1 982 résultats
1965réf. 056696Indiana University Press / Sangorski & Sutcliffe 1965. Reprint . Hardcover. Fine. 29 Drawings From The Manuscript And 25 Additional Pages Of Drawings And Paintings. 254 Pp Catalog At End. Full Orange Morocco Elaborately Gilt With Custom Tooling Of Shells On All Panels And Turns Marbled Endpapers Al Edges Gilt. In Their Green Cloth Solander Box. Fine. With A 1984 Handwritten Letter Signed From S. Bray On Sangorski & Sutcliffe Letterhead Explaining That They Did Not Have Tools For Shells At That Time But Would Send Representations Of Their Proposed Designs Later Etc. Fine Although Two Pages At End Have A Few Lines Lightly Underlined In Ink. Indiana University Press / Sangorski & Sutcliffe hardcover
1952réf. 19760Paris, G. P. Maisonneuve, Max Besson, 1952. In-folio en feuilles sous couverture rempliée illustrée, à rabats. Étiquette illustrée au premier plat.
1951réf. 158773Paris: Institut des hautes études cinématographiques 1951. Vintage program for a 1951 showing of Alain Resnais' 1950 short documentary film at the prestigious Institut des hautes études cinématographiques IDHEC. Text in French. IDHEC was founded in Paris during World War II in order to offer training for virtually every aspect of film production. It counted a veritable who's who of prominent filmmakers among its graduates including Louis Malle Claire Denis Jean-Jacques Annaud Volker Schlöndorff Andrzej u awski and Costa-Gavras among many others. Resnais attended IDHEC for one year from 1943-1944 training as a film editor before leaving in 1945 for military service. "Gauguin" was part of an early series of documentary short films about artists created by Resnais between 1946 and 1953 preceded by "Van Gogh" 1949 winner of an Academy Award and followed by "Guernica" 1950 in collaboration with Robert Hessens. 8.25 x 10.75 inches. Bi-fold. Very Good plus lightly faded on the edges with brief wear at the bottom right corner. Institut des hautes études cinématographiques unknown
1951réf. 158773Paris: Institut des hautes études cinématographiques 1951. Vintage program for a 1951 showing of Alain Resnais' 1950 short documentary film at the prestigious Institut des hautes études cinématographiques IDHEC. Text in French. IDHEC was founded in Paris during World War II in order to offer training for virtually every aspect of film production. It counted a veritable who's who of prominent filmmakers among its graduates including Louis Malle Claire Denis Jean-Jacques Annaud Volker Schlöndorff Andrzej u awski and Costa-Gavras among many others. Resnais attended IDHEC for one year from 1943-1944 training as a film editor before leaving in 1945 for military service. "Gauguin" was part of an early series of documentary short films about artists created by Resnais between 1946 and 1953 preceded by "Van Gogh" 1949 winner of an Academy Award and followed by "Guernica" 1950 in collaboration with Robert Hessens. 8.25 x 10.75 inches. Bi-fold. Very Good plus lightly faded on the edges with brief wear at the bottom right corner. Institut des hautes études cinématographiques unknown books
réf. 75460Paris, Éditions de la Plume [Louvain, Imprimerie Émile Charpentier], (1901), in-8, 239-[1] pp, broché, couverture imprimée de l'éditeur, Première édition en librairie du plus célèbre des écrits polynésiens de Gauguin. Exemplaire enrichi d'un envoi de Charles Morice à Madame Dolez. Gauguin, qui a exposé ses oeuvres tahitiennes chez Durand-Rueil en novembre 1893, entreprend l'écriture de ce petit livre afin d'éclairer le public sur ces toiles qui pouvaient paraître trop mystérieuses. Il en annonce la publication la veille de son départ définitif pour l'Océanie, en 1895. Charles Morice se charge de la mise en forme de Noa Noa : il intercale ses propres poèmes entre les récits en prose de Gauguin, qu'il revoit par l'occasion. L'ouvrage est publié deux ans après, en livraisons, dans la Revue blanche. Gauguin n'est pas satisfait de ces vers, ni des libertés prises par Morice qui dénaturent, selon lui, la naïveté du conteur et la saveur originelle des récits. Morice se charge pourtant de la parution en volume, qu'il fait imprimer à ses propres frais aux éditions de la Plume, et qu'il publie sous leurs deux noms : il promet à Gauguin l'envoi de 100 exemplaires, qui ne lui parviendront jamais. Bel exemplaire. Couvertures et dos restaurés. Premier cahier détaché, feuillets habituellement jaunis. Couverture rigide
1925réf. 57579BBParis, Librairie de France. 1925. 4°, 103 S. Mit 14 (3 farbigen) ganzseitigen Holzschnitten von Gauguin in Faksimile. Illustrierte Originalbroschur.
réf. 19854Paris, Excelsior, 1934 ; in 12, maroquin lavallière orné sur les plats, d’une rose des vents rayonnante sur fond carré doré, les pointes grenat et orange en cercles concentriques, quadruples filet à froid vertical, titre doré entre deux rangées de pointes dorées, contreplats de même encadrant une grande pièce de cuir fauve mat veiné à l’or, gardes identiques, contregardes de papier nuagé beige, marron, vert, parsemé d’or, couv. et dos conservés, étui bordé (Kieffer) ; 157, [1] pp.
1960réf. 1950Paris 1960. Two exhibition invitations and one catalog with collection stamp of Emil Szittya. Two printed in black and red. Slightly yellowed due to aging. Otherwise in fine condition. Two exhibition invitations and one catalog with collection stamp of Emil Szittya. Two printed in black and red. 8; 1; 4 p. Two exhibition invitations and a catalog of Paul Gauguin’s show from the collection of Emil Szittya. This collection includes a catalog of Paul Gauguin’s 1931 exhibition held in Le Portique Paris with a list of works exhibited and two invitations one to the exhibition of the avant-garde artist Jean Pougny and another to Fernand Léger’s show. All three are marked with the collection stamp of Emil Szittya Émile or Emile Lesitt Emil Szytia Oscar Ray Karl Stammer Verista; 1886–1964 a Hungarian-born artist. At the age of fourteen he started his wandering around Europe getting to know some of the most influential avant-garde artists of the time such as Lajos Kassák Pablo Picasso Marc Chagall Henri Rousseau Tristan Tzara Hans Richter Chaim Soutine and Blaise Cendrars with whom they published the anarchist magazine “Les hommes nouveaux”. In 1915 in Zürich he got acquainted with the leaders of the communist movement Lenin and Trotsky. He published several books on artists and numerous articles and essays in various art magazines. His expressionist paintings were exhibited mostly posthumously. . unknown
1901réf. 424Paris La Plume éditions 1901 In-8 (202X134mm) demi bradel de toile beige, pièce de titre en maroquin sur le dos, non rogné, couverture imprimée. Reliure de l'époque signée FRANZ .
1919réf. 85790Galerie Barbazanges | Paris 1919 | 15 x 23.20 cm | cousu
réf. 010434New York: American Studio Books. Wraps. Fair. no date circa 1946 based on OCLC records. Illustrated wraps. Large folio 17 by 13 inches. 13 leaves printed on single sides only. This includes the 12 color reproductions of woodblock prints preceded by a one page introduction by W.G. Russell Allen. Most of these were made in 1894 after Gauguin's return from his first trip to Tahiti. FAIR condition. Wrappers essentially separated into two pieces tenuously holding on at the upper hinge with all pages either SEPARATED from each other or very tenuously attached. Heavy tearing and creasing along the hinge and fore edge with some missing chips including one about 2 by ½ inches. Wrappers toned with a few minor stains and light soiling. Minor soiling and toning to the plates. American Studio Books unknown
réf. 1624Paris Floury 1927. Two volumes in original wraps. 4to. In fine condition. The 1st edition not the reprint. perfect condition unknown
réf. 1624Paris Floury 1927. Two volumes in original wraps. 4to. In fine condition. The 1st edition not the reprint. perfect condition unknown books
2002réf. BN423861Skira Wildenstein Institute 2002. 2002. Gauguin. A Savage in the Making. Catalogue Raisonne of the paintings 1873-1888. 2 Volumes complete. Gauguin. A Savage in the Making. Catalogue Raisonne of the paintings 1873-1888. 2 Volumes complete. Gauguin Paul; Wildenstein Daniel Skira, Wildenstein Institute unknown
1925réf. 003212Librairie de France, F. Sant'Andrea éditeur, 1925
1974elda pezzi e Fiorella minervino. noa noa e il primo viaggio a Tahiti di Gauguin Rizzoli editore rilegatura in tela con copertina di carta plastificata con cofanetto con tavole a colori ottime condizioni
réf. 42882Museum Reproductions. Very Good. N.D. Softcover. Oversized black paper portfolio titled/decorated in red housing 10 loose color wood cut plates by Gauguin plus introductory text leaf. List of plates: The Smile; Feast of the Gods; The Devil's Speech; Noa Noa Oh Fragrant Earth ; The Spirit of the Dead Awakens; Te Po The God of Darkness ; Maruru; Oh Beautiful Earth; Auti Te Pape; World's Creation. Re-engraved and printed with the help of silk screen from the originals that were issued in an extremely limited edition by the artist's son Pola Gauguin after his father's death. The portfolio is worn to the spine with slight soil. The plates are near fine or better. ; Folio 13" - 23" tall . Museum Reproductions paperback
1919réf. 85790Paris: Galerie Barbazanges 1919. Fine. Galerie Barbazanges Paris 1919 15 x 23.20 cm cousu Exhibition catalogue of Paul Gauguin's works at the Galerie Barbazanges 109 Faubourg Saint-Honoré from 10 to 30 October 1919. Illustrated with Gauguin's splendid colour self-portrait with halo and serpent wood-engraved by Jules Germain. Essay by François Norgelet entitled ""Gauguin au Pouldu"". Catalogue of 28 works by Gauguin including two lithographs and two plaster casts. Minute black spot in the margin of the front wrapper. The exhibition at the Galerie Barbazanges revealed previously unknown works that Gauguin produced during his stay at Le Pouldu in Brittanny between 1889 and 1890. Living alongside Sérusier Bernard de Haan and Filiger Gauguin painted there some one hundred imaginative and colourful canvases inspired by this artistic retreat where they led a vibrant life of plein-air work and conversations in the thick smoke of cigarettes and pipes: ""ils étaient tous trois pieds nus débraillés superbement au verbe sonore. Je vis l'un deux plus tard chez Mallarmé : c'était Gauguin"" They were all three barefoot magnificently disheveled with sonorous speech. I saw one of them later at Mallarmés: it was Gauguin recalled André Gide in Si le grain ne meurt. Gauguin would leave the inn without settling his bill leaving as a deposit most of the works he had created at Le Pouldu with his landlady and mistress Marie Henry. The innkeeper parted with them in 1919 at the time of this exhibitionwith the exception of a Gardeuse d'oies and an Oie which Gauguin had painted directly on the plaster of the Breton inn and were rediscovered in 1924. Galerie Barbazanges unknown
réf. 10525In-8° en feuilles sous chemise illustrée d'un dessin de Lucien Jacques. 55 numéros ont paru en 55 livraisons, de février 1953 à novembre 1958. - COLLECTION COMPLETE, du n° 1 (février 1953) au n° 55 (novembre 1958). Ensemble en très bon état.
1901réf. 654801 vol. petit in-8 br., Editions de La Plume, Paris, s.d. [ 1901], 239 pp. et 1 f. n. ch.
réf. 69722London / Kopenhagen Faber & Faber / Nordisk Sprog- och Kulturvorlag 1964. 4° 238 S. 163 Textabb. u. tlw. farb. Taf. OLwd. m. OU OU min. berieben Blattränder min. gebräunt; gutes Ex. EA. Bodelsen «studies in this book some sixty ceramic pieces that Gauguin executed in the late 1880’s and early 1890’s in Paris». 010 London / Kopenhagen, Faber & Faber / Nordisk Sprog- och Kulturvorlag, 1964 unknown
1989réf. SBBIH-MUIXBKDOVEBCBibliotheque nationale 1989. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Bibliotheque nationale paperback
1924réf. 78248s. d. [1924] | 9.30 x 7.80 cm | Une feuille
1924réf. 78247s. d. [1924] | 9.30 x 7.80 cm | Une feuille
1924réf. 78249s. d. [1924] | 9.30 x 7.80 cm | Une feuille