2493 risultati
1962rif. 168473Monte Carlo: Andre Sauret 1962. First. hardcover. near fine/very good. Chagall Marc. Text by Jean Leymarie. Beautifully illustrated with 2 original color lithographs and numerous other color and black and white plates throughout. 210 pages with text in French. Large 4to pale gray cloth d.w. Monte Carlo: Andre Sauret 1962. First edition. A near fine copy in a very good wrapper with a light wear at spine ends. Ownership signature of art historian Meyer Schapiro. Andre Sauret unknown books
1962rif. 304851962. S.l. Andr Sauret 1962. Un vol. au format in-4 333 x 252 mm de 210 pp. Reliure d'dition de pleine percaline satine gris-perle sous jaquette illustre et rhodod. Exemplaire revÂtu au premier feuillet de la signature autographe au feutre de Marc Chagall ; dat 1966. Outre une abondante iconographie en noir et couleurs l'ouvrage est complet de ses deux lithographies originales de Marc Chagall ; tires par Mourlot. ''S'agissant d'illuminer une synagogue de Sion et ses douze verriÂres Chagall vit soudain resplendir sous les feux translucides les douze Tribus conjugues d'Isral la couronne de gemmes chante par le Psalmiste qu'il lÂverait son tour en offrande la reine d'Orient. Saisi par le seuil de l'ge par cet blouissement imprieux il s'absorba deux annes sans relche jusqu' la russite absolue jusqu'au miracle final''. Angles et coupes de la jaquette lgÂrement limes. Claires rousseurs sur les tranches. Du reste belle condition. b42961 unknown
rif. 51-6439Paris: Musée des Arts Décoratifs 1961. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot no. 358. Cramer Chagall Illustrated Books no. 47. One of 300 signed and numbered impressions on the colophon. which is printed on the same leaf as the lithograph. Lithograph colophon and title page loose. Paris: Musée des Arts Décoratifs, 1961. paperback
1961rif. 5118DB1961. Paris Musée des arts décoratifs 1961. 85 S. Mit ganzseitigen Illutrationen in Farbe und schwarz/weiss. Mit einer ganzseitigen Original-Lithographie. Illustrierte farbige Broschur. Ausstellungskataloge Palais du Louvre Paris 16 juin30 septembre 1961. Vom Künstler signierte Vorzugsausgabe Nr. 277 von 300 mit einer Lithographie. Minimale Gebrauchsspuren Sehr gutes Exemplar. unknown
1962rif. 123122Monte Carlo: Andre Sauret 1962. First edition of this work by the famed artist. Folio original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a very good dust jacket. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Andre Sauret hardcover
rif. MA08C-03960Andre Sauret. Collectible - Very Good. Monte Carlo: AndreÌ Sauret 1962. 1st edition. 4to. 210pp. French. Illus. Very Good book. Near Good dust jacket. Some fraying on top edge of dust jacket; small tears at front crown joint. Clear wrap added. glass painting and staining stained glass windows lithography Hebrew University Hadassah Medical Center synagogue books in French Inquire if you need further information. Andre Sauret unknown
rif. 44268Monte Carlo André Sauret 1962. 4° 210 S. 2 Orig.-Lithographien zahlr. meist farbige Abb. meist als Vollbilder OLwd. m. OU und Transp.-Umschlag OU min. randrissig u. -knittrig allg. tadelloses sehr gutes Exemplar. Mit zwei speziell für diese Ausgabe geschaffenen farb. Orig.-Lithographien des Künstlers. Die 36 weiteren Orig.-Lithogr. wurden nach Entwürfe von Chagall von Charles Sorlier auf den Stein übertragen u. bei Mourlot Frères gedruckt. Jeder dieser Lithographien erforderte 15 - 20 Farben. 010 Monte Carlo, André Sauret, 1962 unknown
rif. 51-0431Paris Musée des Arts Décoratifs 1961. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot no. 358. Cramer Chagall Illus. Books no. 47.One of 300 signed and numbered impressions on the colophon. Paris, Musée des Arts Décoratifs, 1961. paperback
1962rif. 168473Monte Carlo: Andre Sauret 1962. First. hardcover. near fine/very good. Chagall Marc. Text by Jean Leymarie. Beautifully illustrated with 2 original color lithographs and numerous other color and black and white plates throughout. 210 pages with text in French. Large 4to pale gray cloth d.w. Monte Carlo: Andre Sauret 1962. First edition. A near fine copy in a very good wrapper with a light wear at spine ends. Ownership signature of art historian Meyer Schapiro. Andre Sauret unknown
1962rif. 45383Monte Carlo; Andre Sauret 1962. First Edition. Hardback. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Scans and additional bibliographic data on request. ; 210 pages; Complete with two original lithographs and 12 additional color plates. Subjects: Bet ha-h Olim ""Hadasah"" Jerusalem . Synagogue. Glass painting and staining--Jerusalem--History--20th century. Monte Carlo; Andre Sauret hardcover
1952rif. 17693Paris: Maeght 1952. Other. 357 by 530mm 14 by 20 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Original Lithograph 1952. Published by Maeght Paris 1952. Sheet: 357 by 530mm 14 by 20 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 357 by 530mm 14 by 20 inches depicts 'Vision of Paris Vision von Paris'. Published in 1952 Edition of 6000 by Maeght Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 81 Maeght unknown
Paris, Le Courrier Graphique, 1950. In-4, (23 x 29,5 cm), broché, 307 pp., belle couverture rempliée et illustrée d'une lithographie en couleurs de GOERG. Vingt artistes sont passés en revue au travers de leurs dernières réalisations : Matisse, Rouault, Chagall, Masson, Picasso, Van Dongen, mais aussi Christian Bérard, Gérard Cochet, Maurice Denis, Pierre Falké, Jean Frélaut, Edouard Goerg, Paulette Humbert, André Jacquemin, Paul Jouve, Marie Laurencin, Berthold Mahn, André Marchand, Pierre-Yves Trémois et André Villeboeuf. 306 illustrations en noir. EDITION ORIGINALE, tirée à 1800 exemplaires numérotés. Bel exemplaire, en parfait état.
rif. 24010Paris, Le Courrier Graphique, 1950. In-4, (23 x 29,5 cm), broché, 307 pp., belle couverture rempliée et illustrée d'une lithographie en couleurs de GOERG.
1950rif. 106751950 Paris, Le Courrier Graphique, chez Albert Cymboliste, 1950.In-4. 307-(7) pages. Broché, couverture illustrée en couleurs et rempliée. Tirage limité à 1800 exemplaires numérotés. Belle couverture illustrée d'une lithographie en couleurs d'Edouard GOERG. Études et nombreuses reproductions de : Bérard, Chagall, Cochet, Denis, Falké, Frélaut, Goerg, Humbert, Jacquemin, Jouve, Laurencin, Mahn, Marchand, Masson, Matisse, Picasso, Rouault, Trémois, Van Dongen et Villeboeuf.
1958rif. 9481Paris, Le Courrier Graphique, Albert Cymboliste, 1958 ; in-4, broché ; 307, (7) pp., couverture rempliée entièrement illustrée d'une lithographie à cinq couleurs de E. Goerg.
1950rif. 000558Paris Le Courrier Graphique, Albert Cymboliste Editeur 1950 In-4 Broché, couverture illustrée Ed. originale
1970rif. 7636ABBern Verlag Kornfeld und Klipstein 1970. 31,5x25,5 cm. Frontispiz, 248 S., 1 S. Mit 123 meist s/w. Abbildungen. Originalleinwand mit Schutzumschlag.
1970rif. 87113Bern, Kornfeld und Klipstein 1970. 1970. 4°, 248 (1) S. mit sehr zahlreichen Abbildungen, Orig.-Leinen mit Orig.-Umschlag.
1970rif. 32832BBBern, Kornfeld und Klipstein, 1970. Gr.4° 248 Seiten, illustr. OLwd. Seiten mit leichter Bräunung, sauber und gut erhalten.
1970rif. 42089Bern, Verlag Kornfeld und Klipstein, 1970. 4to. Orig. full cloth. Frontispiece. 250 pp., 123 full-page illustrations., some in colour.
1970rif. 7260BBBern, Kornfeld u. Klipstein, 1970. 1. 8° 248 S., Ill. Leinen. sehr guter Zustand.
rif. 84175Bern Verlag Kornfeld und Klipstein 1970. Folio. 248 1 s. Rikt illustrert delvis i farger. Orig. hellerretsbd. med vareomsl. Vareomsl. med rift. . unknown
1970rif. 42089Bern Verlag Kornfeld und Klipstein 1970. 4to. Orig. full cloth. Frontispiece. 250 pp. 123 full-page illustrations. some in colour. hardcover
1970rif. 2048936Verlad Kornfeld und Klipstein 1970. Hard cover. Good/No jacket. In German. Volume 1 only. Cover cloth is lightly tanned but text is legible. Spine is slightly shaken but binding is secure. Name written on front endpaper but all other pages are unmarked. Pages are slightly yellowed around margins but otherwise clean. Verlad Kornfeld und Klipstein unknown
1950rif. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover books
