2334 risultati
1967rif. 54783New York: Beilin Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - appears unread - 35 works catalogued; many illustrated several in color -- with a bonus offer-- . 1967. Beilin Gallery paperback
1967rif. 56005Galerie Gerald Cramer. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 53 works catalogued; many illustrations in black and white or color. -- with a bonus offer-- . 1967. Galerie Gerald Cramer paperback
1998rif. 76470Reunion des Musees Nationaux. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 96 pp. With 109 ills. 44 col. . 24 x 17 cm. -- with a bonus offer--; French Edition . 1998. 2711836509 . Reunion des Musees Nationaux paperback
2008rif. 89361Papier And Co. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 224 pp. ; 207 ills. -- with a bonus offer--; Feuille a Feuille; This catalogue was published to celebrate the Feuille a Feuille an initiative undertaken by the museum curators of the Nord-Pas-a-Calais region in 2006-2007 that provided the framework for an illuminating series of exhibitions around the subjects of prints and engravings from the Renaissance to the present day. . 2008. 2353400124 . Papier And Co paperback
2011rif. 95567Sussex Academic Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 150 pp. ; 41 illus. 21 in color. -- with a bonus offer--; The Art of Time The Art of Place draws a comparison between two of the most prominent Jewish artists in the 20th-century: the Polish-born magician and storyteller Isaac Bashevis-Singer 1904-1991 and the Russian-born creator of visual magic Marc Chagall 1887-1985. In addition to their East European Jewish background both were exposed to Western culture. Chagall absorbed such turn-of-the-century avant-garde artistic styles as Expressionism Fauvism Cubism Abstract and Surrealism. From these he created a unique blend to which he brought the various Russian influences he had absorbed as well as his own special highly imaginative and inventive personal style. Bashevis-Singer brought to his works philosophical psychological scientific medical and legal knowledge. While both artists were affected by these Western influences they remained firmly entrenched within the Jewish culture - the Yiddish language and life in the "shtetl" - from which they drew their inspiration. Their world consisted of a special blend of reality and dream realism and fantasy. The book demonstrates that they shared - albeit unwittingly - a common "meta-realistic" style combining the earthly with the supernatural and the transcendental. Their works allude to real place names dates facts and historical events while at the same time contain occult forces angels demons mysticism and mystery. Comparisons range over the Jewish "shtetl" Jewish artists love and despair the Holocaust and war religion and mysticism. In the works of both artists hope springs eternal; it is a hope emanating from the mystical realm of life as it relates to the magic of creation and the cosmic logic of the Creator. Artist and storyteller sail between hard-core reality and the yearning for redemption between Judaism and universal values between exile and revelation. . 2011. 1845194098 . Sussex Academic Press hardcover
1991rif. 71032Hirmer Verlag. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 1991. Hirmer Verlag hardcover
1957rif. 83763Frederick Praeger. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 158 pages with a number of black and white and tipped-in color illustrations within the text. 64 black and white plates following text. -- with a bonus offer-- . 1957. Frederick Praeger hardcover
2008rif. 73396Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 240 pp. With 232 ills. 143 col. . 30 x 23 cm -- with a bonus offer-- . 2008. 030011155X . Yale University Press hardcover
1989rif. 71030Le Tokyo Shimbun. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French and Japanese -- with a bonus offer-- . 1989. Le Tokyo Shimbun paperback
rif. 95580Flammarion. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 200 pages; well-illustrated mostly in color. -- with a bonus offer--; French Edition . 0. 2081255421 . Flammarion hardcover
2009rif. 835094RMN. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 200 pages; 257 illustrations. -- with a bonus offer-- . 2009. 2711856283 . RMN paperback
rif. 55417Waanders Publishers. New. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch and English. 144 pages; 110 colour photographs -- with a bonus offer-- . 9040090815 . Waanders Publishers unknown
1990rif. 71035Philipp Von Zabern. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 1990. Philipp Von Zabern paperback
1999rif. 32878New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 22 works catalogued and illustrated by artists including J. Pascin R. De la Fresnaye J. Gris & others -- with a bonus offer--; T-Groseur; Seurat to Chagall - A Selection of European Master Drawings - 1884 - 1930 22 works catalogued and illustrated by artists including J. Pascin R. de la Fresnaye J. Gris & Others Grosvenor Gallery london - 6/2 - 6/25/1999 . 1999. paperback
2015rif. 122960Skira. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened – with a bonus offer-- . 2015. 885722843 . Skira paperback
1998rif. 68842G. Hatje. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 288 pp. With 165 ills. 112 col. . 31 x 24 cm. -- with a bonus offer-- . 1998. G. Hatje hardcover
1941rif. 261189New York 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. Docketed on verso "Mark Chagall XXI-V-II July 4 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. unknown
1941rif. 222109New York 1941. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Matted. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN 1978 unknown
1941rif. 261189New York 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. Docketed on verso "Mark Chagall XXI-V-II July 4 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. unknown books
1941rif. 222109New York 1941. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Matted. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN 1978 unknown books
1937rif. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
1937rif. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
rif. 2286194H. Fair. unknown
1962rif. 4235New York: George Braziller 1962. First edition. Folio original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a fine dust jacket. Contains the rarely seen original slipcase also present is the original blue ribbon. The rear panel of the acetate shows some wear. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. George Braziller hardcover
rif. 51-0431Paris Musée des Arts Décoratifs 1961. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot no. 358. Cramer Chagall Illus. Books no. 47.One of 300 signed and numbered impressions on the colophon. Paris, Musée des Arts Décoratifs, 1961. paperback