5 280 résultats
2024réf. BN653143Gagosian. 2024. 2024. Hardcover. A Foreigner called Picasso. A Foreigner called Picasso. Picasso Pablo - Annie Cohen-Solal / Vérane Tasseau Herausgeber Gagosian. hardcover
1982réf. 155Paris Maeght éditeur, 1982. In-folio (380 x 280 mm) broché, 116 pages. Couverture rempliée illustré d'une lithographie. 25 LITHOGRAPHIES ORIGINALES de Steinberg, Chagall, Miro, Palazuelo, van Velde, Rebeyrolle, Tàpies, Tal Coat, Alechinsky, Ubac, Bury, Klapheck, Titus-Carmel, Monory, Adami, Arakawa, Riopelle, Takis, Gardy-Artigas, Fiedler, Chillida, Kelly, Bazaine, Garache, certaines à double-page. DLM édité en août 1982 en hommage à Marguerite et Aimé Maeght alors récemment disparus. Tous les précédents numéros de DLM y sont décrits. Reproductions.
1943réf. 137781943 une revue tête de série N° 1, port-folio cartonné gris souris in-folio éditeur (plates under editor hardback), couverture rempliée, 1ère de couverture imprimée en rouge et noir, très rares et légères piqûres sur la couverture légèrement insolée (rare and light small redness marks on the lightly fading cover), justification du tirage : tirage limité à 1030 exemplaires numérotés (N°825), l'ouvrage se présente en feuillets avec les dessins imprimés comme suit : une étude de BONNARD, une symphonie de Duffy en noir en double page, deux nus de MAILLOL, deux expressions de MATISSE, une satire de Picasso en double page en noir et un poème de Pierre Emmanuel illustré par Léon ZACK, 1943 N° 1 (tête de série) Monaco: Philippe Fontana (Robaudy) Editeur,
1920réf. 1783Paris, Imprimerie Bernouard (avec étiquette de relais contrecollée sur la couverture : Éditions de la Galerie Simon, Paris), 1920. Une plaquette in-4 (288 x 190 mm) brochée, 16 feuillets, non coupé. 2 GRAVURES ORIGINALES DE ANDRÉ DERAIN EN HORS-TEXTE. Edition originale tirée à 155 exemplaires numérotés. Celui-ci un des 1/125 sur vergé d'Arches, signé par l'artiste. ENGLISH : Originally published by Bernouard the book was taken over by D.-H. Kahnweiler after he started the Galerie Simon with his label affixed to the front cover. François Bernouard was an inspiration as editor for Kahnweileir for both typography and aesthetic of modern book conception he will do for 2 decades. One of 125 copies signed by Derain.
1950réf. 31242BBParis, Sauret, 1950. 4° 208 Seiten, mit 1 ORIGINAL-LITHOGRAPHIE innen, Illustr. 75-179. brosch., mit Transparentfolie, kein Originalumschlag. Folie leicht beschädigt, leichte Bräunung, sauber und schön erhalten!
1945réf. 12577Paris Gallimard, coll. "Métamorphoses" 1945 1 vol. Broché in-8, broché, 62 pp. Première édition publique (après le tirage photolithographique à 50 exemplaires hors commerce distribué par Picasso en 1944). Un des 40 exemplaires de tête numérotés sur vélin pur fil Lafuma-Navarre, en très belle condition.
1945réf. 12577Paris Gallimard, coll. "Métamorphoses" 1945 1 vol. Broché in-8, broché, 62 pp. Première édition publique (après le tirage photolithographique à 50 exemplaires hors commerce distribué par Picasso en 1944). Un des 40 exemplaires de tête numérotés sur vélin pur fil Lafuma-Navarre, en très belle condition.
réf. 26096Paris, Imprimerie Union, 1966. Lithographie en noir et typographie en rouge et noir sur un feuillet de vélin jaune sable. Format 65 x 46,5 cm. Édition originale de cette affiche. La lithographie de Pablo Picasso est signée dans la pierre. Très bel état. Czwiklitzer, n° 277.
1979réf. 103119Düsseldorf, Kunstverein für die Rheinlande und Westfalen, 1979, in-4, [102] pp, broché, Première édition de ce catalogue d'exposition de l'oeuvre graphique de Titus-Carmel, avec 113 oeuvres reproduites dont certaines en couleurs. Exemplaire enrichi des signatures autographes de Pablo Picasso, Dali, Miro, Max Ernst pour "Baudoin Lebon, sans qui nous ne serions rien" et d'une longue note manuscrite "en guise de dédicace" de Titus-Carmel adressée à Baudoin Lebon :"Pour Baudoin, Pratiquement 6 ans, jour pour jour, je peux lui dire : je lui envie son costume de tweed et ce qu'il y a dedans, de bas en haut, parfois de fond en comble, quelque fois de long en large, souvent autour, en un mot signifié Baudoin, le signifiant Lebon, le grand, le seul, le vrai. à Düsseldorf le 5 mai 1979". Très bon exemplaire. Couverture rigide
1919réf. 105149Paris Société Littéraire de France 1919 1 vol. Broché in-4, broché, couverture rempliée, 114 pp. Édition originale illustrée d'un frontispice, d'une planche double et de 36 dessins à la plume par Picasso. Tirage unique à 750 exemplaires numérotés sur vélin Lafuma, en belle condition.
1919réf. 105149Paris Société Littéraire de France 1919 1 vol. Broché in-4, broché, couverture rempliée, 114 pp. Édition originale illustrée d'un frontispice, d'une planche double et de 36 dessins à la plume par Picasso. Tirage unique à 750 exemplaires numérotés sur vélin Lafuma, en belle condition.
1954réf. 36324Paris: Les Éditeurs Français Réunis 1954. Limited edition. Paperback. g. 1/430. Quarto. 90 2pp. Unopened copy. Original glassine over blank wrappers in illustrated dust-jacket. Title page in burgundy and black lettering. Picasso illustrated this essay of Diderot's with four portraits of the great thinker whose mind "anticipated and epitomized moral psychological and social opportunities and stresses attending the assimilation of science into culture" DSB 4: 84. The portraits are reproduced in lithograph print form by Mourlot Frères Paris. One of 430 copies printed on vélin pur Lafuma of which this is No. 369 of a general edition of 530 copies. Glassine sunned with minor and sporadic chipping along edges. Upper corners bumped thus slightly affecting pages throughout. Text in French. Glassine in overall fair to good- dust-jacket wrappers and interior in good to very good condition. Les Éditeurs Français Réunis paperback
1954réf. 36324Paris: Les Éditeurs Français Réunis 1954. Limited edition. Paperback. g. 1/430. Quarto. 90 2pp. Unopened copy. Original glassine over blank wrappers in illustrated dust-jacket. Title page in burgundy and black lettering. Picasso illustrated this essay of Diderot's with four portraits of the great thinker whose mind "anticipated and epitomized moral psychological and social opportunities and stresses attending the assimilation of science into culture" DSB 4: 84. The portraits are reproduced in lithograph print form by Mourlot Frères Paris. One of 430 copies printed on vélin pur Lafuma of which this is No. 369 of a general edition of 530 copies. Glassine sunned with minor and sporadic chipping along edges. Upper corners bumped thus slightly affecting pages throughout. Text in French. Glassine in overall fair to good- dust-jacket wrappers and interior in good to very good condition. Les Éditeurs Français Réunis paperback books
1970réf. 50318Random House / Maecenas Press 1970. First Edition. Hardcovers in slipcase. About Fine two large oblong vols. in slipcase and the original polystyrene shipping case and box. This item will require extra shipping internationally. Picasso's 347 engravings etchingsMougins etc created from March 16th to October 5th 1968. . Random House / Maecenas Press, hardcover
1936réf. 2018Genova: Arti Grafiche Caimo & C. 1936. Good -. 11¾” x 8½”. Pictorial thin card wrappers. Pp. 188 3 index 10 color plates and maps 8 folded bound in two 11” x 23” folded promotionals laid in. Good minus: approximately 12 pages with moderate to severe adhesion damage resulting in tears and areas of text loss; wrappers a bit sunned with a touch of corner wear; light creasing and spotting to edges; some leaves unopened. This is a remarkable work on city planning and infrastructure created by an Italian engineer architect and designer Renzo Picasso and inspired by American and international cities. Renzo Picasso was born in Genoa in 1880. His father and grandfather were both architects who had contributed immensely to his hometown. He traveled widely through European cities gaining inspiration for his work and was heavily impacted by a trip to New York in 1911. Deviating from his family's traditional styles Picasso created countless drawings and plans for skyscrapers public transports stacked roadways towers and underground walkways before he died in 1975. Per an online archive working to collect his creations the majority remain unpublished and “While he is responsible for some of the buildings that currently stand in Genoa his grander ideas remain only in their printed form.” This work is written nearly wholly in Italian with some English appearing mostly in the copious in-text diagrams and bound-in color plates. Picasso shows us junctions in the New Jersey “H-M 'Tube'” as well as “The two greatest competitors in Piccadilly Circus: 'Tube' and 'Bus'.” There are tables of statistics on vehicle registrations building elevations sea and airport traffic as well as mathematical equations. One page has the illustrated “Champions” of height in New York and Chicago and another the “Sezioni di traffico” sections of subways where one “need not set foot in street.” There are images of “self supporting” and “aerial” bridges the “Skyline Genesis” of New York from 1679 to 1930 and a “Zeppelin mooring mast.” This copy has two gorgeous promotionals for the book laid in both with color images to three front panels and text in five languages on the reverse. One has aerial city center plans for Genoa Philadelphia Chicago Boston and New York and the other shows “veicoli e regolatori di via” transit vehicles and traffic lights with diagrams of intersections and a layout of Central Park. They boast of this book: “All the Skyscrapers-Champions all the means of transport from the slowest natural to the swiftest mechanical surface elevated subterranean subwater and aerial are illustrated and analised in their position form and value.” The publication is undated and our research points to a release of 1936. OCLC shows cataloging discrepancies but there appear to be 15 holdings in the United States and seven in Europe. Arti Grafiche Caimo & C. unknown
1936réf. 2018Genova: Arti Grafiche Caimo & C. 1936. Good -. 11¾” x 8½”. Pictorial thin card wrappers. Pp. 188 3 index 10 color plates and maps 8 folded bound in two 11” x 23” folded promotionals laid in. Good minus: approximately 12 pages with moderate to severe adhesion damage resulting in tears and areas of text loss; wrappers a bit sunned with a touch of corner wear; light creasing and spotting to edges; some leaves unopened. This is a remarkable work on city planning and infrastructure created by an Italian engineer architect and designer Renzo Picasso and inspired by American and international cities. Renzo Picasso was born in Genoa in 1880. His father and grandfather were both architects who had contributed immensely to his hometown. He traveled widely through European cities gaining inspiration for his work and was heavily impacted by a trip to New York in 1911. Deviating from his family's traditional styles Picasso created countless drawings and plans for skyscrapers public transports stacked roadways towers and underground walkways before he died in 1975. Per an online archive working to collect his creations the majority remain unpublished and “While he is responsible for some of the buildings that currently stand in Genoa his grander ideas remain only in their printed form.” This work is written nearly wholly in Italian with some English appearing mostly in the copious in-text diagrams and bound-in color plates. Picasso shows us junctions in the New Jersey “H-M 'Tube'” as well as “The two greatest competitors in Piccadilly Circus: 'Tube' and 'Bus'.” There are tables of statistics on vehicle registrations building elevations sea and airport traffic as well as mathematical equations. One page has the illustrated “Champions” of height in New York and Chicago and another the “Sezioni di traffico” sections of subways where one “need not set foot in street.” There are images of “self supporting” and “aerial” bridges the “Skyline Genesis” of New York from 1679 to 1930 and a “Zeppelin mooring mast.” This copy has two gorgeous promotionals for the book laid in both with color images to three front panels and text in five languages on the reverse. One has aerial city center plans for Genoa Philadelphia Chicago Boston and New York and the other shows “veicoli e regolatori di via” transit vehicles and traffic lights with diagrams of intersections and a layout of Central Park. They boast of this book: “All the Skyscrapers-Champions all the means of transport from the slowest natural to the swiftest mechanical surface elevated subterranean subwater and aerial are illustrated and analised in their position form and value.” The publication is undated and our research points to a release of 1936. OCLC shows cataloging discrepancies but there appear to be 15 holdings in the United States and seven in Europe. Arti Grafiche Caimo & C. unknown books
1956réf. mon0000016157Andr� Sauret - Editions du Livre 1956-01-01. Paperback. Very Good. in x in x in. Unread. Original glassine over lithographic dust-jacket. Complete with its two original lithographs dust-jacket and frontispiece this volume is a fabulous pictorial inventory of prints Pablo Picasso's did between 1949 and 1956. It is the third of a 4-vol. catalogue set. Glassine in in very good condition. The bookis in very good condition with bump to bottom corner tips. Text in French. 158pp. Andr� Sauret - Editions du Livre paperback
réf. 33911Paris XXe Siècle 1971. First edition hardcover in red cloth and gold gilt lettering 12 3/4 x 10" 32 x 25 cm with dust jacket 138pp. A special number of the XXe siècle Art series published under the direction of G. di San Lazzaro and printed in Italy. This tribute contains twenty-eight colour reproductions including 7 facsimile colour linocuts and one hundred and fifty in black and white. Most noteworthy is an original colour lithograph print shown exclusively in this special number of XX Siecle. This book contains a complete overview of Picasso's oeuvre accompanied by numerous essays in French from colleagues and friends such as Kahnweiler Apollinaire Eluard and Verdet amongst many others. This copy is still crisp and in near fine condition the dust jacket alone showing some very light wear. This wonderful homage in image and print from an artist who was a major influence on twentieth century aesthetics includes a complete panorama of his works with the coveted bonus of an original Picasso colour lithograph from 1958. Paris, XXe Siècle, 1971 unknown
1948réf. 121527Paris : Editions de la Revue Verve 1948. reliure d'éditeur. PICASSO. - SABARTES.VERVE Revue Artistique et Littéraire. Directeur : Tériade. Vol. V Nos 19 et 20. Couleur de Picasso peintures et dessins de Picasso. Textes de Picasso et de Sabartès. Paris Editions de la Revue Verve1948 365x265mm non paginé planches en couleurs et n/b richement illustré reliure d'éditeur. Couverture rempliée. Le présent numéro de Verve consacré entièrement à Pablo Picasso a été achevé d’imprimer le 15 Avril 1948 sur le presses de Draeger Frères. Très bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions de la Revue Verve unknown
1983réf. 32689-1182Geneva Patrick Cramer 1983. With numerous illus. 425 pp. 2 leaves. Large 4to. Orig. cloth dust-jacket. Geneva Patrick Cramer 1983. Indispensable catalogue of Picasso's book illustrations spanning the period from 1905-1974. Describes in detail 156 books albums and catalogues with original etchings or lithographs by Picasso with reproductions of each print. With facsimiles of all "justifications de tirage" an extensive bibliography a chronological and an alphabetical index. ART - GENERAL & APPLIED ; KUNST KUNSTHANDWERK ; Geneva, Patrick Cramer hardcover
réf. 31507Paris Pierre Seghers 1960. 4° 35 S. 10 Photographien a. Taf. u. photogr. Vorsätze Kart. m. OU Min. gebräunt Bildung tlw. etw. gelockert. EA dieser Ausgabe. 010 Paris, Pierre Seghers, 1960 unknown
1937réf. 18015Guy Lévis Mano, 1937. Broché, couverture vert pâle imprimée, non coupé. 19 x 14,4 cm.
1948réf. 2245Maeght Editeur, Paris 1948. Un volume petit in-folio (385 X 285 mm) en feuilles, 54 feuillets non paginés, couverture illustrée en couleur rempliée + supplément de 20 feuillets pour la période 1947-1955. Portfolio toilé à lacets sérigraphié en couleurs sur le premier plat. Édition originale pour l'ensemble. La couverture est une lithographie originale en couleur. Texte autographe Georges BRAQUE enluminé page à page d'environ 110 compositions de l'artiste imprimées en lithographie par Mourlot Frères. Tirage à 95 ex sur Arches et 750 exemplaires sur Marais non numérotés, celui-ci l'un des 750 sur vélin du Marais. Ensemble très rare dans le superbe portfolio illustré. Un document essentiel pour la compréhension des choix et de l'évolution artistiques de Georges Braque tout au long de sa vie. Parfait état.
1902réf. 593671 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1902 complète - 12e Année - : 52 numéros du n° 1 du 3 janvier 1901 au n° 52 du 26 décembre 1901), 8 pp. par numéro
1984réf. 12488[Marseille] Bibliophiles de Provence 1984-1985 Un volume in-folio en feuilles sous emboîtage toilé aubergine et chemise rempliée, frontispice, non paginé, 5 gravures à l'eau-forte, à l'aquatinte et à la manière noire en noir et en couleurs par Orlando Pelayo. Exemplaire nominatif, l'un des 110 pour les Bibliophiles de Provence (le n°70), sur grand Vélin d'Arches.