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2013Best.-Nr. 105329UC Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and English. 280 pages; many color illustrations. -- with a bonus offer-- . 2013. 3777453412 . UC Press (Distribution) hardcover
2007Best.-Nr. 89920NMS; A. C. C. Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pp. ; 56 ills. -- with a bonus offer--; Picasso: Fired with Passion is a grand celebration of the master's work across media including ceramics jewelry and metalwork . 2007. 1905267118 . NMS; A. C. C. (Distribution) paperback
2010Best.-Nr. 835325Museum; D. A. P. /Distributed Art Publishers Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 174 color illustrations. -- with a bonus offer--; Printmaking was fundamental to Pablo Picasso's artistic vision. Over his long career he made well over 2000 printed images focusing on the intaglio techniques of etching engraving drypoint and aquatint as well as on lithography and linoleum cut. This publication published to accompany an exhibition at The Museum of Modern Art explores Picasso's creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods and extending up to the last years of his life. Divided into 12 thematic sections the book presents highlights from the Museum's extraordinary collection of Picasso's prints. These include such celebrated masterworks as "The Minotauromachy" and "The Weeping Woman" from the 1930s as well as evolving states that reveal how Picasso's imagery developed. One example of such metamorphosis is seen in a series of lithographs from the 1940s in which a progression is established from the realistic depiction of a bull to one that is completely abstract and captured in just a few lines. Other prints reveal changing interpretations of the women in Picasso's life who served both as artistic subjects and as catalytic forces for his creativity. Filled with full-page illustrations accompanied by extended captions A Picasso Portfolio features an essay by Deborah Wye Chief Curator of Prints and Illustrated Books at MoMA and introductions to each thematic section. The book concludes with a chronology and bibliography focusing on Picasso's printmaking. . 2010. 0870707809 . Museum; D. A. P. /Distributed Art Publishers (Distribution) hardcover
2011Best.-Nr. 99697Giunti Editore. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 320 pp. ; 369 illus. 364 in color. -- with a bonus offer-- . 2011. 8809771109 . Giunti Editore paperback
1960Best.-Nr. 216419New York: Harry N. Abrams Inc. Publishers 1960. Hardcover. VG. Lightest touches of wear and a bookplate inside front cover to this scarce volume. Quarto. Hardcover. Illustrate boards in acetate jacket with blue/white titles. 1 portfolio 14 unnumbered pages text 25 unnumbered leaves of plates : chiefly illustrations ; 44 cm. "This edition limited to one thousand copies"--cf. verso front cover of sketchbook./ Text in separate volume enclosed in portfolio with facsimile of sketchbook./ Subtitle precedes title./ Many plates printed on both sides./ "Printed in France"--cf. verso front cover of sketchbook. "Printed in the Netherlands"--cf. verso title page text volume. Harry N. Abrams, Inc., Publishers hardcover
1960Best.-Nr. 216419New York: Harry N. Abrams Inc. Publishers 1960. Hardcover. VG. Lightest touches of wear and a bookplate inside front cover to this scarce volume. Quarto. Hardcover. Illustrate boards in acetate jacket with blue/white titles. 1 portfolio 14 unnumbered pages text 25 unnumbered leaves of plates : chiefly illustrations ; 44 cm. "This edition limited to one thousand copies"--cf. verso front cover of sketchbook./ Text in separate volume enclosed in portfolio with facsimile of sketchbook./ Subtitle precedes title./ Many plates printed on both sides./ "Printed in France"--cf. verso front cover of sketchbook. "Printed in the Netherlands"--cf. verso title page text volume. Harry N. Abrams, Inc., Publishers hardcover books
1961Best.-Nr. 056842New York and Monte Carlo: George Brazilier & André Sauret. A beautiful crisp clean hardcover in near fine condition faint shelfwear to extremities. DJ in very good condition with two very small stains to front of cover now in protective mylar cover. Includes four original lithographs. . Near Fine. Hardcover. 1961. George Brazilier & André Sauret hardcover
Best.-Nr. 51-5822Paris: 1962-1963. Folio. 39.5 x 30cm. Two Signature pages from "Regards sur Paris" presented by L'Académie Goncourt. Paris: André Sauret Editeur. Paris: 1962-1963 unknown
1952Best.-Nr. PICASSOP013319Souillac. Octobre 1952. First edition. Quarto. 56 pages. Illustrated mostly with photographs. Card wrappers. The entire issue is devoted to Picasso. Interviews and essays. The contributors are Maurice Raynal Daniel Henry Kahnweiler Pierre Reverdy George Besson Tristan Tzara Paul Gay Edouard Pignon and Claude Roy.At page 51 there are three photographs of Picasso one of which is with Edouard Pignon. The page is signed by both of them and dated by Pignon 25 mai 53.Head and tail of spine a bit rubbed. Near fine. Souillac. Octobre, unknown
1935Best.-Nr. 71763Gallimard | Paris 1935 | 12 x 19 cm | broché
1927Best.-Nr. 13077Toulouse, Editions Richard, 1927 ; in-4, broché, étui de papier marbré de l'éditeur ; (4), 177, [178] pp., (1) f. achevé d'imprimer, 20 planches hors-texte en couleurs de Georges Gaudion, à la manière de : Laboureur, Marie Laurencin, Utrillo, Joseph Hémard, Henri Rousseau, Le Brun, Hermine David, Rouault, Picasso, Victor Hugo, Fernand Léger, Modigliani, Chas Laborde, Van Dongen, Gus Bofa, Henri Matisse, Cézanne, Vlaminck et Charles Martin ; couverture crème rempliée, imprimée en rouge et noir.
1936Best.-Nr. 006872Paris Chez Charles Ratton 1936 In-8 Agrafé Edition originale
1969Best.-Nr. 3236Paris, Galerie Lucie Weill et New York, Léon Amiel,1969. Un portfolio (47 x 39 cm), en feuilles, couverture illustrée, emboitage éditeur toilé bleu et titré au dos. Édition illustrée de 11 LITHOGRAPHIES ORIGINALES EN COULEURS ET À PLEINE PAGE DE MAX ERNST dont la couverture, portant la signature et la date '63 gravées dans la composition. Les poèmes de René Char sont tirés de Dehors la nuit est gouvernée (1938). Tirage à 290 exemplaires sur Arches, NUMÉROTÉS ET SIGNÉS AU CRAYON PAR René CHAR et Max ERNST au colophon (celui-ci n° 115). L'ouvrage est en parfait état, complet, bien numéroté et signé par le poète et l'artiste sur un folio volant in fine. L'emboitage est beau avec de légers frottements usuels.
1942Best.-Nr. boz_006174Free eBay listing template designed by dewiso.com Georges Hugnet - Non vouloir - 4 gravures par Picasso - 1/400 sur Vélin bouffant - épreuves corrigées - 1942 Auteur : Georges Hugnet Titre : Non vouloir Édition : Édition Jeanne Bucher, Paris, 1942 Tirage : Deuxième version de Non vouloir (paru en 1940 et qui ne contenait qu'un seul poème). Cet exemplaire est enrichi d'un envoi autographe signé de Georges Hugnet : « au Docteur René Nadal photographe de l'invisible avec l'amitié de Georges Hugnet ». Gravures : Illustré de quatre gravures au burin par Pablo Picasso en Noir&Blanc. Reliure : Broché. Exemplaire non coupé. Dimensions et poids : 14,2 x 19,4 cm État : Couverture avec traces d'usage, insolée et avec quelques plis, déchirures et manques. Exemplaire complet des 4 gravures de Picasso. Intérieur frais. Voir photos et description pour plus de détails. Nombre de pages : 76 pages Nous joignons les épreuves de Non vouloir, complètes sans les gravures, numérotées à la main de 196 à 255. Elles présentent quelques corrections et annotations manuscrites au crayon et à l'encre rose. Georges Hugnet Georges Hugnet, né à Paris le 11 juillet 1906 et mort à Saint-Martin-de-Ré le 26 juin 1974, est un poète, écrivain, dramaturge, graphiste et cinéaste français. Wikipédia Contactez-nous Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres... Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Une question ? Une précision ? N'hésitez pas à me contacter au 07 82 69 98 28 ou par mail jerome.lartdelivre@gmail.com Envoi Envoi soigné dans un emballage rigide et étanche sous trois jours. Prévoir les délais postaux habituels en plus. Paiement Sont acceptés les paiements par eBay, par PayPal, par virement ou par chèque. Retour Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, retour à la charge du vendeur pour l'Europe. À la charge de l'acheteur pour le reste du monde.
1952Best.-Nr. 61224Gallimard | Paris 1952 | 12.50 x 19 cm | broché
Best.-Nr. 5210Barcelona: Planeta 2007. Planeta unknown
Best.-Nr. 41535Paris, Verve (Vol. VIII, N° 29-30), 1954. In-4°, non paginé. Reliure cartonnée illustrée d'éditeur.
1956Best.-Nr. 2114Joseph Foret Éditeur, Paris 1956. 1 volume in-folio en feuilles sous couverture imprimée rempliée. Édition originale illustrée de 11 LITHOGRAPHIES ORIGINALES DONT 8 EN COULEURS : 9 par Maurice UTRILLO et 2 par Suzanne VALADON et Lucie VALORE. Préface de Sacha Guitry. Textes inédits de Pierre Benoît, André Maurois, Jean Cocteau, Edmon Heuzé, Grommelynck et Lucie Valmore. Tirage : 197 exemplaires. 1 DES 120 SUR PUR FIL DU MARAIS, celui-ci nominatif, signé par l'éditeur. État de neuf. - ENGLISH DESCRIPTION : Maurice UTRILLO, V. Paris, Joseph Foret, 1956. In-folio, in sheets, folder and case. First edition, first printing containing a preface by Sacha Guitry and unpublished texts by Pierre Benoit, André Maurois, Jean Cocteau, Edmond Heuzé, Fernand Crommelynck and Lucie Valore, illustrated with 11 ORIGINAL LITHOGRAPHS in full page by Maurice Utrillo, including 7 in color, 2 in sepia and one in black by Utrillo, one lithograph by Suzanne Valadon and one in color by Lucie Valore (portrait of Utrillo). Edition at 207 copies, this one one of the 120 on vellum paper of the Marais (this one is nominative). Very pale discharges of the title and the plates on the facing text pages.
1938Best.-Nr. 1203161938. First Edition. TRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Mir Chagall Matisse Derain Kandinsky and Klee along with numerous hliogravure photographs including Bill Brandt and Brassa first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Triade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the dayÑ Matisse Picasso Braque Lger Mir ChagallÑ many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Mir and Lger photographs by Man Ray and Brassa articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Czanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassa and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Mir Rattner and Klee together with articles by such leading French writers as Valry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassa and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
1938Best.-Nr. 1203161938. First Edition. TRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Mir Chagall Matisse Derain Kandinsky and Klee along with numerous hliogravure photographs including Bill Brandt and Brassa first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Triade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the dayÑ Matisse Picasso Braque Lger Mir ChagallÑ many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Mir and Lger photographs by Man Ray and Brassa articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Czanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassa and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Mir Rattner and Klee together with articles by such leading French writers as Valry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassa and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover books
Best.-Nr. 14867Monte-Carlo, André Sauret, 1961 ; in-4 oblong (24,5 x 31,7 cm). 153 pp. - 4 lithographies originales de Pablo Picasso dont une en 24 couleurs représentant un picador. Toile grise de l'éditeur illustrée d'après Picasso, étui en cartonnage rouge illustré (un coin légèrement choqué). Bel exemplaire.
1973Best.-Nr. 1533Au Pont des Arts, Galerie Lucie Weill, Paris 1973. 1 volume in-4 (225 x 255 mm), 84 pages en feuilles, couverture illustrée rempliée, emboitage éditeur recouvert de toile rose. 16 LITHOGRAPHIES ORIGINALES EN COULEURS D'ANDRÉ MASSON, toutes en hors-texte pour illustrer la longue nouvelle de Patrick Waldberg qui paraît ici pour la première fois Tirage : 174 exemplaires numérotés tous sur vélin d'Arches, signés par l'auteur et l'artiste. Celui-ci : 1 des 21 hors-commerce réservés accompagné d'UNE SUITE COMPLÈTE DES 16 LITHOGRAPHIES TIRÉES SUR JAPON NACRÉ. La suite est insérée dans une chemise imprimée et CHAQUE ÉPREUVE EST SIGNÉE ET JUSTIFIÉE AU CRAYON PAR L'ARTISTE. L'ouvrage est également signé par Patrick Waldberg et André Masson.
1952Best.-Nr. TH241414Souillac Mulhouse 1952. 1st Edition. SOFTCOVER. Special issue of le Point XLII October 1952 devoted to Picasso who has signed this copy in ink on the title-page no other marks or inscriptions. Provenance: from the estate of the Canadian artist Kathleen Daly Pepper. 4to in stiff card covers with colour printed over-wrapper 56pp b/w plates photos and facsimiles etc. Text in French Housed in an attractive custom made archival case. Full provenance provided __CONDITION : A well preserved FINE very clean and tight unmarked copy pages very slightly tanned in a slightly edge-rubbed but otherwise FINE wrapper. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Souillac, Mulhouse paperback
1948Best.-Nr. 822901948. Fine. s. d. vers 1948 17.30 x 21.30 cm une feuille n.d. around 1948 Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm one leaf. Rare original photograph of Pablo Picasso turning towards one of his ceramic creations taken by Michel Sima. Contemporary silver print. Pencil inscription on the back. Very light scratch on the surface not affecting the image. In September 1946 Pablo Picasso set up his workshop in the attic of the Château Grimaldi in Antibes in a former guards room to which the curator Romuald Dor de la Souchère gave him the keys so that he could work there as he pleased. It is the artist Michel Sima sculptor and photographer who introduced the two men. Arriving from his native Poland in 1929 Sima whose real name was Michel Smajewki met Picasso in Paris where he frequented the Académie de la Grande Chaumière and was the pupil of Zadkine. From mid-September to mid-November 1946 in Antibes then from 1947-48 and until the beginning of the 50's in Vallauris Sima regularly photographed Picasso who willingly posed for the camera - alone or with his companion Françoise Gilot in front of completed works or those in progress staring at the lens or on the contrary focusing on his work Anne de Staël L'Atelier des combles 2009. Sublime chiaroscuro shot of the master contemplating his work. Provenance: Paul Destribats collection. unknown
1935Best.-Nr. 71763Paris: Gallimard 1935. Fine. Gallimard Paris 1935 12 x 19 cm broché First edition an advance copy. Spine and covers lightly soiled without significance. Very precious autograph inscription signed by Marcel Jouhandeau: ""Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau."" ""For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."" Gallimard unknown