5486 risultati
rif. 9803Picasso Pablo. Picasso Pablo. 100 PICASSO-PLAKATE UND STIFTUNG DANIEL-HENRY KAHNWEILER FOUNDATION - 20 GRAPHISCHE WERKE PABLO PICASSOS. Czwitklitzer 192b Poster for Kunsthalle Mannheim 1970. Color Offset 33 X 23 3/8 inches 838 x 594 mm. First Edition of 600 there was a second edition of 250 and a third edition of 400 copies. Mounted on Japan paper for conservation. In very good condition with a few clean closed tears at folds and with very fresh bright colors. a unknown
rif. 51-3606Vallauris: 1957. Linocut on the cover. Edition of 200 copies this one hors commerce and not numbered.Image 78 x 130mm. on cover 235 x 155mm. Picasso Project L-025; Bloch1273; Baer IV1046; Cramer 89. Fine. Vallauris: 1957 unknown
1974rif. 015496Maeght 1974 In-4 en feuilles, couverture rempliée, emboitage éditeur
1996rif. 2092902140603456Heibonsha 1996. Soft Cover. Fine. Number of pages: 533p Size: 32x30cm Heibonsha paperback
1985rif. 698741985 Paris, éditeur Paradis, 1985, In folio ,12 sérigraphies, 1/1000 exemplaires, en très bon état Très bon état,
rif. Z05OS-00083Random House / Maecenas Press. Collectible - Very Good. New York: Random House / Macaenas Press 1970. 1st edition. 2 volumes. Oblong folio. 22pp approx. 300 unnumbered leaves. Illus. Very Good book. Case Good. Lower corner of Vol. 1 bumped. One corner of slipcase split; scratches on rear of slipcase. art engravings Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Random House / Maecenas Press unknown
rif. 76996Paris Mourlot . 655 x 50 cm Tadellos A. Czwiklitzer No. 394. Farblithographie nach einer Zeichnung «Homme et Femme». von Picasso. 010 Paris, Mourlot, unknown
2024rif. BN653143Gagosian. 2024. 2024. Hardcover. A Foreigner called Picasso. A Foreigner called Picasso. Picasso Pablo - Annie Cohen-Solal / Vérane Tasseau Herausgeber Gagosian. hardcover
1982rif. 155Paris Maeght éditeur, 1982. In-folio (380 x 280 mm) broché, 116 pages. Couverture rempliée illustré d'une lithographie. 25 LITHOGRAPHIES ORIGINALES de Steinberg, Chagall, Miro, Palazuelo, van Velde, Rebeyrolle, Tàpies, Tal Coat, Alechinsky, Ubac, Bury, Klapheck, Titus-Carmel, Monory, Adami, Arakawa, Riopelle, Takis, Gardy-Artigas, Fiedler, Chillida, Kelly, Bazaine, Garache, certaines à double-page. DLM édité en août 1982 en hommage à Marguerite et Aimé Maeght alors récemment disparus. Tous les précédents numéros de DLM y sont décrits. Reproductions.
1943rif. 137781943 une revue tête de série N° 1, port-folio cartonné gris souris in-folio éditeur (plates under editor hardback), couverture rempliée, 1ère de couverture imprimée en rouge et noir, très rares et légères piqûres sur la couverture légèrement insolée (rare and light small redness marks on the lightly fading cover), justification du tirage : tirage limité à 1030 exemplaires numérotés (N°825), l'ouvrage se présente en feuillets avec les dessins imprimés comme suit : une étude de BONNARD, une symphonie de Duffy en noir en double page, deux nus de MAILLOL, deux expressions de MATISSE, une satire de Picasso en double page en noir et un poème de Pierre Emmanuel illustré par Léon ZACK, 1943 N° 1 (tête de série) Monaco: Philippe Fontana (Robaudy) Editeur,
1920rif. 1783Paris, Imprimerie Bernouard (avec étiquette de relais contrecollée sur la couverture : Éditions de la Galerie Simon, Paris), 1920. Une plaquette in-4 (288 x 190 mm) brochée, 16 feuillets, non coupé. 2 GRAVURES ORIGINALES DE ANDRÉ DERAIN EN HORS-TEXTE. Edition originale tirée à 155 exemplaires numérotés. Celui-ci un des 1/125 sur vergé d'Arches, signé par l'artiste. ENGLISH : Originally published by Bernouard the book was taken over by D.-H. Kahnweiler after he started the Galerie Simon with his label affixed to the front cover. François Bernouard was an inspiration as editor for Kahnweileir for both typography and aesthetic of modern book conception he will do for 2 decades. One of 125 copies signed by Derain.
1950rif. 31242BBParis, Sauret, 1950. 4° 208 Seiten, mit 1 ORIGINAL-LITHOGRAPHIE innen, Illustr. 75-179. brosch., mit Transparentfolie, kein Originalumschlag. Folie leicht beschädigt, leichte Bräunung, sauber und schön erhalten!
1979rif. 103119Düsseldorf, Kunstverein für die Rheinlande und Westfalen, 1979, in-4, [102] pp, broché, Première édition de ce catalogue d'exposition de l'oeuvre graphique de Titus-Carmel, avec 113 oeuvres reproduites dont certaines en couleurs. Exemplaire enrichi des signatures autographes de Pablo Picasso, Dali, Miro, Max Ernst pour "Baudoin Lebon, sans qui nous ne serions rien" et d'une longue note manuscrite "en guise de dédicace" de Titus-Carmel adressée à Baudoin Lebon :"Pour Baudoin, Pratiquement 6 ans, jour pour jour, je peux lui dire : je lui envie son costume de tweed et ce qu'il y a dedans, de bas en haut, parfois de fond en comble, quelque fois de long en large, souvent autour, en un mot signifié Baudoin, le signifiant Lebon, le grand, le seul, le vrai. à Düsseldorf le 5 mai 1979". Très bon exemplaire. Couverture rigide
rif. 26096Paris, Imprimerie Union, 1966. Lithographie en noir et typographie en rouge et noir sur un feuillet de vélin jaune sable. Format 65 x 46,5 cm. Édition originale de cette affiche. La lithographie de Pablo Picasso est signée dans la pierre. Très bel état. Czwiklitzer, n° 277.
1945rif. 12577Paris Gallimard, coll. "Métamorphoses" 1945 1 vol. Broché in-8, broché, 62 pp. Première édition publique (après le tirage photolithographique à 50 exemplaires hors commerce distribué par Picasso en 1944). Un des 40 exemplaires de tête numérotés sur vélin pur fil Lafuma-Navarre, en très belle condition.
1945rif. 12577Paris Gallimard, coll. "Métamorphoses" 1945 1 vol. Broché in-8, broché, 62 pp. Première édition publique (après le tirage photolithographique à 50 exemplaires hors commerce distribué par Picasso en 1944). Un des 40 exemplaires de tête numérotés sur vélin pur fil Lafuma-Navarre, en très belle condition.
1919rif. 105149Paris Société Littéraire de France 1919 1 vol. Broché in-4, broché, couverture rempliée, 114 pp. Édition originale illustrée d'un frontispice, d'une planche double et de 36 dessins à la plume par Picasso. Tirage unique à 750 exemplaires numérotés sur vélin Lafuma, en belle condition.
1919rif. 105149Paris Société Littéraire de France 1919 1 vol. Broché in-4, broché, couverture rempliée, 114 pp. Édition originale illustrée d'un frontispice, d'une planche double et de 36 dessins à la plume par Picasso. Tirage unique à 750 exemplaires numérotés sur vélin Lafuma, en belle condition.
1954rif. 36324Paris: Les Éditeurs Français Réunis 1954. Limited edition. Paperback. g. 1/430. Quarto. 90 2pp. Unopened copy. Original glassine over blank wrappers in illustrated dust-jacket. Title page in burgundy and black lettering. Picasso illustrated this essay of Diderot's with four portraits of the great thinker whose mind "anticipated and epitomized moral psychological and social opportunities and stresses attending the assimilation of science into culture" DSB 4: 84. The portraits are reproduced in lithograph print form by Mourlot Frères Paris. One of 430 copies printed on vélin pur Lafuma of which this is No. 369 of a general edition of 530 copies. Glassine sunned with minor and sporadic chipping along edges. Upper corners bumped thus slightly affecting pages throughout. Text in French. Glassine in overall fair to good- dust-jacket wrappers and interior in good to very good condition. Les Éditeurs Français Réunis paperback
1954rif. 36324Paris: Les Éditeurs Français Réunis 1954. Limited edition. Paperback. g. 1/430. Quarto. 90 2pp. Unopened copy. Original glassine over blank wrappers in illustrated dust-jacket. Title page in burgundy and black lettering. Picasso illustrated this essay of Diderot's with four portraits of the great thinker whose mind "anticipated and epitomized moral psychological and social opportunities and stresses attending the assimilation of science into culture" DSB 4: 84. The portraits are reproduced in lithograph print form by Mourlot Frères Paris. One of 430 copies printed on vélin pur Lafuma of which this is No. 369 of a general edition of 530 copies. Glassine sunned with minor and sporadic chipping along edges. Upper corners bumped thus slightly affecting pages throughout. Text in French. Glassine in overall fair to good- dust-jacket wrappers and interior in good to very good condition. Les Éditeurs Français Réunis paperback books
1970rif. 50318Random House / Maecenas Press 1970. First Edition. Hardcovers in slipcase. About Fine two large oblong vols. in slipcase and the original polystyrene shipping case and box. This item will require extra shipping internationally. Picasso's 347 engravings etchingsMougins etc created from March 16th to October 5th 1968. . Random House / Maecenas Press, hardcover
1936rif. 2018Genova: Arti Grafiche Caimo & C. 1936. Good -. 11¾” x 8½”. Pictorial thin card wrappers. Pp. 188 3 index 10 color plates and maps 8 folded bound in two 11” x 23” folded promotionals laid in. Good minus: approximately 12 pages with moderate to severe adhesion damage resulting in tears and areas of text loss; wrappers a bit sunned with a touch of corner wear; light creasing and spotting to edges; some leaves unopened. This is a remarkable work on city planning and infrastructure created by an Italian engineer architect and designer Renzo Picasso and inspired by American and international cities. Renzo Picasso was born in Genoa in 1880. His father and grandfather were both architects who had contributed immensely to his hometown. He traveled widely through European cities gaining inspiration for his work and was heavily impacted by a trip to New York in 1911. Deviating from his family's traditional styles Picasso created countless drawings and plans for skyscrapers public transports stacked roadways towers and underground walkways before he died in 1975. Per an online archive working to collect his creations the majority remain unpublished and “While he is responsible for some of the buildings that currently stand in Genoa his grander ideas remain only in their printed form.” This work is written nearly wholly in Italian with some English appearing mostly in the copious in-text diagrams and bound-in color plates. Picasso shows us junctions in the New Jersey “H-M 'Tube'” as well as “The two greatest competitors in Piccadilly Circus: 'Tube' and 'Bus'.” There are tables of statistics on vehicle registrations building elevations sea and airport traffic as well as mathematical equations. One page has the illustrated “Champions” of height in New York and Chicago and another the “Sezioni di traffico” sections of subways where one “need not set foot in street.” There are images of “self supporting” and “aerial” bridges the “Skyline Genesis” of New York from 1679 to 1930 and a “Zeppelin mooring mast.” This copy has two gorgeous promotionals for the book laid in both with color images to three front panels and text in five languages on the reverse. One has aerial city center plans for Genoa Philadelphia Chicago Boston and New York and the other shows “veicoli e regolatori di via” transit vehicles and traffic lights with diagrams of intersections and a layout of Central Park. They boast of this book: “All the Skyscrapers-Champions all the means of transport from the slowest natural to the swiftest mechanical surface elevated subterranean subwater and aerial are illustrated and analised in their position form and value.” The publication is undated and our research points to a release of 1936. OCLC shows cataloging discrepancies but there appear to be 15 holdings in the United States and seven in Europe. Arti Grafiche Caimo & C. unknown
1936rif. 2018Genova: Arti Grafiche Caimo & C. 1936. Good -. 11¾” x 8½”. Pictorial thin card wrappers. Pp. 188 3 index 10 color plates and maps 8 folded bound in two 11” x 23” folded promotionals laid in. Good minus: approximately 12 pages with moderate to severe adhesion damage resulting in tears and areas of text loss; wrappers a bit sunned with a touch of corner wear; light creasing and spotting to edges; some leaves unopened. This is a remarkable work on city planning and infrastructure created by an Italian engineer architect and designer Renzo Picasso and inspired by American and international cities. Renzo Picasso was born in Genoa in 1880. His father and grandfather were both architects who had contributed immensely to his hometown. He traveled widely through European cities gaining inspiration for his work and was heavily impacted by a trip to New York in 1911. Deviating from his family's traditional styles Picasso created countless drawings and plans for skyscrapers public transports stacked roadways towers and underground walkways before he died in 1975. Per an online archive working to collect his creations the majority remain unpublished and “While he is responsible for some of the buildings that currently stand in Genoa his grander ideas remain only in their printed form.” This work is written nearly wholly in Italian with some English appearing mostly in the copious in-text diagrams and bound-in color plates. Picasso shows us junctions in the New Jersey “H-M 'Tube'” as well as “The two greatest competitors in Piccadilly Circus: 'Tube' and 'Bus'.” There are tables of statistics on vehicle registrations building elevations sea and airport traffic as well as mathematical equations. One page has the illustrated “Champions” of height in New York and Chicago and another the “Sezioni di traffico” sections of subways where one “need not set foot in street.” There are images of “self supporting” and “aerial” bridges the “Skyline Genesis” of New York from 1679 to 1930 and a “Zeppelin mooring mast.” This copy has two gorgeous promotionals for the book laid in both with color images to three front panels and text in five languages on the reverse. One has aerial city center plans for Genoa Philadelphia Chicago Boston and New York and the other shows “veicoli e regolatori di via” transit vehicles and traffic lights with diagrams of intersections and a layout of Central Park. They boast of this book: “All the Skyscrapers-Champions all the means of transport from the slowest natural to the swiftest mechanical surface elevated subterranean subwater and aerial are illustrated and analised in their position form and value.” The publication is undated and our research points to a release of 1936. OCLC shows cataloging discrepancies but there appear to be 15 holdings in the United States and seven in Europe. Arti Grafiche Caimo & C. unknown books
1956rif. mon0000016157Andr� Sauret - Editions du Livre 1956-01-01. Paperback. Very Good. in x in x in. Unread. Original glassine over lithographic dust-jacket. Complete with its two original lithographs dust-jacket and frontispiece this volume is a fabulous pictorial inventory of prints Pablo Picasso's did between 1949 and 1956. It is the third of a 4-vol. catalogue set. Glassine in in very good condition. The bookis in very good condition with bump to bottom corner tips. Text in French. 158pp. Andr� Sauret - Editions du Livre paperback
rif. 33911Paris XXe Siècle 1971. First edition hardcover in red cloth and gold gilt lettering 12 3/4 x 10" 32 x 25 cm with dust jacket 138pp. A special number of the XXe siècle Art series published under the direction of G. di San Lazzaro and printed in Italy. This tribute contains twenty-eight colour reproductions including 7 facsimile colour linocuts and one hundred and fifty in black and white. Most noteworthy is an original colour lithograph print shown exclusively in this special number of XX Siecle. This book contains a complete overview of Picasso's oeuvre accompanied by numerous essays in French from colleagues and friends such as Kahnweiler Apollinaire Eluard and Verdet amongst many others. This copy is still crisp and in near fine condition the dust jacket alone showing some very light wear. This wonderful homage in image and print from an artist who was a major influence on twentieth century aesthetics includes a complete panorama of his works with the coveted bonus of an original Picasso colour lithograph from 1958. Paris, XXe Siècle, 1971 unknown
