2478 risultati
rif. 05-1962Monte Carlo: Sauret 1965. One color lithograph M.434 - loose & six color lithographs after Chagall by Sorlier. 4to. 90 pp. With an original lithograph frontispiece by Chagall. Illustrated throughout text. A final study of the ceiling laid-in back cover flap; folder with tears along bottom edge. Original red cloth stamped in black on front cover and spine. Text in French. Original dust jacket. Cramer 61. Monte Carlo: Sauret, 1965. hardcover
rif. 02-1131New York: Frederick A. Praeger 1966. One color lithograph M.434 & six color lithographs after Chagall by Sorlier. Translated into English by Brenda Gilchrist. 4to. 90 pp. With an original lithograph frontispiece by Chagall in fine condition. Illustrated throughout text. A final study of the ceiling in back pocket. Original red cloth stamped in black on front cover and spine. Very good in original dust jacket. New York: Frederick A. Praeger, 1966. hardcover
1972rif. B-2022-0743Paris Maeght May 1972. Dedicated to Marc Chagall and accompanied by an essay of Louis Aragon in French: Chagall l'admirable. With 3 original color lithographs made by Chagall especially for this edition. The Lithographs are on the front Cover page 11 and double pages 14-15 and are pulled in press by Mourlot. In the text there are also many other illustrations. Text by Louis Aragon. In very good condition. Maeght Editeur
1972rif. B-2022-0743Paris Maeght May 1972. Dedicated to Marc Chagall and accompanied by an essay of Louis Aragon in French: Chagall l'admirable. With 3 original color lithographs made by Chagall especially for this edition. The Lithographs are on the front Cover page 11 and double pages 14-15 and are pulled in press by Mourlot. In the text there are also many other illustrations. Text by Louis Aragon. In very good condition. Maeght Editeur books
rif. 6849MARC CHAGALL 1887-1985. Marc Chagall born Moishe Shagal was a Russian and French artist of Jewish ancestry. He is known for his artwork that blends surrealism Fauvism and Cubism to depict Jewish folklore and memories of his youth in Vitebsk. He was described by Picasso as having an unparalleled understanding of color and for decades he had been said to be the world's pre-eminent Jewish artist. His most famous works include I and the Village Paris Through the Window and La Marie The Bride.Signed Program. February 11 1967. New Haven Connecticut. A program signed Marc Chagall 1967 for his lecture at Yale University. While Chagall is primarily known as a painter he had a connection to the theater world because of his theatrical designs. The year prior to this lecture he had completed the murals The Triumph of Music and The Sources of Music for the new Metropolitan Opera House at Lincoln Center. He also designed the sets and costumes for the Mets production of Mozart's The Magic Flute which premiered in February 1967 the same month as his Yale lecture. Given Chagalls contributions to stage design and his mastery of color theory the school invited him to speak about the intersection of fine art stagecraft and the power of color. Chagall usually resided in France this program being rare example of him sharing his artistic philosophy with an American academic audience. This program is under a reproduction of his painting I and the Village. The program is professionally framed and in very fine condition. unknown
1962rif. 21546New York: George Braziller 1962. Cloth. Near Fine/Near Fine. A lovely copy of the 1962 1st American edition with the two original color lithographs especially prepared by Chagall for this edition and numerous beautiful color reproductions beyond. Tight and Near Fine in a clean Near Fine example of the publisher's unprinted mylar dustjacket and a sharp VG to Near Fine example of the publisher's printed card slipcase. Folio text and notes by Jean Leymarie. George Braziller unknown
rif. 6849MARC CHAGALL 1887-1985. Marc Chagall born Moishe Shagal was a Russian and French artist of Jewish ancestry. He is known for his artwork that blends surrealism Fauvism and Cubism to depict Jewish folklore and memories of his youth in Vitebsk. He was described by Picasso as having an unparalleled understanding of color and for decades he had been said to be the world's pre-eminent Jewish artist. His most famous works include I and the Village Paris Through the Window and La Marie The Bride.Signed Program. February 11 1967. New Haven Connecticut. A program signed Marc Chagall 1967 for his lecture at Yale University. While Chagall is primarily known as a painter he had a connection to the theater world because of his theatrical designs. The year prior to this lecture he had completed the murals The Triumph of Music and The Sources of Music for the new Metropolitan Opera House at Lincoln Center. He also designed the sets and costumes for the Mets production of Mozart's The Magic Flute which premiered in February 1967 the same month as his Yale lecture. Given Chagalls contributions to stage design and his mastery of color theory the school invited him to speak about the intersection of fine art stagecraft and the power of color. Chagall usually resided in France this program being rare example of him sharing his artistic philosophy with an American academic audience. This program is under a reproduction of his painting I and the Village. The program is professionally framed and in very fine condition. unknown books
1962rif. 21546New York: George Braziller 1962. Cloth. Near Fine/Near Fine. A lovely copy of the 1962 1st American edition with the two original color lithographs especially prepared by Chagall for this edition and numerous beautiful color reproductions beyond. Tight and Near Fine in a clean Near Fine example of the publisher's unprinted mylar dustjacket and a sharp VG to Near Fine example of the publisher's printed card slipcase. Folio text and notes by Jean Leymarie. George Braziller unknown books
rif. 16-5077Japan: Publishers 2000 Inc. 1978. Vol. III. Folio. 25.2 x 34.1 cm. Original pictorial boards and slipcase. 244pp. Text in Japanese and French. Numbered edition. Japan: Publishers 2000 Inc., 1978 hardcover
rif. 16-5079Japan: Publishers 2000 Inc. 1978. Vol. III. Folio. 25.2 x 34.1 cm. Original pictorial boards and slipcase. 258pp. Text in Japanese and French. Numbered edition. Japan: Publishers 2000 Inc., 1978 hardcover
rif. 16-5076Japan: Publishers 2000 Inc. 1978. Vol. 1. Folio. 25.2 x 34.1 cm. Original pictorial boards and slipcase. 254pp. Text in Japanese and French. Numbered edition. Japan: Publishers 2000 Inc., 1978 hardcover
1973rif. 308009Paris: Seuil 1973. Limited. hardcover. fine/very good. Marc Chagall. With 9 full-page color illustrations by Marc Chagall printed by Mourlot. 60 pages slim 4to stiff pictorial wrappers. Paris: Editions du Seuil 1973. A fine copy with the original plain onionskin wrapper a bit chipped. Limited edition -- number 1379 of 2000 copies. Seuil unknown
1973rif. 308009Paris: Seuil 1973. Limited. hardcover. fine/very good. Marc Chagall. With 9 full-page color illustrations by Marc Chagall printed by Mourlot. 60 pages slim 4to stiff pictorial wrappers. Paris: Editions du Seuil 1973. A fine copy with the original plain onionskin wrapper a bit chipped. Limited edition -- number 1379 of 2000 copies. Seuil unknown books
rif. 16-5078Japan: Publishers 2000 Inc. 1978. Vol. V Folio. 25.2 x 34.1 cm. Original pictorial boards and slipcase. Reddish stains on back of slipcse. 226pp. Text in Japanese and French. Numbered edition. Japan: Publishers 2000 Inc., 1978 hardcover
1950rif. 018439Trianon Press Grey Falcon Press 1950. 1st Edition . Soft cover. Near Fine/Near Fine. 1st Edition Soft cover. Softcover in illustrated wraps with glassine dust jacket. First Bilingual Edition. 93 pages illustrated with an original Marc Chagall color lithograph frontispiece plus nine block-printed black and white plates and additional in-text illustrations. A LIMITED EDITION OF 1500 copies 750 published by Trianon in the UK 750 by Gray Falcon in the US this is #1312 by Gray Falcon Press. Book Condition: spine ends slightly rubbed some pages uncut all in really nice condition with no marks to illustrations. a few tiny chips to the Glassine cover. Trianon Press, Grey Falcon Press, paperback
1962rif. 139782Monte Carlo: Verlag André Sauret 1962. Mit zwei farbigen Originallithographien gedruckt auf den Pressen von Mourlot Frères. Text von Jean Leymarie. Aus dem Französischen übersetzt von U. R. Hemmerich. Großformatige Hardcoverausgabe Leineneinband mit Schutzumschlag 211 Seiten mit zahlreichen Abbildungen. Schutzumschlag etwas angerändert/berieben und mit professionell hinterlegten Randläsuren. Gutes Exemplar. Monte Carlo: Verlag André Sauret hardcover
1964rif. 811Paris, Maeght éditeur, 1964. In-folio (380 x 280 mm) en feuilles, 84 pages, couverture illustrée rempliée. 4 LITHOGRAPHIES ORIGINALES DE MIRO, TAL-COAT, UBAC ET PALLUT. 1 LITHOGRAPHIE ORIGINALE EN NOIR DE PICASSO. 9 reproductions en couleurs d'œuvres de Georges BRAQUE dont 4 en double-page. 2 reproductions en couleurs d'œuvres de GIACOMETTI et de BISSIERE. 1 reproduction en noir d'une oeuvre de CHAGALL. 10 portrait photographiques de BRAQUE par Man Ray, Brassaï, Routhier et Mariette Lachaud. Textes de Saint-John Perse, René Char, Alberto Giacometti, Francis Ponge, Martin Heidegger, Jean Paulhan, Jacques Prévert, Kahnweiler, Cassou, Chagall, Zervos, Douglas Cooper, Ribemont-Dessaignes, entretien de Pierre Reverdy et Georges Braque. DLM édité en mai 1964 pour l'exposition "Hommage à BRAQUE" à la Galerie Maeght. Tirage original en parfait état.
rif. 17392Affiche de l’exposition Chagall en juin-juillet 1962 à la Galerie Maeght. 70 x 53 cm. Imprimerie Mourlot Paris. Belle lithographie originale en couleurs. Tirage à 1500 épreuves sur papier. (Sorlier 40).
1960rif. 347Paris, Maeght éditeur, 1960. In-folio (380 x 280 mm) en feuilles, 40 pages. 1 LITHOGRAPHIE ORIGINALE EN COULEURS DE MARC CHAGALL. 1 lithographie originale en noir de Fiedler. 7 LITHOGRAPHIES EN COULEURS D'APRÈS Braque, Calder, Léger, Mirò et Tal Coat. Textes de Jean Adhémar "A propos de la gravure originale" et Raymond Queneau "Les deux bouts du pinceau". Poèmes de Jacques Prévert, Jean Tardieu et André du Bouchet. DLM reprenant les publications de Maeght éditeur en 1960. Tirage original. Édition originale.
1977rif. 0047941977 Une page sur un feuillet (210 X 295 mm), «"La Colline", St Paul de Vence, 27 juillet 1977 ».
1927rif. 58709Avec 92 dessins inédits de Marc Chagall, un des 500 exemplaires sur Vélin de Rives numérotés de 26 à 525 (n° 133), 1 vol. grand in-8 reliure demi-maroquin à coins noir, dos à 5 nerfs, filet doré en mors et coins, tête dorée, André Delpeuch, Paris, 1927, 200 pp.
1948rif. 1306Éditions de la revue Verve, Paris 1948. Volume in-4 (355 x 260 mm), 76 pages, relié sous cartonnage éditeur, jaquette illustrée. - LA COUVERTURE, SPÉCIALEMENT CRÉÉE EN PAPIERS DÉCOUPÉS PAR HENRI MATISSE POUR CE NUMÉRO, EST REPRODUITE EN LITHOGRAPHIE. - 65 reproductions de peintures et dessins illustrent le volume. La couverture a été réalisée d'après une maquette en gouache découpée spécialement créée par Matisse en 1948. Cette composition est limité à deux couleurs jaune et noir, car pour l'artiste "le noir est une couleur"... L'artiste a également composé 40 ornements pour le texte. Avec un avant-propos de Matisse.
1953rif. 1516Paris, Les 100 Bibliophiles de France et d’Amérique, 1953. 1 volume in-8 (230 x 200 mm), en feuilles, couverture illustrée d'un bois en couleurs, chemise et étui de l’éditeur recouvert de papier japon. 12 BOIS ORIGINAUX PAR HENRI LAURENS dont la couverture et 9 bois in-texte en couleurs et 2 bois en noir (titre et colophon). Tirage à 147 exemplaires sur vergé à la cuve, signés par l’artiste et la présidente de la société, celui-ci un des 47 justifiés en chiffres romains. Exemplaire à l'état de neuf.
rif. 61736Paris A. Delpeuch impr. de Frazier-Soye 1927. in-4° broché couverture rempliée bleu pâle imprimée en noir; 206 pages. Illustré dans le texte et à pleine page de 92 dessins inédits de Chagall. Edition tirée à 550 exemplaires cleui-ci 1 des 500 sur vélin de Rives numeroté n° 30. Paris, A. Delpeuch (impr. de Frazier-Soye) 1927 unknown
rif. Q-0807604232George Braziller 1962-06-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! George Braziller hardcover
