Wolfgang Cezanne, Jurgen FrankeBiblio.com
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1996réf. BN356912De Gruyter Oldenbourg 1996. 1996. Hardcover. Volkswirtschaftslehre : Einführung Volkswirtschaftslehre : Einführung Wolfgang Cezanne Jürgen Franke De Gruyter Oldenbourg hardcover
1988réf. BN462199Oldenbourg Wissenschaftsverlag 1988. 1988. Volkswirtschaftslehre: Einführung Volkswirtschaftslehre: Einführung Cezanne Wolfgang und Jürgen Franke Oldenbourg Wissenschaftsverlag unknown
1993réf. BN464135Oldenbourg Wissenschaftsverlag 1993. 1993. Hardcover. Allgemeine Volkswirtschaftslehre Allgemeine Volkswirtschaftslehre Wolfgang Cezanne Oldenbourg Wissenschaftsverlag hardcover
2017réf. BN536184Uitgeverij Kompas 2017. 2017. Break through banking Break through banking Huizinga Siebe Toon van de Put und Cezanne Tegelberg Uitgeverij Kompas unknown
1979réf. BN616361Diogenes 1979. 1979. Softcover. Briefe Briefe Paul Cézanne Diogenes paperback
réf. BN725742Lutherisches Verlagshaus 2011. Luther & Co. Luther & Co. Stephan Cezanne Lutherisches Verlagshaus, 2011 unknown
1986réf. BN751567Reinbek bei Hamburg : Wunderlich 1986. 1986. Cézanne : eine Biographie. Cézanne : eine Biographie. Frank Paul und Paul Cezanne Reinbek bei Hamburg : Wunderlich unknown
1981réf. BN51687Köln : DuMont 1981. Erstauflage EA. Kunst Köln : DuMont unknown
2000réf. BN53302Ostfildern-Ruit: Hatje Cantz 2000. Erstausgabe EA. Kunst Ostfildern-Ruit: Hatje Cantz unknown
1999réf. BN60718Köln : Könemann 1999. Biographie Köln : Könemann unknown
1993réf. BN154796DuMont 1993. 1993. Hardcover. Cézanne Gemälde - als Katalog der Ausstellung Cézanne Gemälde Kunsthalle Tübingen 16. Januar - 2. Mai 1993 Cézanne Gemälde - als Katalog der Ausstellung Cézanne Gemälde Kunsthalle Tübingen 16. Januar - 2. Mai 1993 Götz Adriani Walter Feilchenfeldt Paul Cézanne Karin Thomas DuMont hardcover
réf. 32145472-nnew. unknown
1920réf. 88567Paris: Galerie Georges Bernheim jeune & Cie 1920. Fine. Galerie Georges Bernheim jeune & Cie Paris 1920 12.2 x 15.5 cm Agrafé First edition of the catalogue of the 33 works by Paul Cézanne exhibited at the Galerie Bernheim Jeune & Cie from Wednesday 1st to Saturday 18th December 1920.Upper cover lightly sunned along the edges printed stamp and shelf number to upper left corner of the inside front cover; otherwise a rare and attractive copy.Some pencil annotations in the margins of a few of the listed works.Catalogue illustrated with 10 reproductions of the artists works.Introductory text by Octave Mirbeau. Galerie Georges Bernheim jeune & Cie unknown
1906réf. 87491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
1914réf. 1769AG1914. Berln Cassirer 1914 Holzstich. Blattgrösse: 225 x 145 cm. Holzstich von Jacques Beltrand 18741977 nach Paul Cézanne. unknown
réf. DADAX0300067011New unknown
réf. DADAX0870701843New unknown
1930réf. C56801Leipzig: E. A. Seemann 1930. First Edition. Wraps. Paperback . Very Good. First Edition. Wraps. 4to. pp 2 9 plates. Portfolio. Original publisher's green covers lettered navy blue. Copiously illustrated in colour throughout. Series: Farbige Kunstlermappe 94. Double sheet with two pages of text and nine sheets of mounted plates. No date 1930. Clean very good indeed. E. A. Seemann, paperback
réf. 6105059108Papeback. New. pp. 294 unknown
réf. 6100568433Museum of Fine Arts . Hardback. New. pp. 527 Museum of Fine Arts hardcover
1973réf. 331491Connecticut: New York Graphic Society Ltd 1973. First Edition; First Printing. Hardcover. Both volumes Near Fine in a Near Fine slipcase.; Folio 13" - 23" tall. New York Graphic Society Ltd hardcover
1993réf. 3164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
1996réf. 68153New York: Philadelphia Museum of Art 1996. First Edition; First Printing. Softcover. Very Good in wrappers. Spine is slightly concave as is typical with thicker volumes. Small stain to top page edges.; 12 X 9.20 X 1.40 inches; 600 pages. Philadelphia Museum of Art unknown
1988réf. 42853New York: Museum of Modern Art 1988. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Blemish to jacket at front panel from sticker removal. Glue stain to jacket at rear panel.; 0.73 x 8.43 x 5.85 Inches; 152 pages. Museum of Modern Art hardcover
2002réf. 21007Arles: Actes sud: Societe Paul Cezanne Aix-en-Provence 2002. Paperback. Good. Unmarked. Text in French. Some nicks and bumps on cover. 192p. Illustrated. Bibliographic references. Contributions from Mary Tompkins Lewis Bruno Ely Denis Couotagne Joseph Rishel Philippe Cézanne Nuria Nin James Lord Marianne Bourges and Jean-Marc Valet. Actes sud: Societe Paul Cezanne [Aix-en-Provence] paperback
