1 586 résultats
réf. 69721München Prestel 2014. 4° 300 S. zahlr. Abb. Kart. Verlagsfrisch. EA. «Im Frühjahr 1954 lernte Picasso in Vallauris an der Côte d’Azur die junge Sylvette David Lydia Corbett kennen. Sie verkörperte das Schönheitsideal der Zeit – hochgewachsen mit langem blondem Haar – und inspirierte den Maler zu einer Serie von Porträtdarstellungen. Über Monate experimentierte er vor dem Modell mit unterschiedlichen Stilrichtungen und Techniken. Mit Pinsel und Zeichenstift schuf Picasso naturnahe und kubistische Bildnisse. Zugleich entstanden nahezu abstrakte Faltplastiken aus Metall.Bereits 1955 erwarb die Kunsthalle Bremen ein repräsentatives Bild dieser einzigartigen Werkgruppe und widmet ihr jetzt – 60 Jahre danach – erstmals eine eigene Ausstellung mit bedeutenden Leihgaben aus aller Welt. Die Werkgruppe umfasst mehr als 50 Arbeiten bestehend aus Zeichnungen Gemälden Metallskulpturen und Keramiken. Sylvette werden Porträts von Françoise Gilot und Jacqueline Roque sowie Variationen zum Thema „Maler und Modell“ gegenübergestellt. Das Buch hat in der Fülle der Picasso-Publikationen einen ganz speziellen und sehr reizvollen Stellenwert» Verlagswerbung. 010 München, Prestel, 2014 unknown
1988réf. 54447Thomas Ammann Fine Art Zurich 1988 1988. Paperback. Used: Good. 32 color reproductions; 12 inches x 10.5 inches; 30 x 27 cm; intro is in German and English. Good overall mild shelfwear no creases; this book was stored properly on bookshelves; 2 lbs.; there is mild wear at head and foot of spine Thomas Ammann Fine Art Zurich, 1988 paperback
2003réf. 16943Royal Academy of Arts 2020-03-23. hardcover. Very Good/very good. 9x1x12. Royal Academy of Arts hardcover
1961réf. TN241979Faber & Faber London & Faber London 1961. 1st Edition. SOFTCOVER. Large Folio in plain white stiff card covers with printed dust jacket on stiff paper colour plate pasted to front cover as issued. 24pp on thick paper 10 large tipped-in colour plates all called for __CONDITION : An extremely well preserved FINE clean and tight unmarked copy covers slightly tanned very slight shelf rub to cover bottom edges in a near FINE complete Dust Jacket slightly edge rubbed two minute nicks to top edges. A nice copy of this often elusive book published as part of the 'Faber Gallery' series. . . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Faber & Faber, London & Faber, London paperback
2000réf. T218403Centre Pompidou 2000. 1st Edition. SOFTCOVER. Large 4to. in colour printed stiff glossy card covers 62pp colour plates b/w photos etc. Text in French __CONDITION : An extremely well preserved AS NEW unread and unmarked copy hint of tanning to covers. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Centre Pompidou, paperback
réf. 35401London Macmillan 1972. Large 4to xii 310pp. Original buckram in predominantly dark green dustwrapper slightly rubbed worn at edges and repaired with tape at top of spine. Light foxing on endpapers Features 108 reproductions in full colour and 510 b/w illusttrations. Several loose newspaper clippings pertaining to exhibitions of Picaso's works. A very good copy. London, Macmillan, 1972. hardcover
2005réf. 9068242Hatje Cantz Publishers 2005-08-15. Hardcover. New. HARDCOVER BRAND NEW Perfect Shape No Remainder Mark Hatje Cantz Publishers hardcover
2000réf. CL237Hatje Cantz Publishers 2000-11-15. hardcover. Good. 12x9x1. Heavy bump to lower corner that has affected the pages as well. Unmarked. Binding partially split at title page rest of binding strong. Scuff tear to jacket and board corners. Moderate wear. Good reading copy. Hatje Cantz Publishers hardcover
réf. 8488045123.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992réf. mon0004026639Arte Ediciones 1992-01-01. Hardcover. Very Good. 1.1024 9.1339 6.5748. Arte Ediciones hardcover
réf. 3791325302.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977réf. 56986New York: William Morrow & Co 1977. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Foxing to page edges. Crease to jacket base at front panel.; 9.37 X 6.38 X 1.89 inches; 606 pages. William Morrow & Co hardcover
1990réf. 095188Frankfurt Berlin: Propyläen 1990. 150 S.; mit 32 Farbill. von Pablo Picasso; aus dem Spanischen von Rainer Specht; fliegender Vorsatz mit eigenhändiger Unterschrift von Camilo Jose Cela; im Original-Leinenschuber. Erste Auflage. Leinen. Sehr gut. 193 cm. Propyläen Hardcover
2008réf. 201009Paris: Flammarion; Reunion des Musees Nationaux 2008. Cloth 367 pages illustrations some colour; 28 cm. English Edition. Catalogue of an exhibition held at the Musee National Picasso Paris September 19 2007 to January 7 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. "In the world of art Cubism was nothing less than revolutionary representing a paradigm shift in the way artists perceived the world and incontestably one of the most influential movements in art history. To celebrate the one-hundredth anniversary of Picassos seminal work Les Demoiselles dAvigon leading Picasso scholars and art historians assess its legacy and the extraordinary influence of Picassos Cubism on the development of twentieth-century art." - Publisher. CONTENTS: "You have to see the work" by Anne Baldassari; The stages of Picasso's discovery of Cubism: late 1905-early 1909 by Pierre Daix; Periods: Cubism in its day by Jean-Claude Lebensztejn; The odore Aubanel's Les filles d'Avignon and Picasso's "sum of destructions" by Irving Lavin; Resisting Cezanne: Picasso's Three women by Leo Steinberg; The Prague Self-portrait and Picasso's intelligence by Leo Steinberg; Horta de Ebro 1909: genetics of Cubism by Anne Baldassari; Le laboratoire central: Cubist drawings in the Musee Picasso by Pepe Karmel; Touring the Stockholm collage by Leo Steinberg; Chronology of Cubism by Anne Baldassari and Paule Mazouet ; with Anais Bonnel Jeanne-Yvette Sudour and Nadege Raymond-Clergue; Bibliography by Jeanne-Yvette Sudour. 1st. Hardcover. NEW. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
1996réf. 109543New York: Atlantic Monthly Press; Pace Gallery 1996. Cloth 349 pages illustrations come colour; 32 cm. Catalogue of an exhibition held at the Pace Gallery New York May 2 to August 1 1986. Near fine. Gently browsed clean copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. This is a major publication on Picasso with essays by leading American scholars the entire project coordinated by Glimcher Pace Gallery. CONTENTS: Preface by Arnold Glimcher; A Memoir by Claude Picasso; I. Six Complete Sketchbooks. The Saltimbanques Sketchbook No. 35 1905 by E. A. Carmean; The Demoiselles Sketchbook No. 42 1907 by Robert Rosenblum; Picasso at the Crossroads Sketchbook No. 59 1916 by Theodore Reff; Life with Picasso Sketchbook No. 92 1926 by Rosalind Krauss; Picasso at War: Royan 1940 Sketchbook No. 110 1940 by Sam Hunter; The Sabines Sketchbook No. 163 1962 by Gert Schiff. II. Selections from Other Sketchbook. A Reminiscence by Francoise Gilot. III. Catalogue Raisonne by Matthew Marks. 1st. Hardcover. Near Fine/Fine. Folio. Atlantic Monthly Press; Pace Gallery Hardcover
2006réf. 108979Paris: Flammarion; Reunion des Musees Nationaux 2006. Cloth 317 pages illustrations some colour portrait; 29 cm. English Edition. Previously published in French as: Picasso Dora Maar. Paris: Flammarion 2006. Translated by Unity Woodman. Near fine. Firm binding clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. "Dora Maar born Henriette Theodora Markovitch in 1907 was a talented artist in her own right. While studying painting she soon found a passion and gift for photography and became a prominent member of the Surrealist movement. This catalogue traces her relationship with Picasso from the time of their first meeting in late 1935 through 1937. Picasso expert Anne Baldassari demonstrates how those years were critical for both artists and how their interaction provided mutual inspiration through the mid-1940s. The relationship is set within the context of major historical events from the Spanish Civil War and the Popular Front to the rise of fascism and World War II. This chronological account brings a legend to life allowing the reader unique access to two artistic minds. Maar s photographs alongside Picasso's drawings paintings and poems serve as a guide through the critical period in which these two figures influenced one another. Preserved in her studio archives Maar's negatives and contact prints allow us to analyze in detail the intimacy of the life she shared with Picasso in all of its states as well as the evolution of his art including the colossal Guernica. This exquisite volume features . . . personal mementos--including notes scrawled on matchboxes and small sketches which are produced on onion skin paper throughout. This book sheds light on the profound mark left upon Picasso and his work by their dynamic relationship." - Publisher. CONTENTS: 'The utter fatality of objects'; The legend; Alchemy; Mythologies; Icon; Sol; Sombra. Hardcover. Near Fine/Fine. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
réf. 0892071044.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1969réf. 3332528Barcelona.: Gustavo Gili. 1969. Hardcover. Good. 30 cm. 23 p. 405 lám. 6 h. Encuadernación en tapa dura de editorial. Picasso Pablo 1881-1973. Texto de Charles Feld ; versión de Juan Díaz de Atauri. Dibujo. Char René. 1907-1988 . Dibujo. Diseño. Artes aplicadas y artesanía 74 Picasso Pablo 084 Gustavo Gili. hardcover
réf. 3201016241.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. G8434303205I5N00Montreal: Montreal Museum Of Fine Arts. Hardcover. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Montreal: Montreal Museum Of Fine Arts hardcover
réf. Q22A-06352Abbeville Pr. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Abbeville Pr unknown
réf. 1351Boston. New York Graphic Society. 1980. 4to. In fine condition unknown
2016réf. 4970Black Dog Publishing London U.K. 2016. FINE Softcover copy. Catalog accompanying the exhibition of the same name at the Vancouver Art Gallery June 11-October 2 2016. Large 4to just shy of 12" tall. 158 pp. Black Dog Publishing paperback
1958réf. KFZZQ100476Yomiuri Shimbun 1958. Soft Cover. Fine. KFZZQ100476 Yomiuri Shimbun paperback
1988réf. mon0002912354Grove Press / Atlantic Monthly P 1988-09-01. Hardcover. Good. 1.7000 12.5000 9.6000. Grove Press / Atlantic Monthly P hardcover
