5 504 résultats
réf. 22554Paris, Seghers, 1957. In-4, 37 pp., cartonnage éditeur muet, jaquette originale illustrée, rhodoïd (2nd f. de titre et plusieurs planches débrochés, petits frottements, quelque taches au rhodoïd).
1982réf. 766695PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
2014réf. 3437104Madrid.: Fundación MAPFRE Instituto de Cultura. 2014. Hardcover. Nuevo . Good. 31 cm. 307 p. principalmente il. col. y n. Encuadernación en tapa dura de editorial. Picasso Pablo 1881-1973. Comisariado María Teresa Ocaña i Comà. Exposiciones. Ocaña Maria Teresa. 1947-. comisario . Nuevo . ISBN: 9788498444551 Pintura 75 Picasso Pablo 083.824 Fundación MAPFRE, Instituto de Cultura. hardcover
2014réf. 2610420Madrid.: Fundación MAPFRE Instituto de Cultura. 2014. Hardcover. Good. 31 cm. 307 p. principalmente il. col. y n. Encuadernación en tapa dura de editorial ilustrada. Picasso Pablo 1881-1973. Comisariado María Teresa Ocaña i Comà. Exposiciones. Ocaña Maria Teresa. 1947-. comisario . ISBN: 9788498444551 Pintura. Picasso Pablo Inventarios. 75 Picasso Pablo 083.824 75 Fundación MAPFRE, Instituto de Cultura. hardcover
1963réf. T216765Hanover Gallery London 1963. 1st Edition. SOFTCOVER. 4to in black printed stiff card covers to a design by Picasso unpaginated approx. 24pp on glossy art paper all 54 linocuts shown in b/w __CONDITION : A well preserved FINE very clean and tight unmarked copy some very slight tanning. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Hanover Gallery, London paperback
1950réf. 12388Editions Falaize 1950. In-12 broché de 24 pages au format 12 x 15,5 cm. Couverture illustrée par une photo. Dos carré avec des frottis, comme sur les mors. Coins avec infimes frottis et tassement. Texte / poème dit par André Verdet le 6 Août 1950 à Vallauris, lors de l'inauguration de la sculpture de " l'Homme au Mouton " de Pablo Picasso. Contient 22 planches de photographies de Lionel Prejger. Bel état général. Edition originale. Rare exemplaire orné dune dédicace commune de André Verdet, Yves Montand, Simone Signoret et d'une autre personnalitée ( non reconnue ).
2009réf. 171658New York: Gagosian Gallery 2009. First Edition. Hardcover. First Edition. As New. Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Gagosian Gallery unknown
2000réf. 165938Ostfildern-Ruit: Hatje Cantz 2000. Hardcover. First printing of this revised and expanded edition. A catalogue raisonné of Pablo Picasso's sculptures. Fine in an about Fine dust jacket. Oversize volume shipping billed at cost. Hatje Cantz unknown
2009réf. 171658New York: Gagosian Gallery 2009. First Edition. Hardcover. First Edition. As New. Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Gagosian Gallery unknown books
2000réf. 165938Ostfildern-Ruit: Hatje Cantz 2000. Hardcover. First printing of this revised and expanded edition. A catalogue raisonné of Pablo Picasso's sculptures. Fine in an about Fine dust jacket. Oversize volume shipping billed at cost. Hatje Cantz unknown books
1968réf. 104768Berne Switzerland 1968: Editions Kornfeld Et Klipstein. Very Good in Very Good dust jacket. Hardcover. Hardcover in dustjacket.; 310 pages . 1968. Editions Kornfeld Et Klipstein hardcover
réf. 50-0017Paris 1961. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Four colors. 67 x 51 cm. 20 x 26 inches. Signed and dated 25.7.61 in the image. Paris, 1961. Distributed graphics by Dow & Frosini. unknown
1966réf. 657New York: Harry N. Abrams Inc 1966. Hardcover. Very Good/Very Good. :: Translation by Norman Guterman :: The graphic arts have held an unending fascination for Picasso throughout his entire career and this volume which covers the years 1955 to 1965 provides ample proof that his capacity for invention and innovation is undiminished. :: 124 illustrations including 6 in full color. :: Bound in publishers black cloth front board bears reproduction of Picasso line illustration in white. Author title and publisher lettered upon spine in white. Quarto 11 3/16 x 8 13/16 inches; 284 x 223 millimeters. 144 pages. Condition: Very Good- in a Very Good- dust jacket. Notably both boards curve outward away from the textblock. There is foxing atop the textblock small stains. Internal pages and plates in nice shape printing quality excellent. Dust jacket is age-toned stained and worn with small splits/chips along edges and flaking at the hinges. Harry N. Abrams, Inc hardcover
réf. 216Paris France / Amsterdam Netherlands: Editions Cercle D'Art S.A./Harry N. Abrams n.d. First English language edition translated from the French by Humphrey Hare. Thick folio. 11-1/4 in. x 12 in. 204 pages. Profusely illustrated with tipped-in color plate reproductions. Sturdy and handsome joint publication with oatmeal cloth lettered with colorful letters by Picasso created specifically for the publication of this book - "Picasso alphabet" see publisher's note; "when approached by the French co-publisher the painter laughingly said that it was so long since he had written out an alphabet that he had forgotten how." Near fine in original cloth-covered boards very minute toning to to edges of board from jacket off-setting. Near fine pictorial dust jacket with original lettered obo strip. Additional postage may be required for oversize book. hardcover
1971réf. 9027997New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover
1971réf. 8015New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover
1971réf. 9027997New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover books
1971réf. 8015New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover books
1956réf. 67971Printed in Germany: Thames and Hudson 1956. No edition marks first UK edition. Softcover: full black cloth over boards. Good. 4to. xxii 200 pp. Illustrated with 100 b/w plate reproductions of Picasso's Vollard Suite etchings. Gift inscription in red crayon on the title page To J.C. from H.T.S. September 1957. Introduction translated from the original German into English by Norbert Guterman. Slightly foxed/toned. Pages are generally bright and clean. Binding is strong with a slight flair upwards to the upper board. Boards and spine rubbed worn slightly frayed on the corners and soiled along the foot. Laid in this copy is a leaf from the New York Times Book Review 1981 with an article titled "Picasso of Course Is Everywhere" written by Vivien Raynor and a gatefold pamphlet from the exhibition "Je Suis Cahier: The Sketchbooks of Picasso" put on by Pace Gallery NYC. Condition:. Thames and Hudson unknown
1967réf. 14055Cerlce d’Art 1967 In-4 en feuillets. Bon état d’occasion.
2000réf. BN52711Wolfratshausen : Edition Minerva 2000. Buchhändlerausgabe. Kunst Wolfratshausen : Edition Minerva unknown
1989réf. BN47908Leningrad: Aurora-Kunstverl. 1989. Deutsche Erstauflage EA. Kunst Leningrad: Aurora-Kunstverl. unknown
réf. 6213"Cet ouvrage sert de catalogue à l'exposition éponyme qui se tient actuellement au Musée Picasso, jusqu'au 1er mai 2000. Anne Baldassari, conservateur au musée et commissaire de l'exposition, a longuement enquêté sur les relations entre le célèbre photographe (dont cette exposition célèbre le centenaire de la naissance) et le peintre espagnol. Dès leur rencontre (en 1932), les deux hommes engageront un dialogue qui durera toute leur vie, prenant comme objet, sujet ou prétexte, la photographie..."
1921réf. Tir223Paris Comoedia 1921 In4 - broché - pagination continue ( environ 50 pages - Sommaire voir photographie - A noter l'article sur les Ballets Russes , sur les Ballets Suédois ainsi que le théatre chinois - Illustrations de Hémard , Iacovleff , Picasso , Larionow , Matisse Juan Gris .Couverture illustrée par Gerda Wegener . Bon état si ce n'est une petite tache au 1er plat .
1921réf. Tir223Paris Comoedia 1921 In4 - broché - pagination continue ( environ 50 pages - Sommaire voir photographie - A noter l'article sur les Ballets Russes , sur les Ballets Suédois ainsi que le théatre chinois - Illustrations de Hémard , Iacovleff , Picasso , Larionow , Matisse Juan Gris .Couverture illustrée par Gerda Wegener . Bon état si ce n'est une petite tache au 1er plat .
