(Pablo PICASSO) - Michel SIMABiblio.com
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1948Best.-Nr. 822901948. Fine. s. d. vers 1948 17.30 x 21.30 cm une feuille n.d. around 1948 Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm one leaf. Rare original photograph of Pablo Picasso turning towards one of his ceramic creations taken by Michel Sima. Contemporary silver print. Pencil inscription on the back. Very light scratch on the surface not affecting the image. In September 1946 Pablo Picasso set up his workshop in the attic of the Château Grimaldi in Antibes in a former guards room to which the curator Romuald Dor de la Souchère gave him the keys so that he could work there as he pleased. It is the artist Michel Sima sculptor and photographer who introduced the two men. Arriving from his native Poland in 1929 Sima whose real name was Michel Smajewki met Picasso in Paris where he frequented the Académie de la Grande Chaumière and was the pupil of Zadkine. From mid-September to mid-November 1946 in Antibes then from 1947-48 and until the beginning of the 50's in Vallauris Sima regularly photographed Picasso who willingly posed for the camera - alone or with his companion Françoise Gilot in front of completed works or those in progress staring at the lens or on the contrary focusing on his work Anne de Staël L'Atelier des combles 2009. Sublime chiaroscuro shot of the master contemplating his work. Provenance: Paul Destribats collection. unknown
1935Best.-Nr. 71763Paris: Gallimard 1935. Fine. Gallimard Paris 1935 12 x 19 cm broché First edition an advance copy. Spine and covers lightly soiled without significance. Very precious autograph inscription signed by Marcel Jouhandeau: ""Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau."" ""For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."" Gallimard unknown
1952Best.-Nr. 61224Paris: Gallimard 1952. Fine. Gallimard Paris 1952 12.50 x 19 cm broché First edition one of 26 numbered copies on Madagascar paper the tirage de tête. Illustrated with a frontispiece by Pablo Picasso preface by André Salmon. Rare and nice copy despite a small tear in the margin of lower cover. Gallimard unknown
1957Best.-Nr. 0819434New York New York U.S.A.: Frederick A. Praeger 1957. Second Edition. Hardcover. Very Good/Good. Illustrated with Color & b&w Reproductions. 8vo - over 7¾" - 9¾" Signed by Pablo Picasso. 2nd edition / 1st printing. Inscribed & signed on the front endpaper by Pablo Picasso to actress Patience Cleveland : "Pour Patience -- / En souvenir de votre / ----------------- Anniversaire / Pablo". The "P" in Pablo is 1.25" 3.2cm tall drawing that has 4 eyes making different faces from every direction that you turn the drawing. Very good in good dust jacket. Jacket : slight edge wear chipped at top of spine. 15.5 x 21cm. hard cover. 315pp. Frederick A. Praeger hardcover
Best.-Nr. 51-1221New York: George Brazillier; Monte Carlo: André Sauret 1961. Oblong 4to text in English translated by Patrick Gregory 4 lithographs 1 color and numerous illustrations by Picasso original red buckram with Picasso illustration stamped in black on upper cover spine lettered in very good black pictorial dust-jacket.Cramer 113; Bloch 1014-1017; Mourlot 346 348-350 New York: George Brazillier; Monte Carlo: André Sauret, 1961 hardcover
Best.-Nr. 78617Paris Robert - J. Godet 1943. 4° 32 Bl. 6 Rasterdrucke nach Radierungen von P. Picasso Mit dem eingeklebten Verlegerhinweis von Guy le Pra Broschur m. Transp.-OU. OU mit kleinen Fehlstellen min. angeschmutzt. Innen Papier alterungsbedingt min. gebräunt sonst sauberes Exemplar. EA. Goeppert-Cramer 38. – Bloch livres 37No 201 des 500 exemplaires numérotés sur Lafuma.- Beiliegend eine surrealistische Werbeeinladung «Prière d’insérer» in 14 Punkten von Paul Eluard «pour Georges Hugnet».- Georges Hugnet 1906-1927 verbrachte den größten Teil seiner Kindheit in Buenos Aires. 1913 kehrte er nach Paris zurück. 1920 war das entscheidende Jahr seiner Karriere. Durch Marcel Jouhandeau der im selben Gebäude am Boulevard de Grenelle in Paris wohnte wurden seine ersten Gedichte Max Jacob vorgelegt. Jacob wurde sein Mentor und durch ihn bekam er auch die Kontakte und Zugang zu der Pariser Kunstszene. Während dieser Zeit freundete sich Hugnet mit einer Reihe einflussreicher Künstler des frühen 20. Jahrhunderts an wie Joan Miró Marcel Duchamp Pablo Picasso Tristan Tzara Man Ray und Jean Cocteau.Hugnet kam 1926 in Kontakt mit den Surrealisten nahm an vielen ihrer Aktivitäten teil dichtete schuf Collagen schrieb Bücher und gestaltete Bucheinbände für surrealistische Publikationen auch in Zusammenarbeit mit seinem Freund Joan Miró. 1929 erfolgte die Präsentation seines Filmes La Perle im Studio Ursulines in Paris. In den 1930er Jahren war Hugnet Mitglied der surrealistischen Bewegung. André Breton hatte sich nach der Lektüre von Hugnets Artikel Spirit of Dada in Painting für ihn interessiert; Tristan Tzara machte sie miteinander bekannt. 1936 war Hugnet an der Organisation der International Surrealist Exhibition in den New Burlington Galleries in London beteiligt.1939 wurde er aus der Bewegung ausgeschlossen da er seine Freundschaft mit dem in Ungnade gefallenen Dichter Paul Éluard nicht aufgeben wollte.Mit Unterstützung seines Vaters – ein französischer Möbelhersteller – gründete Hugnet einen Verlag «Les Editions de la Montagne» um seine Werke und die seiner Freunde darunter Tristan Tzara Pierre de Massot und Gertrude Stein zu veröffentlichen.Hugnet schrieb und übersetzte zahlreiche Drehbücher und schuf Buchillustrationen. 010 Paris, Robert - J. Godet, 1943 unknown
Best.-Nr. 212With the Picasso plate in two colours: a fine group with Dadaist flavour related to the first experimental "ball" of the Union of Russian Artists in Paris which included as member Mikhail Larionov Natalia Goncharova and Ilia Zdanevich Iliazd among others. The printed programme is a typographical and artistic masterpiece with participations of Juan Gris Derain Picasso and Goncharova incorporating poems by French and Russian artists such as Tristan Tzara. The typography was perhaps unsurprisingly conceived by Iliazd who also played a major role in the original idea of such 'balls' gathering an international and Parisian avant-garde. The programme of the event was eclectic featuring a Russian piece a Japanese 'village party' by Foujita and a popular song on the Venice festival many with choreography and costumes by Larionov and Goncharova. Includes the large striking ticket designed by Larionov often found on its own. Description Large 4to 33 x 26 cm and 2 sheets 50 x 13 and 22 x 27.7 cm. Programme: 12 pp. with one tipped-in illustration after Derain lithographs texts and illustrations one by Picasso coloured in pastel blue and yellow; ticket: black and orange lithograph on beige paper designed by Larionov; handbill: black lithograph on coloured paper designed by Larionov. Binding Sheets loose as issued programme in printed pictorial wrappers. Condition Very minor wear creasing or browning at extremities handbill with fold in the centre but overall in appealing fresh condition. Francois Bernouard for Union des Artistes Russes, Paris, 1923
1962Best.-Nr. 3931Éditions Cercle d'Art, Paris 1962. Un volume in-folio (390 x 330 mm) relié sous cartonnage toilé illustré, dans l'étui de l'éditeur décoré de deux compositions en couleur de Picasso. - 45 LINOGRAVURES DE PABLO PICASSO EN PLANCHES HORS-TEXTE réalisées d’après les linogravures originales. - PREMIER TIRAGE. Édition originale française, le texte de W. Boeck est traduit par Jacques Chavy. - ENGLISH DESCRIPTION : 1 volume oblong folio in the original slipcase. Introduction by W. Boeck. Illustrated with 45 colour linocuts plates engraved and remarkably printed on one side only after the original linocuts by Pablo Picasso (approx. 13" x 15"). A state of the art production by Cercle d'Art in 1962. 1st printing. In excellent condition and complete. The decorated slipcase with some imperfections. Photographs on request.
2010Best.-Nr. 94942Hirmer Verlag. New. 2010. Hardcover. 377743101X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 288 pages; 186 illustrations including 174 in color. -- with a bonus offer-- . Hirmer Verlag hardcover
1955Best.-Nr. 213503New York: Harry N. Abrams 1955. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Foxing on side text block edge.; Folio 13" - 23" tall. Harry N. Abrams hardcover
1940Best.-Nr. 206211Paris: L'usage de la Parole 1940. First Edition. Spine split; corners bumped; some general soil one very small tear at the top but otherwise without significant wear. 4to 6 unpag. leaves loosely inserted in stiff wrappers. Thomson first set Hugnet's poems to music in 1927. They were his first French songs. Here the songs are printed for the first time in lithographic facsimile of Thomson's handwriting on S.A.V. Vélin scored for voice and piano. The lithographic front wrapper is by Pablo Picasso. As near as we can ascertain a small number of copies were produced to send as gifts to friends and to subscribers to Hugnet's short-lived periodical L'usage de la parole. It seems likely that the songs were intended to be included in a fourth number of the magazine number 3 in April 1940 announced Thomson as a contributor to the next number but the magazine ceased publication before a fourth number could be completed when German armed forces marched into France in May. It is unclear how many copies might have been produced and actually sent to subscribers. The small number of institutional holdings suggests that the wartime conditions must have curtailed the effort. There was also a limited edition said to be only 40 copies signed by Hugnet and Thomson but not Picasso and specially bound. In April of 1940 Thomson wrote to Maurice Grosser: "My Picasso cover for La Valse Grégorienne is quite handsome. It is just the words of the title as I gave them to him and a couple of curlycues added no picture or anything which is exactly what I wanted also the signature large and impressive." Later in his autobiography Thomson confessed that had feared that Picasso's artistic power might overwhelm his own and so he asked him specifically to limit his cover to the text provided. Thomson's musical 'portrait' of Picasso "Bugles & Birds" was composed in April 1940 as a gesture of thanks for this work. Very scarce and fragile. Not recorded in Bloch's Catalogue Raisonée. L'usage de la Parole unknown
1934Best.-Nr. 9675A modern rendering of Aristophanes' classic with numerous illustrations by Picasso. Copy number 1294 of 1500 copies. Decorative paper-covered boards housed in a custom clam shell box. BFK Rives watermark. Some wear to head and tail of spine and corners see images. The six original etchings removed long ago. Otherwise a nice clean copy. Exuberantly signed by Picasso. The Limited Editions Club hardcover
1954Best.-Nr. 3116682Paris: Editions Cercle D'Art. Near Fine with no dust jacket. 1954. First Edition; First Printing. Hardcover. First trade edition. after a signed limited of 100 copies Near fine in creme-colored buckram binding without dust jacket as issued with orange-colored belly band present. 153pp. 10 3/4" x 14 1/4" Couple mild spots of soiling at bottom edge of covers. A few short tears in tissue guards. 1/2"-inch tear in belly band. Numerous b&w drawings. Features 6 color lithographs on wove paper. Two accordion-fold photolithographs in rear sleeve of Picasso's murals of the same titles -- ""La Guerre" and "La Paix" ; 10 1/2" X 14 1/4"; 153 pages . Editions Cercle D'Art hardcover
1951Best.-Nr. 140949991Tokyo: The Yomiuri Shinbun 1951. First edition. Very rare collection of five oversize photogravures by Picasso for the prestigious Yomiuri Shinbun newspaper in Tokyo: two ink drawings two lithographs and a design in color crayon "Tranche de pasteque" or "Slice of Watermelon." The others are "Tête de Femme" "Jeux sur la Plage" "Nu Assis de Profil" and "La Colombe The Dove." Various sizes housed in publisher's portfolio with printed boards ties and blue cloth spine measuring 15.75x23.75". Title page shows square of offsetting. Prints Near Fine with a little creasing along edges; slipcase Very Good scuffed and soiled. The Yomiuri Shinbun unknown
1951Best.-Nr. 140949991Tokyo: The Yomiuri Shinbun 1951. First edition. Very rare collection of five oversize photogravures by Picasso for the prestigious Yomiuri Shinbun newspaper in Tokyo: two ink drawings two lithographs and a design in color crayon "Tranche de pasteque" or "Slice of Watermelon." The others are "Tête de Femme" "Jeux sur la Plage" "Nu Assis de Profil" and "La Colombe The Dove." Various sizes housed in publisher's portfolio with printed boards ties and blue cloth spine measuring 15.75x23.75". Title page shows square of offsetting. Prints Near Fine with a little creasing along edges; slipcase Very Good scuffed and soiled. The Yomiuri Shinbun unknown books
1935Best.-Nr. 1529Paris. Ambroise Vollard 1935. 1 volume in-4 (340 x 270 mm) en feuilles, couverture imprimée rempliée. Célèbre édition illustrée de 34 compositions dont 22 GRAVURES SUR CUIVRE EN HORS-TEXTE DONT 4 EN COULEURS SUR JAPON et 12 bois dont certains en hors-texte gravés par Aubert. Table des illustrations en fin d'ouvrage. Les gravures furent réalisées par Maurice Potin d'après les monotypes d' Edgar Degas (1834-1917) achetés par Ambroise Vollard à René Degas avant la vente de l'atelier du peintre. Vollard entreprit l'édition de deux ouvrages : Mimes des Courtisanes de Pierre Louÿs et La Maison Tellier de Guy de Maupassant. Il s'adressa au peintre-graveur Maurice Potin pour reproduire sur cuivre ces scènettes de maisons closes que Degas appelait lui-même ses "petits plats du jour". M. Potin réussit à merveille à pénètrer la sensibilité du dessin et la subtilité des tons de Degas. L'entreprise prit 6 ans aux deux hommes pour faire paraître les deux ouvrages. Tirage unique à 350 exemplaires numérotés sur vélin de Rives. English: 1 book, 4to (340 x270 mm), on loose sheets under the original printed grey wrappers. 34 compositions after Degas (1834-1917) comprising 22 copper etchings outside the text by Maurice Potin after Edgar Degas (4 in color printed on japan paper) and 12 woodcuts by Aubert. Here is 1 of the 325 numbered copies printed on vélin de Rives paper.
1934Best.-Nr. 1800Ambroise Vollard, Paris 1934. 1 volume in-4 (340 x 270 mm) en feuilles, couverture illustrée rempliée. table des illustrations in fine sous chemise. - Célèbre édition illustrée de 46 compositions dont 19 GRAVURES SUR CUIVRE EN HORS-TEXTE DONT 2 EN COULEURS SUR JAPON et 17 bois dont certains en hors-texte gravés par Aubert. Les gravures furent réalisées par Maurice Potin d'après les monotypes d' Edgar Degas (1834-1917) achetés par Ambroise Vollard à René Degas avant la vente de l'atelier du peintre. Vollard entreprit l'édition de deux ouvrages : La Maison Tellier de Guy de Maupassant et Mimes des Courtisanes de Pierre Louÿs. Il s'adressa au peintre-graveur Maurice Potin pour reproduire sur cuivre ces scènettes de maisons closes que Degas appelait lui-même ses "petits plats du jour". M. Potin réussit à merveille à pénètrer la sensibilité du dessin et la subtilité des tons de Degas. L'entreprise prit 6 ans aux deux hommes pour faire paraitre les deux ouvrages. Tirage unique à 350 exemplaires numérotés sur vélin de Rives. English: 1 book, 4to, in loose leaves under the original illustrated wrappers. 46 compositions after Degas (1834-1917) comprising 19 copper etchings (2 in color printed on japan paper) and 17 woodcuts by Aubert. 1 of the 325 numbered copies printed on vellum paper.
1968Best.-Nr. C91098Chez L'Auteur. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'Œuvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1968. 1399288423 . Chez L'Auteur hardcover
1968Best.-Nr. 52986AW Fine Arts Distribution. New. 1968. Paperback. 1556602731 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 74 pp. Illustrated. Text in French AW Fine Arts, Distribution paperback
1923Best.-Nr. 012869Paris S.n., Collection Littérature 1923 In-8 Broché Dédicacé par l'auteur
1945Best.-Nr. 86101Les Editions de Minuit | Paris 1945 | 13.50 x 20.50 cm | broché
1985Best.-Nr. C90962Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pages; 80 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'Œuvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1985. Museum paperback
2000Best.-Nr. C91031Prestel Publishing. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in English German and French. 95 pages; well-illustrated. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; Art & Design; Pablo Picasso influenced and dominated the art of the 20th century like no other artist. The pictorial quality of the Spaniard's fascinating posters is one of the artist's facets that is frequently overlooked. Lively direct and playful all of the posters that Picasso created are depicted in this catalogue raisonne. . 2000. 379132277X . Prestel Publishing hardcover
1934Best.-Nr. 6237New York: The Limited Editions Club 1934. Signed Limited Edition. Signed by Pablo Picasso at the rear of the book on the limitation page. Number 984 of only 1500 copies. Lacking all 6 original etchings. Measuring approximately 12" x 9.5" with 117 numbered pages. Comes with its original slipcase. The book is in very good minus condition. Minor sun fading to the spine. Both hinges cracked. Interior pages are moderately foxed. Slipcase is in good minus condition. Heavy chipping and wear. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #O6-143. The Limited Editions Club unknown
1933Best.-Nr. C105307London: Oxford University Press 1933. First Edition. Hardback. Hardcover Hardcover. Very Good. First Edition. Hardback. 8vo. Frontispiece by Picasso 8.75 x 6 Original publisher's black cloth with gilt lettering on the fron pp xi43. LIMITED TO 100 NUMBERED COPIES this number 74 of 100 SIGNED BY JEAN COCTEAU AND PICASSO. Cocteau has added the usual star to his signature. Two different bindings are known: black cloth and yellow cloth. ""One Hundred Copies Have Been Printed on Basinwerk Paper."" Translated by Carl Wildman who provides the preface. One illus apart from the frontis a b/w photo of Cocteau as Heurtebise. Very slight nicks at the very top of front and rear hinges very slight rubbing else very good indeed with clean text. Oxford University Press, hardcover
