paris, FR: Flammarion, 1981 paperback
réf. 18-3599New York: Salander-O'Reilly Galleries 1987. 4to. 48 pp. Very Good. Soft Cover. Printed paper wraps. Color and B&W plates throughout. Scarce.From the Collection of the Art Historian Peter Selz. New York: Salander-O'Reilly Galleries, 1987. paperback
1987réf. 14261987 Couverture souple Tokyo, Journal Maïnichi, 1987. In-4, broché (28 x 22 cm), couverture illustrée, quelques marques marginales de frottements au second plat. 325 pages, illustrées de reproductions en noir et en couleurs d'oeuvres de Géricault. Catalogue publié à l'occasion de l'exposition au Musée d'Art Moderne de Kamakura en 1988. Texte en japonais et en français. Bel état des planches et du texte, bon exemplaire.
réf. 14428P., Réunion des musées nationaux, 1991, in-4, br., XVI-410 pp., 396 reproductions en noir et en couleurs Catalogue d'exposition au Grand Palais, 1991-1992. 309 numéros présentés. c
réf. 76707Librairie académique Didier & cie librairs éditeurs 1868 livre biographie 18*11,5 426 pages
1992réf. ART7348MFlohic Editions, Charenton, 1992. In-4, broché avec jaquette, 80 pp.
1987Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
réf. 68476aafGenève, Albert Skira, 1940, in-folio, 7 ff. de texte + 13 planches en couleurs, non reliées, cahier.
1980réf. 1238641980 Edition Seghers - 1980 - In-4 à l'italienne, reliure toilé marron avec titre en doré sur le premier plat et au dos, dans un emboîtage cartonné illustrée - 160 pages - Nombreuses illustrations en N&B et en couleurs, in et hors-texte, dans l'ouvrage
1991Important catalogue de l'exposition présentée en 1991-1992 aux Galeries nationales du Grand Palais (Paris), organisée par la Réunion des musées nationaux: 309 n°s, avec descriptions, notices et commentaires de Sylvain LAVEISSIERE (et renvois aux reproductions réparties dans l'ouvrage); précédé de textes de Régis MICHEL et de Bruno CHENIQUE sur la vie et l'oeuvre d'un "inconnu célèbre, prisonnier de son mythe" (Régis MICHEL), Théodore Géricault (1791-1824), peintre, dessinateur, graveur, lithographe et sculpteur, de l'intégralité du "Manuscrit de Montfort", "source mythique: souvent cité[e], mais peu connu[e]", présenté par Yveline CANTAREL-BESSON, et de lettres et documents d'archives, dont certains inédits, présentés par Bruno CHENIQUE; préface de Régis MICHEL ("Géricault: fin du mythe ?"); très nombreuses reproductions en noir et en couleurs; bibliographie. Français
réf. 26271Genève, P. Cailler (coll. "Les Grands Artistes racontés par eux-mêmes et par leurs amis"), 1947. In-8°, 357p. Reliure demi-chagrin noir, couverture conservée.
1991réf. 131619Paris, Flohic, 1991. In Paris, Flohic, 1991. In-folio broché sous jaquette illustée rempliée de 80 pages. Nombreuses illustrations à pleine page dans le texte, en couleurs. Très bon état
