PICASSO, PabloBiblio.com
5529 risultati
1955rif. 147884Paris: Galerie Louise Leires 1955. Signed by Picasso Edition of 50. Signed in pencil lower right by Picasso numbered lower left. Aquatint and drypoint on vélin d'Arches watermarked wove paper all edges untrimmed. Plate size: 64.6 x 49.7 cm. Sheet size: 76.5 x 57 cm. Framed size: 105 x 88 cm. Paper toned hinging tape to upper edge and corners of verso otherwise bright. Presented in a white gold frame with conservation acrylic glazing. Bloch 771; Baer 927. unknown
1978rif. 167436Paris: Cahiers d'Art 1978. First Edition. First Edition in 34 volumes. Text in French. The definitive catalogue raisonné of the work of the 20th century's most renowned artist published individually over four decades by "Cahiers d'Art" founder Christian Zervos in partnership with Picasso himself. Volume I of "Zervos" as it is commonly known was first published by Cahiers in 1932 and the last volume was printed in 1978 following the deaths of both its author and its subject. With over 16000 reproductions in black-and-white in accordance with the artist's wishes. Picasso felt that black-and-white plates were more faithful to his work than an inaccurate color photograph. Near Fine to Fine each volume bound in custom red quarter leather with raised bands gilt titles and rule. Original wrappers for each volume included separately. Oversize set shipping billed at cost. Cahiers d'Art unknown
1978rif. 167436Paris: Cahiers d'Art 1978. First Edition. First Edition in 34 volumes. Text in French. The definitive catalogue raisonné of the work of the 20th century's most renowned artist published individually over four decades by "Cahiers d'Art" founder Christian Zervos in partnership with Picasso himself. Volume I of "Zervos" as it is commonly known was first published by Cahiers in 1932 and the last volume was printed in 1978 following the deaths of both its author and its subject. With over 16000 reproductions in black-and-white in accordance with the artist's wishes. Picasso felt that black-and-white plates were more faithful to his work than an inaccurate color photograph. Near Fine to Fine each volume bound in custom red quarter leather with raised bands gilt titles and rule. Original wrappers for each volume included separately. Oversize set shipping billed at cost. Cahiers d'Art unknown books
1967rif. 3152Paris, Tériade Éditeur, 1967. Un volume in-folio (450 x 345 mm) en feuilles sous couverture imprimée rempliée, chemise titrée or et étui de l'éditeur recouverts de toile écrue. - 38 LITHOGRAPHIES ORIGINALES DE MARC CHAGALL : 15 EN COULEURS DONT 3 À DOUBLE PAGE (450 x 687 mm) ET 18 EN NOIR. Toutes les lithographies sont en hors-texte et ont été tirées sur les presses de Fernand Mourlot. Tirage : 250 exemplaires + 20 exemplaires HC. Celui-ci est un exemplaire de collaborateur, il n'est donc ni numéroté ni signé. - Note historique et bibliophilique : Le sujet du cirque est l’un des thèmes les plus importants dans l’œuvre de Marc Chagall. Cette fascination remonte à l'enfance, quand il vit à Vitebsk une petite troupe itinérante exécuter quelques acrobaties maladroites devant un public indifférent : cette triste performance était-elle le destin de toute vie d’artiste ? C’est Ambroise Vollard, lui-même très amateur de cirque, qui incita Chagall à développer ce thème, mais c’est Tériade, qui après la mort de Vollard, le convainquit de travailler à un livre illustré de lithographies. Accompagné de textes de l’artiste, CIRQUE est certainement la meilleure réalisation lithographique de Chagall avec Daphnis & Chloé paru en 1961 chez le même éditeur, "sans aucun doute le plus personnel de tous ses livres, le plus exceptionnel aussi par l'intensité du trait et des couleurs, mais aussi par l'harmonie qu'il crée entre texte et peinture, enfin par le caractère même et la qualité de l'écriture" (Hommage à Tériade, Grand Palais, 1973). - ENGLISH DESCRIPTION: MARC CHAGALL (1887-1985) : CIRQUE, Tériade Editeur, Paris, 1967 (book/ portfolio). The complete set of 38 lithographs (23 lithographs in colors and 15 lithographs in black), on Arches paper, all hors-texte, title page, text in French and justification. This copy on Arches paper, from a collaborateur, it is not numbered and not signed, of the 270. The colors fresh, the full sheets, loose (as issued), in mint condition, within original paper wrapper, beige cloth-covered boards with title stamped in gilt on spine and matching slipcase 17 3/4 x 13 1/2 in. (450 x 345 mm.) References: Mourlot 490-527; Cramer books 68.
