Constable

FIGHTER ACES OF THE LUFTWAFFE

1977 · rif. 70556 — Fallbrook CA.: Aero Publishers. Very Good in Very Good dust jacket. 1977. Hardcover. -Toliver Colonel Raymond F. and Trevor J. Constable; introduction by Lieutenant General Adolph Galland. FIGHTER ACES OF THE LUFTWAFFE. Fallbrook California: Aero Publishers Inc. 1977. 432 pages illustrated navy boards with gilt stamping to the spine. This is a bright nice copy. Very Good with a dust wrapper that is just lightly rubbed. . Aero Publishers hardcover books

Constable. Le choix de Lucian Freud. Exposition Galeries nationales du Grand Palais, Paris, 7 octobre 2002 - 13 janvier 2003

2002 · rif. 116096 — Réunion des musées nationaux, Paris, 2002. 30,5 x 23 cm ; kart.

LES ORIGINES DE L'HOMME - La fascinante épopée de ces précurseurs souvent méconnus de l'homme moderne.

1985 · rif. RO80199215 — FRANCE LOISIRS. 1985. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 160 Nombreuses illustrations en couleurs dans et hors texte - Texte sur 2 colonnes -. . . . Classification Dewey : 560-Paléontologie. Paléozoologie

Constable. Le Choix de Lucian Freud.

rif. 14193 — P., Réunion des musées nationaux, 2002, gr. in-4, br., 280 pp., illustrations en noir et en couleurs, bibliographie Catalogue de l'exposition au Grand Palais à Paris, 2002/2003 (194 oeuvres présentées).

Le choix de Lucian Freud . Galeries Nationales du Grand Palais, Paris 7 octobre 2002-13 janvier 2003 .

rif. 18027 — ,Paris, Réunion des Musées Nationaux 2002, 280 pp., 1 vol. in 4 br. couverture illustrée, Illustrations en couleurs (194 uvres presentees), bibliographie

Three studies in medieval religious and social thought: The interpretation of Mary and Martha, The ideal of the imitation of Christ, The orders of society

1998 · rif. R66496 — Cambridge, Cambridge University Press 1998 xix + 423pp.with ills., 23cm., previous owner's name on first page, softcover, VG

Oxford 1986. 4to. 256 S. Mit 231 Abb., davon 98 farb. Orig.-Leinenbd.

Studien zum Werk von John Constable, R. A.

1983 · rif. 116927 — Freiburg im Breisgau: Hochschulverlag, 1983. 21 cm ; kart.

The Disputed Election at Langres in 1138 in: Traditio: Studies in Ancient and Medieval History Thought and Religion

1957 · rif. 459143 — The Bronx New York: Fordham University Press 1957. Softcover. Very Good. Volume XII. Small quarto. 1 120-152 pp. Printed wrappers. Edges of wrappers and adjacent pages toned slight vertical crease and a short split at the spine base just about very good. Fordham University Press unknown books

Plate - "A Mill" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34884 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Gillingham Mill Dorsetshire. According to Constable's notes in 1825 Archdeacon Fisher wrote to tell him that the mill was burnt to the ground and now "exists only on your canvas. A huge misshapen new bright-brick modern-improved patent monster is starting up in its stead." Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "A Sea Beach" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34898 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a sketch by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "A Summerland" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34888 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Autumnal Sun Set" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34886 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Hamstead Heath; Harrow in the distance" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34874 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. A bucolic view from Hampstead Heath with cows grazing in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Jacques and the Wounded Stag Scene from "As You Like It"" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34889 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Lock on the Stour Suffolk" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34881 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Mill Stream" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34871 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents this is another view of Willy Lot's house taken from Flatford Mill . "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Noon" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34896 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a drawing by John Constable. Depicts a shepherd his dog and his flock of sheep grazing on the West-end fields near Hampstead. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Opening of Waterloo Bridge" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34880 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable which was exhibited at the Royal Academy in 1832. Minor chipping to edges of paper and minor browning to margins. A few extraneous black ink markings to bottom of plate from when it was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "River Stour Suffolk" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34877 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable that was done in preparation for a larger picture. Minor chipping to edges of paper and minor browning to margins. A few extraneous black markings from overinking during printing. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Spring" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34866 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable. It depicts a windmill with horses plowing a field in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. Henry G. Bohn unknown books

Plate - "Summer Afternoon - After a Shower" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34882 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Summer Evening" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34887 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books

Plate - "Summer Morning" from English Landscape Scenery. A Series of Forty Mezzotinto Engravings on Steel from Pictures Painted by John Constable R.A.

1855 · rif. 34893 — London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a small sketch by John Constable. Depicts a landscape of Dedham Vale. A few small extraneous ink marks from when the plate was printed. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books