GEORGE CONSTABLELivre Rare Book
1350 risultati
1986rif. R240008308FRANCE LOISIRS. 1986. In-8. Cartonné. Bon état, Coins frottés, Dos abîmé, Intérieur frais. 160 pages. Nombreuses illustrations en noir et blanc et en couleur, dans le texte et hors texte. Coiffes en tête et en pied abîmée.. . . . Classification Dewey : 930-Histoire générale du monde ancien jusqu'à 499 apr. J.-C.
2003rif. R200114094De l'entre-deux-mers. 2003. In-8. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 90 pages - Nombreuses photos en couleur dans le texte.. . . A l'italienne. Classification Dewey : 908.447-Régionalisme : Aquitaine
1983rif. 115212Freiburg im Breisgau: Hochschulverlag, 1983. 21 cm ; kart.
2003rif. 109438Aldershot England: Lund Humphries 2003. Softcover. VG. Blue illus. wraps; 34 pp. plus 32 pp. of plates; 64 plates color and bw; 5 bw figures. Includes an essay about Ravilious's life and work; Contains watercolors of countryside gardens farmhouses and other aspects of English life. Lund Humphries paperback books
1977rif. 414559Fallbrook California: Aero Publishers 1977. Hardcover. Near Fine/Very Good. Reprint. First published in 1968 as Horrido! Fighter Aces of the Luftwaffe. Quarto. 432pp. Illustrated with black and white photographs. Spine ends and corners lightly bumped near fine in a very good dustwrapper with small chip in mid-spine foxed spine head chipped. Aero Publishers hardcover books
1960rif. 116051Her Majesty's Stationary Office, London, 1960. 25,5 cm ; Leinen
rif. 3906Tate Gallery Publications Department, Millbank, London, 1976. In-4, broché, 208 pp. Colour Plates - Foreword, Sir Norman Reid - Preface, Leslie Parris - Constable and the Critics, Conal Shields - Catalogue, L. Parris & Ian Fleming-Williams [359 numéros décrits] : Background : The Constable Family and East Bergholt. - John ...
2002rif. 116096Réunion des musées nationaux, Paris, 2002. 30,5 x 23 cm ; kart.
rif. 18027,Paris, Réunion des Musées Nationaux 2002, 280 pp., 1 vol. in 4 br. couverture illustrée, Illustrations en couleurs (194 uvres presentees), bibliographie
1983rif. 116927Freiburg im Breisgau: Hochschulverlag, 1983. 21 cm ; kart.
1957rif. 459143The Bronx New York: Fordham University Press 1957. Softcover. Very Good. Volume XII. Small quarto. 1 120-152 pp. Printed wrappers. Edges of wrappers and adjacent pages toned slight vertical crease and a short split at the spine base just about very good. Fordham University Press unknown books
1855rif. 34884London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Gillingham Mill Dorsetshire. According to Constable's notes in 1825 Archdeacon Fisher wrote to tell him that the mill was burnt to the ground and now "exists only on your canvas. A huge misshapen new bright-brick modern-improved patent monster is starting up in its stead." Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34898London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a sketch by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34888London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34886London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34874London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. A bucolic view from Hampstead Heath with cows grazing in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34889London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34881London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34871London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents this is another view of Willy Lot's house taken from Flatford Mill . "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34896London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a drawing by John Constable. Depicts a shepherd his dog and his flock of sheep grazing on the West-end fields near Hampstead. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34880London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable which was exhibited at the Royal Academy in 1832. Minor chipping to edges of paper and minor browning to margins. A few extraneous black ink markings to bottom of plate from when it was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34877London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable that was done in preparation for a larger picture. Minor chipping to edges of paper and minor browning to margins. A few extraneous black markings from overinking during printing. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34866London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable. It depicts a windmill with horses plowing a field in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. Henry G. Bohn unknown books
1855rif. 34882London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34887London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
